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Feminist Periodicals
The U n vers ty o f W scons n System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 21, Number 1, Spring 2001 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian Feminist Periodicals A current listing ofcontents Volume 21, Number 1 Spring 2001 Periodicallilerature is the cutting edge ofwomen's scholarship, feminist theory, and much ofwomen's culture, Feminisf Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals, It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to ajournal or to obtain a particular article at her library or through interlibrary loan, (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from current issues ofmajorfeministjournals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected, As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1, Year of first publication, 2. Frequency of pUblication, 3. U.S, subscription price(s), 4, SUbscription address, 5. Current editor. -
Leeds Studies in English
Leeds Studies in English New Series XXXV 2004 Leeds Studies in English School of English University of Leeds 2004 Leeds Studies in English New Series XXXV © Leeds Studies in English 2004 School of English University of Leeds Leeds, England ISSN 0075-8566 Leeds Studies in English New Series XXXV 2004 Edited by Alfred Hiatt and Andrew Wawn Leeds Studies in English School of English University of Leeds 2004 Leeds Studies in English Leeds Studies in English is an annual publication from the School of English, University of Leeds, England. An international refereed journal, Leeds Studies in English publishes articles on Old and Middle English literature, Old Icelandic language and literature, and the historical study of the English language. Editorial Board: Alfred Hiatt, Editor Catherine Batt Paul Hammond Ananya Jahanara Kabir Rory McTurk Oliver Pickering Mary Swan Clive Upton Andrew Wawn, Chairman Notes for Contributors Contributors are requested to follow the Modern Humanities Research Association Style Guide (London: MHRA, 2002). The language of publication is English and translations should normally be supplied for quotations in languages other than English. Each contributor will receive twenty offprints. Please send all contributions for the attention of: The Editor, Leeds Studies in English, School of English, University of Leeds, Leeds LS2 9JT, United Kingdom. Reviews Copies of books for review should be sent to the Editor at the above address. Contents A Dead Killer? Saint Mercurius, Killer of Julian the Apostate, in the Works of William -
Special Thematic Strand: Materialities PDF Programme
Special Thematic Strand: Materialities PDF Programme This programme was correct at the time of going to press on Monday 24 June 2019. Subsequent updates can be found via the late changes screens on display in the Parkinson Court and Union Reception, and via the searchable Online Programme. MONDAY 01 JULY 2019: 09.00-10.30 Session: 1 Great Hall Title: Keynote Lecture 2019: Text or Book?: A Material Approach to the Medieval Passover Haggadah (Language: English) / Things that Sing: Song-Object Relations in European Court Culture, 1160-1360 (Language: English) Organiser: IMC Programming Committee Speakers: Emma Dillon, Department of Music, King’s College London; Katrin Kogman-Appel, Institut für Jüdische Studien, Westfälische Wilhelms- Universität Münster / Department of History of Art, Ben-Gurion University of the Negev, Beer-Sheva Introduced by: Anne Lester, Department of History, John Hopkins University Abstract ‘Text or Book?: A Material Approach to the Medieval Passover Haggadah’: Ever since the first publication of the Sarajevo Haggadah by Julius von Schlosser and David Heinrich Müller in 1898 the illustrated manuscript haggadah was highlighted in the historiography of Jewish art. The haggadah, a relatively brief text to be recited during the ceremony on Passover eve, counts as one of the obligatory prayers. As such it was originally included in the regular prayer book, the siddur. However, when we open a modern siddur, the haggadah is no longer there. At some point, thus, the haggadah was separated from the siddur and emerged as an individual book. As early scholars of Jewish art soon observed, this process of separation is closely linked to the emergence of the illuminated haggadah in the 13th century. -
Anglistentag 2016 Hamburg
Anglistentag 2016 Hamburg Anglistentag 2016 Hamburg Proceedings edited by Ute Berns and Jolene Mathieson Wissenschaftlicher Verlag Trier Anglistentag 2016 Hamburg Proceedings ed. by Ute Berns and Jolene Mathieson Trier: WVT Wissenschaftlicher Verlag Trier, 2017 (Proceedings of the Conference of the German Association for the Study of English; Vol. 38) ISBN 978-3-86821-725-4 Umschlaggestaltung: Brigitta Disseldorf © WVT Wissenschaftlicher Verlag Trier, 2017 ISBN 978-3-86821-725-4 Alle Rechte vorbehalten Nachdruck oder Vervielfältigung nur mit ausdrücklicher Genehmigung des Verlags Gedruckt auf alterungsbeständigem und säurefreiem Papier Printed in Germany WVT Wissenschaftlicher Verlag Trier Bergstraße 27, 54295 Trier Postfach 4005, 54230 Trier Tel.: (0651) 41503 / 9943344, Fax: 41504 Internet: http://www.wvttrier.de E-Mail: [email protected] Proceedings of the Conference of the German Association for the Study of English Volume XXXVIII Contents Ute Berns and Jolene Mathieson (Hamburg) Preface ix Xiaolu Guo (London) in conversation with Ralf Hertel (Trier) Writing China Across the Globe 1 Section I: Mash-ups Lucia Krämer (Passau) and Monika Pietrzak-Franger (Hamburg) Mash-ups: 'Glitch Aesthetics' and Transmedia Practice 13 Eckart Voigts (Braunschweig) Some Random Thoughts about Animated GIFs: Compact Meme Micronarratives in Everyday Remix Culture 19 Katharina Pink (München) Monsters in the Drawing Room: Mashing up Victorian Classics 33 Christian Lenz (Dortmund) Toying with Monsters: Mash-ups, Remixes, and Mattel's Monster High 45 Engelbert -
Hell Hath No Appetite Like a Woman: Food Imagery in the Lives of the Wife of Bath and Margery Kempe
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2020 Hell Hath No Appetite Like a Woman: Food Imagery in the Lives of the Wife of Bath and Margery Kempe Rhone O'Hara [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Literature in English, British Isles Commons, Medieval History Commons, and the Women's Studies Commons Recommended Citation O'Hara, Rhone, "Hell Hath No Appetite Like a Woman: Food Imagery in the Lives of the Wife of Bath and Margery Kempe". Senior Theses, Trinity College, Hartford, CT 2020. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/823 TRINITY COLLEGE Senior Thesis Hell Hath No Appetite Like a Woman: Food Imagery in the Lives of the Wife of Bath and Margery Kempe submitted by Rhone O’Hara Class of 2020 In Partial Fulfillment of Requirements for the Degree of Bachelor of Arts 2020 Director: Sheila Fisher, Ph.D. Reader: Chloe Wheatley, Ph.D. Reader: David Rosen, Ph.D. 1 Table of Contents Acknowledgments…………………………………………………………………………………2 Introduction………………………………………………………………………………………..3 Chapter 1: Bread, Beverages and Bacon: The Wife of Bath’s Exploration of Identity Through Food……………………………………………………………………………………………….9 Chapter 2: Feasts, Fealty and Fulfilment in the Life of Margery Kempe………………………..35 Chapter 3: The Measuring and Mastication of Medieval Wives………………………………...65 Conclusion………………………………………………………………...……………………..79 Works Cited……………………………………………………………...………………………84 2 Acknowledgements First, I would like to thank Professor Fisher. Without you this thesis would not have been possible. You have challenged me to become a better thinker and a better writer. Through your Chaucer course and this thesis process, you have provided me a space to grow as a scholar and as a person. -
COURSES: SPRING 2003 Professor Ammiel Alcalay 85000 San
COURSES: SPRING 2003 Professor Ammiel Alcalay 85000 San Francisco, Los Angeles: Text and Politics Thursdays 6:30 - 8:30 [55285] In his "Foreword to Historical Geography", the great geographer Carl Sauer wrote that: "The culture area, as a community with a way of living, is therefore a growth on a particular "soil" or home, an historical and geographical expression... There can be no human geography that does not concern itself with communities as associations of skills." We will explore Los Angeles and San Francisco in this very broad context that Sauer defines, with "the relevance of all human time", and in relation to other continental and transcontinental geographical and cultural reference points. As background, we will look at sources in the region's pre-colonial history, and then try to define what we mean by politics as we move into the colonial period and the development of urban life in the 19th, 20th and 21st centuries. We will use a wide range of sources in various disciplines (history, urban studies, literary texts, the visual arts, film), in order to establish a historical and theoretical context. We will explore several historical moments in some depth, and students will then be expected to define their own areas of inquiry across a broad range of interests, genres and media. Some of the questions we will examine include: How are these two cities imagined by the rest of the country, or through other parts of the world? How do we determine influence? Is there a location to film representation? What happens when texts are adapted to film across time, as in Philip K. -
Literature 2013
LEFT HEADER RIGHT HEADER LITERATURE 2013 SCHOLARLY RESOURCES PB DistributorClick of onI.B.Tauris the regional • Manchester link to view Universitymore product Press information • Pluto orPress to buy. • Zed Books 1 LEFT HEADER RIGHT HEADER The Literature Collection Palgrave Connect presents libraries with a flexible approach to building an ebook Collection with over 11,000 titles offered in the Humanities, the Social Sciences and Business. Our ebooks are published simultaneously with the print edition and uploaded into the current collections. Over 600 ebooks publications are available on Palgrave Connect available Our Literature Collection publishes high-quality, groundbreaking work from well-established authors, as well as some in this area ‘ of the brightest scholars of the next generation. As the original publisher of Thomas Hardy, Henry James, W B Yeats and Rudyard Kipling, amongst others, Macmillan has long since boasted an influential, award-winning Literature list of the highest calibre and this proud tradition is continued today with the Palgrave Macmillan imprint. – Ben Doyle, Commissioning Editor ’ Highlights from the 2013 Collection What are the benefits? • Perpetual access to purchased Collections • Unlimited, concurrent access both remotely and on site • The ability to print, copy Regularly accessed titles in this subject and download without DRM restrictions • EPUB format available for ebooks from 2011, 2012 and 2013 (in addition to PDF) for compatibility with e-readers • Simultaneous print and online publication with Literature Collection 2012 Literature Collection 2012 Literature Collection 2011 Literature Collection 2010 Literature Collection 2010 current Collections updated monthly • Free MARC record Two flexible purchase Collection Model: Over 100 collections based on subjects and years Build Your Own Collections: pick titles from across subject areas and download by collection models to choose from: years to create your own collections (minimum purchase applies). -
Citation and Marginalisation: the Ethics of Feminism in Medieval Studies
King’s Research Portal DOI: 10.1080/09589236.2014.909719 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Maude, K. (2014). Citation and marginalisation: the ethics of feminism in Medieval Studies. Journal of gender studies, 23(3), 247-261. https://doi.org/10.1080/09589236.2014.909719 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Trans' Through Feminist Science Fiction Writing
Monsters, Time-Travel, and Aliens: Tracing the Genealogies of 'Trans' through Feminist Science Fiction Writing and Film A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2020 Sabine R. Sharp School of Arts, Languages and Cultures 2 Table of Contents Table of Figures ....................................................................................................................................... 4 Abstract ................................................................................................................................................... 5 Declaration .............................................................................................................................................. 6 Copyright Statement ............................................................................................................................... 6 Acknowledgements ................................................................................................................................. 7 Introduction ............................................................................................................................................ 9 Why Feminist Science Fiction? .......................................................................................................... 16 Tracking Trans Debates ..................................................................................................................... 23 From ‘Transgender’ to ‘Trans*’ -
Medieval and Modern Women Mystics: the Evidential Character of Religious Experience
MEDIEVAL AND MODERN WOMEN MYSTICS: THE EVIDENTIAL CHARACTER OF RELIGIOUS EXPERIENCE Father RICHARD WOODS, O.P. I RELIGIOUS EXPERIENCE AND WOMEN’S EXPERIENCE The subtitle of my presentation bears what someone might recognise as a certain, perhaps misleading resemblance to Caroline Franks Davis’ book The Evidential Force of Religious Experience . The difference is important, however. I believe that there is an evidential force to religious experience, both for the individual and for society. History certainly provides plentiful instances. I also believe that a compelling case can be made in regard to knowledge of human nature and what Sir Alister Hardy called the spiritual world or realm on the basis of a comparative study of cases of religious experience employing increasingly sophisticated methods of textual analysis. But in this paper I do not intend to argue that religious or mystical experiences, even when manifesting a remarkable consistency and congruency over centuries of development in significantly different cultural contexts, prove that the claims made by those having religious experience are in fact true or even that they point to a common element in such religious experiences as a group. So far as I can tell, this is the case, but establishing that remains a goal of my present research into the relatively large number of cases found in the convent chronicles of the South German Dominican nunneries of the 14th century compared with similar cases of women in the contemporary period found in the files of the Religious Experience Research Centre. My purpose here is more modest. I hope to show, first, that significant parallels exist between the function (the social significance and personal value) of religious experience in the 14th century Rhineland and among women and even men today. -
26Th International Congress on Medieval Studies
Dear Colleague: It is my pleasure to invite you to the Twenty-sixth International Congress on Medieval Studies in Kalamazoo which will convene from May 9-12,1991 on the campuses of Western Michigan University and Kalamazoo College under the sponsorship of WMU's Medieval Institute. We are grateful to Kalamazoo College for hosting several sessions and special events this year and look forward to having our sister institution--which is recognized as one of the oldest and most pres tigious liberal arts colleges in the country--as a regular co-host of the annual International Congress on Medieval Studies. As you will notice, the spotlight this year is on Anglo-Saxon/Germanic studies--with both plen ary sessions addressing the subject as well as the special sessions on literary sources of Anglo Saxon culture, the sessions on the insular tradition, and the special sessions on Germanic heroic poetry in honor of Jess Bessinger. In addition, there will be a special exhibition in Fetzer Center of watercolors by Gordon Lindsey entitled Iwein-The Knight with the Lion with reproductions of the Rodenegg Frescoes based on Hartmann von Aue's epic. Evening events this year include a performance of Wisdom by the Poculi Ludique Societas of the University of Toronto, and of music from the 12th-century Liber Sancti Iacobi combined with stories of the life and miracles of St. James of Compostela, performed by the New York-based ensemble Anonymous 4. By popular demand, Ingrid Brainard from the Boston Conservatory of Music, will again conduct a free public workshop in Renaissance dance for Congress participants. -
Independent Women Scholars Write (Women's) Medieval History
Independent Women Scholars Write (Women’s) Medieval History Susan Mosher Stuard Independent scholarly writing on the Middle Ages began as a dignified amateur endeavour in, and in a few instances before, the eighteenth century, although a bemused reading public has often marvelled at why anyone with a superior education and leisure would bother. For this reason, amateur scholars have often felt it neces- sary to justify their choice of a scholarly pursuit, and this continues down to our own day. Women scholars like Margaret Wade Labarge (1916-2009), whom we celebrate here, often had little choice but to pursue their scholarly interests independently because in her day academic positions were largely awarded to men. Labarge justified her career choice straightforwardly as based on a lifelong interest in the Middle Ages. Despite sporadic appointments as visiting scholar at Carleton University and the University of Ottawa, Margaret Wade Labarge spent her career primarily in research and writing, and she chose to view her status on the periphery of academic institu- tions positively since it left her free to study and write what she wished. She chose her scholarly projects herself, pursued them independently, and found publishers willing to place her work before the public: as a result, she enjoyed some commercial success and, with it, stature within her chosen field of study. There are many reasons to celebrate Margaret Wade Labarge and place her among the women scholars who pursued similar independent careers in medieval studies and, in doing so, designed medieval women’s history in ways that resonate to the present day.1 1 Elizabeth Elstob is the first in a line of independent women scholars working on the medieval past that continues to this day; Hughes, “Elizabeth Elstob (1683-1756).” I am grateful for the Florilegium, vol.