Reckoning with Vietnam, 50 Years After My Lai
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The Vietnam War in the American Mind, 1975-1985 Mark W
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1989 Half a memory : the Vietnam War in the American mind, 1975-1985 Mark W. Jackley Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jackley, Mark W., "Half a memory : the Vietnam War in the American mind, 1975-1985" (1989). Master's Theses. Paper 520. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Half A Memory: The Vietnam War In The American Mind, 1975 - 1985 Mark W. Jackley Submitted for the Degree of Master of Arts in History University of Richmond, 1989 Dr. Barry Westin, Thesis Director This study attempts to show how Americans in general remembered the Vietnam War from 1975 to 1985, the decade after it ended. A kind of social history, the study concentrates on the war as remembered in the popular realm, examining novels as well as nonfiction, poetry, plays, movies, articles in political journals, songs, memorials, public opinion polls and more. Most everything but academic history is discussed. The study notes how the war's political historY. was not much remembered; the warrior, not the war, became the focus of national memory. The study argues that personal memory predominated over political memory for a number of reasons, the most important being the relative unimportance of the nation of Vietnam to most Americans. -
HISTORY 319—THE VIETNAM WARS Fall 2017 Mr
University of Wisconsin–Madison Department of History HISTORY 319—THE VIETNAM WARS Fall 2017 Mr. McCoy I. COURSE PROCEDURES: Class Meetings: Lectures are given in 1111 Humanities by Mr. McCoy on Tuesdays and Thursdays, from 4:00 to 5:15 p.m. In addition, students will attend a one-hour discussion section each week conducted by the Teaching Assistant (TA) for this course. N.B. Laptops may used only for taking notes and may not be used to access the Internet. Office Hours: —For Marlana Margaria, Humanities Room 4274, on Tuesdays from 1:45 to 3:45 p.m. and other hours by appointment (TEL: 265-9480). Messages may be left in Humanities Mailbox No. 4041, or sent via e-mail to: <[email protected]> —For Alfred McCoy, Humanities Room 5131, Thursdays 12:00 to 2:00 p.m. and other hours by appointment (TEL: 263-1855). Messages may be left in Humanities Mailbox No. 5026, or sent via e-mail to: <[email protected]> Grading: Students shall complete three pieces of written work. On October 19, students shall take a midterm examination. On November 21, students shall submit a 5,000-word research essay with full footnotes and bibliographic references. During examination week on December 16, students shall take a two-hour final examination. Final grades shall be computed as follows: —midterm take-home exam: 20% —research essay: 30% —discussion section mark: 30% —final examination: 20% —extra credit/film viewing: 3% Course Requirements: For each of these assignments, there are different requirements for both the amount and form of work to be done: a.) Midterm take-home examination: Select two questions from a list distributed in the lecture on Thursday, October 19, and turn in two short essays totaling five typed pages, with full endnote citations, at the start of class on Tuesday, October 24. -
My Lai Massacre 1 My Lai Massacre
My Lai Massacre 1 My Lai Massacre Coordinates: 15°10′42″N 108°52′10″E [1] My Lai Massacre Thảm sát Mỹ Lai Location Son My village, Son Tinh District of South Vietnam Date March 16, 1968 Target My Lai 4 and My Khe 4 hamlets Attack type Massacre Deaths 347 according to the U.S Army (not including My Khe killings), others estimate more than 400 killed and injuries are unknown, Vietnamese government lists 504 killed in total from both My Lai and My Khe Perpetrators Task force from the United States Army Americal Division 2LT. William Calley (convicted and then released by President Nixon to serve house arrest for two years) The My Lai Massacre (Vietnamese: thảm sát Mỹ Lai [tʰɐ̃ːm ʂɐ̌ːt mǐˀ lɐːj], [mǐˀlɐːj] ( listen); /ˌmiːˈlaɪ/, /ˌmiːˈleɪ/, or /ˌmaɪˈlaɪ/)[2] was the Vietnam War mass murder of between 347 and 504 unarmed civilians in South Vietnam on March 16, 1968, by United States Army soldiers of "Charlie" Company of 1st Battalion, 20th Infantry Regiment, 11th Brigade of the Americal Division. Victims included women, men, children, and infants. Some of the women were gang-raped and their bodies were later found to be mutilated[3] and many women were allegedly raped prior to the killings.[] While 26 U.S. soldiers were initially charged with criminal offenses for their actions at Mỹ Lai, only Second Lieutenant William Calley, a platoon leader in Charlie Company, was convicted. Found guilty of killing 22 villagers, he was originally given a life sentence, but only served three and a half years under house arrest. -
Intimate Perspectives from the Battlefields of Iraq
'The Best Covered War in History': Intimate Perspectives from the Battlefields of Iraq by Andrew J. McLaughlin A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2017 © Andrew J. McLaughlin 2017 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Marco Rimanelli Professor, St. Leo University Supervisor(s) Andrew Hunt Professor, University of Waterloo Internal Member Jasmin Habib Associate Professor, University of Waterloo Internal Member Roger Sarty Professor, Wilfrid Laurier University Internal-external Member Brian Orend Professor, University of Waterloo ii Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract This study examines combat operations from the 2003 invasion of Iraq War from the “ground up.” It utilizes unique first-person accounts that offer insights into the realities of modern warfare which include effects on soldiers, the local population, and journalists who were tasked with reporting on the action. It affirms the value of media embedding to the historian, as hundreds of journalists witnessed major combat operations firsthand. This line of argument stands in stark contrast to other academic assessments of the embedding program, which have criticized it by claiming media bias and military censorship. Here, an examination of the cultural and social dynamics of an army at war provides agency to soldiers, combat reporters, and innocent civilians caught in the crossfire. -
And Where He Did
Vol. 2 No. 9 October 1992 $4.00 and where he did Volume 2 Number 9 I:URI:-KA STRI:-eT October 1992 A m agazine of public affairs, the arts and theology 21 CoNTENTS TOPGUN Michael McGirr reports on gun laws and the calls for capital punishment in the 4 Philippines. COMMENT In this year of elections we are only as good 22 as our choices, says Peter Steele. Andrew DON'T KISS ME, HARDY Hamilton looks at the Columbus quin James Griffin concludes his series on the centary, and decides that the past must be Wren-Evatt letters. owned as well as owned up to (pS). 6 25 ORIENTATIONS LETTERS Peter Pierce and Robin Gerster take their pens to Shanghai and Saigon; Emmanuel 7 Santos and Hwa Goh take their cameras to COMMISSIONS AND OMISSIONS Tianjin. ICAC chief Ian Temby Margaret Simons talks to Australia's top speaks for himself: p 7 crime-busters. 34 11 BOOKS AND ARTS Cover photo: A member of Was the oldest part of the Pentateuch CAPITAL LETTER the Tianjing city planning office written by a woman? Kevin Hart reviews in Jei Fang Bei Road, three books by Harold Bloom, who thinks the 'Wall Street' of Tianjin. 12 it was; Robert Murray sizes up Columbus BLINDED BY THE LIGHT and colonialism (p38 ). Cover photo and photos pp25, 29 and 30 Bruce Williams visits the Columbus light by Emmanuel Santos; house in Santo Domingo, and wonders who Photo p27 by Hwa Goh; will be enlightened. 40 Photos p12 by Belinda Bain; FLASH IN THE PAN Photo p41 by Bill Thomas; 15 Reviews of the films Patriot Games Cartoons pp6, 36 and 3 7 by Dean Moore; Zentropa, Edward II, and Deadly. -
Downloaded from Manchesterhive.Com at 09/26/2021 11:21:08PM Via Free Access 100 the Politics of Memory
5 The articulation of memory and desire: from Vietnam to the war in the Persian Gulf John Storey In this chapter I want to explore, within a context of culture and power, the complex relations between memory and desire.1 More specifically, I want to connect 1980s Hollywood representations of America’s war in Vietnam (what I will call ‘Hollywood’s Vietnam’) with George Bush’s campaign, in late 1990 and early 1991, to win support for US involvement in what became the Gulf War. My argu- ment is that Hollywood produced a particular ‘regime of truth’2 about America’s war in Vietnam and that this body of ‘knowledge’ was ‘articulated’3 by George Bush as an enabling ‘memory’ in the build up to the Gulf War. Vietnam revisionism and the Gulf War In the weeks leading up to the Gulf War, Newsweek featured a cover showing a photograph of a serious-looking George Bush. Above the photograph was the banner headline, ‘This will not be another Viet- nam’. The headline was taken from a speech made by Bush in which he said, ‘In our country, I know that there are fears of another Viet- nam. Let me assure you . this will not be another Vietnam.’4 In another speech, Bush again assured his American audience that, ‘This will not be another Vietnam . Our troops will have the best possi- ble support in the entire world. They will not be asked to fight with one hand tied behind their backs.’5 Bush was seeking to put to rest a spectre that had come to haunt America’s political and military self- image, what Richard Nixon and others had called the ‘Vietnam Syn- drome’.6 The debate over American foreign policy had, according to Nixon, been ‘grotesquely distorted’ by an unwillingness ‘to use power to defend national interests’.7 Fear of another Vietnam, had made America ‘ashamed of . -
Vietnam Goes Intermedia – Reconsidering Media Boundaries in Michael Herr’S Dispatches
Vietnam Goes Intermedia – Reconsidering Media Boundaries in Michael Herr’s Dispatches Madita Oeming 1 Introduction: The Vietnam War In- and Outside Plato’s Cave What does Plato have to do with the Vietnam War? To turn to a piece of philoso- phical writing from antiquity to approach a twentieth-century political event seems absurd. However, re-reading Plato’s The Republic with this aspect in mind opens up an illuminating perspective. His famous cave allegory in Book VII suddenly reads like a trenchant commentary on the splitting of the American people during the Vietnam era: soldiers experiencing the war first hand versus civilians following it via the media. To be more precise, those going to Vietnam left the cave to face reality; while those staying in the US lingered in the cave’s darkness with nothing but representations of reality. It almost goes without saying that this dichotomy implies the primacy of the former over the latter, for whom “the truth would be literally nothing but the shadows of images” (Plato 42). Aligning the experience of war with the “beatific vision” portrayed in Plato (45) – which is to equate the sol- dier with the philosopher – would certainly be over the top. Yet, the inherent hier- archy of contrasting the “uninformed of the truth” (ibid. 47) with those who have been to “the world of knowledge” (ibid. 44) can be discovered in much Vietnam writing – “there exists within the cultural production of Vietnam a privileging … of personal experience, of ‘Having Been There, Man’” (Bonn 208). 60 Madita Oeming Though being in fact applicable to virtually any other war, this binarism of first- hand war experience versus mediated knowledge thereof is particularly characteris- tic of the Vietnam War. -
Framing 'The Other'. a Critical Review of Vietnam War Movies and Their Representation of Asians and Vietnamese.*
Framing ‘the Other’. A critical review of Vietnam war movies and their representation of Asians and Vietnamese.* John Kleinen W e W ere Soldiers (2002), depicting the first major clash between regular North-Vietnamese troops and U.S. troops at Ia Drang in Southern Vietnam over three days in November 1965, is the Vietnam War version of Saving Private Ryan and The Thin Red Line. Director, writer and producer, Randall Wallace, shows the viewer both American family values and dying soldiers. The movie is based on the book W e were soldiers once ... and young by the U.S. commander in the battle, retired Lieutenant General Harold G. Moore (a John Wayne- like performance by Mel Gibson).1 In the film, the U.S. troops have little idea of what they face, are overrun and suffer heavy casualties. The American GIs are seen fighting for their comrades, not their fatherland. This narrow patriotism is accompanied by a new theme: the respect for the victims ‘on the other side’. For the first time in the Hollywood tradition, we see fading shots of dying ‘VC’ and of their widows reading loved ones’ diaries. This is not because the filmmaker was emphasizing ‘love’ or ‘peace’ instead of ‘war’, but more importantly, Wallace seems to say, that war is noble. Ironically, the popular Vietnamese actor, Don Duong, who plays the communist commander Nguyen Huu An who led the Vietnamese People’s Army to victory, has been criticized at home for tarnishing the image of Vietnamese soldiers. Don Duong has appeared in several foreign films and numerous Vietnamese-made movies about the War. -
The Legacy of the Gulf of Tonkin Incident: “Real American War” in Vietnam1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE NANZAN REVIEW OF AMERICAN STUDIES Volume 36 (2014): 113-121 The Legacy of the Gulf of Tonkin Incident: “Real American War” in Vietnam1 FUJIMOTO Hiroshi* Introduction I would like to discuss in this article the following two points with regard to the legacy of the Gulf of Tonkin Incident; the historical significance of the Gulf of Tonkin Incident and Vietnamese civilian suffering in the Vietnam War. First, It is now clear that the justification given by the Johnson administration at that time of the Gulf of Tonkin Incident was inaccurate and that the public was manipulated. In this sense, the incident reminds us of the following classic quotation by Aeschylus, an ancient Greek tragic dramatist (525 B.C.-456 B.C.): “In war, truth is the first casualty.” The Gulf of Tonkin Incident could also be considered as a turning point for the U.S. move toward an open-ended military commitment in Vietnam. Secondly, I will touch upon Vietnamese civilian suffering as a consequence of this open-ended military commitment. I: Historical Significance of the Gulf of Tonkin Incident 1・1. The Justification by the Johnson administration The Gulf of Tonkin Incident occurred on August 2, 1964, when the USS Maddox was attacked by three Vietnamese torpedo boats in the Gulf of Tonkin off the coast of the Democratic Republic of Vietnam (DRV). We now know that the August 2 attack had been ordered by a Vietnamese locally based commander, and not one from Hanoi.2 Johnson did not order any retaliation in response to this * Professor of International Relations, Department of British and American Studies. -
PS the New Journalism WS 2000/2001 Hofmann
PS The New Journalism WS 2000/2001 Hofmann Verfasser der Hausarbeit: Marcel Plexnies XXX Germanistik M.A. III MMiicchhaaeell HHeerrrr aass aa NNeeww JJoouurrnnaalliisstt - 2 - Content: Page 1. Introduction 3 2. New Journalism devices in Herr’s Dispatches 3 2.1 Contextual Usage 4 2.2 Special significance of the chapter “Colleagues” 6 3. Critics of Herr’s New Journalism 12 4. Conclusion 15 5. Notes 16 6. Bibliography 17 7. Appendix: Internet-sources 17 - 3 - 1. Introduction It was the time of the Anti-war-movement in the 1960s, the time of the Vietnam War, the time of hippies, the time of sex, drugs and rock ’n’ roll, when even the journalism in the United States got a new significance. Journalism was no longer only an objective mean for public, it became a medium for all those – journalists and novelists – who wanted to express something else than merely pure facts. Feelings, emotions, complete scenarios and everyday habits were now important. The New Journalism gave authors the chance to involve themselves better, but at the same time their readers in the narrated content. Several journalists like Tom Wolfe or Joan Didion represent the New Journalism in their works. Another important representative is Michael Herr. Herr reported as freelancer for the Esquire from the Vietnam War. In his book Dispatches1 all his articles are collected. In this essay I intend to proof the fact that Michael Herr really is a New Journalist. By paying attention to the New Journalism devices Tom Wolfe lays down in his book The New Journalism2 I am going to give a couple of excerpt examples that can be found in Dispatches. -
Tiger Force Series
$ 1 . 5 0 e 3 2 1 P A G E S T O L E D O , O H I O , S U N D A Y , O C T O B E R 1 9 , 2 0 0 3 F I N A L Lunch effort A BLADE INVESTIGATION A four-day special report examines BURIED SECRETS one platoon’s atrocities in Vietnam works to end and how the U.S. military concealed BRUTAL TRUTHS them from the American public global hunger White H ous e s upp orts idea, but funding is in jeop ardy By KAREN MacPHERSON year, an estimated 7.7 million BLADE WASHINGTON BUREAU children in 38 countr ies par tici- WA S H I N G T O N — D e c a d e s p a t e d i n t h e i n t e r n a t i o n a l ago, two senators with strongly school-lunch program. The pro- opposing political views joined g r a m h e l p e d b o o s t s t u d e n t to help shape several landmark enrollment, par ticularly of girls, a n t i - h u n g e r e f f o r t s, i n c l u d i n g in schools in Pakistan, Lebanon, food stamps, a nutr itional plan Ba n g l a d e s h , a n d o t h e r c o u n - f o r p r e g n a n t w o m e n a n d tr ies, according to Depar tment i n f a n t s , a n d t h e n a t i o n a l school-lunch program. -
Massacre at Mỹ Lai: the 504 Lives, and What They Mean Min T Tun
Massacre At Mỹ Lai: The 504 Lives, and What They Mean Min T Tun Senior Division Historical Paper Word Count: 2,499 1 “The greatest irony and tragedy of all is that our nation, which initiated so much of the revolutionary spirit of the modern world, is now cast in the mold of being an arch anti-revolutionary.” - Martin Luther King Jr. (King Jr.) On the morning of March 16, 1968, around 100 soldiers in Charlie Company were tasked with a Viet Cong search and destroy operation in the village of Sơn Mỹ, nicknamed Pinksville. What happened next was an incident that would go on to be the most infamous event in the entirety of US involvement in the Vietnam War; the sub hamlets of Mỹ Lai and Mỹ Khê were absolutely devastated. An approximated 504 civilians were killed at the hands of US soldiers, many of them while running away from the violence and bloodshed. Women were raped, children mercilessly gunned down. PFC Lawrence M. Colburn, who was a helicopter door gunner, describes seeing corpses piled on each other. He also testified that there were “at least a hundred [corpses]” in a ditch alone (Colburn). The incident alone was not uncovered until late 1969, nearly a year and a half later. In many ways, this massacre was not a first for the far reaches of the US military, and it certainly would not be the last. The Mỹ Lai massacre was a massacre that broke barriers by being the first slaughter to be highly publicized and known, and revealed the crimes committed under the guise of American intervention.