Quidditas Volume 19 Article 4 1998 Four Altar Panels by Bernhard Strigel: Some Historical and Philological Perspectives Hans A. Pohlsander University at Albany State University of New York Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Pohlsander, Hans A. (1998) "Four Altar Panels by Bernhard Strigel: Some Historical and Philological Perspectives," Quidditas: Vol. 19 , Article 4. Available at: https://scholarsarchive.byu.edu/rmmra/vol19/iss1/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact
[email protected],
[email protected]. Four Altar Panels by Bernhard Strigel Some Historical and Philological Perspectives1 Hans A. Pohlsander University at Albany State University of New York n 1507 the German painter Bernhard Strigel (Memmingen 1460-1527) created an altar of the Holy Cross of which four side 1panels have survived, while the presumably carved center has been lost. These four panels were formerly housed in Kynzvart (Konigswart) Castle near Marianske Lazne (Marienbad) in northwest Bohemia but were transferred to the National Gallery in Prague in 1972. The altar apparently was commissioned by the emperor Maxi milian I and presented by him as a gift to Pope Julius II. Maximilian at this time was hoping to travel to Rome and to be crowned Holy Roman Emperor by the pope, as his father Frederick III had been in 1452.