Oskar Morawetz Fonds (Mus 76) (2004-18)

Total Page:16

File Type:pdf, Size:1020Kb

Oskar Morawetz Fonds (Mus 76) (2004-18) OSKAR MORAWETZ FONDS (MUS 76) (2004-18) Preliminary Processing Report Date of Accession: September 2, 2004. Inclusive Dates: 1884-2003, n.d. Description: Biographical documents; correspondence (Audrey Andrist, Leoš Janáþek, Karel Capek, Gail Dubinbaum, Václav Havel, Leonard Isaacs, Margaret Ann Ireland, Vladislav Kozderka, Mstislav Rostropovich, Romain Rolland, Anthony Elliott, Yo-Yo Ma, Markus Stocker, Chantal Juillet, Isaac Stern, Maureen Forrester, Jessie Norman, Eva Depoltová, Julie Mech, Angela Hewitt, Marina Piccinini, Peter Bowman, Christopher Palmer, Otmar Macha, Bruce Mather, Karel Husa, Gerhard Wuensch, Nurhan Arman, Karel Ancerl, Rafael Kubelik, Adrian Boult, Zubin Mehta, Alfred E. Rosé, Georg Tintner, Leopold Stokowski, Tsuyoshi Tsutsumi, L.B. Pearson, Mario Bernardi, etc.); manuscripts and copies of Morawetz’s compositions; contracts; reports; financial documents; invitation cards; concert programmes; programme notes; lists of works; lyrics; agendas; diplomas and certificates; notebook; promotional material; press clippings; drawings by Emil Orlik and Maria Gabankova; photographs of Oskar Morawetz, his family, friends and other artists (some autographed by, among others, Olivier Messiaen, Igor Stravinsky, Krzysztof Penderecki, Mstislav Rostropovich, Darius Milhaud, Zubin Mehta, Paul Hindemith and Pierrette LePage); sound and video recordings; medals and pin. Restrictions: None. Duplicates Removed: 1.30 m. Documents Removed: 45 cm of books, photographs and other documents. Documents Transferred: 91 cm of autographed scores and books, facsimiles, periodicals, concert programmes and one published score. Dimension: 2.67 m of textual documents. – 2,877 photographs. – 2,783 negatives. – 109 slides. – 3 drawings. – 311 audio reels. – 125 audio cassettes. – 39 audio discs. – 15 videocassettes. – 4 medals. – 1 pin. Boxing: September 13-October 19, 2004; 360 folders; 21 boxes (12 upright; 9 flat – small, medium, large), cabinet. Conservation: Many photographs with adhesive residue; fragile documents (folder 342); documents to be unrolled (folder 359). Stéphane Jean November 17, 2004 National Library Bibliothèque nationale of Canada du Canada MUSIC DIVISION - ARCHIVE'S PRELIMINARY PROCESSING FORM DIVISION DE LA MUSIQUE - BORDEREAU DE TRAITEMENT PRÉLIMINAIRE DES DOCUMENTS D'ARCHIVES Title of Fonds/Titre du fonds OSKAR MORAWETZ File Code of the Fonds (Accession Number)/Cote de fonds (Numéro d'acquisition) MUS 76 (2004-18) Box Number/Numéro de boîte Dimension 1 20 cm Restrictions Medium/Support Recorded Sound Audiovisual Machine Readable Photographic Printed Enregistrement Sonore Audiovisuel Ordinolingue 9 Photographique 9 Imprimé Paper Other: 9 Papier Autre: Date of/de Signature Page 1 of/de 2 description Sept. 13, 2004 FOLDER DESCRIPTION CM DATE(S) CHEMISE 1 Audrey Andrist: correspondence. 0.5 cm 1989-1992, n.d. 2 David Anido: correspondence. 7 items 1977-1992 3 Marc Apfelstadt: correspondence; scores. 0.5 cm 1985-1991 4 Vladimir Ashkenazy: correspondence; concert programme. 6 items 1988-1996, n.d. 5 Jerome Barry: correspondence; resume; newsletter. 7 items 1985-1987 6 Jeanne Baxtresser: correspondence. 0.5 cm 1978-1989, n.d. 7 Bob Binnie: correspondence; concert programme. 3 items 1994, n.d. 8 Bailey and Irene Bird: correspondence. 10 items 1952-1992 9 Claude Bissell: correspondence; programme; notes. 0.5 cm 1954-1964, n.d. 10 Milada Blechová: correspondence (includes 2 photographs). 0.5 cm 1930-1964 11 Boosey and Hawkes (Canada) Ltd.: correspondence; financial documents. 1 cm 1959-1990, n.d. 12 Ian Bradley: correspondence. 3 items 1979 13 Brno International Music Festival: correspondence. 5 items 1992, n.d. 14 Tne Canada Council: correspondence; reports; forms. 1 cm 1980-1994, n.d. 15 Canadian Music Council: correspondence; press releases; pamphlet. 8 items 1979-1981, n.d. 16 Karel Capek: correspondence; programme; text; press clippings. 1 cm 1929-1973, n.d. 17 CBC: correspondence; contracts. 2 cm 1962-1995, n.d. 18 CBC International: correspondence; interview. 1.5 cm 1962-1990, n.d. 19 Stephen Cera: correspondence. 5 items 1993-1994 20 CJRT FM: correspondence; programmes; press release; press clipping. 0.5 cm 1985-1986, n.d. 21 Sergiu Comissiona: correspondence. 7 items 1981-1996, n.d. 22 Sara Crowder: correspondence. 3 items 1979 23 Czechoslovakia: correspondence; concert programmes. 1 cm 1941-1992, n.d. 24 Mimi D’Asfeld: correspondence. 7 items 1989-1992 25 Andrew Davis: correspondence; concert programmes; press clipping. 6 items 1980-1985 26 Maria De Manche: correspondence. 6 items 1975-1983 27 Mark Drobinsky: correspondence; notes. 6 items 1996-1997, n.d. 28 Gail Dubinbaum: correspondence; biographical note; concert programmes; 1 11 items 1981-1993, n.d. photograph. National Library Bibliothèque nationale of Canada du Canada MUSIC DIVISION - ARCHIVE'S PRELIMINARY PROCESSING FORM DIVISION DE LA MUSIQUE - BORDEREAU DE TRAITEMENT PRÉLIMINAIRE DES DOCUMENTS D'ARCHIVES Title of Fonds/Titre du fonds OSKAR MORAWETZ File Code of the Fonds (Accession Number)/Cote de fonds (Numéro d'acquisition) MUS 76 (2004-18) Box Number/Numéro de boîte Dimension 1 20 cm Restrictions Medium/Support Recorded Sound Audiovisual Machine Readable Photographic Printed Enregistrement Sonore Audiovisuel Ordinolingue 9 Photographique 9 Imprimé Paper Other: 9 Papier Autre: Date of/de Signature Page 2 of/de 2 description Sept.14, 2004 FOLDER DESCRIPTION CM DATE(S) CHEMISE 29 Eastern Brass Quintet: correspondence; pamphlet. 3 items 1973, n.d. 30 Pavel Eckstein: correspondence. 4 items 1968-1977 31 Edinburgh International Festival: correspondence. 5 items 1992-1994 32 Zdenka E. Fischmann: correspondence; texts; press clipping. 5 items 1988-1990, n.d. 33 Fox Foundation: correspondence. 3 items 1982 34 Milena Galuskova: correspondence. 8 items 1982-1987 35 Bohumir Gemrot: correspondence. 0.5 cm 1992-1995, n.d. 36 Frances Goltman: letter; press clippings. 5 items 1963-1964, n.d. 37 Siegfried Goslich: correspondence. 3 items 1973-1975 38 Government, Embassies: correspondence. 17 items 1969-1993 39 Ann Graburn: correspondence. 1.5 cm 1951-1974, n.d. 40 Thomas Hampson: correspondence. 7 items 1993-1996 41 Jan Hanus: letter; concert programme. 2 items 1988 42 Václav Havel: correspondence; programme; press clippings; 2 photographs. 0.5 cm 1989-1990 43 Mieczyslaw Horszowski: concert programmes; tickets. 3 items 1953-1989 44 Hudebni Informacni Stredisko: correspondence; notes. 7 items 1992, n.d. 45 Leonard Isaacs: correspondence. 7 items 1959-1964 46 Arthur Jacobs: correspondence. 8 items 1975-1976, n.d. 47 Jecklin Musikhaus: correspondence. 10 items 1994-1995 48 Venceslava Jedlicková: correspondence. 0.5 cm 1961-1978, n.d. 49 Vladimir Kabes: correspondence; press clipping; 1 photograph. 10 items 1954-1994 50 Jan Kábrt: correspondence (includes 2 photographs). 0.5 cm 1946-1990 51 Helmut Kallmann: correspondence; press clipping. 7 items 1974-1990 52 Francine Kay: correspondence; promotional material; 2 photographs. 5 items 1990, n.d. 53 Martin Luther King (Memorial): correspondence; certificate. 10 items 1978-1992, n.d. 54 Milos Kocka: correspondence. 5 items 1960-1977 National Library Bibliothèque nationale of Canada du Canada MUSIC DIVISION - ARCHIVE'S PRELIMINARY PROCESSING FORM DIVISION DE LA MUSIQUE - BORDEREAU DE TRAITEMENT PRÉLIMINAIRE DES DOCUMENTS D'ARCHIVES Title of Fonds/Titre du fonds OSKAR MORAWETZ File Code of the Fonds (Accession Number)/Cote de fonds (Numéro d'acquisition) MUS 76 (2004-18) Box Number/Numéro de boîte Dimension 220cm Restrictions Medium/Support Recorded Sound Audiovisual Machine Readable Photographic Printed Enregistrement Sonore Audiovisuel Ordinolingue 9 Photographique 9 Imprimé Paper Other: 9 Papier Autre: Date of/de Signature Page 1 of/de 2 description Sept. 15, 2004 FOLDER DESCRIPTION CM DATE(S) CHEMISE 55 Joan Ireland: correspondence. 16 items 1953-1956, n.d. 56 Margaret Ann Ireland: correspondence. 2 cm 1946-1996, n.d. 57 Margaret Ann Ireland: concert programmes; promotional material; press 1 cm 1948-1967, n.d. clippings; 1 photograph. 58 Miriam Ireland: correspondence. 5 items 1953-1984 59 Phyllis Ireland: correspondence. 2 items 1954-1955 60 Vladislav Kozderka: correspondence; promotional material; press clipping; 2 0.5 cm 1946-1994, n.d. photographs. 61 Gottfried Kraus: correspondence; press clipping; 1 photograph. 10 items 1961-1963, n.d. 62 Zofie Krcmarova: correspondence (includes 2 photographs). 1.5 cm 1936-1989, n.d. 63 Anton Kuerti (promotion of Piano Concerto): correspondence; notes. 19 items 1963-1964, n.d. 64 A. Langerová: correspondence. 4 items 1993 65 Leeds Music (Canada) Ltd.: correspondence; contracts. 0.5 cm 1967-1984 66 Leningrad: correspondence; concert programmes; notes. 7 items 1990 67 Losman: correspondence. 7 items 1973-1978, n.d. 68 Mark Ludwig: correspondence; biographical note; press clippings. 14 items 1990-1993 69 Macha (Junior): correspondence (includes 1 photograph). 7 items 1973-1978 70 Irena Machova: correspondence. 10 items 1983-1988 71 Charles Mackerras: correspondence. 3 items 1993 72 Marquis Classics: correspondence. 4 items 1994 73 Jane R. Mayer: correspondence. 7 items 1952-1963, n.d. 74 Father Brad Massman: correspondence. 3 items 1984-1994 75 Kurt Masur: correspondence; press clippings. 5 items 1991-1993, n.d. 76 Jana Matejcek: correspondence. 1 cm 1960-1984, n.d. 77 David McGill: biographical note; correspondence. 6 items 1992-1995, n.d. 78 Dennis McIntire: biographical note; correspondence. 5 items 1987-1990, n.d. 79 Alys Monod: correspondence; pamphlets. 0.5 cm 1982, n.d. 80
Recommended publications
  • Vol. 49, No. 5, September-October 2007
    Z P R Á V Y SPOLEČNOSTI PRO VĚDY A UMĚNÍ CZECHOSLOVAK SOCIETY OF ARTS AND SCIENCES, INC. ISSN SVU Volume XXXXIX. September - October 2007 No.5 President: Secretary General: Treasurer: Karel F. Raska Zdenek David Vlado Kysucky St. Peters Univ. Hospital 517 13th St., N.E. 605 W. 112th St., #2E 254 Easton Ave. Washington, DC 20002 New York, NY 10025 New Brunswick, NJ 08901 Tel: 202 396-8108 Tel: 917 680-9959 Tel: 732 745-8504 Fax: 202 691-4001 212 543-5646 Fax: 732 828-3858 [email protected] [email protected] [email protected] www.svu2000.org 24th WORLD CONGRESS OF SVU CZECHOSLOVAK SOCIETY OF ARTS AND SCIENCES Celebrating SVU: 50 Years of Promoting Czech and Slovak Culture and Science Worldwide September 8th - 14th of 2008 at the CATHOLIC UNIVERSITY Ruzomberok, Slovakia Co-Sponsors of the congress are: The Catholic University, Ruzomberok and The City of Ruzomberok Please SAVE THE DATES for this Festive Event in the Beautiful Slovak Mountains!! PRELIMINARY PROGRAM OF THE 24TH WORLD CONGRESS Sept. 7th, 2008 Registration and Welcome Party Sept. 8th, 2008 Formal Opening, Reception and Plenary Session Sept. 9th-12th, 2008 Academic Sessions and Exhibits Sept. 12th, 2008 General Assembly Meeting, Closing Ceremonies and Banquet Sept. 13th, 2008 Visit to Unesco Registry Village of Vlkolinec with Music and Barbecue (Optional) Sept. 14th, 2008 Visit to High Tatras or Bešeňová Thermal Spa (Optional) Sept. 14th-19th, 2008 6 Day Tour of the Treasures of Slovakia (Optional) There will be several cultural events during the meeting. Lodging: Rooms have been reserved in several hotels and pensions in Ružomberok.
    [Show full text]
  • The André Prévost Fonds the ANDRÉ PRÉVOST FONDS
    The André Prévost Fonds THE ANDRÉ PRÉVOST FONDS NUMERICAL LIST by STÉPHANE JEAN Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The André Prévost fonds : numerical list Issued also in French under title: Le fonds-André- Prévost, répertoire numérique. Includes index. ISBN 0-662-25324-8 CCG cat. no. SN3-316/1997E-IN 1. Prévost, André, 1934- --Archives--Catalogs. 2. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88P945 1997 016.78’092 C97-900182-X Cover: Prélude pour deux pianos of André Prévost, D4,65 Cover design: Denis Schryburt © Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. no. SN3-316/1997E-IN ISBN 0-662-25324-8 2 “...now men can only sing out their anguish and somehow sublimate it with hope; for they have acquired the certain knowledge that their sole salvation lies in acceptance and losing themselves in the world. They triumph over their condition by facing it.” (translation) André Prévost, Fantasmes, 1963. 3 4 TABLE OF CONTENTS Page INTRODUCTION 7 A TRIBUTE... 9 ABBREVIATIONS AND ACRONYMS 11 ABOUT THE FONDS 13 DESCRIPTION OF THE FONDS 17 MUS 264/A Correspondence 17 MUS 264/B Studies 24
    [Show full text]
  • CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components.
    [Show full text]
  • A Performer's Guide to Oskar Morawetz' from the Diary of Anne Frank Jami Rhodes Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 A performer's guide to Oskar Morawetz' From the Diary of Anne Frank Jami Rhodes Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Rhodes, Jami, "A performer's guide to Oskar Morawetz' From the Diary of Anne Frank" (2009). LSU Doctoral Dissertations. 3516. https://digitalcommons.lsu.edu/gradschool_dissertations/3516 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A PERFORMER‟S GUIDE TO OSKAR MORAWETZ‟ FROM THE DIARY OF ANNE FRANK A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts by Jami Rhodes B.M., East Carolina University, 2001 M.M., University of South Carolina, 2003 August 2009 ACKNOWLEDGEMENTS I must first acknowledge the aid of Claudia Morawetz, whose own extensive research into her father‟s life and work, coupled with her constant willingness to assist me throughout this process has been invaluable. I owe a special debt of gratitude to my major professor, Dr. Lori Bade who has not only served as the chair of my doctoral committee throughout this process but has guided me vocally throughout my time at Louisiana State University.
    [Show full text]
  • 2020-21 Academic Calendar
    2020-21 Academic Calendar 80 Queens Park, Toronto ON M5S 2C5 416-978-3740 [email protected] music.utoronto.ca Table of Contents Table of Contents Dean Statement ....................................................................................................................................................... 4 Schedule of Dates ................................................................................................................................................... 5 Faculty of Music Staff Listing ................................................................................................................................ 7 Professors Emeriti ............................................................................................................................................. 11 Undergraduate Admission Information ................................................................................................................ 14 DEGREE AND DIPLOMA PROGRAMS ....................................................................................................... 14 Bachelor of Music ................................................................................................................................................. 17 Bachelor of Music - Composition (MSSPECOMP) ......................................................................................... 19 Bachelor of Music - Comprehensive Studies: Classical (MSSPECOMH) ....................................................... 21 Bachelor of Music - Comprehensive
    [Show full text]
  • Finding Aid Prepared By: Eric Braley Edited By: Sharon Rankin Latest Revision: 17 July 2014
    Guide to Paul Helmer’s Growing with Canada Collection Collection number: TBD Finding Aid prepared by: Eric Braley Edited by: Sharon Rankin Latest revision: 17 July 2014 Collection Summary Title Paul Helmer’s Growing with Canada Collection. Span Dates 1917 – 2011. Creator Paul Helmer. Collection size 60 cm. Languages Collection material is primarily in English. Some items in German. Repository Marvin Duchow Music Library, McGill University, 3rd floor, 527 Sherbrooke St., Montréal, Québec, Canada. 514-398-4695 http://www.mcgill.ca/library/branches/music Abstract Paul Helmer’s Growing with Canada Collection consists of material collected by Dr. Paul Helmer for his monograph Growing with Canada: The Émigré Tradition in Canadian music, published by McGill-Queen’s University Press in 2009. The Collection contains original documentary evidence including interview transcripts and recordings, as well as Dr. Helmer’s notes and drafts for Growing with Canada and copies of primary and secondary sources. Paul Helmer Finding Aid Page 1 of 18 17 July 2014 Selected Search Terms The following subject terms (LCSH) have been used to index the description of this collection in the Library’s catalogue: Helmer, Paul, -- 1938- -- Archives. Helmer, Paul, -- 1938- -- Growing with Canada. Music -- Canada -- History -- 20th century. The collection entry can be found at: http://mcgill.worldcat.org/oclc/880967688. Administrative Information Provenance Gift from Dr. Paul Helmer. Accruals No further accruals are expected. Processing History Paul Helmer’s Growing with Canada Collection was first processed in May 2014 by Eric Braley. This finding aid was prepared using Microsoft Word 2010. Copyright Status The status of copyright on the contents of Paul Helmer’s Growing with Canada Collection is governed by the Copyright Law of Canada.
    [Show full text]
  • Perspectives on the Late Piano Music of Oskar Morawetz and John Weinzweig Elaine Keillor
    Document generated on 09/26/2021 7:38 p.m. Intersections Canadian Journal of Music Revue canadienne de musique Perspectives on the Late Piano Music of Oskar Morawetz and John Weinzweig Elaine Keillor Musical Perspectives, People, and Places: Essays in Honour of Carl Article abstract Morey Oskar Morawetz and John Weinzweig were colleagues of Carl Morey at the Volume 33, Number 2, 2013 Faculty of Music, University of Toronto. Each composed considerable piano music throughout his compositional career. In this article, the author examines URI: https://id.erudit.org/iderudit/1032694ar the late piano compositions of Morawetz and Weinzweig, comparing DOI: https://doi.org/10.7202/1032694ar approaches to the instrument, and how those approaches were reflected musically in this group of late compositions. Because Morawetz based his approach on the late Romantic piano compositions with which he was familiar, See table of contents pianists do not encounter extended techniques in his works. Weinzweig, on the other hand, makes new demands upon the performer to bring across his “disparate gestic/phonetic shapes.” Publisher(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Keillor, E. (2013). Perspectives on the Late Piano Music of Oskar Morawetz and John Weinzweig. Intersections, 33(2), 35–52. https://doi.org/10.7202/1032694ar Copyright © Canadian University Music Society / Société de musique des This document is protected by copyright law. Use of the services of Érudit universités canadiennes, 2013 (including reproduction) is subject to its terms and conditions, which can be viewed online.
    [Show full text]
  • Fonds Alexander Brott (R12803) Page 1 Finding Aid No
    Date: 2012-04-12 Alexander Brott fonds (R12803) / Fonds Alexander Brott (R12803) Page 1 Finding Aid No. R12803 / Instrument de recherche no R12803 Report: Y:\APP\Impromptu\Mikan\Reports\Description_Reports\finding_aids_&_subcontainers.imr MIKAN Container File/Item Cr. file/item Hierarchy Title, etc Date of/de Extent or Media / Dim. / Access # Contenant Dos./PièceDos./item cr. Hiérarchie Titre, etc création Support ou Média / Dim. / Accès 3985646 Series Correspondence [textual record, graphic 1931-2004 material] 4014008 1 1 File Lotte Brott [194-?]-1997 2 cm of textual records. / 90 S&C : File containing correspondence with Lotte Brott. Several letters also includes other family members. 3987168 1 2 File Boris Brott [ca. 1956]-1962 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 4013971 1 3 File Boris Brott 1963-2004 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 3986023 1 4 File Denis Brott 1962-1969 1.5 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 3986031 1 5 File Denis Brott 1970-1996 1 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 4064182 1 6 File Other family members 1935-1962 0.5 cm of textual records. / 90 S&C : File containing correspondence with his mother, Annie Fixman, and Aby Lenson and Saul Brott. 3986019 1 7 File Canadian League of Composers 1952-1956 1.5 cm of textual records. / 90 4002344 1 8 File Canadian League of Composers 1957-1990 1 cm of textual records. / 90 3988428 1 9 File Canadian Music Centre 1959-1963 2 cm of textual records.
    [Show full text]
  • Oskar Morawetz. Canadian Composers Portraits. Toronto: Centrediscs, 2002
    Oskar Morawetz. Canadian Composers Portraits. Toronto: Centrediscs, 2002. CMCCD 8702. $20.00. Two compact discs. Disc 1: Morawetz documentary produced and prepared by Eitan Cornfield (55:42). Disc 2: Concerto for Harp and Chamber Orchestra (Gianetta Baril, harp; Edmonton Symphony Orchestra; Uri Mayer, conductor) (26:3 1); String Quartet no. 5, "Tribute to W. A. Mozart" (Orford String Quartet) (17:43); Suite for Piano (Angela Hewitt, piano) (950); The Railway Station (National Youth Orchestra of Canada, John Lubbock, conductor) (1 1:30). Oskar Morawetz has been recognized adjoining room, she reads passages from often for his outstanding achievements. the composer's correspondence with the He is a member of the Order of Canada, Holocaust survivor Otto Frank, father of he was the first composer in Canada to Anne Frank whose diaries inspired receive the Order of Ontario, and he Morawetz to write one of his most holds two Juno Awards. He is also one moving works. The various speakers are of Canada's most recorded and carefully identified at their first performed composers. This two-disc set statements, although sometimes it is in the Canadian Composers Portraits difficult to recognize a voice when it Series combines a full-length reappears later in the documentary. documentary on Morawetz's life and Many of the comments are of a personal career with recordings of four of his nature providing the listener with a compositions. moving and intimate portrait of the composer. The documentary is constructed fiom interviews with family members, The second CD contains four works fiends, performers (notably, Anton written between 1969 and 1991.
    [Show full text]
  • The Proliferation of String Quartets in Canada 1991-2014
    The Proliferation of String Quartets in Canada 1991-2014 by Min-Jeong Koh A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Min-Jeong Koh 2014 The Proliferation of String Quartets in Canada 1991-2014 Min-Jeong Koh Doctor of Musical Arts Faculty of Music University of Toronto 2014 Abstract This paper examines the proliferation of string quartets in Canada between 1991 and 2014. The year 1991 is a pivotal one: it was the end of a Golden Age of string quartet performance in Canada with the conclusion of the activities of the Orford, Vághy, and Purcell Quartets. It marked, also, the beginning of a New Golden Age of string quartet performance in Canada. Similar to their predecessors, the quartets of this new era have different levels of international success, but one could call it a New Golden Age from the sheer number of professional ensembles active in Canada from 1991 onward. The thesis begins with biographies of leading ensembles of this period: the Alcan, Arthur Leblanc, Claudel-Canimex, St. Lawrence, Lafayette, Penderecki, Molinari, Bozzini, Borealis, Tokai, Silverbirch, Cecilia, Afiara, and the New Orford Quartets. The fourth chapter researches the opportunities available to string quartets in Canada, including the Banff International String Quartet Competition. To supplement the biographies and to gain additional insight on the available resources, eight quartet players participated in interviews. Findings emphasize the need to create more support for Canadian musicians, including both professional ensembles and also young aspiring quartet ensembles, to stay in Canada.
    [Show full text]
  • The Czech Prism
    Oskar Morawetz: The Czech Prism by Radka Hanáková A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Radka Hanáková 2020 Oskar Morawetz: The Czech Prism Radka Hanáková Doctor of Musical Arts Faculty of Music University of Toronto 2020 Abstract Oskar Morawetz (1917 – 2007) carved out a successful career in Canada, yet he remains relatively obscure in his native Czechoslovakia (now the Czech Republic). The complexity of his social, political and cultural background framed his identity as a person and musician. Understanding Czech–Canadian dualism is a vital component of grasping both his identity as a composer and reception of his music in the two countries. The Czech Prism is a documentation of a multidisciplinary project I developed and carried out in the years 2015 – 2019 in both Morawetz’s homelands – Canada and the Czech Republic – in order to unveil the Czech identity of the composer. It is neither an analysis nor a biography, but it contains elements of both. As such it follows Morawetz’s footsteps geographically: beginning in Europe, then moving to Canada, and finally returning to the Czech Republic. Among the most valuable contributions of this research is the discovery of a large amount of fascinating Czech correspondence in the Morawetz fonds in the Library and Archives Canada in Ottawa. The correspondence contains letters Morawetz exchanged with both his family members ii and others in Czechoslovakia, mostly between the years 1939 and 1995. This is the first time that this material has been examined, translated, and incorporated into a research document.
    [Show full text]
  • Author/Composer Title Publisher Year
    Backlog of items - Scores and Books Rupert Edwards Library Current as of 02/03/2016 Author/Composer Title Publisher Year Principal Instrument Notes Adaskin, Murray Diversion for Orchestra National Arts Centre 1969 Orchestra - Score Aitken, Robert Spiral Canadian Music Centre 1975 Orchestra - Score Suite da Musiche Liutistiche del 500' per Arpa Concertante e Orchestra Angelis, Ugalberto De da Camera Casa Musicale Sonzogno di Piero Ostali 1961 Orchestra - Score Angelis, Ugalberto De Epitaffio per Orchestra Casa Musicale Sonzogno di Piero Ostali Orchestra - Score Anhalt, Istvan Symphony BMI Canada Limited 1958 Score Erste Orchester-Sinfonie for 2 flutes, 2 oboes, 2 horns, strings and Bach, C.P.E. basso continuo Schott Co. Ltd. 1970 Orchestral Score Bach, J. S. Christmas Oratorio, BWV 248 C. F. Peters 1955 Vocal Score Bach, J. S. Cantata no. 203, BMV 203 C. F. Peters Vocal Score Bach, J. S. St. John Passion Novello 1929 Vocal Score Sinfonia Concertante for Flute, Oboe, Violin, Cello, and Orchestra in C Bach, J.C. major Ernst Eulenburg 1961 Orchestra - Miniature Bach, J.C. Piano Concerto in Eb major Ernst Eulenburg Orchestra - Miniature Bach, J.C. Sinfonia Concertante for 2 Violins in Eb major Ernst Eulenburg 1970 Orchestra - Miniature Bach, J.C. Sinfonia Concertante J Major Ernst Eulenburg 1973 Miniature Score Bach, J.C. Symphony in Bb major, op. 18 no. 2 Ernst Eulenburg 1971 Miniature Score Bach, J.C. La Clemenza di Scipione Overture Verlag Doblinger 1970 Orchestral Score Bach, J.S. St. Matthew Passion Ernst Eulenburg Orchestra - Miniature Bach, J.S. Concerto for Harpsichord, Flute, Violin, and Strings, BWV 1044 Ernst Eulenburg 1976 Orchestra - Miniature Bach, J.S.
    [Show full text]