Pennsylvania Museum and School of Industrial Art Philadelphia
Commencement Exercises
HORTICULTURAL HALL
Thursday Evening, June 5, 1913
at 8 o'clock
PROGRAMME
Introductory Remarks . . . By the Principal
Address ... By Hon. John J. Macfarlane Subject— "Industrial Education and Commercial Prosperity"
Address to the Graduates . By Pres. Theo. C. Search
Music by W. R. Stobbe'g Orchestra Digitized by the Internet Archive
in 2010 with funding from Lyrasis IVIembers and Sloan Foundation
http://www.archive.org/details/commencementprog1913penn Report of tbe Principal
Presented at the close of the Thitty-Sixth School Year June 5, i9i3
REGISTRATION
The registration for the year is 1,090, of which num- ber 675 are men and 415 are women; 28 States and 6 foreign countries are represented, but yy per cent, of the enrollment is from Pennsylvania. The material of the classes has been excellent, and the v/ork accomplished will compare favorably with that of any previous year in the history of the school. GRADUATING CLASS
The Graduating Class, which numbers 49, is consid- erably larger than any of its predecessors, the nearest approach to this number having been made in 1910, when 39 received the diploma. BUILDING Much good work in renovating and refurnishing the building, especially in the provision of more adequate toilet and washroom facilities in the Art Department, has been done under the direction and at the expense of the Associate Committee of Women, which has shov/n the same devoted interest and exercised the same untiring activity in the service of the school that has always characterized it. That much still remains to be done is unfortunately true, and the need of more room for the classes, and especially for the lockers, to which attention
3 was called in the last annual report, is, if possible, more
urgent than it was a year ago. The class in Architectural Drawing and those in Metal Work are seriously ham- pered, and the discomfort occasioned by the inadequacy
of the locker accommodations is a source of continual
regret. It is to be hoped that measures for the relief of this situation, which have for some time been con- sidered by the Executive Committee, may soon be taken. EQUIPMENT The additions that have been made to the school's collection of casts and other material for study are numerous and valuable, and, as they have for the most
part been acquired by gift, a fairly complete list of them
will be found in the list of donations appended to this report. Books, objects of industrial art, furniture and cos- tumes of artistic or historical interest, as well as ma- chinery and materials for use in the Textile School, are continually being received to an extent that not only adds greatly to our facilities for imparting instruction, but also increases the already very serious problem of finding room for their proper installation. TEACHING STAFF By the death of Mv. Ludwig E. Faber, which oc- curred suddenly on May 17th, the school lost an instructor who had served it faithfully and well for fifteen years. He was an accomplished artist, whose example was a continual inspiration to his pupils, while the sterling integrity of his character and the charm of his genial and gracious personality exerted a beneficent influence on the lives of all who came in contact with him. The place made vacant by his death has not been filled. With this exception the list of instructors remains unchanged. STUDENTS* CLUBS In addition to the fraternities, which play a promi- nent part in the social life of most schools and colleges nowadays, and of which the School of Industrial Art has its fair share, the two clubs, one for girls and one for boys, which have rooms in the school building and do excellent work in connection with the athletic and recrea- tional activities of the student body, have continued to deserve the commendation that has previously been given them in these reports. All students are welcomed to membership without distinction of class or condition, and a cordial co-operation between the two clubs does much to encourage the school spirit and to harmonize divergent interests. THE ALUMNI The activities of the two Alumni Associations have also continued unabated. They have rendered an increas- ingly helpful service in promoting pleasant social rela- tions not only between the graduates themselves, but between the younger students and those who have been
longer in the school ; in supplementing the formal instruc- tion of the classrooms by lectures and the presentation of papers more or less directly related to the aims which distinguish the institution; in extending the reputation and influence of the school by means of exhibitions of
its work ; by the publication of a News Letter and Annual Reports, which keep those living at a distance in touch
with what is being done here and with their fellow- workers everywhere; and, finally, in maintaining a most efficient business bureau, through which the ever-increas- ing demands for advanced students and graduates are, as far as possible, suppHed. An addition to the list of foreign scholarships established and administered under the auspices of the Alumni Association of the Art Department as announced in the report submitted a year ago, and the first appointments to which are included in the list of prizes which forms part of this report, has just been made. The scholarship has been established by Mr. Charles Burnham Squier, of New York City, and will be avail- able at the close of the next school year. EMPLOYMENT OF GRADUATES The most encouraging developments in the art of the present day are unmistakably industrial in character, and most current discussion of the educational bearings of the subject are largely concerned with industrial aims, so that, while the opportunities for profitable employ- ment in the industries are always expanding, the demand for teachers trained as our graduates are is, if possible, still more extensive and insistent. Industrial Art is no longer an exceptional or restricted thing. It is the very soul of the most vital educational movement of recent times and by which the entire school system of the coun- try is profoundly afifected. This school was the leader in this movement in America, and the record of the year that closes today contains much to confirm the feeling that this leadership is still maintained. Respectfully submitted, L^SLii: W. Miller, Principal.
6 Diplomas, Prizes and Certificates
AWARDED TO-DAY
DIPLOMAS
SCHOOL OF APPLIED ART
Desig^n
Jane Pontius Baker Bessie May Hopkins Florence Brindle Helen Isabelle Knight Mary Pickering Dow- Louise Ashurst Pharo Margaret Sharp Greenewalt Jean Craig Robinson Charlotte Haimbach Anna Beatrice Twaddell
Normal Art Instruction
Hannah Louise Adolphson Leo Adams Pennegar Anne Balderston Edna Viola Pennington Harriet Blackburn Marion Coyle Plack Edith Mary Clement Mary Lillian Schofield Howard Caldwell Gregson John Ray Sinnock Lillian Elizabeth Hess Vera Loretta Gregory Stevens Ruth MacCollin Josephine Helen Stubbs Charles Barton McCann Gladys Worrell Sweeney Earl Joshua Early
Interior Decoration
Elmer Samuel Brown Francis Howard Livengood William Heyl Thompson :
TEXTILE SCHOOL
Regular Textile Course Morris William Bartelt Robert Buckman Lehman, Jr. Charles Carroll Baxter Harry Leslie Paul James Joseph Boyle Frank Alwin Roth Frederick Emil Kick, Jr. Herbert Hannan Anthony Schell Willard Charles French Jeremiah Cleveland Sims William Reinhart Frick George Aiman Slifer Hugo Diedrich Heidgerd Arthur Kallman Strauss George Russell Krout Carl Hans Tiedemann Robert Lang Todd
Chemistry^ Dyeingf and Printing: Course
Ernest Frederick Apeldorn, Jr. Morris Marcus Rivelis
PRIZES SCHOOL OF APPLIED ART
Associate Committee of Women's Prizes
First: $20.00. (Elizabeth Duand Gillespie Prize.) For the best work in the course in Industrial Drawing.
Awarded to Lewis Ewald Honorable mention to Mary Helen Porr " " " Mary Louise Chambers
Second: $10.00. For original design in Mosaic. Awarded to Margaret Grey Thompson Honorable mention to Marguerite Kinney
Third: $10.00. For original design for Embroidery.
Awarded to Mrs. Charles Piatt, 3d 8 Mrs* Jones "Wister Prize: $20.00. For Stained Glass. $10.00 awarded to Carl Valentine Welker $10.00 awarded to Elizabeth Senderling Honorable mention to James Percy Weir
Emma S, Crozct Ftizc: $20.00. Offered for the best work in Drawing.
Awarded to Ralph P. Coleman Honorable mention to Isabel Wright Caley " Donald Strong Humphreys
Emma S. Ctoztt Prize i $20.00. Offered for the best group in Modeling.
Awarded to Leon William Corson Honorable mention to Clemens Julius Poiesz " Jane Pontius Baker
Mrs. Francis Forbes Milne Pme: $10.00. Offered for original design in Decorative Landscape.
Awarded to John Ray Sinnock Honorable mention to Isabel Wright Caley
John J, Boyle Prize i $10.00. Offered by Mr. John J. Boyle, of the Advisory Committee, for general excel- lence in Modeling.
Awarded to Parke Emerson Edwards Honorable mention to Margaret Sharp Greenewalt " Jane Pontius Baker
Caroline Axford Magee Prize: $20.00. For original design for Lace.
$10.00 awarded to Annabell Lee Thoma $10.00 awarded to Vera L. Strock Honorable mention to Amelia Bachmann Frederick Graff Ftiza $20.00. For Architectural Design.
Awarded to Stanley K. Weber Honorable mention to Robert Carrigan
Henry Perry Lcland Prize : $25.00. Offered by Mrs. John Harrison for the best work in Illustration.
Awarded to Robert McCaig Honorable mention to Samuel Marshall Franz
Edward Stern, Special Prize: $15.00. Offered by Mr. Edward Stern for refinement of treatment in Illus- tration.
Awarded to Maurice Lincoln Bower
Girls' Industrial Art League Prize: $10.00. For the best finished article designed and made by a Student member of the League.
Awarded to Clara Ernst for Pottery (Stoneware) Honorable mention to Lillian Hess for Pottery (Stoneware)
F^ "Weber Prize: Drawing Table. For the best work in Instrumental Drawing.
Awarded to Helen Adele Mann Honorable mention to Charles Harrison Leonhardt
John Harrison Prize: $15.00. Offered by Mrs. John Harrison for work in Furniture.
Awarded to Jean Craig Robinson Honorable mention to Katherine Henrietta Anderson
Emily Leland Harrison Prize: $10.00. Offered by Mrs. John Harrison for work in Wrought Iron.
Awarded to Parke Emerson Edwards
10 Mfs^ Joseph F, Sinnott Prize x $10.00. Offered by Mrs. Joseph F. Sinnott for the best executed piece oi Garden Pottery in cement.
Awarded to Edith May Meyers Honorable mention to Jane Pontius Baker
G. Gcfald Evans Prize: $10.00. Offered by Mr. G. Gerald Evans, of the Advisory Committee, for a piece of Cabinet Work meritorious in design and execution.
Awarded to Leon William Corson Honorable mention to Edith May Meyers " " Harry Meuer
Mrs. Thomas Roberts Prize: $20.00. For general excellence in Interior Decoration Course.
$10.00 awarded to William Heyl Thompson $10.00 awarded to Elmer Samuel Brown Honorable mention to Carl Valentine Welker " Clyde Francis Shuler
Miss Lea Pri^e : $20.00. For the best work in Water-- color.
$10.00 awarded to William Christopher Graur $10.00 awarded to Clyde Francis Shuler Honorable mention to Jeanette Slocomb
H. H. Battles Special Prizes: For Flower Painting.
$25.00 awarded to Jane Pontius Baker $5.00 awarded to Mabel B. Hall $5.00 awarded to Margaret Phillips $5.00 awarded to Jane Pontius Baker $5.00 awarded to Elizabeth Senderling $5.00 awarded to Jeanette Slocomb
II Mfs. J. L. Kettctlinus Prizes: $10.00. For the best design for a cover for the Museum "Bulletin."
Awarded to Vera L. G. Stevens Honorable mention to Josephine Helen Stubbs " " " John Ray Sinnock
$10.00. For consistent decorative quality of illustrative work.
Awarded to Henrietta Collins
$5.00. For best rendering of textures in Watercolor.
Awarded to Grace Garfield Kelley
Herbert D. Allman Pmes; $10.00. Offered by Mr. H. D. Allman, of the Advisory Committee, for the Surface Design showing best effect of contrasted color harmony.
Awarded to Hazel L. Lamborn Honorable mention to Helen Taylor
$10.00. For the best design for Wall Paper.
Awarded to Giovanni Pennino, Jr. Honorable mention to Herbert Kramer McGear
$10.00. For the best design for Enameled Jewelry, executed by the designer.
Awarded to Katherine Henrietta Anderson Honorable mention to Clemens Julius Poiesz
$10.00. For the best set of Analysis of Plant Forms made during the year by a member of the Design Class.
Awarded to Leila Phillips Honorable mention to M. Elizabeth Ritchie
12 Mrs. Thomas S» Harrison Prize: $15.00. For Wrought Iron.
Awarded to Leon Corson
Mary Lucrctia Rambor§:er Prize : $5.00. Offered by the Alumni Association for the best set of sketches made in the Costume Class.
Awarded to Clyde Francis Shuler Honorable mention to Anton G. Lehr " John Ray Sinnock Mabel Bradley Holbrook Prize: $5.00. Offered to members of Section 11, Illustration Class, for the best drawing of the skeleton of a bird or a quadruped. Awarded to John Wheatley Honorable mention to Isabel W. Caley Louis Rosenstein " Margaret Ayer
Prize Scholarships, for School Year J9J3-J9J4. Awarded to James Percy Weir (Interior Decoration) Frederick Andrew Anderson (Illustration) I I Giovanni Pennino, Jr. (Design) " Mary Helen Porr (Normal) Louis Ewald (Illustration)
^^^"^^ Scholarship, for School ^\^qI? i^^f"^^^ Year
Awarded to Franklin Gomer Malick
Keehmie Scholarship, ^VoT^fo^^i for School Year
Awarded to Katherine Henrietta Anderson
Rambor8:er Scholarship, ^?o^'^ Awarded to Grace Garfield Kelly 13 Edward Tonkin Dobbins Scholarships, for School Year Awarded to Isabel Wright Caley " " Maurice Lincoln Bower " " H. Marion Stuart Two Scholarships for Advanced Study in Italy: Offered by Mrs. James Mifflin and Mrs. Joseph F. Sinnott. Awarded to John Ray Sinnock " " Parke Emerson Edwards TEXTILE SCHOOL The National Association of Cotton Manufacturers Medal. For general excellence, Regular Course. 3d year. Awarded to Hugo D. Heidgerd The Henry Friedberger Memorial Prize: $10.00. To student ranking second in general excellence, Regular Course. 3d year. Awarded to William R. Frick Honorable mention to George A. Slifer " Emil F. Eick, Jr. The ''Textile World-Record ^ Gold Medal: For Thesis and highest rating, Chemistry, Dyeing and Printing Course. 3d year. Awarded to Morris M. Rivelis Thomas Skelton Harrison Prize: $15.00. For the best thesis in Chemistry, Dyeing and Printing Course. 2d year. Awarded to Edwin L. Duhring 14 The Associate Committee of Women's Prize: $10.00. For best Jacquard Design with executed fabric. Regu- lar Course. 3d year. Awarded to Frank A. Roth Honorable mention to Robert B. Lehman, Jr. The Miss Clyde Prize: $10.00. For best Jacquard Design with executed fabric. Regular Course. 2d year. Awarded to John A. Hansen Honorable mention to Benson C. Goodman " Frank W. Jeffers The John G. Garruth Prize: $10.00. For highest rating in the Wool Course. 2d year. Awarded to Chester C. Wood The Krout & Fite Mf^» Co. Prize: $10.00. For highest rating in Cotton Course. 2d year. Awarded to James S. Diment Honorable mention to H. T. Knoernschild The Mrs. Joseph F. Sinnott Prize: $10.00. For highest rating in the Chemistry, Dyeing and Printing Course, ist year. Awarded to E. Nelson Weir Herbert D. Allman Prize: $10.00. Offered by Mr. H. D. Allman for the best practical color scheme for woven stuffs, including rugs and carpetings, to a member of the 2d year Day Class. Awarded to Frank W. Jeffers Honorable mention to Robert W. Wood " Edward H. Davis 15 The Delta Phi Psi Fraternity Prize* $10.00. For general excellence in Weave Formation and Fabric Analysis, ist year classes. Awarded to Charles K. Dillingham Honorable mention to Sydney L. Kapp " Aubrey D. Kelly The Delta Kappa Phi Fraternity Prize: $10.00. For best executed work on the Hand Harness Loom, ist year classes. Awarded to William B. Scatchard Honorable mention to William F. Jarrell The Phi Psi Fraternity Prize: $10.00. For best exe- cuted work in Color Harmony and Design, ist year classes. Awarded to Sheridan Colson Honorable mention to Sidney Morganstern " " Milton Morganstern The Elizabeth C. Roberts Prize: $10.00. To student producing the best specially designed and woven Jac- quard fabric. Awarded to WilHam P. Brown Honorable mention to Lewis M. Stewart 16 Prize Scholarships, for the School Year \9\Z-\9\4: : Awarded to Walter W. Gayle (First Year Regular Course) " " Benson C. Goodman (Second Year Regular Course) " " Edwin L. Duhring (Second Year Chemistry and Dyeing Course) " " Leslie R. Paul (First Year Regular Evening Course) Honorable mention to Henry C. Legge Awarded to Otto Schneider (Second Year Regular Even- ing Course) Honorable mention to Philip A. Hallworth 17 CERTIFICATES SCHOOL OF APPLIED ART Industrial Drawing (Certificate A) Lilian Smedley Ambler Phila Marie Linville Joseph Watkin Anderson Agnes Grace Lowry William Arthur Angus Ethel lona Lynam Grace Applegate Helen Adele Mann Helen Pearl Baldwin Vincent P. McCormick Vera Elizabeth Bashelier Cecelia Waltman McKnight Robert Adolph Baur Leo Adams Pennegar Charles Beers Elizabeth Pilsbry Dorothy Elma Bush Mary Helen Porr Mary Louise Chambers Mildred Anderson Post Helen Churchill Anna Lucy Potteiger Emily Stevenson Crooks Louisa Belle Ranch Blanche Reba Davis Cora Alice Reynolds Frank Ramsey Davis Charlotte Hubbard Segur Raymond Leroy Down Mildred Rems Smedley Louis Ewald Aurelia D. Spielman Ruth Elder Ellen Davis Stanton Allen Randall Freelon Edith Ellen Stephens Mildred Holmes Gillespie Herbert Albert Stiles Ada Goforth Edward Howard Suydam Anna Ethel Hart Janet Walker Swan Anna Willing Hewlett Eleanor Marie Kelleher Sweeney Alice Hunter Hibbard Alison Longstreth Taylor Olive Jacobs Earle Jerome Taylor Leona May Kaplan Isabel Tait Watts Charles Harrison Leonhardt Walter Clayton Weber Jennie Levinson Eva Louise Zoller — Surface Design and Color (Certificate B) Charlotte Haimbach Giovanni Pennino, Jr. Helen Isabel Knight Margaret Beatrice Pike Herbert Kramer McGear Hannah Marion Stuart Annabel Lee Juliette Thoma i8 Surface Design and Color (Normal) Hannah Louise Adolphson Hazel Lavinia Lamborn William Arthur Angus Leo Adams Pennegar Anne Balderston Leila Emily Phillips Florence Benny Harry Christopher Renn Walter Jonas Cole Mary Elizabeth Ritchie Earl Joshua Early Mary Lillian Schofield Howard Caldwell Gregson William Gordon Thayer Lena William Hoagland Margaret Grey Thompson Marguerite Irene Kinney Florence Vosburg Helen Mann Wallace Surface Design and Color (Special) Amelia Elizabeth Bachmann Juliette B. Rice Florence Kober Susan Schneider Helen Taylor Constructive Design and Modeling (Certificate C) Jane Pontius Baker Bessie May Hopkins Florence Brindle Louise Ashurst Pharo Margaret Sharp Greenewalt Jean Craig Robinson Anna Beatrice Twaddell Constructive Design and Modeling (Normal) Katherine Henrietta Anderson Lillian Elizabeth Hess Florence Benny Franklin Gomer Malick Miriam Amelia Boyer Edith May Meyers Loretta Burns Earl Burns Milliette Albert Michael Canter Helen Benson Murphy Leon William Corson Leo Adams Pennegar Parke Emerson Edwards Clemens Julius Poiesz Clara Louise Ernst Edith Mosley Power Hannah Irene Emery Flora Stauffer Sterrick Catherine Florence Garrett Gladys Worrell Sweeney 19 Interior Decoration Elmer Samuel Brown Elizabeth Senderling William Christopher Grauer Clyde Francis Shuler Alice Hoffman Jeanette Slocomb Francis Howard Livengood William Heyl Thompson Margaret Phillips James Percy Weir Louisa Belle Rauch Carl Valentine Welker Illustration Helen Marie Brown Henrietta Collins Charles Ransom Chickering Esther May Meitzler Architectural Drawing George Willis Hall TEXTILE SCHOOL ' FULL COURSE CERTIFICATES Day Classes Cotton Course—Two Years Harold Corey Bell Ernest Eccles Hedrick James Smith Diment Hugo Joseph Knoernschild Joseph Herman Schmitt Silk Course—Two Years William Philip Brown Irving Levy Albert Carl Kluge William Jerome Neiligan Lewis Morton Stewart Wool Course—Two Years Frederick Blackburn Warren Randolph Scatchard Chester Corbin Wood 20 PARTIAL COURSE CERTIFICATES Day Classes Two Years of the Regular Course Henry Hersh Benedict Frank Woodson Hancock, Jr. Edward Hafleigh Davis John Albert Hansen John Capen Eames, Jr. Frank William Jeffers James William Gillespie Marion Joel Marks Benson Clifford Goodman Justus Koch Orlemann Elmer John Hahn Robert William Alleyn Wood Two Years of Chemistry, Dyeing and Printing Course Vincent Paul Clasgens Eeon Norman McKenzie Edwin Leslie Duhring George Steiner FULL COURSE CERTIFICATES Evening: Classes Regular Textile Course—Three Years Joseph F. Mooney S. Norman Perry Chemistry Course—Three Years E. W. Geisler Clarence William Macher Chemistry and Dyeing Course—Three Years Jack Gradess Setrag Eousinian Ernest Hardwick Arthur Teale 21 PARTIAL COURSE CERTIFICATES Eveningf Classes Weave Formation—Three Years Henry A. Kennedy Harry James Manuel Jules Lejeune John H. O'Neill Albert H. Nutter Frank Schloop Charles C. Manuel John Worrell Fabric Analysis and Calculations—Three Years Henry A. Kennedy Albert H. Nutter Charles C. Manuel Frank Schloop John Worrell Jacquard Design—Two Years Albert H. Robinson John Samuel Sayers "Woolen Yarn Manufacture—Two Years Vernon L. Bailey Worsted Yarn Manufacture—One Year Joseph M. Baker Lloyd H. Heineman Walter Baldwin William J. Hill Daniel Bendig Oliver North John P. Gordon Edmund E. Roork Harry H. Harris Charles P. Walnut Cotton Yarn Manufacture—One Year John Airey J. Paul Holt Vernon L. Bailey Samuel Rowcroft George J. Boyle Harry Scott Adolf W. Boysen George W. Vetter Paul M. Cell A. L. Wall The following students of the Textile School have satisfac- torily completed the work of the year in classes for which no certificates are awarded : Day Classes—First Year Lee R. Allen Aubry D. Kelly Alfred L. Bannin Graham J. Littlewood Walter C. Black Wedworth W. McAllister W. Raymond Ford James E. McGloin Charles G. Fox William Meissel Stuart M. Chambers Milton Morganstern Sheridan Colson Sidney Morganstern Charles K. Dillingham Morton A. Netter Alfred S. Eiseman Arthur R. Pickup Walter W. Gayle William E. Roschen Julius A. Gebauer, Jr. William B. Scatchard R. F. Grier, Jr. Milton Schmidt Ernest Guttridge E. H. Suessmuth, Jr. Edward S. Jacobson Ira D. Strasser William F. Jarrell William P. Todd Edwin Johnston E. Nelson Weir Sydney L. Kapp Clarence Wimpfheimer Henry T. Woodyard, Jr. 23 — Pennsvlvania museum and School of Industrial M Location of Exhibits in the Annual Exhibition of Students^ Work at the School Building, Broad and Pine Streets ART SCHOOL ENTRANCE LOBBY—Architectural Drawing and Illustration. AUDITORIUM Life Class. Antique Classes. Costume Class. Illustration Class. MAIN EXHIBITION ROOM (North Wing)—[Fory^ of Classes in Design. Plant Analysis. Ornament Study from Casts and Historic Examples. Bookbinding. Stencils. M^tal Work and Jewelry. Designs for Wall Paper, Printed Silks, Oil Cloth, Rugs, Carpets, Lace, etc. Work of the Industrial Drawing and Normal Classes. INTERIOR DECORATION ROOMS—Designs for Interior Decoration. Water-color Studies. ORNAMENT CLASS-ROOMS—/:/'f^/or/c Ornament, Furnitum, Wrought Iron. MODELING ROOMS (Fifteenth Street End of Building) — Pottery, Cement, Terra-Cotta. Models for Metal Work, Fountains, Carving, Medals, and Decorative Panels. TEXTILE SCHOOL COIMMITTEE ROOMS—Fabrics for Decorative Interiors from Historic Motiz^s. Fancy Silks, Brocades, Sydneys, Tapestries, etc. Heavy Draperies. Draperies with Motives and Color- ings from Antique Examples. Steamer Robes and Rugs. MAIN EXHIBITION ROOM (South Wing)—Fancy Ginghams, Fine Grade Mantel Cloths. Medium Grade Plaids. Woolen Suitings. Miens Wear. Shirtings and Shirt Waistings. Sam- ple Ranges, including upwards of 3,000 patterns. Illustrations of Courses in Cloth Analysis, Fabric Structure, Color Har- mony, Carding and Spinning, and Chemistry and Dyeing, including such Novelties as Use of Formaldehyde in Dyeing, Application of Titanous Salts as a Bleaching Agent, Prepara- tion of Fast Shades on Cotton with Sulphur Dyes, Studies in Chlorinated Wool in Dyeing and Rendering Fabrics Unshrink- able, Tests of Methods and Efficiency of New Inventions in Dyeing, Shades on Union Goods and Leather.