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Dorot: the Mcgill Undergraduate Journal of Jewish Studies Volume 15
Dorot: The McGill Undergraduate Journal of Jewish Studies Volume 15 – 2016 D O R O T: The McGill Undergraduate Journal of Jewish Studies D O R O T: The McGill Undergraduate Journal of Jewish Studies Published by The Jewish Studies Students’ Association of McGill University Volume 15 2016 Copyright © 2016 by the Jewish Studies Students’ Association of McGill University. All rights reserved. Printed in Canada. No part of this book may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles or reviews. The opinions expressed herein are solely those of the authors included. They do not necessarily reflect those of the Department of Jewish Studies or the Jewish Studies Students’ Association. ISSN 1913-2409 This is an annual publication of the Jewish Studies Students’ Association of McGill University. All correspondence should be sent to: 855 Sherbrooke Street West Montreal, Quebec, Canada H3A 2T7 Editor in Chief Caroline Bedard Assistant Editors Akiva Blander Rayna Lew Copy Editors Lindsay MacInnis Patricia Neijens Cover Page Art Jennifer Guan 12 Table of Contents Preface i Introduction v To Emerge From the Ghetto Twice: Anti-Semitism and 1 the Search for Jewish Identity in Post-War Montreal Literature Madeleine Gomery The Origins of Mizrahi Socio-Political Consciousness 21 Alon Faitelis The “Israelization” of Rock Music and Political Dissent 38 Through Song Mason Brenhouse Grace Paley’s Exploration of Identity 54 Madeleine Gottesman The Failure of Liberal Politics in Vienna: 71 Alienation and Jewish Responses at the Fin-de-Siècle Jesse Kaminski Author Profiles 105 Preface Editor-in-chief, Caroline Bedard, and five contributors put together a terrific new issue of Dorot, the undergraduate journal of McGill’s Department of Jewish Studies. -
Israel Resource Cards (Digital Use)
WESTERN WALL ַה ּכֹו ֶתל ַה ַּמ ַעָר ִבי The Western Wall, known as the Kotel, is revered as the holiest site for the Jewish people. A part of the outer retaining wall of the Second Temple that was destroyed by the Romans in 70 CE, it is the place closest to the ancient Holy of Holies, where only the Kohanim— —Jewish priests were allowed access. When Israel gained independence in 1948, Jordan controlled the Western Wall and all of the Old City of Jerusalem; the city was reunified in the 1967 Six-Day War. The Western Wall is considered an Orthodox synagogue by Israeli authorities, with separate prayer spaces for men and women. A mixed egalitarian prayer area operates along a nearby section of the Temple’s retaining wall, raising to the forefront contemporary ideas of religious expression—a prime example of how Israel navigates between past and present. SITES AND INSIGHTS theicenter.org SHUK ׁשוּק Every Israeli city has an open-air market, or shuk, where vendors sell everything from fresh fruits and vegetables to clothing, appliances, and souvenirs. There’s no other place that feels more authentically Israeli than a shuk on Friday afternoon, as seemingly everyone shops for Shabbat. Drawn by the freshness and variety of produce, Israelis and tourists alike flock to the shuk, turning it into a microcosm of the country. Shuks in smaller cities and towns operate just one day per week, while larger markets often play a key role in the city’s cultural life. At night, after the vendors go home, Machaneh Yehuda— —Jerusalem’s shuk, turns into the city’s nightlife hub. -
Analyzing the Barometer of Responses
Chapter 6 Don’t Touch My Holocaust – Analyzing the Barometer of Responses Israeli Artists Challenge the Holocaust Taboo Tami Katz-Freiman The national museum in the eternal capital of the Jewish people should encourage many exhibitions attesting that we are indeed liberated from the traumas of the past. If the Israel Museum could get hold of the bones of Holocaust victims, they could invite kindergarten children to build castles. Perhaps the Israel Museum should also import hair from Auschwitz to hang on it postmodern works.1 This sarcastic and radical response, published in Maariv on January 19, 1997, by Holocaust survivor, Knesset member, and journalist Joseph Lapid, following the controversial exhibition of Israeli artist Ram Katzir at the Israel Museum, reflects the problematic nature, the hypersensitivity, and the intricacy of the current Holocaust discourse in Israel. In this essay, I delve into the pressing issues of this highly delicate discourse. I attempt to locate the very root of its problematic nature, wherefrom all taboos and paradoxes stem pertaining to the discourse of Holocaust representation in 188 contemporary Israeli art. The Zionist ethos is informed by two fundamental notions: Holocaust and Heroism and Negation of Exile that are crucial to the understanding of the problematic nature inherent in Holocaust representation in Israel. In the following paragraphs, I trace the implications of these two perceptions on Holocaust representation in art, and attempt to categorize and classify modes of Holocaust representation in contemporary Israeli art in light of, or in relation to, the public sensitivity toward the manipulative use of the Holocaust. In order to elucidate some basic concepts relating to the Israeli black hole, I examine some strategies employed by current Israeli artists who are communicating Auschwitz2 in their work. -
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2 VIERNES 2 DE MAYO DE 2014 ETCÉTERA TRADICIÓN Y VERDAD EN CORTO Muereelcineastaisraelí Subastarán Shakira, Juanes manuscrito de y Rihanna en ‘Like a Rolling premios Assi Dayan Stone’, de Dylan iHeartRadio El manuscrito original de Shakira, Juanes y Pitbull cuatro páginas con la canción participaron el jueves por la El actor y director fue de Bob Dylan “Like a Rolling noche en la entrega de los Stone” saldrá a subasta en ju- premios iHeartRadio, junto unhéroedela nio con expectativas de que a artistas como Pharrell, contracultura. podría alcanzar un valor de Drake, Blake Shelton y más. AGENCIAS entre uno y dos millones de Rihanna, Diddy y Jenni- Jennifer Jerusalén dólares, dijo el jueves la casa fer López asistieron a la ce- de subastas Sotheby. Además Lawrence, la remonia en el Shrine Audi- El actor y director Assi Da- del texto del himno de Dylan, mujer más sexy torium de Los Ángeles, que yan, un ícono de la cultura is- considerada una de las mejo- se transmitió en vivo por del 2014 raelí conocido tanto por sus res canciones de rock de todos Jennifer Lawrence fue elegi- NBC desde las 8 p.m. hora innovadoras películas como los tiempos, la subasta bajo el da como la mujer más sexy del este. Aunque se repar- por sus problemas persona- nombre de “Presley to Punk” del 2014 en el listado anual tieron múltiples trofeos, les, murió el jueves en su ca- también incluirá objetos de que publica la revista mas- las actuaciones fueron el sa en Tel Aviv. Tenía 68 años. los Beatles, Jimi Hendrix, El- culina “FHM”. -
Advancedaudioblogs1#1 Top10israelitouristdestinations
LESSON NOTES Advanced Audio Blog S1 #1 Top 10 Israeli Tourist Destinations: The Dead Sea CONTENTS 2 Hebrew 2 English 3 Vocabulary 4 Sample Sentences 4 Cultural Insight # 1 COPYRIGHT © 2013 INNOVATIVE LANGUAGE LEARNING. ALL RIGHTS RESERVED. HEBREW .1 . .2 4 0 0 - , . , . . . , .3 . . , 21 . . , . , , .4 . ; . 32-39 . . 20-32 , . ," .5 . , ENGLISH 1. The Dead Sea CONT'D OVER HEBR EW POD1 0 1 . C OM ADVANCED AUDIO BLOG S 1 #1 - TOP 10 IS RAELI TOURIS T DESTINATIONS: THE DEAD S EA 2 2. The miracle known as the Dead Sea has attracted thousands of people over the years. It is located near the southern area of the Jordan valley. The salt-rich Dead Sea is the lowest point on the earth's surface, being 400 meters below sea level. The air around the Dead Sea is unpolluted, dry, and pollen-free with low humidity, providing a naturally relaxing environment. The air in the region has a high mineral content due to the constant evaporation of the mineral rich water. 3. The Dead Sea comes in the list of the world's greatest landmarks, and is sometimes considered one of the Seven Wonders of the World. People usually miss out on this as they do not realize the importance of its unique contents. The Dead Sea has twenty-one minerals which have been found to give nourishment to the skin, stimulate the circulatory system, give a relaxed feeling, and treat disorders of the metabolism and rheumatism and associate pains. The Dead Sea mud has been used by people all over the world for beauty purposes. -
Yoni Rechter
Yoni Rechter Teev Events Inc. 16501 Ventura Blvd, Encino, CA 91436 Tel (818) 483-8818, Fax (818) 482-2708 www.teev.com Biography Composer, pianist, singer and arranger, Yoni Rechter has made a major contribution to Israeli music in a career spanning more than 40 years, and is considered among Israel’s most important musicians. In the dozens of songs that Yoni composed, he created a wide variety of styles, incorporating numerous influences, from Sixties pop (mostly Beatles) to Jazz, Israeli to classical, east and west, into a fascinating personal statement. Rechter always composes with originality, great sensitivity to text, and for the best performers. He is considered the mark of quality and integrity in Israeli music. Yoni’s music is sophisticated and ever unexpected, constantly shifts tones and beats, and his classical piano training is evident. Many of his compositions have become staples of Israeli music, and one has on several occasions been voted the most popular Israeli song of all times. Yoni has worked closely with many of Israel’s top artists, including Arik Einstein, Gidi Gov, and Yehudit Ravitz. Perhaps his two most well-known collaborations are the legendary Kaveret group (a.k.a. Poogy), and Hakeves Ha-16 (The 16th Sheep), released in 1978 and still Israel’s most-popular album of children’s songs. A sought-after musical director, producer and arranger, Yoni has worked on numerous musicals, films, dance and albums. Rechter has also written classical music, and the Israeli Philharmonic Orchestra performed a concert dedicated to his songs and compositions. Hebrew University, Honoris causa Born in Tel Aviv, Yoni started playing piano at the age of 7, and decided to be a musician at age 12 when he discovered the Beatles. -
Yehuda Poliker Is One of Israel’S Premier and Most Important Artist of All Times
Yehuda Poliker is one of Israel’s premier and most important artist of all times. With a career that spans over 40 years, Poliker’s songs became a cornerstone of Israeli music and redefined Israeli contemporary pop/rock with his unique combination of electric guitars and bouzouki with Greek-Mediterranean rhythms and a rock flavor. All of Poliker’s albums achieved gold and platinum status and in 2012 Yehuda Poliker received the Life Time Achievement Award for his contribution to Israeli Culture. In his new show Yehuda Poliker, accompanied by 9 of Israel’s most talented musicians, is performing all the greatest hits from the early days of “Benzin” to the Greek classics from “Enayim Sheli” and to the latest 2014 album “Dreams Museum”. This show is a must see for anyone that loves Israeli music, Rock music and Mediterranean music and especially for those who admire the musical magic of the melting pot of Israel. “For three hours he turned the Caesarea Amphitheatre into a tremendous celebrations, with his world class production. The most Israeli artist is presenting the best most valuable performance in Israel.” Amit Salonim— Mako “From a Greek “Hafla” to a Rock Party, Poliker is one of the few that is blessed with an audience that will run to see him in any version. In this new tour he is sharp, warm and more exciting than ever before”. Amir Schwartz - Yediot Acharont DISCOGRAPHY Biography Yehuda Poliker was born in Kiryat Haim to Holocaust survivors from Salonika, Greece. As a teenager, Poliker played in several bands, such as FBI, HaNamerim (the Leopards), and Bareket. -
Staring Back at the Sun: Video Art from Israel, 1970-2012 an Exhibition and Public Program Touring Internationally, 2016-2017
Staring Back at the Sun: Video Art from Israel, 1970-2012 An Exhibition and Public Program Touring Internationally, 2016-2017 Roee Rosen, still from Confessions Coming Soon, 2007, video. 8:40 minutes. Video, possibly more than any other form of communication, has shaped the world in radical ways over the past half century. It has also changed contemporary art on a global scale. Its dual “life” as an agent of mass communication and an artistic medium is especially intertwined in Israel, where artists have been using video artistically in response to its use in mass media and to the harsh reality video mediates on a daily basis. The country’s relatively sudden exposure to commercial television in the 1990s coincided with the Palestinian uprising, or Intifada, and major shifts in internal politics. Artists responded to this in what can now be considered a “renaissance” of video art, with roots traced back to the ’70s. An examination of these pieces, many that have rarely been presented outside Israel, as well as recent, iconic works from the past two decades offers valuable lessons on how art and culture are shaped by larger forces. Staring Back at the Sun: Video Art from Israel, 1970-2012 traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond. Showcasing 35 works, this program includes documentation of early performances, films and videos, many of which have never been presented outside of Israel until now. Informed by the international 1 history of video art, the program surveys the development of the medium in Israel and explores how artists have employed technology and material to examine the unavoidable and messy overlap of art and politics. -
¿La Hora De La Diplomacia?
Año 63 | # 974 | Diciembre 2013/Enero 2014 | $ 10,00.- ATENTADO A LA AMIA: 232 MESES SIN JUSTICIA Periodismo judeoargentino con compromiso Fundado en 1948 Relaciones Occidente-Irán- Medio Oriente ¿La hora de la Diplomacia? Escriben: Ricardo Aronskind, Damián Svalb y Carlos Escudé 30 años de democracia en Argentina “Entre esperanzas, explosiones, festejos y dilemas” por Guillermo Levy | Pag. 10 Entrevista a Luis Tonelli, director de la carrera de Ciencia Política de la UBA Pag. 9 “El día en que Hashomer Hatzair copó la plaza” , por Jonatan Lipsky | Pag. 14 “En Israel: muchos Madibas, ningún Mandela” , por Rodrigo “Afro” Remenik | Pag. 20 Diciembre 2013 - Enero 2014 Periodismo judeoargentino con compromiso | Staff-Humor 2 NUEVA SION #974 Sumario Chau 2013, otro año STAFF/HUMOR 2 EDITORIAL 3 que pasó y no volverá MEDIO ORIENTE 4 | 6 ARGENTINA 7 | 11 Por Por Roberto Moldavsky ISRAEL 12 | 13 relato contra la grieta, Lilita contra Moreno, Ventura contra Lanata y para terminar de hundir - COMUNITARIAS 14 | 16 Sacando los comerciantes del Once y Flores, todo nos la inconcebible separación de Wanda Nara y CULTURA 16 | 19 el resto de los humanos intentamos hacer un Maxi, el país esta dividido en 2 y encima Icardi balance en esta época del año y tratar de entender profundiza la división. REFLEXIONES 20 que pasó y donde estamos parados o acostados como mi caso. En el ámbito judío seguimos luchando, acá entre Duran Barba y los descerebrados que Sin duda, la noticia mas importante del irrumpieron en la catedral le dieron laburo a la año vino de Roma -
The Story of Israel at 66 Through the Songs of Arik Einstein
1 The Soundtrack of Israel: The Story of Israel at 66 through the songs of Arik Einstein Israel turns sixty six this year and a so much has happened in this seemingly short lifetime. Every war, every peace treaty, every struggle, and every accomplishment has left its impact on the ever changing character of the Jewish State. But throughout all of these ups and downs, all of the conflicts and all of the progress, there has been one voice that has consistently spoken for the Jewish nation, one voice that has represented Israelis for all 66 years and will continue to represent a people far into the future. That is the voice of Arik Einstein. Einstein’s music, referred to by Prime Minister Benjamin Netanyahu as the “soundtrack of Israel,” transcended generations. Einstein often took the words of high-brow Israeli poets such as Chaim Nachman Bialik, Rahel, Nathan Alterman and Avraham Halfi and turned them into rock anthems sung by vibrant Israeli youth. Einstein captured the heart and soul of Israelis old and young. For every Zionist, peacenik, settler, hopeless romantic, nostalgia aficionado and child (or child at heart) in Israel, there is at least one Arik Einstein song that speaks to them. For every historic Israeli moment, there is an Arik Einstein song that represents the emotion of a united nation, or a shuttered people. Although fairly unknown outside of Israel, Arik Einstein was loved by all, and mourned by all after his sudden death in November of 2013, when tens of thousands of Israelis joined together to pay their respects to the iconic Sabra at a memorial service in Rabin Square in Tel Aviv. -
Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b. -
Rigorózní Práce
Univerzita Karlova Filozofická fakulta Ústav světových dějin Rigorózní práce Mgr. Jan Roubínek, B. A. Příspěvek ke studiu reflexe genocidy českých židů od roku 1945 do současnosti ve světle dosud neprobádaných archivních materiálů (Analýza národních příběhů hostitelských zemí obětí holocaustu a vliv na jejich individuální válečné svědectví) Contribution to the Reflection of the Genocide of Czech Jews from 1945 until Present Times in the Light of the yet Unexamined Archival Materials (The Analysis of the National Stories of Holocaust Survivors Host Countries and Influence on Their Individual War Testimonies) Poděkování autora Moc rád bych na tomto místě poděkoval především své ženě Rině, která měla se mnou v období psaní této práce bezbřehou trpělivost a byla mi stálou a věrnou oporou. Rovněž jsem nesmírně zavázán panu profesoru Kovářovi za to, že mě při konzultacích stále vedl tím správným směrem a dal mnoho nesmírně cenných podnětů k zamyšlení. Srdečný dík patří rovněž panu docentu Blodigovi z Památníku Terezín za odborné rady, jež pro mě byly neméně důležitými. Byly to připomínky fundovaného historika, ale i staršího kolegy, nepostrádající cennou životní zkušenost a moudro. Rád bych vyjádřil vděčnost i své tetě paní Kamile Liškové, která jakožto odborník na jazyk český kriticky zhodnotila správnost všech textů z hlediska jazykového. Bez těchto obětavých pomocníků by moje práce nemohla být nikdy dokončena. Roudnice nad Labem 2017 2 Prohlášení: Prohlašuji, že jsem tuto rigorózní práci vypracoval samostatně a výhradně s použitím citovaných