Inuyasha-Vol-2-Vizbig-Edition.Pdf

Copy Link

[Free download] Inuyasha, Vol. 2 (VIZBIG Edition) Inuyasha, Vol. 2 (VIZBIG Edition) Rumiko Takahashi DOC | *audiobook | ebooks | Download PDF | ePub #89950 in Books VIZ Media, LLC 2010-02-09 2010-02-09Original language:EnglishPDF # 1 5.33 x 1.50 x 8.63l, 2.10 #File Name: 1421532816568 pages | File size: 18.Mb Rumiko Takahashi : Inuyasha, Vol. 2 (VIZBIG Edition) before purchasing it in order to gage whether or not it would be worth my time, and all praised Inuyasha, Vol. 2 (VIZBIG Edition): 2 of 2 people found the following review helpful. Blargh!By BrandonIt wasn't until a couple months back that I discovered and fell in love with the InuYasha series. Its got awesome artwork, a compelling storyline, and its even got some fighting here and there. (Something I assume most manga readers enjoy. :D)I bought this book new from our friend here, now the book was clearly new BUt in the top middle of the outer spine of the book, horrors beyond belief, there was a very profound tear (on the spine mind you). Now to most people, it would be considered a "small" tear, and as the book was still readable, the tear would probably be ignored. However, i'm not most people. :IWhen someone buys something new, they expect it to be in great condition, it is new after all. And to sell someone a product with obvious damage to it is a little inconsiderate, some might even say evil, (XD) to the customer.I seriously think they specifically ship me their "bad" new products, "Oh look, HES ordering this, lets send him this damaged one. dB"Its not funny , if you weren't so amazing i'd of found some other site by now. XDLike I said, it was a small tear, but a tear nonetheless, in a new book at that. D: Be careful of what you buy dear customer...it was a fantastic book though, it was really glossy too. owo0 of 0 people found the following review helpful. Old but gold.By KeyairaI've been an avid InuYasha fan since I was 6. I know that's young but I was so enthralled by it (still am). I watched the anime first on Adult Swim but later in my teen years I started reading the manga. I said it's predictable because I've seen the entire anime 7 times so nothing was too shocking (some minor discrepancies between the manga and the anime were surprising). I'm just collecting the manga now. I love it. All of Rumiko Takahashi's works are phenomenal.0 of 0 people found the following review helpful. Loving these books!By CustomerThe book was amazing, I love these three in one novels! It's amazing bang for your buck! I will be purchasing more of them in the future. The full color pages in the back were a welcome surprise:) Great story overall. If your looking into purchasing this for someone, I must warn you, there is nudity in the series.. ' ( as we all saw from the first three in one of this series...) Rumiko Takahashis manga epic in its original format - 3 volumes collected in 1!R to L (Japanese Style). Rumiko Takahashis manga epic in its original format - 3 volumes collected in 1! New Allies, New EnemiesIn both the past and the present, Kagome and Inuyasha face new enemies while on their search for the shards of the Shikon Jewel. As they grow closer, Kagome learns that Inuyasha harbors a carefully guarded secret that makes him vulnerable with the rising of the new moon. Then an evil ogress plans to resurrect Kikyo. If Kikyo returns, will she seek vengeance against Inuyasha? And will Inuyasha be forced to choose between Kikyo and Kagome? About the AuthorAuthor and artist Rumiko Takahashi, the world's most popular and prolific female manga creator, has a large, devoted international fan base. Over 100 million copies of her work, such as Urusei Yatsura, Maison Ikkoku, Ranma 1/2 and Mermaid Saga--all available from VIZ Media--have been sold worldwide. Takahashi's works have been the basis for four long-running animated series and over eight animated movies. .

Recommended publications

The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan

University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr.
Reviewed Books

REVIEWED BOOKS - Inmate Property 6/27/2019 Disclaimer: Publications may be reviewed in accordance with DOC Administrative Code 309.04 Inmate Mail and DOC 309.05 Publications. The list may not include all books due to the volume of publications received. To quickly find a title press the "F" key along with the CTRL and type in a key phrase from the title, click FIND NEXT. TITLE AUTHOR APPROVEDENY REVIEWED EXPLANATION DOC 309.04 4 (c) 8 a Is pornography. Depicts teenage sexuality, nudity, 12 Beast Vol.2 OKAYADO X 12/11/2018 exposed breasts. DOC 309.04 4 (c) 8 a Is pornography. Depicts teenage sexuality, nudity, 12 Beast Vol.3 OKAYADO X 12/11/2018 exposed breasts. Workbook of Magic Donald Tyson X 1/11/2018 SR per Mike Saunders 100 Deadly Skills Survivor Edition Clint Emerson X 5/29/2018 DOC 309.04 4 (c) 8 b, c. b. Poses a threat to the security 100 No-Equipment Workouts Neila Rey X 4/6/2017 WCI DOC 309.04 4 (c) 8 b. b Teaches fighting techniques along with general fitness DOC 309.04 4 (c) 8 b, c. b. Is inconsistent with or poses a threat to the safety, 100 Things You’re Not Supposed to Know Russ Kick X 11/10/2017 WCI treatment or rehabilitative goals of an inmate. 100 Ways to Win a Ten Spot Paul Zenon X 10/21/2016 WRC DOC 309.04 4 (c) 8 b, c. b. Poses a threat to the security 100 Years of Lynchings Ralph Ginzburg X reviewed by agency trainers, deemed historical Brad Graham and 101 Spy Gadgets for the Evil Genuis Kathy McGowan X 12/23/10 WSPF 309.05(2)(B)2 309.04(4)c.8.d.
Manga: Japan's Favorite Entertainment Media

Japanese Culture Now http://www.tjf.or.jp/takarabako/ Japanese pop culture, in the form of anime, manga, Manga: and computer games, has increasingly attracted at- tention worldwide over the last several years. Not just a small number of enthusiasts but people in Japan’s Favorite general have begun to appreciate the enjoyment and sophistication of Japanese pop culture. This installment of “Japanese Culture Now” features Entertainment Media manga, Japanese comics. Characteristics of Japanese Comics Chronology of Postwar 1) The mainstream is story manga Japanese Manga The mainstream of manga in Japan today is “story manga” that have clear narrative storylines and pictures dividing the pages into 1940s ❖ Manga for rent at kashihon’ya (small-scale book-lending shops) frames containing dialogue, onomatopoeia “sound” effects, and win popularity ❖ Publication of Shin Takarajima [New Treasure Island] by other text. Reading through the frames, the reader experiences the Tezuka Osamu, birth of full-fledged story manga (1947) sense of watching a movie. 2) Not limited to children 1950s ❖ Monthly manga magazines published ❖ Inauguration of weekly manga magazines, Shukan shonen sande Manga magazines published in Japan generally target certain age and Shukan shonen magajin (1959) or other groups, as in the case of boys’ or girls’ manga magazines (shonen/shojo manga zasshi), which are read mainly by elementary 1960s ❖ Spread of manga reading to university students ❖ Popularity of “supo-kon manga” featuring sports (supotsu) and and junior high school students,
Characterising the Anthropocene: Ecological Degradation in Italian Twenty-First Century Literary Writing

Characterising the Anthropocene: Ecological Degradation in Italian Twenty-First Century Literary Writing by Alessandro Macilenti A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Italian Literature. Victoria University of Wellington 2015 Abstract The twenty-first century has witnessed the exacerbation of ecological issues that began to manifest themselves in the mid-twentieth century. It has become increasingly clear that the current environmental crisis poses an unprecedented existential threat to civilization as well as to Homo sapiens itself. Whereas the physical and social sciences have been defining the now inevitable transition to a different (and more inhospitable) Earth, the humanities have yet to assert their role as a transformative force within the context of global environmental change. Turning abstract issues into narrative form, literary writing can increase awareness of environmental issues as well as have a deep emotive influence on its readership. To showcase this type of writing as well as the methodological frameworks that best highlights the social and ethical relevance of such texts alongside their literary value, I have selected the following twenty-first century Italian literary works: Roberto Saviano’s Gomorra, Kai Zen’s Delta blues, Wu Ming’s Previsioni del tempo, Simona Vinci’s Rovina, Giancarlo di Cataldo’s Fuoco!, Laura Pugno’s Sirene, and Alessandra Montrucchio’s E poi la sete, all published between 2006 and 2011. The main goal of this study is to demonstrate how these works offer an invaluable opportunity to communicate meaningfully and accessibly the discomforting truths of global environmental change, including ecomafia, waste trafficking, illegal building, arson, ozone depletion, global warming and the dysfunctional relationship between humanity and the biosphere.
Chapter One Introduction

CHAPTER ONE INTRODUCTION 1.1.Background of Study Japan has so many traditions of folklore that had inherited for generation whether in story form or in tradition form. With some creativity and existing technology that they had, some Japanese filmmaker has succeeded by making some Japanese folklore into more interesting form and well known by people whether inside Japan or outside Japan. According to Kitayama “Folklore is a stories shared by folk people from the past and these stories are similar to myths, except that they are related more to human matters than to supernatural beings” (Kitayama 2005: 85) By this quotation the writer argue that folklore is cultural product which is produced by people in the past and it is contained of myth and usually, the society will connect the folklore to supernatural even more to human matters. As emphasized by Lindahl, Although many people regard a “folktale” as a fictional form, I use the term here to apply to any traditional tale, whether its tellers consider it true, or false, or both. Thus, the scope of the tale extends far beyond fiction to encompass belief tales, personal experience stories, and accounts of major historical events (Lindahl, 2004: 200). Based on the quotation above, the writer argues that folklore acknowledges the practice of labeling narratives based on the element of belief, he also realizes the inherent story within each and the tendency of storytellers to use a little fiction and a little nonfiction in crafting their stories. Lindahl uses this terminology to put the focus on the storytellers themselves and help the reader to recognize the relationship between tale and teller.
Friday Sept. 13 Saturday Sept. 14 Sunday Sept. 15

FRIDAY SEPT. 13 Main Panels: Panels: Panels: eGaming: Birch Table Top: Walnut Table Top: Walnut Screening 1 Screening 2 Vendors / Programming Chestnut Elm Cedar Artist Alley 12:00 PM Open Open Gaming Open Gaming Bodacious Space Pirates Tsubasa: Reservoir Closed 12:00 PM 12:30 PM (Episodes 1-4) Chronicles (Episodes 1-4) 12:30 PM 1:00 PM Cosplay Advanced (Wig Wig) Puyo Puyo Tetris Open 1:00 PM 1:30 PM 1:30 PM 2:00 PM Love Live (Episodes 1-4) Persona 4: The Animation 2:00 PM 2:30 PM The Villains of Paul St. Peter T-Doll Training: An Intro Horror as Social **Splendor Tutorial** (Episodes 1-4) 2:30 PM 3:00 PM to Girls Frontline Commentary Splendor Tournament 3:00 PM 3:30 PM 3:30 PM 4:00 PM Ludo Light Sabre Academy Autograph Session Guess that Pokemon! Intro to AnimeFargo: Dragonball FighterZ Azumanga Daioh Pretear (Episodes 1-4) 4:00 PM 4:30 PM Volunteering or Staffing (Episodes 1-4) 4:30 PM 5:00 PM 5:00 PM 5:30 PM Opening 5:30 PM 6:00 PM Open Gaming Relic Knights Carp Captor Sakura: xxxHolic (Episodes 1-4) 6:00 PM 6:30 PM Consent Culture in Anime Wonderful Wigs (Wig Clear Card (Episodes 1-4) 6:30 PM 7:00 PM Cosplay chess Multiplayer Oreo: Choose and Manga Wig) Super Smash Bros 7:00 PM 7:30 PM Your Group Adventure Ultimate 4-Player 7:30 PM 8:00 PM InuYasha Season 1 Anime Court Kiddy Grade (Episodes 1- Save Me! Lolipop Closed 8:00 PM 8:30 PM Cyber-Dance 8:15 - 9:15 4) (Episodes 1-4) 8:30 PM 9:00 PM Karaoke Open Gaming (After Dark) Open Gaming (After Dark) 9:00 PM 9:30 PM Shino and friends (DSP) MaximumWeeaboo: 80s- 9:30 PM 10:00 PM HD Remastered Open Digital Breakdown Hetalia: Axis Powers Cowboy Bebop (Episodes 10:00 PM 10:30 PM (Paranoia Game) (Episodes 1-26) 1-4) 10:30 PM 11:00 PM Red Dragon Inn (18+) - How I Remember It (18+) BDSM 101 safety (18+) 11:00 PM 11:30 PM (Snowmen) 11:30 PM 12:00 AM Closed Closed 12:00 AM 12:30 AM Werewolf Spiral into horror 2: 12:30 AM 1:00 AM The Panel That Doesn't Exist Uzumaki Boogaloo (18+) Closed 1:00 AM 1:30 AM (18+) 1:30 AM SATURDAY SEPT.
Inuyasha Series OC Bio

InuYasha Series OC Bio: Characteristics: Name: Nihongo: Meaning: First: Middle: Last: Alias: N/A Race: Human/Daiyokai/Yokai/Hanyo/Specter/Kugutsu/ Extra to Race: Full/ ¾ /Half/ ¼ Type: Kappa/Kitsune/Nekomata/Omukade/Bakeitachi/Bird/Flea/Inu/Wolf/Spider/Mantis/Moth/Turtle/Rat/Tiger/Tree/ Oni/Thunder/Wind/Dragon/Panther/Oyster/Bat/Humanoid/Cat/Hair/Horse/Root/Cow/Shikigami/Tanuki/Crow/ Mirror/Badger/Flower/Toad/Bone/Lizard/Salamander/Ninja/Otter/Snake/Coyote/Monkey/Ape/Lynx/Catfish/Sc orpion/Bull/Sheep/Ram/ Gender: Male/Female/Male (Transgender)/Female (Transgender)/Intersex Sexual Orientation: Heterosexual/Homosexual/Bisexual/Pansexual/Asexual Age: Birthday: Time of Birth: Blood Type: A+/A-/B+/B-/AB+/AB-/O+/O-/Unknown Personality: Horoscope: Aries/Taurus/Gemini/Cancer/Leo/Virgo/Libra/Scorpio/Sagittarius/Capricon/Aquarius/Pisces Appearance: Hair: Color: Length: Style: Eye Color: Skin Color: Body: Weight: Child: Pre-Teen: Teenager: Adult: Senior: Height: Child: Pre-Teen: Teenager: Adult: Senior: Outfit(s): Child: Pre-Teen: Teenager: Adult: Senior: Images: Child: Pre-Teen: Teenager: Adult: Senior: Professional Status: Affiliation: Precious Affiliations: Abilities: Weapons: Loyalty: Enemies: Personal Status: Status: Relatives: Best Friend(s): Friends: Pet(s): Hobbies: Likes: Dislikes: Former Love Interest: Love Interest: Portrayal: Voice Actors: Child: Pre-Teen: Teenager: Adult: Senior: Face Claims: Child: Pre-Teen: Teenager: Adult: Senior: Curiosities: Favorite Food: Favorite Color: Favorite Movie: (OC that are in Modern Time) Favorite
Inuyasha Bloopers

Inuyasha Bloopers By narutofan1313 Submitted: April 3, 2007 Updated: June 4, 2011 What actually happens around the Inuyasha set. Provided by Fanart Central. http://www.fanart-central.net/stories/user/narutofan1313/44681/Inuyasha-Bloopers Chapter 1 - The beginning 2 Chapter 2 - chapter2 3 Chapter 3 - OMG?!?!?! 4 1 - The beginning Disclaimer:I do not own the character Inuyasha or any other character besides my own OC,Michi. ** mean actions ex:*plummets into ground* and () mean thoughts ex:(i hate her) Names will be shoter ex:Sesshomaru=Sesh or Inuyasha=Inu Narrator:We find our group walking down a trail,(oh crap, I just farted)and Kagome's in a bad mood.(MAN THAT STINKS!!! AND I'M IN A SECLUDED BOOTH!I CAN'T BREATH!!!!)*clawing at door* Kagome:Um...is he ok? Narrator:I...farted...and...I...can't...breath!!! Director:Ignore him.Keep the scene going. Narrator:HELP...ME!!! Backup Narrator:and she doesn't want to be messed with. Inu:What is wrong with you Kagome?Why are you being a-!!! Miroku:*covering Inu's mouth with hand*Kids are watching this or reading whatever. Inu:mmppphhhhh!!!!!!! Kagome:SIT!!!!!!!!!!!! Inu:*plummets into ground*Why'd you do that?!? Kagome:Because you were about to call me a-!!! Sango:*covering Kagomes mouth*What Miroku said. Shippo:Oh boy Kirara,there they go again. Kirara:(yea) Kikyo:What's up? Kagome:Where the hell did you come from?!?! Kikyo:Why do I need to explain everything to you?! Kagome Cause your a dog!!! Miroku:Sango!!! Sango:Sorry,I couldn't reach her in time! Inu:*Watching Kagome and Kikyo get into a catfight*(yea rip off her shirt!) Miroku:*sits next to Inu* Sango:*trys to stop Kagome and Kikyo buts gets herself into the fight*KYA! Shippo:*walks over*what are you two looking at? Miroku:*covers Shippo's eyes*This isn't for kids.
3. 10 SHANTY Mencari Cinta Sejati (4:05) 4

Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34.
The Dissemination of Japanese Manga in China

Lund University Center for East and South-East Asian Studies Masters Programme in Asian studies East and Southeast Asian track Spring semester, 2005 The Dissemination of Japanese Manga in China: The interplay of culture and social transformation in post reform period Author: Yang Wang Supervisor: Anna Jerneck Acknowledgements I want to thank my teachers in Lund University, who gave me the opportunity to do research for my thesis. I want to thank teachers in Waseda University for the summer course. I also want to thank my family who has always been supportive. And finally, I want to thank all the friends I have met with in Sweden, Japan and China. 2 Abstract The thesis is a combination of both research fieldwork in sociology and documentary study on the historical development of Japanese animation (and manga) within China in the past two decades. The author tries to reveal some of the social changes taken place in Chinese society through a prevailing foreign culture that once did not even exist. The thesis examines the background, the initiation and developing course of Japanese animation (and manga) while trying to find out how it was distributed and received in the country. By looking into the history of Japanese animation (and manga) in China, several points can be made to the subject. 1) The timing of Japanese animation (and manga) entering China is to the moment of political and social significance. The distribution and consuming of a once considered children program has reflected almost every corner of the social transformation. 2) It has educated the young generation with a blurred idea of modernity at the first place while partly changed their worldview that driving them further away from the lost tradition.
Graphic Novels: Tools for Meaningful Literacy Practices

This thesis/project/dissertation has been reviewed for 508 compliance. To request enhancements, please email [email protected]. GRAPHIC NOVELS: TOOLS FOR MEANINGFUL LITERACY PRACTICES A Project Presented to the faculty of the Department of English California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in English Composition by Kaitlyn Myra Belle Ehrmantrout SPRING 2017 © 2017 Kaitlyn Myra Belle Ehrmantrout ALL RIGHTS RESERVED ii GRAPHIC NOVELS: TOOLS FOR MEANINGFUL LITERACY PRACTICES A Project by Kaitlyn Myra Belle Ehrmantrout Approved by: , Committee Chair Angela Clark-Oates, Ph.D. ____________________________ Date , Second Reader Susan Fanetti, Ph.D. iii Student: Kaitlyn Myra Belle Ehrmantrout I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the project. __________________________, Graduate Coordinator ___________________ Douglas Rice, Ph.D. Date Department of English iv Abstract of GRAPHIC NOVELS: TOOLS FOR MEANINGFUL LITERACY PRACTICES by Kaitlyn Myra Belle Ehrmantrout The focus of this project is to discover how graphic novels can provide opportunities for meaningful reading and writing. Multimodal texts, like graphic novels, can engage students in a significant experience, an experience that they can bring forth in their college-level reading and writing practices. In the fall semester of 2016, I
An Icy Snow, and a Warm Heart

An icy snow, and a warm Heart By MilnhsDoggieboy Submitted: May 28, 2004 Updated: May 28, 2004 Just a short story of Inuyasah and kagome, trapped in a snow storm. Needs mor e but i'll post it now anyways Provided by Fanart Central. http://www.fanart-central.net/stories/user/MilnhsDoggieboy/3668/An-icy-snow-and-warm-Heart Chapter 1 - An Icy snow, and a warm heart 2 1 - An Icy snow, and a warm heart An Icy snow, and a warm heart The snow is coming down hard now and if you went outside you wouldn't be able to see your hand in front of your face. The sound that the snow is making as it hits the roof of the cabin. Is like thunder roaring through the skies. It even shakes the ground and cabin. Miroku, Shippo, Kirara, and Sango went on ahead of Inu-Yasha and the injured Kagome that had to stay behind in a cabin until the storm dies down. They didn’t have any firewood and Inuyasha was to proud to admit he was cold Kagome was freezing and couldn’t help but shiver. Inuyasah:Damnit she’s freezing and theres no blanket in this stupid cabin. I need to find a way to keep her warm. Kagome falls asleep from the cold, her lips turn blue from the cold and Inuyasha wasn’t excatly the warmest person either. He had to do something but couldn’t figure out what. Inuyasha: I know my kimono and shirt, (Inuyasah quickly removes his shirt and kimono and wraps Kagome up in them, he picks her up and holds her sheilding her from the cold) Please don’t die Kagome, I can’t lose you, not when I have you so close to me.