Popkomm 2008 Norwegian Delegates
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NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
The Rise and Rise of Norwegian Dance Music
The rise and rise of Norwegian dance music coneysloft.com/magazine/2017/2/28/northern-disco-lights-the-rise-and-rise-of-norwegian-dance-music Norse culture is often summarised by serene beauty in landscape, oil and the music of A-ha. The world’s most democratic nation and home to one of the strongest market economies, Norway may be idealistic but that doesn’t mean it wasn’t boring. In the 1980’s from the bedrooms of Tromsø, the youth decided to plug the Northern Lights and the Arctic Circle into their turntables and synthesizers to escape the mundaneness of safety and create a new identity, an identity that filled the dancefloors of Oslo and shook the wooden houses of Bergen. The landscape was no longer snow caps and flammable fluids, it was dance music. From Tellé Records to Smalltown Supersound to Olsen Records, the Norwegian avalanche has no intention of slowing down. With this comes the release of disco-mentary Northern Disco Lights - The Rise and Rise of Norwegian Dance Music, a sonic exploration of the often overlooked founders, successes and stalwarts of the scene. With Scandinavia’s crucial three Todd Terje, Lindstrom and Prins Thomas blowing large waves over the North Sea, we caught up with director Ben Davis of for his analysis and insight. Q. My first encounter of Norwegian electronic music was hearing Royksopp’s ‘Eple’ and what felt like discovering something that seemed so familiar yet had only become apparent to me in the last 30 seconds. What was your earliest memory of this elusive scene and how did it first resonate with you? A. -
117908744.Pdf (1.086Mb)
«The shape of rock to come» Ein analyse av etableringa og utviklinga av det norske støymiljøet Eirik Kvam Goksøyr Masteroppgåve i medievitskap Institutt for informasjons- og medievitskap Universitetet i Bergen Februar 2014 1 Forord Arbeidet med denne oppgåva har vore ein tung affære. Det har vore lange kveldar med litervis med kaffi. Eg vil først takke mine informantar for at dei velvillig stilte opp til intervju og ga meg verdifull innsikt. Eg vil rette ein stor takk til mine dyktige rettleiarar, Ole Johan Mjøs og Jan Fredrik Hovden, som har gitt meg mange gode faglege innspel og motivasjonsord gjennom heile arbeidet Tusen takk til familien min for å ha støtta meg gjennom den tyngste perioden i arbeidet. Tusen takk til Studentradioen i Bergen som har latt meg bruke opptaksutstyr og studio til opptak av mine intervju. Eg vil og takke Norsk Kulturråd for å ha sendt over viktige datamateriale til oppgåva. Til slutt, men ikkje minst vil eg rette ein stor takk til den fantastiske gjengen på lesesalen 539, som har motivert og støtta meg gjennom heile prosessen. 2 Innhaldsliste 1.0 Innleiing .......................................................................................................... 5 1.1 Kort om metode ................................................................................................................ 6 1.2 Gangen i oppgåva ............................................................................................................. 7 2.0 Bakgrunn ....................................................................................................... -
Recorded Jazz in the Early 21St Century
Recorded Jazz in the Early 21st Century: A Consumer Guide by Tom Hull Copyright © 2016 Tom Hull. Table of Contents Introduction................................................................................................................................................1 The Consumer Guide: People....................................................................................................................7 The Consumer Guide: Groups................................................................................................................119 Reissues and Vault Music.......................................................................................................................139 Introduction: 1 Introduction This book exists because Robert Christgau asked me to write a Jazz Consumer Guide column for the Village Voice. As Music Editor for the Voice, he had come up with the Consumer Guide format back in 1969. His original format was twenty records, each accorded a single-paragraph review ending with a letter grade. His domain was rock and roll, but his taste and interests ranged widely, so his CGs regularly featured country, blues, folk, reggae, jazz, and later world (especially African), hip-hop, and electronica. Aside from two years off working for Newsday (when his Consumer Guide was published monthly in Creem), the Voice published his columns more-or-less monthly up to 2006, when new owners purged most of the Senior Editors. Since then he's continued writing in the format for a series of Webzines -- MSN Music, Medium, -
Årsmelding 2009 Copyright © 2010 by Norsk Kulturråd All Rights Reserved
NORSK KULTURRÅD Årsmelding 2009 Copyright © 2010 by Norsk kulturråd All rights reserved Grafisk produksjon: John Grieg AS, Bergen Omslagsdesign ved forlaget Framsidebilete: Frå framsyninga Arctic Voices. Regi Bente Andersen – Samovarteateret. Foto Lene Stavå. Sideombrekking: Laboremus Sandefjord AS Redaksjon: Janne Stang Dahl og Mari Johansen Sekretariatfunksjonen til Fond for lyd og bilete og Statens kunstnarstipend er administrativt tilknytt og samlokalisert med Norsk kulturråd. Fond for lyd og bilete og Statens kunstnarstipend har eigne styrande organ og gjev ut eigne årsmeldingar. Norsk kulturråd Grev Wedels plass 1 Postboks 101 Sentrum N-0102 Oslo Tlf: +47 22 47 83 30 Faks: +47 22 33 40 42 E-post: [email protected] www.kulturrad.no Innhald Innleiing .................................................. 5 Tildelingar og innkjøp ........................... 29 Allmenne kulturformål ............................. 29 Kunsten i endring ................................... 6 Rom for kunst .......................................... 30 Barne- og ungdomskultur ......................... 32 Råd og utval ............................................ 7 Andre formål ............................................ 37 Biletkunst og kunsthandverk..................... 39 Administrasjonen .................................. 15 Musikk ..................................................... 49 Scenekunst................................................ 76 Informasjonsverksemd .......................... 17 Litteratur ................................................. -
Annual Report 2011 MUSIC EXPORT NORWAY 2
Annual Report 2011 MUSIC EXPORT NORWAY 2 THIS IS MUSIC EXPORT NORWAY 01 02 03 04 05 06 This is Music Export Norway: 01 Inger Dirdal – Managing Director 02 Helene Dolva Broch – Project Manager, international projects 03 Øyvind Skjerven Larsen – Project Manager, national projects 04 Jonas Vebner – Head of UK office (London) 05 Miranda Moen – Project Coordinator, GSA (Berlin) 06 Pål Dimmen – Communication Manager Board 2011: Jørn Dalchow – Chairman / IFPI representative Lars Christian Fjeldstad – Vice-Chairman / MFO representative Lars Aass – NOPA representative Harald Sommerstad – GramArt representative Erlend Gjerde – FONO representative Owners: IFPI, MFO, NOPA, GramArt, FONO, NMFF Music Export Norway is supported by the Minstry of Culture and the Ministry of Foreign Affairs. CONTENTS 05 International Projects 14 Ad-hoc support 09 Music Export Norway GSA 16 Export Program 10 Music Export Norway UK 11 National Projects 4 MORE THAN JUST PROJECTS 2011 was a busy year for Music Export Norway In the 2011 annual report you will see a with numerous events and projects in the music comprehensive list of the year’s projects. It is export field. In particular, activity in the German- important to point out that a lot of Music Export speaking markets has picked up following the Norway’s daily work is not directly linked to official opening of our Berlin office in January. specific projects. For example, in 2011 MEN conducted a Business Development Program (BDP) with a Every week we receive a large number of focus on the GSA territory, in which Norwegian inquiries from established industry business exporters were given a thorough introduction to professionals and musicians, as well as from everything from tax regimes to market structure. -
Musikkoperatørene AS |
Best på MUSIKKOPERATØRENE AS Norsk www.musikkoperatorene.no Musik k NYHETER November 2018 UKE 44 Følg oss på Facebook: http://tinyurl.com/3a2rhel og Twitter: http://twitter.com/Musopdf NYHETER 02.november Gåte - Svevn 2. november. S hverdagen . I , og er en pause i livet. Derfor heter deres første album siden 2004 Svevn, og det slippes 2. november. Her finnes singlene «Kom no Disjka», «Bannlyst» . , etter at de kom med debuten Jygri (2002) og Iselilja - albumene som sørget for at bandet fikk stor suksess med sin mektige rock ispedd tradisjonsmateriale. I denne perioden solgte de mer - - -EP Attersyn. – Vi synes det har vært veldig f , dyktigere, mer bevisst og mer samlet enn vi noen gang har vært, sier bandet. - utfordrende og spennende arbeid for ham. – Her skal det ikke være noen amputerende sensur av arkaisk ordf , sier Buen. Sjanger: Pop Varenr: DM52CD2 | Pris: 1 CD JT | Strekkode: 7072696000858 | Label: Drabant Music Varenr: DM52LP | Pris: 1 LP QS | Strekkode: 7072696000841 | Label: Drabant Music Varenr: DM52LPOG | Pris: 1 LP R | Strekkode: 7072696000995 | Label: Drabant Music For promo kontakt: [email protected] Amgala Temple - Invisible Airships (VINYL) Amgala Temple er lyden av tre musikalske stormakter slått sammen. Resultatet er overveldende – spontanitet og disiplin, improvisasjon og klarsyn – blandet sammen med ambisjon om å skape noe sublimt. Sammensetningen av Lars Horntveth, Amund Maarud og Gard Nilssen er en våt drøm for musikkjennere. På hver sin kant har de vært definerende i norsk musikkliv, som soloartister og bandledere i et uttall sammenhenger, det være seg Jaga Jazzist, Susanne Sundør, Todd Terje, ’ R - N ’ A U Men Amgala Temple låter ikke som noen av de ovennevnte.