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2017 09 08 Catalog
LANCASTER MENNONITE HISTORICAL SOCIETY ’S BENEFIT AUCTION OF RARE , OUT -OF -PRINT , AND USED BOOKS FRIDAY , SEPTEMBER 8, 2017, AT 6:30 P.M. TEL : (717) 393-9745; FAX : (717) 393-8751; EMAIL : [email protected] WEBSITE: http://www.lmhs.org/ The Lancaster Mennonite Historical Society will conduct an auction on September 8, 2017, at 2215 Millstream Road, Lancaster, Pennsylvania, one-half mile east of the intersection of Routes 30 and 462. The sale dates for the remainder of 2017 are as follows: November 10. The auction not only specializes in local and denominational history and genealogy of southeastern Pennsylvania, but also includes theological works and other types of material of interest to the nationwide constituency. Please refer to the last page of the catalog for book auction procedures. Individual catalogs are available from the Society for $5.00 + $3.00 postage and handling. Persons who wish to be added to the mailing list for the rest of 2017 may do so by sending $8.00 with name and address to the Society. Higher rates apply for subscribers outside of the United States. All subscriptions expire at the end of the calendar year. The catalog is also available for free on our web site at www.lmhs.org/auction.html . 1. The Mennonite Quarterly Review. Goshen, Ind.: Mennonite Historical Society. 28 quarterly iss: Vol. 46 (1972), no. 4; Vol. 74 (2000), no. 4; Vol. 75 (2001), no. 1-3; Vol. 77 (2003), no. 1-2; Vol. 78 (2004), no. 1, 3-4; Vol. 79 (2005), no. 1, 4; Vol. 80 (2006), no. -
The Modem Interpretation of the Parables of Jesus and the Problem of Hermeneutics
The Modem Interpretation of the Parables of Jesus and the Problem of Hermeneutics NORMAN PERRIN Professor of New Testament Divinity School, University of Chicago The dynamic interaction between text and interpreter is the heart of the hermeneutical enterprise. The challenge of the parable and the interpretative response it has provoked disclose and display this interaction more fully than any other contemporary interpretative work. HE MODERN hermeneutical discussion has made us all aware of Tthe ways in which an exegete's presuppositions affect his exegesis, and there is no plainer example of this than the exegesis of the parables of Jesus. Here the exegete's theological position, his fundamental con cern, his methodological presuppositions, his Vorverständnis, can play a quite surprisingly large role in the way in which the parables are finally understood. The purpose of this article is to illustrate this point in con nection with the work of a number of very important interpreters of the parables and then to offer some reflections on the hermeneutical problems thus revealed. Let us begin with the father of the modern interpretation of the para bles of Jesus, Adolf Jülicher, whose two-volume Die Gleichnisreden Jesu)- ι. (Darmstadt, Wissenschaftliche Buchgesellschaft, 1963). I—1888, 18992; II—1899, 19102. 131 is still required reading for anyone who intends a serious study of the parables, although perhaps not all 963 pages ! To read the second volume, or any two hundred pages of it, is to be forced to a series of recognitions. In the first place one comes to reject allegory once and for all. -
Rejoice, Give Thanks, and Sing
a practical resource for Lutheran church musicians ALCM No. 2, 2015 Rejoice, Give In this issue of Thanks, and Sing in tempo : Rejoice, Give Thanks, and Sing 1 The Ostinato of the Soul 5 Through the Church the Song Goes On: Making Chorales a Evangelical Lutheran Living Tradition 6 Lutheran Service Book Composing for Worship By Paul Grime the Church: by Martin Seltz You Can Do It! 8 hen the Lutheran wChurch—Missouri Synod en years ago this summer at Five-Year began in 1997 to explore tthe 2005 Churchwide the development of a new wor - Countdown to Assembly of the Evangelical ship resource, a unique history the 500th 11 Lutheran Church in America was very much at play. Lutheran (ELCA) held in Orlando, Florida, Worship (1982) had at that point Spruce Up Those this deliberative body commend - been in service for only 15 years. Chorale Preludes 12 ed Evangelical Lutheran Worship for The fact that fully one-third of use in the ELCA. The Evangelical LCMS congregations were still Singing the Lutheran Church in Canada took using the 1941 The Lutheran Church's Song at a similar action that year. Many Hymnal , and 10 percent were congregations have been using Christmas 14 using Lutheran Book of Worship, the “new” worship book now for said it all: the LCMS had signifi - In Review: Ein Neues over eight years. So, what’s been cant divisions when it came to the happening—especially from the Lied - A New Song 16 resources for use in worship. standpoint of musicians and Music in Season: singing assemblies? What aspira - Fast-forward nearly a decade to The Christmas tions for new principal worship August 2006. -
Robert W. Funk and the German Theological Tradition
From: The Fourth R, volume 19, number 2, March –April 2006 (“The Life & Legacy of Robert W. Funk”), pp. 7, 20. Robert W. Funk and the German Theological Tradition Gerd Lüdemann Bob Funk did his graduate work at Vanderbilt University, completing it in 1953 with his Ph. D. thesis, The Syntax of the Greek Article: Its Importance for Critical Pauline Problems. His dissertation supervisor, Kendrick Grobel (1908–65), introduced the young student––whose rejection of simplistic Christian creeds led him to scholarship1––to the world of biblical criticism, which at the time was largely shaped by German scholars. Grobel’s active role in this movement began in 1934 with his dissertation, “Form Criticism and Synoptic Source Analysis,”2 prepared under the supervision of the famous form critic Martin Dibelius at the University of Heidelberg.3 Grobel also translated Rudolf Bultmann’s “Theology of the New Testament” (1951, 1955), and in the early fifties organized a U. S. lecture tour by Rudolf Bultmann. The young Bob Funk must have listened attentively when the famous German exegete delivered the Cole Lectures at Vanderbilt Divinity School. No wonder, then, that he spent the first twenty years of his scholarly career in developing and transmitting the philological, linguistic, historical-critical, and theological skills he acquired from German New Testament scholarship. He actively participated in conferences on New Testament hermeneutics at Drew University and later at Vanderbilt, where in 1966 he was called to succeed his former mentor, Kendrick Grobel. Along with similarly oriented Americans James M. Robinson, Van A. Harvey, and Schubert Ogden, he translated Bultmann’s essays and joined their author’s German students Gerhard Ebeling and Ernst Fuchs in developing Bultmann’s ideas. -
THE HERMENEUTICS of the REFORMERS in This Article I Shall Not Deal with the Whole Doctrine of Scripture As We Find It in The
THE HERMENEUTICS OF THE REFORMERS by KLAAS RUNIA INTRODUCTION In this article I shall not deal with the whole doctrine of scripture as we find it in the works of the Reformers, but with their hermeneutics. Naturally, the two subjects are interrelated, but they are not identical. The doctrine of scripture deals with scripture as the Word of God, its inspiration, authority, sufficiency, infallibility, and/or inerrancy, etc. In short, it concentrates on the essence of scripture and its attributes. Hermeneutics deals with the interpretation of scripture. How is it being read and used in the theology of the Reformers? It is obvious that one cannot deal with the latter question without at the same time touching again and again upon the doctrine of scripture. Yet the emphasis is on the hermeneutical question, and the doctrine of scrip ture itself will be dealt with only in a secondary way. But what do we mean by "hermeneutics"? In recent years there has been a considerable shift as to the meaning of the term.1 In the past, hermeneutics was that part of theology that tried to formulate the rules of exegesis. Since the Second World War the term has obtained a new meaning. Now it no longer refers primarily to a set of exegetical rules, but rather to the whole process of interpretation itself, by which con temporary believers are brought into an understanding relation to the biblical message. It is interesting to note that this new concept of hermeneutics applies very much to the understanding of the Bible by the Reformers them selves. -
Karl Barth, Martin Luther and John Calvin
http://ngtt.journals.ac.za Hesselink, I. John1 Law and Gospel or Gospel and Law? Karl Barth, Martin Luther and John Calvin ABSTRACT For Calvin the order of the law-gospel relation may be put this way: Law of creation (natural law) – revealed law (the law of Moses) – the gospel – the gracious law (third use) as a norm and guide for believers. The same outline would follow for Luther except that the third or positive use of the law plays a minor role in his thinking. On the surface Barth would seem to have more affinity with Calvin but the differences are significant because of Barth’s rejection of any notion of the antithesis of law and gospel and his subsuming the law in all its functions under God’s grace. INTRODUCTION Karl Adam, a German Roman Catholic theologian, is reported to have said that Karl Barth’s Commentary on Romans “dropped like a bomb on the playground of theologians.”2 It immediately established Karl Barth, then a pastor in a small Swiss village, as a theological force to be reckoned with. It was a striking challenge to the German liberal theological establishment of the first half of the twentieth century from which it never completely recovered. Not long afterwards Barth published a little monograph entitled Evangelium und Gesetz (Gospel and Law) in 1935 in the journal Theologische Existence heute, No. XXXII.3 Barth had planned to give this as a lecture in Barmen that year but was prevented from giving it by the Gestapo. As he was being escorted across the border to Switzerland by the German police, someone else read the lecture in his place.4 This little treatise did not evoke much of a response in either the liberal theological world nor the evangelical world in Britain or the United States, but it was regarded as a frontal attack on a key Lutheran doctrine by the Lutheran establishment. -
The Interpreter's Task
EDITORIAL The Interpreter's Task George A. Turner* Hermeneutics, or the science of interpreting the Scriptures, was never more challenging or difficult than today. The term hermeneutics (from the Greek hermeneia-\Qox. 12:10, 14:26), synonymous with the Latin interpretandi (interpretation), has been revived through the influence of German scholars, especially Rudolf Bultmann and Ernst Fuchs. The latter's Hermeneutik (1954) was something of a landmark in that the emphasis was shifted from the older meaning of interpretation to an em phasis on language or translation. In current usage the term is almost the equivalent of biblical theology. Attention is being given to language as the vehicle of communication between the biblical idiom and contemporary idiom. The interpreter's main task remains that of making the written word become the living word. In this task he can learn much from curreat issues and emphases in the hermeneutical ferment of the times. From the existentialists he can welcome the emphasis on the necessity of response to the Scriptures. From them also he can be warned about the importance of bringing to the Bible the best possible presuppositions, not however, wedded to any particular philosophical or even theological system; he must realize his own inclination to bias and strive to be as objective as possible in his approach. He must recognize, with the Reformers, that the Scriptures normally have one plain meaning and that his task is to seek it honestly with a maximum of initial objectivity. Once he has found the meaning he should make it his own by choice. -
Ulrich Leopold Paul Helmer
Consensus Volume 32 Article 5 Issue 1 Cultural Reception of the Gospel 5-1-2007 Ulrich Leopold Paul Helmer Follow this and additional works at: http://scholars.wlu.ca/consensus Recommended Citation Helmer, Paul (2007) "Ulrich Leopold," Consensus: Vol. 32 : Iss. 1 , Article 5. Available at: http://scholars.wlu.ca/consensus/vol32/iss1/5 This Articles is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Consensus by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. 73 Ulrich Leopold Paul Helmer Formerly Assiciate Professor of Musicology McGill University, Montréal Peering out at all passers-by from the portrait gallery of past Seminary deans in the hallway beside the chapel at Waterloo Lutheran Seminary is one Ulrich Siegfried Leupold (1909-70). In the preparatory work for a forthcoming monograph on European musicians who fled Germany prior to and shortly after World war II, I feel that I was able to learn something about this remarkable musician, theologian, and pastor, who played an important role in the education of several generations of clergy and laity and who also brought to North American religious communities a knowledge of the rich musical traditions of Continental European composers. How did someone who began his career as a musicologist in Berlin, Germany in the 1930s end up in Waterloo, Ontario, Canada as Dean of a Lutheran Seminary? Leupold’s father, Anton Wilhelm (1868-1940), was organist at the Sankt Petri church, Berlin,1 and was the first organist to perform Max Reger’s entire organ works in Berlin.2 His mother Gertrud, née Igel, was an opera singer. -
Luther's Hymn Melodies
Luther’s Hymn Melodies Style and form for a Royal Priesthood James L. Brauer Concordia Seminary Press Copyright © 2016 James L. Brauer Permission granted for individual and congregational use. Any other distribution, recirculation, or republication requires written permission. CONTENTS Preface 1 Luther and Hymnody 3 Luther’s Compositions 5 Musical Training 10 A Motet 15 Hymn Tunes 17 Models of Hymnody 35 Conclusion 42 Bibliography 47 Tables Table 1 Luther’s Hymns: A List 8 Table 2 Tunes by Luther 11 Table 3 Tune Samples from Luther 16 Table 4 Variety in Luther’s Tunes 37 Luther’s Hymn Melodies Preface This study began in 1983 as an illustrated lecture for the 500th anniversary of Luther’s birth and was presented four times (in Bronxville and Yonkers, New York and in Northhampton and Springfield, Massachusetts). In1987 further research was done on the question of tune authorship and musical style; the material was revised several times in the years that followed. As the 500th anniversary of the Reformation approached, it was brought into its present form. An unexpected insight came from examining the tunes associated with the Luther’s hymn texts: Luther employed several types (styles) of melody. Viewed from later centuries it is easy to lump all his hymn tunes in one category and label them “medieval” hymns. Over the centuries scholars have studied many questions about each melody, especially its origin: did it derive from an existing Gregorian melody or from a preexisting hymn tune or folk song? In studying Luther’s tunes it became clear that he chose melody structures and styles associated with different music-making occasions and groups in society. -
The German Church Hymn Ein Feste Burg by Martin Luther: Its Reception in Germany and in Korea During and Between the World Wars
KOREA PRESBYTERIAN JOURNAL OF THEOLOGY Vol. 52 No. 4 The German Church Hymn Ein feste Burg by Martin Luther: Its Reception in Germany and in Korea During and Between the World Wars PARK Sa-Ra, Dr. Phil. Doctor, Music Theory Texas State University, USA I. Introduction II. Reception in Germany During and Between the World Wars III. Reception in Korea During the World Wars IV. Interpretation V. Conclusion Korea Presbyterian Journal of Theology Vol. 52 No. 4 (2020. 11), 261-280 DOI: 10.15757/kpjt.2020.52.4.010 262 KOREA PRESBYTERIAN JOURNAL OF THEOLOGY Vol. 52 No. 4 Abstract In contrast to the intent of Martin Luther, the church hymn Ein feste Burg ist unser Gott [A Mighty Fortress is our God] was misused in the 19th century as a ‘national anthem’ [Nationalhymne] by the Germans and as a ‘fight song’ [Kampflied] against Englishmen, Russians, and Frenchmen during World War I. At that time, Ein feste Burg was sung not only in Germany, but also in other countries, used in a political context. At the beginning of the 20th century, for example, it was introduced through American missionaries to Korea. Luther’s Ein feste Burg was sung not only in worship services, but also outside of church. It played an important role for Korean Christians, especially during the Japanese colonization (1910-1945). Under the Japanese rule, Koreans aimed at the independence of their country. Among the activities by the resistance, the March 1st Movement [Samil Undong], which took place in 1919, was of significance. Although it was brutally oppressed by Japanese soldiers, it spread throughout the country. -
Katalog Zur Ausstellung
Katalog zur Ausstellung Luthers Lieder - Sprachkunst und Musik von der Reformation bis heute im Buchmuseum und an der Galerie am Lesesaal der Sächsischen Landesbibliothek - Staats- und Uni- versitätsbibliothek vom 23.09.2012 - 08.01.2013 ����������������������������� ������������������������������������������ Luthers Lieder - Musik und Sprachkunst von der Reformation bis heute Inhalt Inhalt Einführung 12. Neue Gesangbücher und Liederhefte 1. Ordnungen und Lieder zum Gottesdienst 13. In vielen Sprachen 2. Psalmlieder 14. Ökumenische Gesangbücher - gemeinsam mit anderen Konfessionen singen 3. Katechismuslieder 15. Gesangbücher aus Russland 4. Advents- und Weihnachtslieder 16. Blindengesangbuch/Kindergesangbücher 5. Trostlieder und Gesänge für den Oster- und Pfingstkreis 17. Gesangbücher aus Ostasien 6. Lieder der Reformationszeit 18. Luthers Lieder interpretiert 7. Berühmte Vertonungen Zeittafel 8. Stätten der Reformation Register der Personen, Lieder und Gesangbücher 9. Luthervertonungen in zeitgenössischen Drucken und Tonaufnahmen Literaturverzeichnis 10. Deutsche Gesangbücher ab 1850 Impressum 11. Deutsche Gesangbücher ab 1950 ����������������������������� ������������������������������������������ 2 Luthers Lieder - Musik und Sprachkunst von der Reformation bis heute Einführung Einführung zunächst die Trivialschule in Mansfeld und danach Tagzeitenliturgie die 150 Psalmen aus dem Alten die Magdeburger Domschule. Von 1497 bis 1501 Testament, die ihn im Liederjahr 1523/24 zu sieben war er Schüler der Pfarrschule St. Georg in Eisenach. -
Elisabeth Schneider-Böklen Elisabeth Cruciger – Nun, Minister's Wife And
Journal of the European Society of Women in Theological Research 25 (2017) 117-129. doi: 10.2143/ESWTR.25.0.3251307 ©2017 by Journal of the European Society of Women in Theological Research. All rights reserved. Elisabeth Schneider-Böklen Elisabeth Cruciger – Nun, Minister’s Wife and First Lutheran Poetess1 The hymn Herr Christ, der einig Gotts Sohn [Lord Christ, the only son of God] originating from the time of the Reformation is still sung today. It was written by Elisabeth Cruciger, a nun from Pomerania who had already been convinced by Johannes Bugenhagen of Martin Luther’s theology. In 1524, she married Caspar Cruciger, one of Luther’s co-workers, in Wittenberg, and in that same year her hymn was first published. Elisabeth Cruciger’s text combines biblical theology, parts of the patristic thinking and religious experience of female mysticism. Besides her hymn, a letter exists which is mentioned in another one written by Joachim, a baptised Jew in Stettin. In this letter Cruciger shows a very profound knowledge of the new Lutheran doctrine of Justification, and also empathy for Joachim’s spiritual situation. Elisabeth and Caspar Cruciger were married by Martin Luther in 1524. A document detailing the ceremony, discovered in 1717, reveals an anti-romantic view of marriage. Das Lied “Herr Christ, der einig Gotts Sohn” aus der Reformationszeit wird bis heute gesungen. Es stammt von Elisabeth Cruciger, geborene von Meseritz (ca. 1500–1535) einer Nonne in Pommern, die um 1522 durch Johannes Bugenhagen von Luthers Theologie überzeugt wurde. 1524 heiratete sie Caspar Cruciger, einen von Luthers Mitarbeitern in Wittenberg.