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Chespirito" Surge De La Imaginación Del Director De Cine Sr
El pasado 28 de noviembre de 2014 diferentes agencias de noticias de Latinoamérica y el mundo daban la noticia del fallecimiento del Sr. Roberto Gómez Bolaños a la edad de 85 años. La novedad llegaba a los oídos de millones de personas en todo el mundo causando un profundo dolor y tristeza. Actor, comediante, dramaturgo, escritor, guionista, compositor, director y productor de televisión, Gómez Bolaños fue muy bueno en todo lo que hizo. Su carrera fue iniciada como creador de publicidad en la década de los años cincuenta y fue esto que lo motivó a adentrarse en el mundo de la radio y la televisión. Fue un destacado guionista de películas y programas de la televisión mexicana. Su nombre profesional "Chespirito" surge de la imaginación del director de cine Sr. Agustín P. Delgado quien lo asemejaba con Shakespeare al escribir sus historias, además de la utilización de nombre de personajes con el sonido "Ch" y también su estatura, de ahí el diminutivo. A finales de la década de los sesenta la televisión Independiente de México le da la oportunidad de crear su propio programa, pues dos años antes había comenzado a escribir el guión de los programas de mayor audiencia de la televisora. Esta oportunidad hizo posible el comienzo de su carrera como actor. Chapulín Colorado y El Chavo fueron los dos personajes que marcaron su vida. En declaraciones a la prensa, Chespirito contaba haber conocido un limpiabotas al que después de haberle dado buena propina, salió corriendo a comprar una torta y en su prisa dejo un cuaderno desgastado que contenía en esencia lo que era su diario, éste fue el texto que dio inspiración a la creación de la serie televisiva más popular de todo México "El Chavo del 8". -
The Mexican Film Bulletin Special Issue: Summer 2020
THE MEXICAN FILM BULLETIN SUMMER 2020 ISSUE TThhee MMeexxiiccaann FF iillmm BBuulllleettiinn SSppeecciiaall IIssssuuee:: SS uummmmeerr 22002200 We're Back! (Sort Of) years of age. Óscar Chávez Fernández was born in Although at this point we're not ready to resume March 1935 in Mexico City. Chávez became "regular" publication, there will hopefully be two interested in acting, studying with Seki Sano and at the special issues of MFB in 2020, one in the summer and Instituto de Bellas Artes school. He also worked in our annual "Halloween Issue" at the end of October. radio, sang, and directed plays before making his Sadly, a number of film personnel have passed screen debut in Los away since our last issue (December 2019) and so we caifanes (1966). have a lot of obituaries this time. A number of these Chávez subsequently individuals are from a certain "generation" who began appeared in a number their film work in the 1960s or early 1970s-- Jaime of popular films, Humberto Hermosillo, Gabriel Retes, Pilar Pellicer, including the remake Aarón Hernán, Óscar Chávez, Héctor Ortega--and thus of Santa, but spent made films that are particularly well-remembered by much of his time on those of a certain age (like yours truly). [It also means music, along with that two or more of these people often worked on the political and social same film, as some of the reviews in this issue activism. In the mid- illustrate.] 1970s he was among The COVID-19 pandemic has strongly affected film the actors who formed the Sindicato de Actores and other entertainment industries. -
Aguasaco, Carlos. ¡No Contaban Con Mi Astucia! México: Parodia Y Sujeto En La Serie De El Chapulín Colorado
Aguasaco, Carlos. ¡No contaban con mi astucia! México: Parodia y sujeto en la serie de El Chapulín Colorado. México D.F.: Universidad Autónoma de Nuevo León, 2014. Print. 257 pp. ___________________________________________________ JOHN SINCLAIR UNIVERSITY OF MELBOURNE El Chapulín Colorado (The Red Grasshopper) was a long-running and internationally popular television series from Mexico in the 1970s. The lead character was played by the late Roberto Gómez Bolaños, otherwise known as Chespirito, who also wrote and directed the series. With his world-weary face, home-made costume, and hopeless incompetence, performing on over lit, stagey sets (albeit with occasional special effects), the eponymous anti-hero El Chapulín Colorado (hereafter CH, the logo on the character’s chest) was an extravagantly obvious parody of the super- hero genre, played out in a “Third World” setting. Symptomatic is the catch phrase that gives this book its title, “No contaban con mi astucia” (They didn’t count on my slyness) cried every time he avoids disaster or overcomes his enemies, which is only ever by bumbling luck rather than design. All this would be familiar to the very many Latin Americans, U.S. Latinos, and even Spanish who have seen El Chapulín Colorado on television in their countries over the last few decades. For anyone else, the author provides all the necessary contextual background, and more, including an account of how Gómez Bolaños came to develop the character, though not before he has laid out an elaborate theoretical infrastructure for the subsequent analysis. In what he calls Latin America’s “Jurassic Park of ideologies” (28), Aguasaco takes up an Althusserian approach, as inflected by writers such as Ernesto Laclau, but more markedly, by Juan Carlos Rodríguez, a sometime collaborator of Louis Althusser. -
Bringing Latin America to Life with Films in the Classroom Harry E
Social Education 71(4), pp 177–181 ©2007 National Council for the Social Studies Bringing Latin America to Life with Films in the Classroom Harry E. Vanden Mark Twain often observed that we, Americans, are not too aware of other and cuts from the City of God (Cidade cultures. A war critic, he reserved some of his best barbs for American ignorance de Deus) the first day. The former is a of foreign languages and cultures and the imperial endeavors of his day. Upon brilliant Chilean-made short that I hap- returning from traveling in Europe, he wrote, in The Innocents Abroad, “In Paris pened upon in the Museum of Modern they just simply opened their eyes and stared when we spoke to them in French! Art on a visit to New York. It skillfully We never did succeed in making those idiots understand their own language.” examines the reduction of modern life Twain was especially critical of U.S. imperial involvement in the Philippines and to the smallest unit—the silicon micro- attempts to suppress the Philippine Insurrection, writing in A Pen Warmed Up chip and the reduction of Chile’s old in Hell, “I am an anti-imperialist. I am opposed to having the eagle put its talons growth forests to one more exportable on any other land.” 1 commodity—the wood chip. These two “chips” are gracefully tied to the external One would hope that we as educa- such as Like Water for Chocolate or exploitation (the first chip is strongly tors could provide our students with (Pancho) Villa, the Latin American real- associated with Japan’s modernization a better understanding of other coun- ity would spring into their consciousness and the second fuels that country’s insa- tries and cultures than was the case and give them a means of connecting to tiable appetite for more wood-based when Mark Twain was pricking the a little known reality. -
DOCUMENT RESUME Immigration and Ethnic Communities
DOCUMENT RESUME ED 413 156 RC 021 296 AUTHOR Rochin, Refugio I., Ed. TITLE Immigration and Ethnic Communities: A Focus on Latinos. INSTITUTION Michigan State Univ., East Lansing. Julian Samora Research Inst. ISBN ISBN-0-9650557-0-1 PUB DATE 1996-03-00 NOTE 139p.; Based on a conference held at the Julian Samora Research Institute (East Lansing, MI, April 28, 1995). For selected individual papers, see RC 021 297-301. PUB TYPE Books (010)-- Collected Works General (020) -- Information Analyses (070) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS *Demography; Elementary Secondary Education; Employment; Ethnic Bias; Hispanic Americans; *Immigrants; Immigration; *Labor Force; Mexican American Education; *Mexican Americans; Mexicans; Migrant Workers; Politics of Education; *Socioeconomic Status; Undocumented Immigrants IDENTIFIERS California; *Latinos; *Proposition 187 (California 1994); United States (Midwest) ABSTRACT For over a decade, Latino immigrants, especially those of Mexican origin, have been at the heart of the immigration debate and have borne the brunt of conservative populism. Contributing factors to the public reaction to immigrants in general and Latinos specifically include the sheer size of recent immigration, the increasing prevalence of Latinos in the work force, and the geographic concentration of Latinos in certain areas of the country. Based on a conference held at the Julian Samora Institute(Michigan) in April 1995, this book is organized around two main themes. The first discusses patterns of immigration and describes several immigrant communities in the United States; the second looks in depth at immigration issues, including economic impacts, employment, and provision of education and other services to immigrants. Papers and commentaries are: (1) "Introductory Statement" (Steven J. -
12-08-HR Haldeman
Richard Nixon Presidential Library Contested Materials Collection Folder List Box Number Folder Number Document Date No Date Subject Document Type Document Description 12 8 7/21/1971Domestic Policy Memo From Deborah Sloan to Henry Cashen. RE: List of celebrities invited to the White House during the Nixon Administration. 14 pgs. 12 8 10/25/1971Domestic Policy Memo From Gordon Strachan to Haldeman. RE: Campaign strategy to utilize celebrities to help Nixon attain re-election on November 7, 1972. 1 pg. 12 8 10/20/1971Domestic Policy Memo From Haldeman to Fred Malek. RE: A scheduled meeting between the Attorney General and a group of entertainment industry leaders, in order to attain the names of celebrities who will be helpful in the campaign. 1 pg. 12 8 10/18/1971Domestic Policy Memo From Jeb Magruder to the Attorney General. RE: The use of celebrities as a means to maximize support for Nixon's campaign. 3 pgs. Monday, December 13, 2010 Page 1 of 7 Box Number Folder Number Document Date No Date Subject Document Type Document Description 12 8 10/12/1971Economy Memo From Charles Colson to Haldeman. RE: The limitations faced by the Nixon Administration concerning the aid of celebrities, and the solution being "active recruiting by a leading celebrity." 1 pg. 12 8 10/11/1971Domestic Policy Memo From Henry Cashen II to Charles Colson. RE: Progress made in attaining celebrity endorsements such as athletes; however, a lack of White House functions has limited actors and entertainers from participating. 3 pgs. 12 8 8/12/1971Domestic Policy Memo From Henry Cashen II to Donald Rumsfeld. -
First Notice
FINAL NOTICE UNCLAIMED FUNDS FROM BANCO POPULAR DE PUERTO RICO & POPULAR INC. The persons whose names appear below, are entitled to claim unclaimed as of June 30, 2021. This report includes amounts Unclaimed funds will be payable by Banco Popular de Puerto from Banco Popular de Puerto Rico and Popular Inc., the with balances of one hundred ($100) dollars or more not Rico and Popular Inc. until November 30th to the persons with amounts corresponding to funds unclaimed or abandoned for published in this notice. A copy of the report including all right to collect them. On December 10, 2021, all unclaimed more than five (5) years. The names that appear in this notice amounts will be available for public inspection in all Popular funds will be delivered to the Office of the Commissioner and are only those of the owners of accounts with balances of less Auto and Banco Popular de Puerto Rico branches. from the date of delivery all responsibility of Banco Popular de than one hundred ($100) dollars. A report has been sent to the Furthermore, it will be available in our website Puerto and Popular Inc. in relation to said funds will cease. Any Office of the Commissioner of Financial Institutions (the “Office www.popular.com. There are no publication fees against the claim after November 30th should be filed through the Office of of the Commissioner”) for Banco Popular de Puerto Rico and funds published in this notice. the Commissioner. Popular Inc., in compliance with applicable laws for amounts DEPOSIT ACCOUNTS ALMODOVAR GARCIA ISRAEL A SAN JUAN -
A Anedota De Abstração Na Obra De Roberto Gómez Bolaños1
Toda gente A anedota de abstração na obra de Roberto Gómez Bolaños1 Wilson Filho Ribeiro de Almeida Universidade Federal de Uberlândia Resumo ste artigo apresenta e discute o conceito de anedota de abs- Etração, conforme formulado pelo escritor brasileiro João Gui- marães Rosa, e, em seguida, por meio de exemplos, observa a presença daquela espécie de anedota nos textos dos programas de televisão do comediante mexicano Roberto Gómez Bolaños. Palavras-chave Roberto Gómez Bolaños; anedota de abstração; João Guimarães Rosa; El Chavo; El Chapulín Colorado. 1 Agradeço à minha irmã Renata Ribeiro de Almeida pela ajuda em localizar algumas das anedotas de Bolaños que serão citadas neste artigo. 42 The anecdote of abstraction in the works Raquel Quintero of Roberto Gómez Bolaños Abstract his paper presents and considers the concept of anecdote of Tabstraction, as it was formulated by the Brazilian writer João Guimarães Rosa, and, then, by means of examples, observes the presence of that kind of anecdote in the texts of the television programs by the Mexican comedian Roberto Gómez Bolaños. Keywords Roberto Gómez Bolaños; anecdote of abstraction; João Gui- marães Rosa; El Chavo; El Chapulín Colorado. Toda gente 43 A anedota de abstração na obra de Roberto Gómez Bolaños. Wilson Filho Ribeiro de Almeida Introdução s programas de televisão do comediante mexicano Rober- Oto Gómez Bolaños (1928), também conhecido como Ches- pirito, alcançaram grande sucesso em todo o mundo, sobretu- do nos países da América Latina. A introdução de sua biografia lançada -
Chavo Del Ocho
Chavo del Ocho: Sitcom neighborhood dynamics in Mexican television El Chavo del Ocho: la dinámica de la vecindad en la comedia de situación televisiva DAVID GONZÁLEZ HERNÁNDEZ1 DOI: https://doi.org/10.32870/cys.v2019i0.7084 https://orcid.org/0000-0003-3041-8750 This essay analyzes El Chavo del Ocho´s successful series (1971-1980). My argument is that this sitcom founded its television format on one of the most important social spaces in Mexico and Latin America: “La vecindad” or the neighborhood. Moreover, I analyze how the neighborhood dynamics contribute to represent a communal identity: each character portrays not only its specific version, but also of the collective, the conflicts, but above all, the solidarity of Mexico’s in 1970s. KEYWORDS: Television fiction, sitcom,Chavo del Ocho. Este ensayo analiza la exitosa serie El Chavo del Ocho (1971-1980). Argumento que el programa, como comedia de situación, arraigó su formato televisivo en una matriz importante en México y América Latina: la vecindad. De manera concreta, analizo cómo las dinámicas de la vecindad contribuyen a una representación de la identidad comunal: cada personaje manifiesta no solo su versión específica, sino que también representan una versión de lo colectivo, lo conflictivo, pero sobre todo, lo solidario del México de los años setenta. PALABRAS CLAVE: Ficción televisiva, comedia de situación, Chavo del Ocho. How to cite: González Hernández, D. (2018). Chavo del Ocho: Sitcom neighborhood dynamics in Mexican television. Comunicación y Sociedad, e7084. DOI: https://doi. org/10.32870/cys.v2019i0.7084 1 Instituto Tecnológico de Estudios Superiores de Occidente, Mexico. E-mail: [email protected] Submitted: 09/01/18. -
Quality Dental Care with a Smile
6BH valleystar.com TV Guide Sunday, January 3, 2021 TVTODAY SUNDAY DAYTIME JANUARY 3 CS – CHARTER SPECTRUM DTV – DIRECTV D – DISH MOVIES SPORTS KIDS . Tonight's CS DTV D 8 AM 8:30 9 AM 9:30 10 AM 10:30 11 AM 11:30 12 PM 12:30 1 PM 1:30 2 PM 2:30 3 PM 3:30 4 PM 4:30 BROADCAST CHANNELS best bets KTLM 2 40 40 Pagado Pagado La liga EPL Fútbol Leic./NEW(L) La liga EPL Fútbol Man. City vs Chelsea (L) La Liga < Assassination Games (‘11, Act) < Man on a L... KGBT 4 4 4 CBS Sunday Morning (N) Face the Nation Livingw. NFL Today (L) NFL Football Tennessee Titans at Houston Texans (L) (:25) NFL Football (L) KRGV 5 5 5 This Week News Sunday (N) Edition McCarthy Weather Heroes Local Program Local Program 30 for 30 "Be Water" Local Program FOX 6 2 2 Xploratn Weird News Sunday (N) NFL Kickoff (L) NFL Sunday (L) NFL Football (L) NFL Football (L) XHAB 7 Inova Infomax Directo Inova Directo Hazaña/ Deporte Inova Aquí AguaInm To Be Announced XERV 19 7:50 < Para ser... (:20) Secretaria (:10) Como diceLa 3era en DiscordiaQue Pobres Tan Ricos KTVF 20 22 Per Inq. Per Inq. Per Inq. Press Sun. Today (N) Meet Press (N) Stellar NBC Sports (N) FIS Alpine Skiing FIS Alpine Skiing KVEO 8 23 23 Meet Press (N) Texas House Consumr LifeConsumr Consumer Corner NBC Sports (N) FIS Alpine Skiing FIS Alpine Skiing KLUJ 9 44 Kingdom David J. Jeffress Walk J.Prince Carpet Jackson InTouch P. -
Ten Reasons to Love Or Hate Mexican Cinema
Ten Reasons to Love or Hate phenomenon, the principal historian of Mexican Mexican Cinema silent cinema, Aurelio de los Reyes, writes without hesitation in 1977: This first Mexican cinema constituted Mexico's principal contribution to world cinema. As time Paulo Antonio Paranaguti went by, this cinema has become doubly important. Firstly, because it showed images of the Revolution that no literary practice could match. Secondly, because its faithfulness to the geographic and chronological sequence of events and its desire to record 'historical events' was a local vernacular form of presenting newsreels ... Allow me to use the first person to emphasise the particular importance of this volume. Although I am In face, during its initial nomadic phase, travelling Brazilian by birth, Mexican cinema interests me, noc camera operators carried the cinema all over Mexico . because of Latin American solidarity (which is all too These projectionist-operator s thus acquired ofcen reduced to a kind of sacrosanct rhetoric to important experience (decentralisation had not yet commemorate the dead) , buc for a series of reasons become fashionable). In 1910, on the eve of the lisced below that stir up the whole spectrum of armed insurrection against the dictatorship, emotions, ranging from delight to depression . production and exhibition were nationally controlled. The foreign presence was limited to a few I . Undoubtedly for the first time in Latin America, if distributors and to technological dependence . The not in the world, Mexico witnessed the birth of a film business enjoyed its first boom in 1906 with the contemporary political cinema directly Linked to major opening of the first real movie theatres. -
John O'sullivan
2012_6_11 postall_1_cover61404-postal.qxd 5/22/2012 7:00 PM Page 1 GAY EVOLUTION June 11, 2012 $4.99 OBAMA’S ROB LONGLONG: LIBERALISM & FAKE INDIANS —The Editors Euro Clash JOHN O’SULLIVAN on Europe’s currency from hell PLUS: PETER HITCHENS on Philip Larkin $4.99 DAVID PRYCE-JONES on Bernard Lewis 24 0 74820 08155 6 www.nationalreview.com base_milliken-mar 22.qxd 10/24/2011 1:16 PM Page 2 base_milliken-mar 22.qxd 10/24/2011 1:16 PM Page 3 Intelligence, Surveillance & Reconnaissance Network Systems Secure Communications Command & Control www.boeing.com/C4ISR TODAYTOMORROWBEYOND D : 2400 45˚ 105˚ 75˚ G toc_QXP-1127940144.qxp 5/23/2012 1:31 PM Page 1 Contents JUNE 11, 2012 | VOLUME LXIV, NO. 11 | www.nationalreview.com COVER STORY Page 30 Four Kinds of Michael Coren on marriage and Canada Dreadful p. 18 European governments and central banks meet, discuss, reiterate BOOKS, ARTS previous assurances, and, after an EU & MANNERS summit ends, resume their drift towards 40 STARK BEAUTIES disaster, because every single one of the Peter Hitchens reviews The practical solutions to the euro/Greek crisis Complete Poems, by Philip Larkin, edited by Archie Burnett. has dreadful consequences. John O’Sullivan 41 THE ODD COUPLE John O’Sullivan reviews Reagan and COVER: ROBERTO PARADA Thatcher: The Difficult ARTICLES Relationship, by Richard Aldous. 43 THE SCHOLAR 18 CANADIAN CRACKDOWN by Michael Coren David Pryce-Jones reviews Notes It’s not easy opposing gay marriage in the north country. on a Century: Reflections of a 20 TEA-PARTY PREQUEL by Daniel Foster Middle East Historian, Will today’s conservative grassroots go the way of FDR’s constitutionalist foes? by Bernard Lewis with Buntzie Ellis Churchill.