Gift Guide 2005
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In the Heart of Boston Stunning Waterfront Location
IN THE HEART OF BOSTON STUNNING WATERFRONT LOCATION OWNED BY CSREFI INDEPENDENCE WHARF BOSTON INC. independence wharf 470 atlantic avenue • Boston, MA Combining a Financial District address with a waterfront location and unparalleled harbor views, Independence Wharf offers tenants statement-making, first-class office space in a landmark property in downtown Boston. The property is institutionally owned by CSREFI INDEPENDENCE WHARF BOSTON INC., a Delaware Corporation, which is wholly owned by the Credit Suisse Real Estate Fund International. Designed to take advantage of its unique location on the historic Fort Point Channel, the building has extremely generous window lines that provide tenants with breathtaking water and sky line views and spaces flooded with natural light. Independence Wharf’s inviting entrance connects to the Harborwalk, a publicly accessible wharf and walkway that provides easy pedestrian access to the harbor and all its attractions and amenities. Amenities abound inside the building as well, including “Best of Class” property management services, on-site conference center and public function space, on-site parking, state-of-the-art technical capabilities, and a top-notch valet service. OM R R C AR URPHY o HE R C N HI IS CI ASNEY el CT ST v LL R TI AL ST CT L De ST ESTO ST THAT CHER AY N N. ST WY Thomas P. O’Neill CA NORTH END CLAR ST BENN K NA ST E Union Wharf L T Federal Building CAUSEW N N WASH ET D ST MA LY P I ST C T NN RG FR O IE T IN T ND ST ST S FL IN PR PO ST T EE IN T RT GT CE ST LAND ST P ON OPER ST ST CO -
Boston Museum and Exhibit Reviews the Public Historian, Vol
Boston Museum and Exhibit Reviews The Public Historian, Vol. 25, No. 2 (Spring 2003), pp. 80-87 Published by: University of California Press on behalf of the National Council on Public History Stable URL: http://www.jstor.org/stable/10.1525/tph.2003.25.2.80 . Accessed: 23/02/2012 10:14 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and National Council on Public History are collaborating with JSTOR to digitize, preserve and extend access to The Public Historian. http://www.jstor.org 80 n THE PUBLIC HISTORIAN Boston Museum and Exhibit Reviews The American public increasingly receives its history from images. Thus it is incumbent upon public historians to understand the strategies by which images and artifacts convey history in exhibits and to encourage a conver- sation about language and methodology among the diverse cultural work- ers who create, use, and review these productions. The purpose of The Public Historian’s exhibit review section is to discuss issues of historical exposition, presentation, and understanding through exhibits mounted in the United States and abroad. Our aim is to provide an ongoing assess- ment of the public’s interest in history while examining exhibits designed to influence or deepen their understanding. -
Samuel Adams
Monumental Milestones Milestones Monumental The Life and of Times samuel adams samuel adams Karen Bush Gibson The Life and Times of samuel Movement Rights Civil The adams Karen Bush Gibson As America’s first politician, Samuel Adams dedicated his life to improving the lives of the colonists. At a young age, he began talking and listening to people to find out what issues mattered the most. Adams proposed new ideas, first in his own newspaper, then in other newspapers throughout the colonies. When Britain began taxing the colonies, Adams encouraged boy- cotting and peaceful protests. He was an organizer of the Boston Tea Party, one of the main events leading up to the American Revolution. The British seemed intent on imprisoning Adams to keep him from speaking out, but he refused to stop. He was one of the first people to publicly declare that the colonies should be independent, and he worked tirelessly to see that they gained that independence. According to Thomas Jefferson, Samuel Adams was the Father of the Revolution. ISBN 1-58415-440-3 90000 9 PUBLISHERS 781584 154402 samueladamscover.indd 1 5/3/06 12:51:01 PM Copyright © 2007 by Mitchell Lane Publishers, Inc. All rights reserved. No part of this book may be reproduced without written permission from the publisher. Printed and bound in the United States of America. Printing 1 2 3 4 5 6 7 8 9 Library of Congress Cataloging-in-Publication Data Gibson, Karen Bush. The life and times of Samuel Adams/Karen Bush Gibson. p. cm. — (Profiles in American history) Includes bibliographical references and index. -
Broward Center for the Performing Arts 2018-19 Calendar Listings
July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Broward Center for the Performing Arts 2018-19 Calendar Listings BrowardCenter.org Facebook.com/BrowardCenter @BrowardCenter #BrowardCenter Instagram.com/BrowardCenter Youtube.com/user/BrowardCenter The Broward Center for the Performing Arts is located at 201 S.W. Fifth Avenue in Fort Lauderdale in the Riverwalk Arts & Entertainment District. Performances are presented in the Au-Rene Theater, Amaturo Theater, Abdo New River Room, Mary N. Porter Riverview Ballroom and the JM Family Studio Theater. Ticketmaster is the only official ticketing service of the Broward Center. Buy tickets online at BrowardCenter.org and Ticketmaster.com; by phone at 954.462.0222; and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2AgZ45J. One of America’s premier performing arts venues, the Broward Center for the Performing Arts presents more than 700 performances each year to more than 700,000 patrons, showcasing a wide range of exciting cultural programming and events. -
Sons of Liberty Patriots Or Terrorists
The Sons of Liberty : Patriots? OR Common ? Core Terrorists focused! http://www.teacherspayteachers.com/Store/Mr-Educator-A-Social-Studies-Professional Instructions: 1.) This activity can be implemented in a variety of ways. I have done this as a class debate and it works very, very well. However, I mostly complete this activity as three separate nightly homework assignments, or as three in-class assignments, followed by an in-class Socratic Seminar. The only reason I do this is because I will do the Patriots v. Loyalists: A Common Core Class Debate (located here: http://www.teacherspayteachers.com/ Product/Patriots-vs-Loyalists-A-Common-Core-Class-Debate-874989) and I don’t want to do two debates back-to-back. 2.) Students should already be familiar with the Sons of Liberty. If they aren’t, you may need to establish the background knowledge of what this group is and all about. 3.) I will discuss the questions as a class that are on the first page of the “Day 1” reading. Have classes discuss what makes someone a patriot and a terrorist. Talk about how they define these words? Can one be one without being the other? How? Talk about what both sides are after. What are the goals of terrorists? Why are they doing it? It is also helpful to bring in some outside quotes of notorious terrorists, such as Bin Laden, to show that they are too fighting for what they believe to be a just, noble cause. 4.) For homework - or as an in-class activity - assign the Day 1 reading. -
Boston Harbor National Park Service Sites Alternative Transportation Systems Evaluation Report
U.S. Department of Transportation Boston Harbor National Park Service Research and Special Programs Sites Alternative Transportation Administration Systems Evaluation Report Final Report Prepared for: National Park Service Boston, Massachusetts Northeast Region Prepared by: John A. Volpe National Transportation Systems Center Cambridge, Massachusetts in association with Cambridge Systematics, Inc. Norris and Norris Architects Childs Engineering EG&G June 2001 Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 The public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing the burden, to Department of Defense, Washington Headquarters Services, Directorate for Information Operations and Reports (0704-0188), 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302. Respondents should be aware that notwithstanding any other provision of law, no person shall be subject to any penalty for failing to comply with a collection of information if it does not display a currently valid OMB control number. PLEASE DO NOT RETURN YOUR FORM TO THE ABOVE ADDRESS. 1. REPORT DATE (DD-MM-YYYY) 2. REPORT TYPE 3. DATES COVERED (From - To) 4. TITLE AND SUBTITLE 5a. CONTRACT NUMBER 5b. GRANT NUMBER 5c. PROGRAM ELEMENT NUMBER 6. AUTHOR(S) 5d. PROJECT NUMBER 5e. TASK NUMBER 5f. WORK UNIT NUMBER 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING ORGANIZATION REPORT NUMBER 9. SPONSORING/MONITORING AGENCY NAME(S) AND ADDRESS(ES) 10. -
State of the Park Report, Salem Maritime National Historic Site
National Park Service U.S. Department of the Interior STATE OF THE PARK REPORT Salem Maritime National Historic Site Salem, Massachusetts April 2013 National Park Service 2013 State of the Park Report for Salem Maritime National Historic Site State of the Park Series No. 7. National Park Service, Washington, D.C. On the cover: The tall ship, Friendship of Salem, the Custom House, Hawkes House, and historic wharves at Salem Maritime Na- tional Historic Site. (NPS) Disclaimer. This State of the Park report summarizes the current condition of park resources, visitor experience, and park infra- structure as assessed by a combination of available factual information and the expert opinion and professional judgment of park staff and subject matter experts. The internet version of this report provides the associated workshop summary report and additional details and sources of information about the findings summarized in the report, including references, accounts on the origin and quality of the data, and the methods and analytic approaches used in data collection and assessments of condition. This report provides evaluations of status and trends based on interpretation by NPS scientists and managers of both quantitative and non-quantitative assessments and observations. Future condition ratings may differ from findings in this report as new data and knowledge become available. The park superintendent approved the publication of this report. SALEM MARITIME NATIONAL HISTORIC SITE CONTENTS Executive Summary 1 State of the Park Summary Table 3 Summary of Stewardship Activities and Key Accomplishments to Maintain or Improve Priority Resource Condition: 5 Key Issues and Challenges for Consideration in Management Planning 6 Chapter 1. -
Konter-Weiland Comedy Returns Blue Star Experience
December 2018 | Nisan 5779 | Volume 73, Number 10 Konter-Weiland Comedy Returns It is hard to believe it’s been Opening for Gary Gulman is Erin will be available beginning December almost two years since the last Jackson. Armed with a megawatt 10. The evening includes refreshments Konter-Weiland Comedy Night! On smile and a pocket full of dreams, – open bar and desserts. See the ad in Saturday, January 12, 2019, the Law- Erin Jackson is poised to conquer the this issue for complete details. rence Konter and Bertram Weiland world of stand-up. Since first making Marcy and Jerry Konter, found- Candle Lighting Times Jewish Cultural Arts Fund is pleased a name for herself at colleges and east ers of the sponsoring fund named for to once again sponsor an evening of coast comedy clubs, Erin’s conversa- their fathers, stated: “It is a joy for Friday, November 30, 2018 5:02 p.m. laughter featuring popular comics in a tional style and relatable humor have us to again be able to bring everyone Saturday, December 1, 2018 5:59 p.m. comedy club-like setting at the JEA. helped to propel her onto the national together for an evening of humor and Friday, December 7, 2018 5:02 p.m. The star of the show this year is stage. Erin can be seen nightly in fun, and to have a chance to thank Saturday, December 8, 2018 6:00 p.m. Gary Gulman. Gulman has been a many of New York City’s top comedy everyone who supports the Savannah Friday, December 14, 2018 5:03 p.m. -
Metropolitan Boston Downtown Boston
WELCOME TO MASSACHUSETTS! CONTACT INFORMATION REGIONAL TOURISM COUNCILS STATE ROAD LAWS NONRESIDENT PRIVILEGES Massachusetts grants the same privileges EMERGENCY ASSISTANCE Fire, Police, Ambulance: 911 16 to nonresidents as to Massachusetts residents. On behalf of the Commonwealth, MBTA PUBLIC TRANSPORTATION 2 welcome to Massachusetts. In our MASSACHUSETTS DEPARTMENT OF TRANSPORTATION 10 SPEED LAW Observe posted speed limits. The runs daily service on buses, trains, trolleys and ferries 14 3 great state, you can enjoy the rolling Official Transportation Map 15 HAZARDOUS CARGO All hazardous cargo (HC) and cargo tankers General Information throughout Boston and surrounding towns. Stations can be identified 13 hills of the west and in under three by a black on a white, circular sign. Pay your fare with a 9 1 are prohibited from the Boston Tunnels. hours travel east to visit our pristine MassDOT Headquarters 857-368-4636 11 reusable, rechargeable CharlieCard (plastic) or CharlieTicket 12 DRUNK DRIVING LAWS Massachusetts enforces these laws rigorously. beaches. You will find a state full (toll free) 877-623-6846 (paper) that can be purchased at over 500 fare-vending machines 1. Greater Boston 9. MetroWest 4 MOBILE ELECTRONIC DEVICE LAWS Operators cannot use any of history and rich in diversity that (TTY) 857-368-0655 located at all subway stations and Logan airport terminals. At street- 2. North of Boston 10. Johnny Appleseed Trail 5 3. Greater Merrimack Valley 11. Central Massachusetts mobile electronic device to write, send, or read an electronic opens its doors to millions of visitors www.mass.gov/massdot level stations and local bus stops you pay on board. -
“TERRIFICALLY ENGAGING.” – Variety
“TERRIFICALLY ENGAGING.” – Variety “BOBCAT GOLDTHWAIT’S MASTERPIECE. A TRULY BEAUTIFUL HUMAN DOCUMENT.” – Drew McWeeny, Hitfix 2015 CALL ME LUCKY a film by Bobcat Goldthwait CALL ME LUCKY is an inspiring, triumphant and wickedly funny documentary with a compelling and controversial hero at its heart. Barry Crimmins, best known as a comedian and political satirist, bravely tells his incredible story of transformation with intimate interviews from comedians such as David Cross, Margaret Cho and Patton Oswalt, activists such as Billy Bragg and Cindy Sheehan and directed in inimitable style by Bobcat Goldthwait (World’s Greatest Dad/God Bless America/Willow Creek). As a young and hungry comic in the early 80’s Barry Crimmins founded his own comedy club in Boston, in a Chinese restaurant called the Ding Ho. Here he fostered the careers of new talent who we now know as Steven Wright, Paula Poundstone, Denis Leary, Lenny Clarke, Kevin Meaney, Bobcat Goldthwait, Tom Kenny and many others. These comics were grateful for Barry’s fair pay and passionate support and respected him as a whip-smart comic himself but, as becomes clear in their interviews, they also knew he was tortured by his past. As archive footage of Barry shows, he was thickly mustachioed, thick set and thinly disguising an undercurrent of rage beneath his beer swilling onstage act. It seemed Barry was the fierce defender of the little guy but also an angry force when confronted. As one of the top new comedians in the country he appeared on The HBO Young Comedians Special, The Smothers Brothers Comedy Hour, Evening at the Improv and many other television shows in the 80’s. -
Boston Symphony Chamber Players 50Th Anniversary Season 2013-2014
Boston Symphony Chamber Players 50th anniversary season 2013-2014 jordan hall at the new england conservatory october 13 january 12 february 9 april 6 BOSTON SYMPHONY CHAMBER PLAYERS Sunday, January 12, 2014, at Jordan Hall at New England Conservatory TABLE OF CONTENTS 3 Welcome 4 “The Boston Symphony Chamber Players: For Fifty Years, Champions of Chamber Music,” by Richard Dyer 6 From the Players 10 Today’s Program Notes on the Program 11 Aaron Copland 13 Irving Fine 14 Wolfgang Amadè Mozart 15 Johannes Brahms Artists 16 Boston Symphony Chamber Players 17 Gilbert Kalish 19 The Boston Symphony Chamber Players: A Discography COVER PHOTO (top) Founding members of the Boston Symphony Chamber Players, 1964: (seated, left to right) Joseph Silverstein, violin; Burton Fine, viola; Jules Eskin, cello; Doriot Anthony Dwyer, flute; Ralph Gomberg, oboe; Gino Cioffi, clarinet; Sherman Walt, bassoon; (standing, left to right) Georges Moleux, double bass; Everett Firth, timpani; Roger Voisin, trumpet; William Gibson, tombone; James Stagliano, horn (BSO Archives) COVER PHOTO (bottom) The Boston Symphony Chamber Players in 2012 at Jordan Hall: (seated in front, from left): Malcolm Lowe, violin; Haldan Martinson, violin; Jules Eskin, cello; Steven Ansell, viola; (rear, from left) Elizabeth Rowe, flute; John Ferrillo, oboe; William R. Hudgins, clarinet; Richard Svoboda, bassoon; James Sommerville, horn; Edwin Barker, bass (photo by Stu Rosner) ADDITIONAL PHOTO CREDITS Individual Chamber Players portraits pages 6, 7, 8, and-9 by Tom Kates, except Elizabeth Rowe (page 8) and Richard Svoboda (page 9) by Michael J. Lutch. Boston Symphony Chamber Players photo on page 16 by Michael J. Lutch. -
Foundation for Chinese Performing Arts 中華表演藝術基金會
中華表演藝術基金會 FOUNDATION FOR CHINESE PERFORMING ARTS [email protected] www.ChinesePerformingArts.net The Foundation for Chinese Performing Arts, is a non-profit organization registered in the Commonwealth of Massachusetts in January, 1989. The main objectives of the Foundation are: * To enhance the understanding and the appreciation of Eastern heritage through music and performing arts. * To promote Chinese music and performing arts through performances. * To provide opportunities and assistance to young Asian artists. The Founder and the President is Dr. Catherine Tan Chan 譚嘉陵. AWARDS AND SCHOLARSHIPS The Foundation held its official opening ceremony on September 23, 1989, at the Rivers School in Weston. Professor Chou Wen-Chung of Columbia University lectured on the late Alexander Tcherepnin and his contribution in promoting Chinese music. The Tcherepnin Society, represented by the late Madame Ming Tcherepnin, an Honorable Board Member of the Foundation, donated to the Harvard Yenching Library a set of original musical manuscripts composed by Alexander Tcherepnin and his student, Chiang Wen-Yeh. Dr. Eugene Wu, Director of the Harvard Yenching Library, was there to receive the gift that includes the original orchestra score of the National Anthem of the Republic of China commissioned in 1937 to Alexander Tcherepnin by the Chinese government. The Foundation awarded Ms. Wha Kyung Byun as the outstanding music educator. In early December 1989, the Foundation, recognized Professor Sylvia Shue-Tee Lee for her contribution in educating young violinists. The recipients of the Foundation's artist scholarship award were: 1989 Jindong Cai 蔡金冬, MM conductor ,New England Conservatory, NEC (currently conductor and Associate Professor of Music, Stanford University,) 1990: (late) Pei-Kun Xi, MM, conductor, NEC; 1991: pianists John Park and J.G.