TURNIER-DATENBANK / TOURNAMENT DATABASE: 1897-1919 Last Updated: December 3Rd, 2019
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George Hackenschmidt Vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd the University of Texas
Iron Game History Volume 11 Number 2 George Hackenschmidt vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd The University of Texas International wrestling star, George Hacken- stories about and a constituent of that world, an element schmidt, widely known as "The Russian Lion," met the of the story." The reporter, they argue, "not only relates American champion, Frank Gotch, at Chicago's Dexter stories but makes them."2 Similarly, pop culture analyst Park Amphitheater on April 3, 1908, in a wrestling title Carlin Romano contends that journalism is not a "minor bout that was labeled "The Athletic Contest of the Cen- placed before reality," but a "coherent nanative of the tmy" on the cover of the match program.' After three world that serves a particular purpose."3 Thinking about preliminary bouts, the much anticipated World's Heavy- journalism in light of this definition makes it easier to weight Wrestling Championships in the catch-as-catch- understand how in the days following the historic Gotch can style began at approximately 10:30 P.M. More than Hackenschmidt bout such different tales would be told two hours later, reporters ...-------------------. by various journalists even scrambled to file their stories in though all of them had watched the early hours of the morning SOUVENIR PROGRAM the same spmting event. Like and share their ringside intelli- 'f the characters in John Godfrey gence with an anxiously await- The Athletic Contest of Saxes's poem, "The Blind Men ing nation and world. The news the Century and the Elephant," almost all they sent out from Chicago, _ For •h• _ of the reporters who pe1111ed however, was totally unexpect- WORLD'S WRESTLING their reports from Chicago had ed. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here. -
“The Russian Lion”: Vladislav Von Krajewski's Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UEL Research Repository at University of East London Making “The Russian Lion”: Vladislav von Krajewski’s Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art and Visual Culture University of East London Centre for Cultural Studies Research In their focus upon the rupture and transformation of Soviet physical culture in the 1930s, histories of Russian bodybuilding of the new man have tended to become disconnected from trajectories stretching back to the •Crimean War and the need to enhance military preparedness through modern sports and gymnastics inspired by the •German Turnen gymnastic societies. Valued for producing a disciplined subject in peacetime and a fearless fighter in war, these so-called “disciplinary exercises” were promoted in the •first gymnastics club of St. Petersburg from 1863, followed by the Pal’ma Gymnastics Society which quickly spread with branches in five cities. After the Moscow Gymnastics Society opened with meetings on Tsvetnoi Boulevard, in 1874, •Pyotr Lesgaft, the founder of Russian physical education introduced gymnastics into the army with gymnastic courses for army officers and civilians by 1896. Yet, as this paper will reveal, it was only through •Dr. V. F. Krajewski, founder of the •St. Petersburg Athletic and Cycling Club and physician to the •Tsar, that the St. Petersburg Amateur Weightlifting Society was opened in 1885. •It was only due to Dr Krajewski that a •gym for weightlifting opened with the first all-Russian weightlifting championship being held in April 1897 in St. Petersburg Mikhailovsky Manege. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
454 Ajalugu Piltides Sisu ENG 2012.Pdf
8000 BC 1000 BC to 1000 AD 1154 1100s 1200s 1219 13th–16th c 14th–15th c 1500s 1523–4 late 1500s 1600s 1700s early 1800s 1857–1869 late 1800s 1905–18 1918 1919–20 1920s 1930s 1940 1941 1941 1944 1949 1940s–50s 1956–68 1970s late 1980s 1991 1991 1992 1994 2004–2012 People have lived in this part of the world for more than 10 000 years. The reindeer- hunting ancestors of present- day Estonians were probably the first humans to move to the virgin land exposed by the retreating ice. Arguably, it is hard to find another nation in Europe who has stayed this long in one place. Tools of the Stone Age hunters from the Pulli 8000 BC camp site. 8000 BC 1000 BC to 1000 AD 1154 1100s 1200s 1219 13th–16th c 14th–15th c 1500s 1523–4 late 1500s 1600s 1700s early 1800s 1857–1869 late 1800s 1905–18 1918 1919–20 1920s 1930s 1940 1941 1941 1944 1949 1940s–50s 1956–68 1970s late 1980s 1991 1991 1992 1994 2004–2012 1000 BC to The Holy Lake in the 1000 AD Standing next to the crater Kaali meteorite crater made by the only meteorite to fall on a densely settled in Saaremaa: a major region in the historical era – during the Bronze Age place of worship of the Mediterranean – it is hard not to contemplate for the ancients of how the people of the past might have sought spiritual Northern Europe? guidance at this very spot for hundreds of years. ERGO IAM DEXTRO SUEBICI In 1154, Estonia was depicted on MARIS LITORE AESTIORUM a world map for 1154 the first time. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Konrad Mägi 9
SISUKORD CONTENT 7 EESSÕNA 39 KONRAD MÄGI 9 9 FOREWORD 89 ADO VABBE 103 NIKOLAI TRIIK 13 TRADITSIOONI 117 ANTS LAIKMAA SÜNNIKOHT 136 PAUL BURMAN 25 THE BIRTHPLACE OF 144 HERBERT LUKK A TRADITION 151 ALEKSANDER VARDI 158 VILLEM ORMISSON 165 ENDEL KÕKS 178 JOHANNES VÕERAHANSU 182 KARL PÄRSIMÄGI 189 KAAREL LIIMAND 193 LEPO MIKKO 206 EERIK HAAMER 219 RICHARD UUTMAA 233 AMANDUS ADAMSON 237 ANTON STARKOPF Head tartlased, Lõuna-Eesti väljas on 16 tema tööd eri loominguperioodidest. 11 rahvas ja kõik Eesti kunstisõbrad! Kokku on näitusel eksponeeritud 57 maali ja 3 skulptuuri 17 kunstnikult. Mul on olnud ammusest ajast soov ja unistus teha oma kunstikollektsiooni näitus Tartu Tänan väga meeldiva koostöö eest Tartu linnapead Kunstimuuseumis. On ju eesti maalikunsti sünd 20. Urmas Klaasi ja Tartu linnavalitsust, Signe Kivi, sajandi alguses olnud olulisel määral seotud Tartuga Hanna-Liis Konti, Jaanika Kuznetsovat ja Tartu ja minu kunstikogu tuumiku moodustavadki sellest Kunstimuuseumi kollektiivi. Samuti kuulub tänu perioodist ehk eesti kunsti kuldajast pärinevad tööd. meie meeskonnale: näituse kuraatorile Eero Epnerile, kujundajale Tõnis Saadojale, graafilisele Tartuga on seotud mitmed meie kunsti suurkujud, disainerile Tiit Jürnale, meediaspetsialistile Marika eesotsas Konrad Mägiga. See näitus on Reinolile ja Inspiredi meeskonnale, keeletoimetajale pühendatud Eesti Vabariigi 100. juubelile ning Ester Kangurile, tõlkijale Peeter Tammistole ning Konrad Mägi 140. sünniaastapäeva tähistamisele. koordinaatorile Maris Kunilale. Suurim tänu kõigile, kes näituse õnnestumisele kaasa on aidanud! Näituse kuraator Eero Epner on samuti Tartus sündinud ja kasvanud ning lõpetanud Meeldivaid kunstielamusi soovides kunstiajaloolasena Tartu Ülikooli. Tema Enn Kunila nägemuseks on selle näitusega rõhutada Tartu tähtsust eesti kunsti sünniloos. Sellest mõttest tekkiski näituse pealkiri: „Traditsiooni sünd“. -
9357 En Invit Poddubny Moscow 230915
WRESTLING FEDERATION OF RUSSIA ФЕДЕРАЦИЯ СПОРТИВНОЙ БОРЬБЫ РОССИИ Russia, 119991, Moskow, Luzhnetskaya nab., 8 President – tel (7 495) 725-4741; tel/fax: (7-499) 255-2101 Executive management: tel/fax 725-4621 E-mail: [email protected] , [email protected] Greco-Roman Style Department – tel/fax 725-4712 Free Style Department – tel. 725 -4735; tel/fax 725 -4607 December 27, 2016 Moscow To: Presidents of National Wrestling Federations of Azerbaijan, Armenia, Austria, Belarus, Bulgaria, Bosnia & Herzegovina, China, Croatia, Cuba, Czech Republic, Egypt, Finland, France, Hungary, Denmark, Germany, Georgia, Greece, Iran, Japan, Kazakhstan, Kyrgyzstan, Korea, Korea DPR, Latvia, Lithuania, Moldova, Macedonia, Montenegro, Norway, Poland, Serbia, Slovenia, Slovakia, Spain, Sweden, Turkey, Tajikistan, Turkmenistan, Uzbekistan, Ukraine, USA, Estonia, Romania, Russia, Venezuela ____________________________________________ Dear Mr. President, Dear Wrestling Friends, The Wrestling Federation of Russia is honored to invite the wrestling delegation of your National Federation to participate in Grand Prix Ivan Poddubny Senior International Tournament (GR) to be held in Moscow, Russia, on January 20-23, 2017. In order to provide visas in time it is necessary as soon as possible to send the entries by names, copies of passports and filled in Visa Forms. Address: Wrestling Federation of Russia 8, Luzhnetskaya nab., 119992, Moscow, Russia. Tel/Fax: (+7.499) 255-2101, (+7.495) 725-47-12, 725-46-21; E-mail: [email protected] , [email protected] . Mikhail Mamiashvili President Wrestling Federation of Russia Encl. Program, Regulation and Visa Form 9357 271216 GRAND PRIX IVAN PODDUBNY SENIOR INTERNATIONAL TOURNAMENT (GR) Moscow (RUS), 20-23 January, 2017 R E G U L A T I O N 1. -
Estonian Academy of Sciences Yearbook 2018 XXIV
Facta non solum verba ESTONIAN ACADEMY OF SCIENCES YEARBOOK FACTS AND FIGURES ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XXIV (51) 2018 TALLINN 2019 This book was compiled by: Jaak Järv (editor-in-chief) Editorial team: Siiri Jakobson, Ebe Pilt, Marika Pärn, Tiina Rahkama, Ülle Raud, Ülle Sirk Translator: Kaija Viitpoom Layout: Erje Hakman Photos: Annika Haas p. 30, 31, 48, Reti Kokk p. 12, 41, 42, 45, 46, 47, 49, 52, 53, Janis Salins p. 33. The rest of the photos are from the archive of the Academy. Thanks to all authos for their contributions: Jaak Aaviksoo, Agnes Aljas, Madis Arukask, Villem Aruoja, Toomas Asser, Jüri Engelbrecht, Arvi Hamburg, Sirje Helme, Marin Jänes, Jelena Kallas, Marko Kass, Meelis Kitsing, Mati Koppel, Kerri Kotta, Urmas Kõljalg, Jakob Kübarsepp, Maris Laan, Marju Luts-Sootak, Märt Läänemets, Olga Mazina, Killu Mei, Andres Metspalu, Leo Mõtus, Peeter Müürsepp, Ülo Niine, Jüri Plado, Katre Pärn, Anu Reinart, Kaido Reivelt, Andrus Ristkok, Ave Soeorg, Tarmo Soomere, Külliki Steinberg, Evelin Tamm, Urmas Tartes, Jaana Tõnisson, Marja Unt, Tiit Vaasma, Rein Vaikmäe, Urmas Varblane, Eero Vasar Printed in Priting House Paar ISSN 1406-1503 (printed version) © EESTI TEADUSTE AKADEEMIA ISSN 2674-2446 (web version) CONTENTS FOREWORD ...........................................................................................................................................5 CHRONICLE 2018 ..................................................................................................................................7 MEMBERSHIP -
Bbf-1975-05-0375-001.Pdf
BULLETIN DE DOCUMENTATION BIBLIOGRAPHIQUE 2e PARTIE ANALYSES D'OUVRAGES ET D'ARTICLES FRANÇAIS ET ÉTRANGERS PRÉPARÉESPAR LA DIRECTIONDES BIBLIOTHÈQUES ET DE LA LECTUREPUBLIQUE I. LES DOCUMENTS PRODUCTION ET REPRODUCTION I053. - BORNEMANN(Henry S.). - Pennsylvania German illuminated manus- cripts : a classification of Fraktur-Schriften and an inquiry into their history and art... - New York : Dover publications, 1973. - 59 P-32 p. de pl. en coul.; 2I ×29 cm. ISBN 0-486-22926-2. La genèsede la publication de Henry S. Bornemann sur des manuscrits allemands rehaussésde motifs décoratifs et de couleurs et conservésen Pennsylvanie a quelque chose d'assezinsolite pour mériter d'être rapportée en cette place. Cela fixera mieux, au départ, ce que le lecteur est en droit d'attendre du texte et des documents repro- duits, en ouvrant cet imposant ouvrage oblong. Il ne s'agit pas, en effet, de ces manuscrits à miniatures qui ont fleuri au Moyen âge avant l'invention de l'impri- merie, mais de papiers de caractère familial qui ont eu leur temps de vogue en Alle- magne et sur les bords du Rhin à la fin du XVIIIe et durant une bonne partie du XIXe siècle; ils ont le grand mérite d'avoir été décorésà la manière de ces miniatures anciennes, avec un goût et un souci de la perfection qui en font de réels et petits chefs-d'oeuvre de la plume. Aussi leur présence en Pennsylvanie mérite-t-elle une explication. L'auteur la donne au lecteur dans sa préface. Ainsi la genèsede cet ouvrage remonte à sa grand-mère : née en 1789, elle était elle-même la petite-fille d'un ancêtre alle- mand venu s'établir en Pennsylvanie environ soixante-dix ans avant sa propre nais- sance. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D.