News Media INNOVATION 2020
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2018 Adelaide Biennial of Australian Art
DIVIDED ART GALLERY OF SOUTH AUSTRALIA WORLDS 2018 ADELAIDE BIENNIAL OF AUSTRALIAN ART The cat sits under the dark sky in the night, watching the mysterious trees. There are spirits afoot. She watches, alert to the breeze and soft movements of leaves. And although she doesn’t think of spirits, she does feel them. In fact, she is at one with them: possessed. She is a wild thing after all – a hunter, a killer, a ferocious lover. Our ancestors lived under that same sky, but they surely dreamed different dreams from us. Who knows what they dreamed? A curator’s dream DIVIDED WORLDS ART 2018 GALLERY ADELAIDE OF BIENNIAL SOUTH OF AUSTRALIA AUSTRALIAN ERICA GREEN ART ARTISTS LISA ADAMS JULIE GOUGH VERNON AH KEE LOUISE HEARMAN ROY ANANDA TIMOTHY HORN DANIEL BOYD KEN SISTERS KRISTIAN BURFORD LINDY LEE MARIA FERNANDA CARDOSO KHAI LIEW BARBARA CLEVELAND ANGELICA MESITI KIRSTEN COELHO PATRICIA PICCININI SEAN CORDEIRO + CLAIRE HEALY PIP + POP TAMARA DEAN PATRICK POUND TIM EDWARDS KHALED SABSABI EMILY FLOYD NIKE SAVVAS HAYDEN FOWLER CHRISTIAN THOMPSON AMOS GEBHARDT JOHN R WALKER GHOSTPATROL DAVID BOOTH DOUGLAS WATKIN pp. 2–3, still: Angelica Mesiti, born Kristian Burford, born 1974, Waikerie, 1976, Sydney Mother Tongue, 2017, South Australia, Audition, Scene 1: two-channel HD colour video, surround In Love, 2013, fibreglass reinforced sound, 17 minutes; Courtesy the artist polyurethane resin, polyurethane and Anna Schwartz Gallery Melbourne foam, oil paint, Mirrorpane glass, Commissioned by Aarhus European Steelcase cubicles, aluminium, steel, Capital of Culture 2017 in association carpet, 261 x 193 x 252 cm; with the 2018 Adelaide Biennial Courtesy the artist photo: Bonnie Elliott photo: Eric Minh Swenson DIRECTOR'S 7 FOREWORD Contemporary art offers a barometer of the nation’s Tim Edwards (SA), Emily Floyd (Vic.), Hayden Fowler (NSW), interests, anxieties and preoccupations. -
Download and Otherwise Freely Deal with This Work for Any Purpose, Provided That You Attribute the Owner
Annual Report 2007-2008 © State of New South Wales through the Administrative Decisions Tribunal, Attorney General’s Department 2008 Copyright: You may copy, distribute, display, download and otherwise freely deal with this work for any purpose, provided that you attribute the owner. However, you must obtain permission if you wish to (a) charge others for access to the work (other than at cost), (b) include the work in advertising or a product for sale, or (c) modify the work. Disclaimer: This document has been prepared by the Administrative Decisions Tribunal for general information purposes and while every care has been taken in relation to its accuracy, no warranty is given or implied. Further, recipients should obtain their own independent advice before making any decisions that rely on this information. Alternate formats: This information can be provided in alternative formats such as Braille, audiotape, large print or computer disk. Please contact Corporate Services or Diversity Services on (02) 9228 7507 (voice), (02) 9228 7733 (TTY - for people who are Deaf or have a speech impairment) or [email protected] The Hon. John Hatzistergos MLC Attorney General and Minister for Justice Parliament House SYDNEY NSW 2000 Dear Attorney, In accordance with section 26 of the Administrative Decisions Tribunal Act 1997, I am pleased to present the tenth annual report of the Tribunal, covering the period 1 July 2007 to 30 June 2008. Yours sincerely, Judge KEVIN O’CONNOR AM President 3 October 2008 Level 15, St James Centre, 111 -
MEDIA WATCH on Phillip Adams
ISSUE 39 AUGUST 2011 ANYA POUKCHANSKI with a Gen Y look at The First Stone STEPHEN MATCHETT looks at political biography with Bush, Blair and Howard AYN RAND uncovered – again GERARD HENDERSON versus Brenda Niall – history and the case of Fr Hackett SJ JOHN MCCONNELL unveils Mark Aarons’ rethink on the Australian Communist Party Faith and politics – Enid Lyons as seen by ANNE HENDERSON SANDALISTA WATCH CONTINUES – Margaret Throsby and Haydn Keenan find ASIO under the bed MEDIA WATCH on Phillip Adams. Alan Ramsey and Robert Manne’s memories Published by The Sydney Institute 41 Phillip St. with Gerard Henderson’s Sydney 2000 Ph: (02) 9252 3366 MEDIA WATCH Fax: (02) 9252 3360 The Sydney Institute Quarterly Issue 39, August 2011 l CONTENTS MR SCOTT’S FIVE YEAR PLAN Editorial 2 In July 2006 Mark Scott commenced work as managing director of the Australian Broadcasting Sandalista Watch - Corporation. Initially appointed for a five year term, Mr Scott recently had his contract renewed for a Public Broadcasting, ASIO second term by the ABC Board. Shortly after his aand the Cold War appointment, Mark Scott’s office approached The Sydney Institute with a proposal that he deliver his - Gerard Henderson 3 first major public on the ABC to the Institute. The offer was willingly accepted and the talk took place Government and Freedom - on 16 October 2006. Who is Ayn Rand? In his address, Mark Scott correctly pointed out that i - 6 he was both managing director and editor-in-chief of Anne Henderson the public broadcaster. He acknowledged that there is “a sense that the organisation has issues with Ripples From the First Stone balance and fairness” and conceded that the ABC - Anya Poukchanski 10 had “been at times too defensive in the face of such criticism”. -
Dear Ms Kleinig I Refer to Your Recent Phone Call to My Office And
From: Gerard Henderson Sent: Tuesday, 14 May 2013 4:33 PM To: Xanthe Kleinig Cc: Mark Scott; Richard Finlayson; Michael Millett Subject: RE: query from Media Watch Dear Ms Kleinig I refer to your recent phone call to my office and subsequent email to me (dated 9 May 2013) advising that the ABC 1 Media Watch program “is interested in the declarations or otherwise of expert commentators from institutes and think tanks who contribute frequently to the public conversation, especially in the media”. I watched the Media Watch credits last night. I noted that Media Watch presenter Jonathan Holmes has three journalists/researchers and four librarians in addition to a production team of around ten (not including studio/camera/editing crew). In view of Media Watch’s substantial research staff, I am surprised that you do not seem to be aware of the aims and practices of The Sydney Institute. The Sydney Institute is not a think tank. Rather, it is a policy forum for debate and discussion. The Sydney Institute has no policies, does no lobbying and does not advocate causes. Speakers at the Institute, over the past six months, include Senator Christine Milne, Anthony Albanese, Tony Abbott, Senator Bob Carr and Senator George Brandis. As you should be aware, speakers address the Institute for about 30 minutes and engage in questions/discussion for a further 30 minutes. All talks delivered are published in full (subject to only stylistic editing and/or the rare elimination of defamatory material) in The Sydney Papers Online and downloaded on the Institute’s podcast. -
Over Policing; the Need for Execuitive Accountability During the Covid-19 Crisis
Inquiry into the Victorian Government's Response to the COVID-19 Pandemic Submission no. 20 OVER POLICING; THE NEED FOR EXECUITIVE ACCOUNTABILITY DURING THE COVID-19 CRISIS JACQUELINE WRIGHT I INTRODUCTION Following the Victorian Government’s health response to the COVID-19 pandemic, the Public Accounts and Estimates Committee have commenced a public inquiry to consider the effectiveness of the Victorian Government approach.1 This submission addresses the terms of reference of the inquiry by considering the lack of transparency surrounding Victoria’s over policing of vulnerable communities in response to the COVID-19 crisis. This submission considers this lack of transparency around the policing of assembly and movement, in light of executive responsibility as a principle of public law. This submission argues that the Victorian response to the COVID-19 crisis lacks transparency and effective reporting necessary for executive accountability. II EXECUTIVE AUTHORITY Whilst it is important for the Executive Government to be capable of and empowered to respond to a crisis be it war, natural disaster, financial crisis,2 or indeed a health emergency, a level of accountability is essential to prevent an executive power grab. In ascertaining the scope of power of the executive, the cautionary words of Dixon J come to mind: History and not only ancient history, shows that in countries where democratic institutions have been unconstitutionally superseded, it has been done not seldom by those holding the executive power. Forms of government may need -
2021 Tsp Mediakit Apr.Pdf
MEDIA KIT 2021 The Saturday Paper. The whole story. 2 THE SATURDAY PAPER MEDIA KIT 2021 THESATURDAYPAPER.COM.AU The making of quality media Our Craft Passion Morry Schwartz, the founder of Schwartz Media, started his first publishing company in 1971 with a simple vision: to publish the best Australian writers in the most beautiful way possible. Now, whether it’s a book, a magazine or a newspaper, every publication is still created with the individual care and attention it deserves. Experience With more than 40 years of experience curating and editing Australia’s most influential writing and journalism, Schwartz Media has a long reputation for excellence. As well as publishing a groundbreaking weekend newspaper, Schwartz Media publishes the country’s leading current affairs magazine,The Monthly, and sits proudly alongside an experienced book publisher, Black Inc., and the agenda-setting Quarterly Essay. Distinction The Saturday Paper offers comprehensive long-form journalism – content that is sadly neglected elsewhere in the media landscape. With a range of unique voices, The Saturday Paper also maintains a sense of trust and independence that can’t be imitated. The bold design and premium production are merely an extension of this commitment to quality journalism. Influence The Saturday Paper has lasting relationships with more than 600 of Australia’s most awarded and respected writers – all edited with a rare commitment to excellence. The mix of experienced contributors and fresh talent ensures The Saturday Paper is always the first choice for both writers and readers. THESATURDAYPAPER.COM.AU MEDIA KIT 2021 THE SATURDAY PAPER 3 News, opinion, life, world and sport Newspaper Excellence The Saturday Paper is the finest example of the craft of news publishing in Australia today. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Media Kit 2021 Our Craft the Creation of Quality Media
Media Kit 2021 Our Craft The creation of quality media Passion, Experience and Influence Schwartz Media Morry Schwartz, the founder of Schwartz, started Known for its forward-thinking, high-quality his first publishing company in 1971 with a simple journalism, as well as its reach and influence, vision: to publish the best Australian writers in the Schwartz Media goes beyond the 24-hour news most beautiful way possible. Today, everything the cycle with intelligent analysis of current affairs company offers is still created with the individual and a nuanced examination of Australia and the care and attention it deserves. world. Schwartz Media publishes Australia’s most- respected writers across The Saturday Paper and The Monthly magazine, both edited with a rare commitment to perfection. It also nurtures fresh talent in the Australian media sphere. 7am Media Kit 2021 7ampodcast.com.au Are you listening? In-depth interviews and sharp analysis On May 27, 2019 Schwartz Media launched a daily 7am takes a single story and unpacks it with news podcast, 7am. Each weekday 7am tells the news Schwartz Media’s award-winning team of journalists through in-depth, energetic interviews and sharp and contributors – scenes unfold, detail by detail. analysis, all in time for the morning commute. It Aided by music and archival material, 7am brings presents new voices and new ways of telling stories; together news and narrative to answer the big these are conversations you join. questions facing our country. Running for 12 to 18 minutes, 7am gives listeners context, narrative and insight. It is idiosyncratic, accessible, inquisitive and trustworthy. -
Additional Estimates 2010-11
Dinner on the occasion of the First Meeting of the International Commission on Nuclear Non-proliferation and Disarmament Kirribilli House, Kirribilli, Sydney Sunday, 19 October 2008 Host Mr Francois Heisbourg The Honourable Kevin Rudd MP Commissioner (France) Prime Minister Chairman of the International Institute for Strategic Studies and Geneva Centre for Official Party Security Policy, Special Adviser at the The Honourable Gareth Evans AO QC Foundation pour la Recherche Strategique Co-Chair International Commission on Nuclear Non- General (Ret'd) Jehangir Karamat proliferation and Disarmament Commissioner (Pakistan) and President of the International Crisis Director, Spearhead Research Group Mrs Nilofar Karamat Ms Yoriko Kawaguchi General ((Ret'd) Klaus Naumann Co-Chair Commissioner (Germany) International Commission on Nuclear Non- Member of the International Advisory Board proliferation and Disarmament and member of the World Security Network Foundation of the House of Councillors and Chair of the Liberal Democratic Party Research Dr William Perry Commission on the Environment Commissioner (United States) Professor of Stanford University School of Mr Ali Alatas Engineering and Institute of International Commissioner (Indonesia) Studies Adviser and Special Envoy of the President of the Republic of Indonesia Ambassador Wang Yingfan Mrs Junisa Alatas Commissioner (China) Formerly China's Vice Foreign Minister Dr Alexei Arbatov (1995-2000), China's Ambassador and Commissioner (Russia) Permanent Representative to the United Scholar-in-residence -
A Good Story Has Either the First Word Or the Last Word
THE LAUNCH MEDIA KIT “A GOOD STORY HAS EITHER THE FIRST WORD OR THE LAST WORD. THIS NEWSPAPER WILL HAVE BOTH.” – Morry Schwartz, publisher The Saturday Paper. The whole story. THE COMPANY “ MORRY SCHWARTZ’S VISION HAS BECOME AN INSTITUTION AND A TRADITION.” – The Guardian THE COMPANY The Saturday Paper is publisher twice won the Current Aff airs, Morry Schwartz’s fi rst weekly Business & Finance category venture. It joins other Schwartz at the Australian Magazine titles including the Monthly, Awards. Alongside the Quar- the country’s leading terly Essay, it has published a current aff airs magazine, and suite of Walkley Award-win- the agenda-setting Quarterly ning pieces. The Saturday Paper Essay. In a career spanning will do what readers have been 40 years, Schwartz has built a asking for: provide more of this reputation for publishing the award-winning content, more highest quality journalism in often. the country. The Monthly has THE NEWSPAPER The Saturday Paper is a new traffi c accidents or cats up week. Each issue is a statement way of doing news. We are a trees. We do sophisticated news of who our readers are. brave voice aimed at the most for sophisticated readers. We signifi cant day in the news- look unlike any other paper. In addition to the paper, we paper cycle. The Saturday Everything about the news- off er a fully responsive website Paper is about fi nding the best paper has been envisaged to and app – as well as a weekly people to work in the most make it a luxury product, from eDM that aggregates key news innovative ways. -
SA Public Sector Newsletter
ADVICE | TRANSACTIONS | DISPUTES 17 NOVEMBER 2020 ISSUE 37 PUBLIC SECTOR NEWSLETTER - SOUTH AUSTRALIA Welcome to Issue 37 of the SA Public Sector Newsletter. Cashless Centrelink payment cards “not worth the human cost” Crime Stoppers SA has received an $800,000 investment Cashless debit cards for welfare recipients are over four years from the Marshall Government, to help demeaning and create stress for recipients, senators improve the future safety of South Australians. The have been told as the Morrison Government looks ongoing funding will allow Crime Stoppers to expand its to widen the scheme. (06 November 2020) https:// operations across South Australia, including measures to indaily.com.au/news/2020/11/06/cashless-centrelink- stop rural criminal activity. payment-cards-not-worth-the-human-cost/ In other local news, the laws that will significantly reduce Clive Palmer has lost his WA border battle. What does it the discounts available to serious criminal offenders for mean for state and territory boundaries? early guilty pleas have now come into effect, with the previous available discount of up to 40% for an early guilty The High Court has knocked back billionaire miner Clive plea reduced to a maximum of 25%. Palmer’s challenge against Western Australia’s COVID-19 hard border closure. Chief Justice Susan Kiefel said the This issue of the Newsletter also provides the usual round- court had found the Act complied with the constitution up of practice notes, cases and legislation assistance. and the directions did not raise a constitutional -
Media Contact List for Artists Contents
MEDIA CONTACT LIST FOR ARTISTS CONTENTS Welcome to the 2015 Adelaide Fringe media contacts list. 7 GOLDEN PUBLICITY TIPS 3 PRINT MEDIA 5 Here you will fi nd the information necessary to contact local, interstate and national media, of all PRINT MEDIA: STREET PRESS 9 types. This list has been compiled by the Adelaide NATIONAL PRINT MEDIA 11 Fringe publicity team in conjunction with many of our RADIO MEDIA 13 media partners. RADIO MEDIA: COMMUNITY 17 The booklet will cover print, broadcast and online media as well as local photographers. TELEVISION MEDIA 20 ONLINE MEDIA 21 Many of these media partners have offered generous discounts to Adelaide Fringe artists. PHOTOGRAPHERS 23 Please ensure that you identify yourself clearly as PUBLICISTS 23 an Adelaide Fringe artist if you purchase advertising ADELAIDE FRINGE MEDIA TEAM 24 space. Information listed in this guide is correct as at 20 November 2014. 2 GOLDEN PUBLICITY TIPS There are over 1000 events and exhibitions taking part in the 2015 Adelaide Fringe and while they all deserve media attention, it is essential that you know how to market your event effectively to journalists and make your show stand out. A vibrant pitch and easy-to-access information is the key to getting your share of the media love. Most time- poor journalists would prefer to receive an email containing a short pitch, press release, photo/s and video clip rather than a phone call – especially in the fi rst instance. Here are some tips from the Adelaide Fringe Publicity Team on how to sell your story to the media: 1) Ensure you upload a Media Kit to FERS (Step 3, File Upload) These appear on our web page that only journalists can see and the kits encourage them to fi nd out more about you and your show.