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26727 Consignor Auction Catalogue Template
Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation. -
Regina Clay: Worlds in the Making Greg Beatty
Document généré le 24 sept. 2021 15:01 Espace Sculpture Regina Clay: Worlds in the Making Greg Beatty Sculpture & humour Numéro 76, été 2006 URI : https://id.erudit.org/iderudit/8873ac Aller au sommaire du numéro Éditeur(s) Le Centre de diffusion 3D ISSN 0821-9222 (imprimé) 1923-2551 (numérique) Découvrir la revue Citer ce document Beatty, G. (2006). Regina Clay: Worlds in the Making. Espace Sculpture, (76), 41–42. Tous droits réservés © Le Centre de diffusion 3D, 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ EVENEMENTS /: V ClltS Regina Clay: Worlds in the Making Greg BEATTY "Make Pottery Not War!" may not member) Kenneth Lochhead to do have been a rallying cry for anti- so. Beth Hone, wife of long-time Saskatchewan artist MacGregor Vietnam War protestors and other Hone, was one ofthe first counter-culture types in the teachers. "Those people haven't 1960s, but given the subversive been recognized, so this exhibi tion gives them some credit," says nature of clay as an artistic Long. "Then, of course, when Ric medium at that time, at least Gomez arrived [from California] in among professors and students at '64, his job was to set up a sculp ture department, and to advise in the University of Regina, it might the setting up ofthe ceramics well have been. -
Ted Godwin: Last of the Regina Five
TED GODWIN: LAST OF THE REGINA FIVE FOLDFORMING: OF LIGHT AND LUSTRE Fall 2012 ANACHRONISMS IN CLAY BEES IN BERLIN ACAD IN ACTION FALL.2012 | ACAD Publisher External Relations Statements, opinions and Account Director Stephanie Hutchinson viewpoints expressed by the Managing Editor Miles Durrie writers of this publication do Creative Director Anders Knudsen not necessarily represent the (Diploma in Visual Communications, 1988) views of the publisher. Art Director Venessa Brewer (Bachelor of Design, 2002) Alberta College of Art + Design Contributors Kelley Abbey, Shelley Arnusch, in partnership with RedPoint Carol Beecher, Miles Durrie, Kim Alison Media & Marketing Solutions. Fraser, Mackenzie Frère, Kevin Kurytnik, Alison Miyauchi, Jared Sych, Lori Van Copyright 2012 by RedPoint Rooijen, Colin Way Media Group Inc. No part of this Project Manager Kelly Trinh publication may be reproduced Production Manager Mike Matovich without the express written consent of the publisher. Cover Illustration Karen Klassen BFA Print Media, 2005 To view more of Karen’s work go to www. karenklassen.com 100, 1900 – 11th Street SE Alberta College of Art + Design Calgary, Alberta T2G 3G2 1407 – 14th Avenue NW Phone: 403.240.9055 Calgary, Alberta T2N 4R3 Media & Marketing Solutions redpointmedia.ca Phone: 403.284.7600 TRAVEL TO THE ANCIENT STONE VILLAGE OF LARAOS, PERU AND ITS SPECTACULAR STONE TERRACES. 14 DAYS OF ESCORTED DAY TRIPS INTO THE SURROUNDING NATIONAL PARK WILL CONCLUDE OVERNIGHT AT A HISTORIC PLANTATION, NOW RENOWNED AS A FINE DINING DESTINATION. -
Fine Canadian Art
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART NOVEMBER 27, 2014 HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~14~8 SALE THURSDAY, NOVEMBER 27, 2014, TORONTO FINE CANADIAN ART AUCTION THURSDAY, NOVEMBER 27, 2014 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART PARK HYATT HOTEL, QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, NOVEMBER 1 THROUGH TUESDAY, NOVEMBER 4, 11 AM TO 6 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 13 THROUGH SATURDAY, NOVEMBER 15, 11 AM TO 6 PM PREVIEW AT UNIVERSITY OF TORONTO ART CENTRE 15 KING’S COLLEGE CIRCLE ENTRANCE OFF HART HOUSE CIRCLE SATURDAY, NOVEMBER 22 THROUGH WEDNESDAY, NOVEMBER 26, 10 AM TO 6 PM THURSDAY, NOVEMBER 27, 10 AM TO 12 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE, TORONTO ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 TOLL FREE 1 800 528-9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue. -
Une Bibliographie Commentée En Temps Réel : L'art De La Performance
Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time : Performance Art in Quebec and Canada 2019 3e édition | 3rd Edition Barbara Clausen, Jade Boivin, Emmanuelle Choquette Éditions Artexte Dépôt légal, novembre 2019 Bibliothèque et Archives nationales du Québec Bibliothèque et Archives du Canada. ISBN : 978-2-923045-36-8 i Résumé | Abstract 2017 I. UNE BIBLIOGraPHIE COMMENTÉE 351 Volet III 1.11– 15.12. 2017 I. AN ANNOTATED BIBLIOGraPHY Lire la performance. Une exposition (1914-2019) de recherche et une série de discussions et de projections A B C D E F G H I Part III 1.11– 15.12. 2017 Reading Performance. A Research J K L M N O P Q R Exhibition and a Series of Discussions and Screenings S T U V W X Y Z Artexte, Montréal 321 Sites Web | Websites Geneviève Marcil 368 Des écrits sur la performance à la II. DOCUMENTATION 2015 | 2017 | 2019 performativité de l’écrit 369 From Writings on Performance to 2015 Writing as Performance Barbara Clausen. Emmanuelle Choquette 325 Discours en mouvement 370 Lieux et espaces de la recherche 328 Discourse in Motion 371 Research: Sites and Spaces 331 Volet I 30.4. – 20.6.2015 | Volet II 3.9 – Jade Boivin 24.10.201 372 La vidéo comme lieu Une bibliographie commentée en d’une mise en récit de soi temps réel : l’art de la performance au 374 Narrative of the Self in Video Art Québec et au Canada. Une exposition et une série de 2019 conférences Part I 30.4. -
Currents Finds a Brand New Home
Volume 16, No. 2 Spring, 2010 Trout Unlimited Canada’s Currents finds a brand new home Alberta’s Raven River: an example of conservation in action by Phil Rowley he Raven River, a tributary of the threats facing the Raven. The Edmonton The Raven River project was broken Red Deer River, is located in Cen- chapter backed by the Lloyd Shea Fisheries down into four key components. T tral Alberta just west of Red Deer. Enhancement fund looked for additional • Assessment of fish habitat and riparian 1983 saw the completion of the Dickson funding and project partners to begin work (river bank) conditions Dam forming Gleniffer Lake which the on the Raven. • Gaining a measure of the existing brown Raven River now spills into. Flowing over The Lloyd Shea Fisheries Enhancement trout population 102 KM in an easterly direction from the Fund was created in memory of Lloyd Shea, • Assess the relative abundance, diversity slopes of the Rocky Mountains the Raven an ardent fly fisher, hunter, advocate for and distribution of all fish species in the River carries agriculture, forestry and the conservation and founding member of the River oil and gas industry on her shoulders. The Edmonton chapter. In honour of Lloyd’s Photo by Ryan Popowich. Raven is held close to the hearts of local fly memory and legacy Dave Johnston from • Identify critical spawning areas used by fishers as one of Alberta’s premier brown the Fishin’ Hole proposed that the Edmon- brown trout trout fisheries. As with any river system ton chapter establish the fund with their Assessment of existing fish habitat and exposed to human activity the Raven faces assistance, driven by a primary mandate river bank conditions was done both on a number of threats to its health including to conduct studies on brown trout streams foot and through the unique use of a low sedimentation, cattle damage and an over- in central Alberta. -
Post-War & Contemporary
heffel f ine Art Auction Auction ine Art h ouse post-war & contemporary art contemporary & post-war post-wAr & contemporAry Art Sale Thursday, november 26, 2015 · 4 Pm · ToronTo Post-wAr & contemPorAry Art Auction Thursday, November 26, 2015 4 PM Post-War & Contemporary Art 7 PM Fine Canadian Art Park Hyatt Hotel, Queen’s Park Ballroom 4 Avenue Road, Toronto Previews Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 31 through Tuesday, November 3, 11 am to 6 pm Galerie Heffel, Montreal 1840 Rue Sherbrooke Ouest Thursday, November 12 through Saturday, November 14, 11 am to 6 pm University of Toronto Art Centre 15 King’s College Circle Entrance off Hart House Circle Saturday, November 21 through Wednesday, November 25, 10 am to 6 pm Thursday, November 26, 10 am to noon Heffel GAllery, toronto 13 & 15 Hazelton Avenue, Toronto Ontario, Canada M5R 2E1 Telephone 416-961-6505 Fax 416-961-4245 Toll Free 1-800-528-9608 www.heffel.com Heffel Fine Art Auction House Heffel.com Departments A Division of Heffel Gallery Inc. consiGnments toronto [email protected] 13 & 15 Hazelton Avenue, Toronto, Ontario M5R 2E1 APPrAisAls Telephone 416-961-6505, Fax 416-961-4245 [email protected] E–mail: [email protected], Internet: www.heffel.com Absentee And telePHone biddinG montreAl [email protected] 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Telephone 514-939-6505, Fax 514-939-1100 sHiPPinG [email protected] Vancouver 2247 Granville Street, Vancouver, British Columbia V6H 3G1 subscriPtions Telephone 604-732-6505, Fax 604-732-4245 [email protected] ottAwA 451 Daly Avenue, Ottawa, Ontario K1N 6H6 Cao tAl Gue subscriPtions Telephone 613-230-6505, Fax 613-230-8884 Heffel Fine Art Auction House and Heffel Gallery Inc. -
University of Regina Archives and Special Collections The
UNIVERSITY OF REGINA ARCHIVES AND SPECIAL COLLECTIONS THE DR JOHN ARCHER LIBRARY 86-29 KEN LOCHHEAD SHELLEY SWEENEY JULY 31, 1986 REVISED JANUARY 2004 BY ELIZABETH SEITZ 86-29 KEN LOCHHEAD 2 / 24 Biographical Sketch Ken Lochhead was born in Ottawa in 1926. His major art training came from the Pennsylvania Academy of the Fine Arts in Philadelphia (1945-1949). At the same time Lochhead studied at the Barnes Foundation in Merlon, Philadelphia from 1946 to 1948. Several scholarships allowed him to study in England, Holland, Belgium, France, Spain, Italy, Switzerland, and western Canada. After several short assignments, Lochhead was hired by the University of Saskatchewan, Regina College in 1950 to direct the School of Art. He was also charged by Dean William Riddell to develop what became the Norman Mackenzie Art Gallery. Under Lochhead's guidance, both the School and the Gallery flourished, attracting vibrant personalities and generating excitement. At this time Lochhead developed a distinctive style, producing such notable works as "The Kite" (1952). "The Dignitary" and "The Bonspiel" (1954). As well, he began to win major commissions, completing an enormous wall mural at Gander Airport in Newfoundland in 1957-1958. It was Lochhead's creation of the Emma Lake Artists' Workshops, however, that attracted the most attention to the prairie region. With the summer series led by such New York artists as Herman Cherry, Barnett Newman, Kenneth Noland, and Jules Olitski, international attention was suddenly focused to the north. The results were tremendous: a veritable burst of excited experimentation and innovation. Lochhead himself produced such abstract works as "Blue Extension" and "Dark Green Centre" (1963). -
THE TRIANGLE ARTS NETWORK – Contemporary Art and Transnational Production
THE TRIANGLE ARTS NETWORK – Contemporary Art and Transnational Production by Miriam Aronowicz A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto © Copyright by Miriam Aronowicz 2016 The Triangle Arts Network: Contemporary Art and Transnational Production Miriam Aronowicz Doctor of Philosophy Department of Art University of Toronto 2016 Abstract This dissertation presents a historical overview and contemporary analysis of the Triangle Arts Network, an international network of artists and arts organizations that promotes the exchange of ideas and innovation within the contemporary arts. It was established in 1982 through a workshop held in Pine Plains, New York and quickly grew into an international network of artist led workshops around the world. More than twenty years later the network continues to grow and includes a roster of ongoing workshops as well as artist led organizations and centres. This dissertation situates Triangle as a major global phenomenon, yet one that operates outside the mainstream artscapes. My research follows the network’s historical links from Saskatchewan, Canada, to New York and onto South Africa. This web-like evolution demonstrates the complexity of global art networks and the fluidity of boundaries needed for contemporary art discourse. This research explores how the movement of ideas, artists and infrastructures complicate our understanding of clearly defined boundaries within contemporary ii art and globalization. Using Actor-Network Theory (ANT) as a metaphor for the Triangle Network, I attempt to unpack the complexities of an art system without objects, a process without product and the entangled relationships between artists, workshops and grassroots models of production. -
A Biography of Norah Mccullough Dama Dons Gailagher MA A
Bringing Art to the People: A Biography of Norah McCullough by Dama Dons Gailagher M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Masters of Arts in Canadian Studies Carleton University OlTAWA, Ontario January 13 1997 Dama Dons GaiIagher National Library Bibliothèque nationale 1+1 ,,,,da du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/h7de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantid extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is the first project to recover the Life and work of Norah McCullough, examining her role as an art educator, and cultural promoter and activist in Canada and South Africa between 1920 and 1968. McCuUough is positioned as a catalyst in the Canadian art world, with a lifelong cornmitment to public education in the visual arts. -
Canadian Post~War & Contemporary
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART CANADIAN POST~WAR & CONTEMPORARY ART & CONTEMPORARY ART & CONTEMPORARY CANADIAN POST~WAR NOVEMBER 2009 26, VISIT HEFFEL FINE ART AUCTION HOUSE www.heffel.com VANCOUVER • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~0~9811120~3~9 SALE THURSDAY, NOVEMBER 26, 2009, 4PM, TORONTO CANADIAN POST~WAR AUCTION & CONTEMPORARY ART THURSDAY, NOVEMBER 26, 2009 4:00 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7:00 PM, FINE CANADIAN ART PARK HYATT HOTEL QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, OCTOBER 31 THROUGH TUESDAY, NOVEMBER 3, 11:00 AM TO 6:00 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 12 THROUGH SATURDAY, NOVEMBER 14, 11:00 AM TO 6:00 PM PREVIEW IN TORONTO 13 & 14 HAZELTON AVENUE SATURDAY, NOVEMBER 21 THROUGH WEDNESDAY, NOVEMBER 25, 11:00 AM TO 6:00 PM THURSDAY, NOVEMBER 26, 10:00 AM TO 12:00 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 INTERNET: WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • TORONTO • OTTAWA • MONTREAL 2 HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue. -
Glebe Report September 17, 1999 2
Serving the Glebe community since 1973 FREE Repairs near completion Caren Von Merveldt of Von's the staff will return. Bistro says she is touched by the The structural repairs are the sympathetic reactions of Glebe responsibility of Minto, the residents to the crash that has owner of Fifth Avenue Court. She closed both Von's Bistro and is working on the interiors and Flippers restaurant. "So many decor of the restaurants. Her in- people have been wonderful and surance company has commis- very supportive. I want to thank sioned United Restoration Asso- them for their support and con- ciates to do the restoration, su- cern." pervise all the trades involved Once the repairs are finished, and make sure everything gets she wants to address the traffic done. "That means I don't get the issue which she considers to be hassles," said Caren. She said she very serious and she hopes the has no idea what the final costs community will mobilize as well. will be. "We've got to do something about traffic here at this corner Caren says that Flippers, the (Bank and Fourth)," she said. "I seafood restaurant upstairs, will will actively pursue this and look be 20 years old in 2000, and for community support. The Von's Bistro has been going about August accident could have been 15 or 16 years, so she is anxious deadly." to reopen soon. The Glebe resi- She is busy this month check- dent says she appreciates the ex- ing on the progress of the repairs pressions of concern she has re- and hopes to reopen by the end of ceived from her neighbours and September or early October.