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Final Report
Projet industriel promotion 2009 PROJET INDUSTRIEL 24 De-Cooman Aur´elie Tebby Hugh Falzon No´e Giannini Steren Bouclet Bastien Navez Victor Commanditaire | Inkscape development team Tuteur industriel | Johan Engelen Tuteur ECL | Ren´eChalon Date du rapport | May 19, 2008 Final Report Development of Live Path Effects for Inkscape, a vector graphics editor. Industrial Project Inkscape FINAL REPORT 2 Contents Introduction 4 1 The project 5 1.1 Context . 5 1.2 Existing solutions . 6 1.2.1 A few basic concepts . 6 1.2.2 Live Path Effects . 7 1.3 Our goals . 7 2 Approaches and results 8 2.1 Live Path Effects for groups . 8 2.1.1 New system . 8 2.1.2 The Group Bounding Box . 12 2.1.3 Tests . 13 2.2 Live Effects stacking . 15 2.2.1 UI . 15 2.2.2 New system . 16 2.2.3 Tests . 17 2.3 The envelope deformation effect . 18 2.3.1 A mock-up . 18 2.3.2 Tests . 23 Conclusion 28 List of figures 29 Appendix 30 0.1 Internal organisation . 30 0.1.1 Separate tasks . 30 0.1.2 Planning . 31 0.1.3 Sharing source code . 32 0.2 Working on an open source project . 32 0.2.1 External help . 32 0.2.2 Criticism and benefits . 32 0.3 Technical appendix . 33 0.3.1 The Bend Path Maths . 33 0.3.2 GTK+ / gtkmm . 33 0.3.3 How to create and display a list? . 34 0.4 Personal comments . 36 3 Introduction As second year students at the Ecole´ Centrale de Lyon, we had to work on \Industrial Projects", the subject of which were to be either selected in a list, or proposed to the school. -
A Training Programme for Early-Stage Researchers That Focuses on Developing Personal Science Outreach Portfolios
A training programme for early-stage researchers that focuses on developing personal science outreach portfolios Shaeema Zaman Ahmed1, Arthur Hjorth2, Janet Frances Rafner2 , Carrie Ann Weidner1, Gitte Kragh2, Jesper Hasseriis Mohr Jensen1, Julien Bobroff3, Kristian Hvidtfelt Nielsen4, Jacob Friis Sherson*1,2 1 Department of Physics and Astronomy, Aarhus University, Denmark 2 Department of Management, Aarhus University, Denmark 3 Laboratoire de Physique des Solides, Université Paris-Saclay, CNRS, France 4 Centre for Science Studies, Aarhus University, Denmark *[email protected] Abstract Development of outreach skills is critical for researchers when communicating their work to non-expert audiences. However, due to the lack of formal training, researchers are typically unaware of the benefits of outreach training and often under-prioritize outreach. We present a training programme conducted with an international network of PhD students in quantum physics, which focused on developing outreach skills and an understanding of the associated professional benefits by creating an outreach portfolio consisting of a range of implementable outreach products. We describe our approach, assess the impact, and provide guidelines for designing similar programmes across scientific disciplines in the future. Keywords: science outreach, science communication, training, professional development Introduction Recent years have seen an increased call for outreach and science communication training by research agencies such as the National Science Foundation -
4010, 237 8514, 226 80486, 280 82786, 227, 280 a AA. See Anti-Aliasing (AA) Abacus, 16 Accelerated Graphics Port (AGP), 219 Acce
Index 4010, 237 AIB. See Add-in board (AIB) 8514, 226 Air traffic control system, 303 80486, 280 Akeley, Kurt, 242 82786, 227, 280 Akkadian, 16 Algebra, 26 Alias Research, 169 Alienware, 186 A Alioscopy, 389 AA. See Anti-aliasing (AA) All-In-One computer, 352 Abacus, 16 All-points addressable (APA), 221 Accelerated Graphics Port (AGP), 219 Alpha channel, 328 AccelGraphics, 166, 273 Alpha Processor, 164 Accel-KKR, 170 ALT-256, 223 ACM. See Association for Computing Altair 680b, 181 Machinery (ACM) Alto, 158 Acorn, 156 AMD, 232, 257, 277, 410, 411 ACRTC. See Advanced CRT Controller AMD 2901 bit-slice, 318 (ACRTC) American national Standards Institute (ANSI), ACS, 158 239 Action Graphics, 164, 273 Anaglyph, 376 Acumos, 253 Anaglyph glasses, 385 A.D., 15 Analog computer, 140 Adage, 315 Anamorphic distortion, 377 Adage AGT-30, 317 Anatomic and Symbolic Mapper Engine Adams Associates, 102 (ASME), 110 Adams, Charles W., 81, 148 Anderson, Bob, 321 Add-in board (AIB), 217, 363 AN/FSQ-7, 302 Additive color, 328 Anisotropic filtering (AF), 65 Adobe, 280 ANSI. See American national Standards Adobe RGB, 328 Institute (ANSI) Advanced CRT Controller (ACRTC), 226 Anti-aliasing (AA), 63 Advanced Remote Display Station (ARDS), ANTIC graphics co-processor, 279 322 Antikythera device, 127 Advanced Visual Systems (AVS), 164 APA. See All-points addressable (APA) AED 512, 333 Apalatequi, 42 AF. See Anisotropic filtering (AF) Aperture grille, 326 AGP. See Accelerated Graphics Port (AGP) API. See Application program interface Ahiska, Yavuz, 260 standard (API) AI. -
Bimanual Tools for Creativity
Master 2 in Computer Science - Interaction Specialty Bimanual Tools for Creativity Author: Supervisor: Zachary Wilson Wendy Mackay Hosting lab/enterprise: Ex)situ Lab - INRIA March 1, 2020 { August 31, 2020 Secr´etariat- tel: 01 69 15 66 36 Fax: 01 69 15 42 72 email: [email protected] Contents Contents i 1 Introduction 1 2 Related Work2 2.1 Creativity........................................ 2 2.2 Creativity and Technology............................... 3 2.3 Embodiment ...................................... 4 2.4 Bimanual Interaction.................................. 5 3 Study 1 - Stories of Creativity6 3.1 Study Design...................................... 6 3.2 Results & Discussion.................................. 7 4 Design Process 12 4.1 Experiments in Form.................................. 12 4.2 Distributed Video Brainstorming........................... 12 4.3 Video Prototype .................................... 14 4.4 Technology Probes................................... 16 5 Study 2 - Creativity Techno-Fidgets 20 5.1 Study Design...................................... 20 5.2 Results & Discussion.................................. 21 6 Conclusion and perspectives 26 Bibliography 28 A Appendix 37 A.1 Images.......................................... 37 A.2 Video Prototype Storyboard.............................. 38 i Summary This project explores the implications of designing for creativity, especially the earlier stages of the creative process involving inspiration and serendipity. The rich HCI literature on bimanual tools is leveraged to design tools that support the embodied nature of creativity. The various definitions of creativity in HCI and psychology are explored, with new perspectives on embodied creativity introduced from neuroscience. In the first study, user experiences of the creative process are collected, and generate three themes and five sub-themes with implications for design. From these user stories and theory, a research through design approach is taken to generate artifacts to explore these themes. -
How to Effortlessly Write a High Quality Scientific Paper in the Field Of
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/339630885 How to effortlessly write a high quality scientific paper in the field of computational engineering and sciences Preprint · March 2020 DOI: 10.13140/RG.2.2.13467.62241 CITATIONS READS 0 7,560 3 authors: Vinh Phu Nguyen Stéphane Pierre Alain Bordas Monash University (Australia) University of Luxembourg 114 PUBLICATIONS 3,710 CITATIONS 376 PUBLICATIONS 12,311 CITATIONS SEE PROFILE SEE PROFILE Alban de Vaucorbeil Deakin University 24 PUBLICATIONS 338 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Computational modelling of crack propagation in solids View project Isogeometric analysis View project All content following this page was uploaded by Vinh Phu Nguyen on 03 March 2020. The user has requested enhancement of the downloaded file. How to effortlessly write a high quality scientific paper in the field of computational engineering and sciences a, b c Vinh Phu Nguyen , Stephane Bordas , Alban de Vaucorbeil aDepartment of Civil Engineering, Monash University, Clayton 3800, VIC, Australia bInstitute of Computational Engineering, University of Luxembourg, Faculty of Sciences Communication and Technology, Luxembourg cInstitute for Frontier Materials, Deakin University, Geelong, VIC, 3216, Australia Abstract Starting with a working good research idea, this paper outlines a scientific writing process that helps us to have a nearly complete paper when the last analysis task is finished. The key ideas of this process are: (1) writing should start early in the research project, (2) research and writing are carried out simultaneously, (3) best tools for writing should be used. -
Designing Effective Scientific Figures Introduction to Inkscape to Finalise Figures
Designing effective scientific figures Introduction to Inkscape to finalise figures Aiora Zabala, based on slides by Simon Andrews and Boo Virk Please, find and click on this icon on your computer: What is Inkscape? • Vector Graphics Editor • Free Software • Cross Platform • Easy to use • Good for: – Compositing – Drawing • Not for: – Bitmap editing Bitmap and vector graphics Images are made of Images are made by points and their connections. pixels and a colour Connections can be straight or smooth value Bitmap and vector graphics • No inherent resolution • Fully editable Scaling figures • Vector images can be scaled freely without loss of quality • Bitmap images can be scaled down, but not up Exercise 1: set up a canvas • File > Document Properties – Shows page in view – Doesn’t restrict drawing – Useful as a guide • Change background colour to white • Change to landscape Moving around ● Panning – Scroll bars on bottom / right – Scroll up/down, Shift+scroll for left/right ● Zooming in / out – Click to zoom in, shift+click to zoom out – Control + Scroll Up/Down to zoom in/out to cursor ● Shortcuts – Fit page, drawing, selection in window The main toolbar • Selection tool, F1 Draw freehand lines, F6 • Edit nodes tool, F2 Draw straight lines / curves • Sculpt tool Calligraphy tool • Zoom tool, F3 Add text, F8 • Measurement tool Sculpt with spray • Make rectangles, F4 Erase • Make 3D boxes Fill • Make ellipses / arcs, F5 Edit gradients • Make polygons / stars Select colour • Make spirals, F9 Create diagram connectors Create basic shapes -
This Is a Free, User-Editable, Open Source Software Manual. Table of Contents About Inkscape
This is a free, user-editable, open source software manual. Table of Contents About Inkscape....................................................................................................................................................1 About SVG...........................................................................................................................................................2 Objectives of the SVG Format.................................................................................................................2 The Current State of SVG Software........................................................................................................2 Inkscape Interface...............................................................................................................................................3 The Menu.................................................................................................................................................3 The Commands Bar.................................................................................................................................3 The Toolbox and Tool Controls Bar........................................................................................................4 The Canvas...............................................................................................................................................4 Rulers......................................................................................................................................................5 -
How to Modify PDF Documents? Seth Kenlon
Modifying PDFs | Linux Starter Kit How to modify PDF documents? Seth Kenlon he Portable Document Format, or PDF, Evince is a document standard developed by As a part of the GNOME Desktop Environ- TAdobe to help ensure that when a user ment (which Ubuntu’s Unity uses as its base), prints, they get exactly what they see on the Evince is the default PDF viewer on Ubuntu screen. They are used as “pre-flight” tests Linux. It allows you to do all of the usual PDF in graphics design, or as convenient ways to things like read, rotate, resize for viewing, sent documents (with embedded fonts and and well as a few advanced features. graphics) across a network. One problem with PDFs is that there PDFs also get abused quite a lot; they are many different ways to create them but are often considered an e-book format even not much of a way to tell what feature set a though they don’t feature the re-sizing and particular document actually contains. For re-flowing capabilities of true e-book formats instance, it’s possible to embed text into a like e-pub. PDFs are, as their name states, scanned set of images in a PDF (using OCR meant to be digital versions of paper with all technology), but not everyone does this. of its advantages as well as disadvantages. So you might open one PDF document of a Sometimes you’ll a need to modify PDFs. scanned text book and discover that Evince Adobe itself successfully pushed PDF as a can highlight and copy all of the text on a universal, cross-platform standardized format, page. -
A Survey Full Text Available At
Full text available at: http://dx.doi.org/10.1561/0600000083 Publishing and Consuming 3D Content on the Web: A Survey Full text available at: http://dx.doi.org/10.1561/0600000083 Other titles in Foundations and Trends R in Computer Graphics and Vision Crowdsourcing in Computer Vision Adriana Kovashka, Olga Russakovsky, Li Fei-Fei and Kristen Grauman ISBN: 978-1-68083-212-9 The Path to Path-Traced Movies Per H. Christensen and Wojciech Jarosz ISBN: 978-1-68083-210-5 (Hyper)-Graphs Inference through Convex Relaxations and Move Making Algorithms Nikos Komodakis, M. Pawan Kumar and Nikos Paragios ISBN: 978-1-68083-138-2 A Survey of Photometric Stereo Techniques Jens Ackermann and Michael Goesele ISBN: 978-1-68083-078-1 Multi-View Stereo: A Tutorial Yasutaka Furukawa and Carlos Hernandez ISBN: 978-1-60198-836-2 Full text available at: http://dx.doi.org/10.1561/0600000083 Publishing and Consuming 3D Content on the Web: A Survey Marco Potenziani Visual Computing Lab, ISTI CNR [email protected] Marco Callieri Visual Computing Lab, ISTI CNR [email protected] Matteo Dellepiane Visual Computing Lab, ISTI CNR [email protected] Roberto Scopigno Visual Computing Lab, ISTI CNR [email protected] Boston — Delft Full text available at: http://dx.doi.org/10.1561/0600000083 Foundations and Trends R in Computer Graphics and Vision Published, sold and distributed by: now Publishers Inc. PO Box 1024 Hanover, MA 02339 United States Tel. +1-781-985-4510 www.nowpublishers.com [email protected] Outside North America: now Publishers Inc. -
1992-05 May IBEW Journal.Pdf
." ...... ·· ..· M" " . J. J- Barry EDITORIAL IJll cl'luJ/iolllll Pres idellt II's Time to Invesl In Workingpeople ile c.:O ll )o.c!, vatlve econOll1i~ts who w or J...~ or :lrt. N ot tlnly did th c~c people T ushe red in thc ~ u - callcJ " Reagan Lhen ha vr money which they could Rcvolution" lnok. ed to "Trick Ie-Dow n" ~ pc[l d to cn:~tl ~ delllanci for Dew prod econom ic>; a~ tile ce nterpiece of their uct>;, and there fore :-.1i llluI:ltc th e whole g.row th and \I n_w.perily packagc. The economy. bu\ they were given :,omc ici<: a wa ..... 10 cut taxes 0 11 the ric h Ih ing l"!vcn more ilnpllrt anl-dignity. allow them 10 "-t!cp m ore oflhci r moncy Wilh Ihal new-found dignilY_Ih ey we nl ami hope thallhcy spcn l il wi'cly. Con ou l unLl hui lt mu ch of the infrastructu re ~erva t ive'i 111 Canada adopted a :-,i m ilar on which all comme rce >!ill fl ows. We malh, )o.ciencc, hi\tory, la nguage- h3ve po~ i li on over the yc ar ~. BUI nnw here need ou r govern ments 10 make lhm to be bl ended w ilh a commitmen t 10 we are. ahno~ 1 11 ycar:-. lalcr. nnu we're kind of commitment LO our >;W 1CS . prov i n~ lill a life-long dC"i irc to lea m . ur !'! Ii ll waiting fo r tha t mone} to lric"- Ic: inces. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 20-F (Mark One) អ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ፤ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended: 31 December 2012 OR អ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to OR អ SHELL COMPANY REPORT PURSUANT TO SECTION 13 or 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report: Commission file number: 1-31466 30MAR201207090690 (Exact name of Registrant as specified in its charter) COCA-COLA HELLENIC BOTTLING COMPANY S.A. (Translation of Registrant’s name into English) THE HELLENIC REPUBLIC (Jurisdiction of incorporation or organisation) 9, Fragoklissias Street 151 25 Maroussi Athens, Greece (Address of principal executive offices) Jan Gustavsson, +30 (210) 618-3100, [email protected], 9, Fragoklissias Street, 151 25 Maroussi Athens, Greece (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Securities Exchange Act of 1934: Ordinary shares of nominal value E1.01 per ordinary share New York Stock Exchange* American Depositary Shares (ADSs), each ADS representing one ordinary share New York Stock Exchange * Not for trading, but only in connection with the listing of the ADSs, pursuant to the requirements -
Larosa's Ingredient and Allergen Listing
LaRosa's Ingredient and Allergen Listing - 4.26.21 EGG FISH MILK PEANUT SHELLFISH SOY* TREE NUTS WHEAT PIZZA INGREDIENTS BUDDY DELUXE YOUR CHOICE OF CRUST + PIZZA SAUCE, PROVOLONE, PEPPERONI, SAUSAGE, SPICY SAUSAGE, BANANA PEPPERS, CAPOCOLLA HAM CHICKEN BACON RANCH YOUR CHOICE OF CRUST + RANCH DRESSING, PROVOLONE, CHICKEN BREAST STRIPS, RED ONION, BACON, TOMATOES DOUBLE PEPPERONI YOUR CHOICE OF CRUST + PIZZA SAUCE, PROVOLONE, PEPPERONI FOCACCIA FLORENTINE YOUR CHOICE OF CRUST + FOCACCIA SAUCE, 4 CHEESE BLEND, MUSHROOMS, SPINACH, TOMATOES, GREEN OLIVES, ROMANO HERB MIX FOCACCIA ROMA YOUR CHOICE OF CRUST + FOCACCIA SAUCE, 4 CHEESE BLEND, PEPPERONI, SAUSAGE, GROUND BEEF, CAPOCOLLA HAM, ROMANO HERB MIX HAWAIIAN YOUR CHOICE OF CRUST + PIZZA SAUCE, PROVOLONE, PINEAPPLE, CAPOCOLLA HAM, BACON, BANANA PEPPERS MEAT DELUXE YOUR CHOICE OF CRUST + PIZZA SAUCE, PROVOLONE, PEPPERONI, SAUSAGE, GROUND BEEF, CAPOCOLLA HAM, BACON ORIGINAL DELUXE YOUR CHOICE OF CRUST + PIZZA SAUCE, PROVOLONE, PEPPERONI, SAUSAGE, GREEN PEPPERS, RED ONION, GROUND BEEF VEGGIE DELUXE YOUR CHOICE OF CRUST + PIZZA SAUCE, PROVOLONE, MUSHROOMS, GREEN OLIVES, RED ONIONS, SPINACH, ROMA TOMATOES ZESTY BBQ CHICKEN YOUR CHOICE OF CRUST + BBQ SAUCE, PROVOLONE, CHICKEN BREAST STRIPS, JALAPENOS, RED ONION, BACON CREATE YOUR OWN PIZZA YOUR CHOICE OF CRUST + SAUCE + CHEESE + TOPPINGS ---> check allergens individually on the dough, sauce, cheese and toppings you choose WATER, MILK, PARMESAN CHEESE, HEAVY WHIPPING CREAM, ASIAGO CHEESE, WHEY PROTEIN CONCENTRATE, BUTTER, MODIFIED FOOD STARCH, SOY OIL, ROMANO CHEESE, SALT, ALFREDO SAUCE 0 0 X 0 0 0 0 0 XANTHAN GUM, BLACK PEPPER, GROUND NUTMEG, TURMERIC OLEORESIN (FOR COLOR) ANCHOVIES ANCHOVY FILLETS, OLIVE OIL, AND SALT 0 X 0 0 0 0 0 0 CURED WITH: WATER, SALT, SODIUM NITRITE.