Conservation Bulletin Issue 59
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The London Strategic Housing Land Availability Assessment 2017
The London Strategic Housing Land Availability Assessment 2017 Part of the London Plan evidence base COPYRIGHT Greater London Authority November 2017 Published by Greater London Authority City Hall The Queen’s Walk More London London SE1 2AA www.london.gov.uk enquiries 020 7983 4100 minicom 020 7983 4458 Copies of this report are available from www.london.gov.uk 2017 LONDON STRATEGIC HOUSING LAND AVAILABILITY ASSESSMENT Contents Chapter Page 0 Executive summary 1 to 7 1 Introduction 8 to 11 2 Large site assessment – methodology 12 to 52 3 Identifying large sites & the site assessment process 53 to 58 4 Results: large sites – phases one to five, 2017 to 2041 59 to 82 5 Results: large sites – phases two and three, 2019 to 2028 83 to 115 6 Small sites 116 to 145 7 Non self-contained accommodation 146 to 158 8 Crossrail 2 growth scenario 159 to 165 9 Conclusion 166 to 186 10 Appendix A – additional large site capacity information 187 to 197 11 Appendix B – additional housing stock and small sites 198 to 202 information 12 Appendix C - Mayoral development corporation capacity 203 to 205 assigned to boroughs 13 Planning approvals sites 206 to 231 14 Allocations sites 232 to 253 Executive summary 2017 LONDON STRATEGIC HOUSING LAND AVAILABILITY ASSESSMENT Executive summary 0.1 The SHLAA shows that London has capacity for 649,350 homes during the 10 year period covered by the London Plan housing targets (from 2019/20 to 2028/29). This equates to an average annualised capacity of 64,935 homes a year. -
London's Housing Struggles Developer&Housing Association Dec 2014
LONDON’S HOUSING STRUGGLES 2005 - 2032 47 68 30 13 55 20 56 26 62 19 61 44 43 32 10 41 1 31 2 9 17 6 67 58 53 24 8 37 46 22 64 42 63 3 48 5 69 33 54 11 52 27 59 65 12 7 35 40 34 74 51 29 38 57 50 73 66 75 14 25 18 36 21 39 15 72 4 23 71 70 49 28 60 45 16 4 - Mardyke Estate 55 - Granville Road Estate 33 - New Era Estate 31 - Love Lane Estate 41 - Bemerton Estate 4 - Larner Road 66 - South Acton Estate 26 - Alma Road Estate 7 - Tavy Bridge estate 21 - Heathside & Lethbridge 17 - Canning Town & Custom 13 - Repton Court 29 - Wood Dene Estate 24 - Cotall Street 20 - Marlowe Road Estate 6 - Leys Estate 56 - Dollis Valley Estate 37 - Woodberry Down 32 - Wards Corner 43 - Andover Estate 70 - Deans Gardens Estate 30 - Highmead Estate 11 - Abbey Road Estates House 34 - Aylesbury Estate 8 - Goresbrook Village 58 - Cricklewood Brent Cross 71 - Green Man Lane 44 - New Avenue Estate 12 - Connaught Estate 23 - Reginald Road 19 - Carpenters Estate 35 - Heygate Estate 9 - Thames View 61 - West Hendon 72 - Allen Court 47 - Ladderswood Way 14 - Maryon Road Estate 25 - Pepys Estate 36 - Elmington Estate 10 - Gascoigne Estate 62 - Grahame Park 15 - Grove Estate 28 - Kender Estate 68 - Stonegrove & Spur 73 - Havelock Estate 74 - Rectory Park 16 - Ferrier Estate Estates 75 - Leopold Estate 53 - South Kilburn 63 - Church End area 50 - Watermeadow Court 1 - Darlington Gardens 18 - Excalibur Estate 51 - West Kensingston 2 - Chippenham Gardens 38 - Myatts Fields 64 - Chalkhill Estate 45 - Tidbury Court 42 - Westbourne area & Gibbs Green Estates 3 - Briar Road Estate -
Robin Hood Yard Kindle
ROBIN HOOD YARD PDF, EPUB, EBOOK Mark Sanderson | 288 pages | 23 Mar 2015 | HarperCollins Publishers | 9780007296842 | English | London, United Kingdom Robin Hood Yard PDF Book A ginger-haired man was being dragged to his feet by two policemen. They were on parade, not on duty. Greater London Barking and Dagenham Becontree. The maisonettes were designed with the bedrooms facing inwards shielding the residents from the traffic noise. Seller Inventory B Community Reviews. A well near the road between Threshfield and Kilnsey in Wharfedale. I don't have much more to say. The northern angle tower of the city wall, recorded in and A fishing village on the north side of the bay of the same name. Watling Estate. A tumulus in Talbot Woods to the north of Meyrick Park. The Liberty of the Rolls comprised the precincts of this house and chapel, and the privileges claimed may have originated in the privileges accorded to the House of Converts by charter of Henry III. The "streets in the sky" concept often did not work in practice. Throsby, , II, About the Author : Mark Sanderson is a journalist. Cover design by Mavrodesign. A hamlet at a crossroads one mile S. There is a Loxley in W. Occurs, within Helsington chapelry, on the Ordnance Survey Map. Seller Inventory AWC The absence from Lockie is especially suggestive due to its coverage and the fact that John Lockie had long and detailed first-hand experience of his chosen topic: he was a building inspector for a fire insurance company who meticulously noted down the number of "doors" one must pass before arriving at a given side street this was before proper numbering was introduced. -
Laura Lancaster You Are a Movement
Laura Lancaster You are a Movement 16th October – 13th November 2010 Tuesday - Saturday, 11am - 5pm (or by appointment) Preview: Friday 15th October, 6 - 9pm Workplace Gallery is pleased to present You are a Movement our second solo exhibition of work by Laura Lancaster. This exhibition of Lancaster's new work consists of a series of large-scale oil paintings alongside collage, works on paper, and film installation. Located firmly within a tradition of figurative painting and portraiture Lancaster’s subject matter consists of images sourced from an archive of found anonymous photographs and family albums bought at charity shops, car boot sales and flea markets. Lancaster transposes these forgotten, lost or discarded moments of strangers’ lives into vivid, fluid impressions that, through their painterly application, thwart any definitive understanding of their context or history. With an immediate and adept handling of paint, Lancaster’s figures bleed into their surrounding scenes, moving towards an abstraction and ambiguity that divorces the subjects within her works from their specific identity and individuality, enabling their significance to relocate to a place of collective memory and experience that resonates with our own. These new works by Lancaster signify a substantial shift in the development of her practice in terms of scale, physicality, and in her rejection of sentimentality, embracing a dynamic and vigorous ambivalence as a strategy towards an objective and searching investigation into both painting and humanity. Laura Lancaster was born in Hartlepool in 1979 and graduated from Fine Art at Northumbria University in 2001. Her work has been exhibited in a number of high profile exhibitions internationally. -
Radical Picturesque and Owen Luder's Town Centre of 1960'S England
Research Collection Doctoral Thesis Radical Picturesque and Owen Luder's Town Centre of 1960's England Author(s): Macken, Jared Publication Date: 2018-11 Permanent Link: https://doi.org/10.3929/ethz-b-000306667 Rights / License: In Copyright - Non-Commercial Use Permitted This page was generated automatically upon download from the ETH Zurich Research Collection. For more information please consult the Terms of use. ETH Library Radical Picturesque and Owen Luder’s Town Centre Projects of the 1960’s | Jared Macken DISS. ETH NO. 25208 RADICAL PICTURESQUE AND OWEN LUDER’S TOWN CENTRE OF 1960’s ENGLAND A thesis submitted to attain the degree of DOCTOR OF SCIENCES of ETH ZURICH (Dr. sc. ETH Zurich) presented by JARED MACKEN MArch, University of Illinois Chicago BFA, Graphic Design, Wichita State University born on 08/10/1979 citizen of US accepted on the recommendation of Dr. Prof. Alex Lehnerer Dr. Prof. Robert Somol 2018 !1 Radical Picturesque and Owen Luder’s Town Centre Projects of the 1960’s | Jared Macken !2 Radical Picturesque and Owen Luder’s Town Centre Projects of the 1960’s | Jared Macken Deutsche Zusammenfassung: Wie vielerorts bestimmte auch im Nachkriegs-England der Wiederaufbau der durch den Krieg zerstörten Städte den Architekturdiskurs der Zeit. Der Fokus der Architekten und ihrer Projekte lag auf der Stadt und ihrem Zentrum. Unter dem Titel „Townscape“ entwarf Hubert de Cronin Hasting 1949 in der Architectural Review eine neuartige Theorie der Stadt. Dieser Text war Ursprung vieler sog. Townscape- Projekte, allerdings argumentierte der Architekt und Theoretiker Colin Rowe, dass dieser Aufsatz auch eine alternative Idee der Stadt als Projekt formulierte, welche malerische Formen der Komposition als urbanistisches Modell propagierte, in einer Zeit, in der die Architektur hauptsächlich entweder mit dem Blick auf die Vergangenheit (historisches Stadtbild) oder die Zukunft („Megastruktur“) beschäftigt war. -
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Nordisk Arkitekturforskning The Nordic Association of Architectural Research Proceedings Series 2019-1 REFLECTING HISTORIES AND DIRECTING FUTURES Editors: Anne Elisabeth Toft, Magnus Rönn and Even Smith Wergeland Nordisk Arkitekturforskning The Nordic Association of Architectural Research Proceedings Series 2019-1 REFLECTING HISTORIES AND DIRECTING FUTURES REFLECTING HISTORIES AND DIRECTING FUTURES Proceeding Series 2019-1 PUBLISHER Nordic Academic Press of Architectural Research Homepage: http://arkitekturforskning.net/ EDITORS Anne Elisabeth Toft, Magnus Rönn and Even Smith Wergeland GRAPHIC DESIGN Boden World COPY-EDITING Dawn Michelle d'Atri and Rabea Berghäuser PRINTING NTNU Grafisk senter © 2019 NAAR and authors All rights reserved The authors are responsible for copyrights for photographs, illustrations and images in their chapter. ISBN 978-91983797-3-0 FINANCIAL SUPPORT Riksantikvaren The Faculty of Landscape and Society at The Norwegian University of Life Sciences The Oslo School of Architecture and Design CONTENT 5 FOREWORD Anne Elisabeth Toft and Magnus Rönn 7 INTRODUCTION Anne Elisabeth Toft 13 LANDSCAPE ARCHITECTURE EDUCATION: 100 YEARS IN NORWAY Karsten Jørgensen 33 HAPPY HOOGVLIET Michelle Provoost 55 KAY FISKER’S CLASSICAL PRINCIPLES FOR MODERN HOUSING Martin Søberg 75 INFORMING FUTURE URBAN HOUSING THROUGH MORPHOLOGICAL DEVELOPMENT OF THE TERRACED HOUSE WITH MEWS Anja Standal 99 LOOKING UP: IMAGINING A VERTICAL ARCHITECTURE Minna Chudoba 125 THE CHANGING ENFRANCHISEMENT OF STAKEHOLDERS IN BRUTALIST ARCHITECTURE Tom Davies 153 RENOVATION OF SOCIAL HOUSING: A TECTONIC DIALOGUE BETWEEN PAST AND PRESENT? Stina Rask Jensen, Marie Frier Hvejsel, Poul Henning Kirkegaard, and Anders Strange 181 LIVING ON THE THRESHOLD: THE MISSING DEBATE ON PERI-URBAN ASYLUM RECEPTION CENTRES IN NORWAY, 2015-16 Anne Hege Simonsen and Marianne Skjulhaug REFLECTING HISTORIES AND DIRECTING FUTURES. -
Brutalism Redux: Relational Monumentality and the Urban Politics of Brutalist Architecture
Brutalism Redux: Relational Monumentality and the Urban Politics of Brutalist Architecture Oli Mould Department of Geography, Royal Holloway, University of London, Egham, UK; [email protected] Abstract: Brutalism is an architectural form that is experiencing somewhat of a revival of late. This revival focuses almost purely on its aesthetics, but there is an ethical dimen- sion to Brutalism that often gets overlooked in these narratives. This paper therefore reanalyses the original concepts and ethics of brutalist architecture with a reaffirmation of the original triumvirate of brutalist ethics as articulated by Raynar Banham as monu- mentality, structural honesty and materials “as found”. The paper then articulates these through the literature on architectural affect to argue that brutalist ethics are continually “enacted” via a relational monumentality that brings the building and its inhabitants together in the practice of inhabitation. Using the case study of Robin Hood Gardens in London, the paper posits that a “brutalist politics” comes into light that can help catalyse a broader critique of contemporary neoliberalism. Keywords: Brutalism, architecture, architectural geography, urban politics, affect Introduction Brutalism is not so much ruined as dormant, derelict—still functioning even in a drasti- cally badly treated fashion, and as such is ready to be recharged and reactivated (Hatherley 2009:42). In the summer of 2015, the Royal Institute of British Architects (RIBA) unveiled their latest exhibition, “the Brutalist Playground” modelled on the concrete playground at Churchill Gardens Estate in Pimlico, London (see Figure 1). The installation was an attempt to rediscover the utility of brutalist form through a ludic and celebratory “twist” to its major material component, concrete. -
Cecilia Stenbom Homeland Security
Cecilia Stenbom Homeland Security 20th November - 23rd December 2010 Tuesday - Saturday, 11am - 5pm (or by appointment) Preview: Friday 19th November, 6 - 9pm Workplace Gallery is pleased to present Homeland Security the first UK solo exhibition by Swedish artist Cecilia Stenbom. Bringing together works from across media including: performance to video, painting, sculpture, installation, and drawing, Homeland Security explores Stenbom's investigation into her conviction that in the consumer driven culture of a 21st century over saturated with information, fear has become a more powerful motivating factor than sex. Appropriation and re-enactment are central to Stenbom's methodology. Taking her source material from public distribution media such as television, movies, advertising, government information broadcast, 24-hour news, and the Internet, Stenbom frequently casts herself as the protagonist of a pastiche that examines our anxieties and desires, reinterpreting scenarios within mass media, retail, and domestic life. "...I have become specifically interested in what triggers fear in contemporary life and how that fear is used to capture our attention and imagination, making us 'happy customers' and ultimately controlling us." State of Emergency is a 6 channel video installation based on interviews extracted from Rescue 911, the hugely popular US docu-drama from the 1990's hosted by William Shatner about real life rescue situations and amazing stories of survival. In State of Emergency Stenbom performs 6 characters from the Emergency services; the 911 Dispatcher, the Police officer, the Paramedic, the Fireman, the Doctor and the Nurse, all talking simultaneously of their experience, delivering a constant barrage of almost indecipherable narrative. You've Had Me Again is an installation of paintings made on the underside of clear acrylic Perspex. -
Stories in the Sky VR: Immersive Storytelling, Heritage-Led Stakeholder Engagement, and Community Fatigue
Stories in the Sky VR: Immersive storytelling, heritage-led stakeholder engagement, and community fatigue Joseph Thomas Empsall Masters by Research University of York Archaeology September 2020 Abstract Stories in the Sky VR was a prototype immersive storytelling experience focusing on Park Hill, Sheffield. The project explored the way that immersive technologies can be used as part of heritage-led community engagement, as a means to articulate intangible heritage. Park Hill represents one of the most divisive buildings in the country; it was regarded as a success in the 1960s, saw a period of dramatic decline in the 1980s and 1990s, and is currently being regenerated by Urban Splash, following the estate’s Grade II* listing in 1998. Through its redevelopment, Park Hill has not only seen an overhaul in its design, but also in the community that now calls the estate home, having transitioned from council estate to gentrified flats. Park Hill represented an ideal testing ground to investigate the potential of immersive technologies, with storytelling embedded in these “flats of the future” since their inception. While the listing details the estate’s value derives from its innovative design, Park Hill also has strong roots in the intangible, through its sense of enduring community, identities, and experiences. Stories in the Sky VR attempted to implement a “bottom-up” approach, giving the stakeholders more control over the narrative and nature of the immersive experience. Ultimately, this proved difficult to achieve, with the fatigue of interviews and tourism having soured large-scale interest in these types of projects. In place of new interviews, previously recorded oral testimonies were utilised to shape the focus of the immersive experience. -
Robin Hood Gardens Blackwall Reach
Robin Hood Gardens Blackwall Reach The search for a sense of place A report by Graham Stewart WILD ReSEARCH Table of contents About the Author and Wild ReSearch 2 Preface 3 The Smithsons’ vision 4 The Place 7 Bring on the Brutalists 10 Streets in the Sky 12 A Home and a Castle? 14 What Went Wrong? 15 Renovation or Demolition? 16 Redeveloping Blackwall Reach 19 Urban Connections 20 References 24 The search for a sense of place 1 About the Author About Wild ReSearch Graham Stewart is Associate Director of Wild ReSearch and Wild ReSearch is the thought leadership and advisory division a noted historian of twentieth-century British politics, society of Wild Search, a boutique executive search business. We and the media. A former leader writer and columnist for The specialise in working with charities, educational organisations, Times, his is the newspaper’s official historian and author of The housing providers, arts, organisations and trade bodies and Murdoch Years. His other publications include the internationally rural organisations. Wild ReSearch provides research, analysis acclaimed Burying Caesar: Churchill, Chamberlain and the and project management for clients wishing to commission Battle for the Tory Party and he has also been a nominee for their own reports, in addition to organising events to launch the Orwell Prize, Britain’s most prestigious award for political such publications. writing. His sixth book, a study of British politics, culture and Our first publication, by Edward Wild and Neil Carmichael society in the 1980s will be published in January 2013. MP, was entitled ‘Who Governs the Governors? School A graduate of St Andrews University and with a PhD from governance in the Twenty-First Century. -
A Concept Made Concrete
A CONCEPT MADE CONCRETE CONSERVING A BRUTALIST ICON THROUGH ARCHITECTURAL INTERVENTION An explanatory document by Taylor Ryan Bell "In the last resort what characterises the New Brutalism ... is precisely its brutality, its je-m'en-foutisme, its bloody-mindedness." - Reyner Banham 1 ABSTRACT This project aims to prove, through relevant research, that Brutalist buildings such as Robin Hood Gardens are not only important parts of recent history but are also adaptable to modern standards and new functions. It will also prove that architectural intervention, however minimal, is a powerful tool when dealing with aged building stock. Retaining historic buildings contributes to the sociocultural wellbeing of a nation by providing scholars, students and laymen the opportunity to view and study a building that may otherwise be destroyed. Adaptation of aged buildings will help to create cities with a rich tapestry of architectural history, contrasting the old and the new. Understanding the history of the Brutalist movement and its contribution to architectural development in Europe, the Americas, and New Zealand, is paramount when considering this research document. It will be made clear as to why Robin Hood Gardens is an ideal case study. Due to its design and current predicament, Robin Hood Gardens can be seen as a microcosm of the failure of Brutalist ideology - and a failure of twenty-first century society to identify and protect its architectural treasures. Although the topic of adaptive reuse has been covered many times before, the solution proposed for Robin Hood Gardens in this document is entirely unique. The findings of this study will help to inform (or reform) the values of individuals involved in the decision- making process of architectural conservation. -
Essays to Commemorate the 40Th Anniversary of the 1974 Housing Act
FORESIGHT, TENACITY, VISION: Essays to Commemorate the 40th Anniversary of the 1974 Housing Act Edited by Edward Wild THE LORD BEST OBE | RICHARD BLAKEWAY | CHRISTOPHER BOYLE QC NICHOLAS BOYS SMITH | STEPHEN HOWLETT | LIZ PEACE CBE DR GRAHAM STEWART | THE RT HON SIR GEORGE YOUNG Bt CH MP Contents Foreword – The Rt Hon Sir George Young Bt CH MP ..............................................................4 Introduction – Stephen Howlett .................................................................................................6 The Act ........................................................................................................................................7 Also published by Wild ReSearch: The Essays: Strands of History: Northbank Revealed (2014) How the Housing Act 1974 changed everything ..............................................8 Clive Aslet The Lord Best OBE Standards, Freedom, Choice: Essays to Commemorate the 25th Anniversary of the 1988 Education Reform Act (2013) Forty years on ...................................................................................................... 11 Edited by Edward Wild Dr Graham Stewart Time and Tide: The History of the Harwich Haven Authority (2013) The 1970s – the decade the music stopped .................................................... 17 Dr Graham Stewart Nicholas Boys Smith Time and Chance: Preparing and Planning for a Portfolio Career (2012) ‘A town for the 21st Century’ ............................................................................ 22 Edited by