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Biographies and Acknowledgements

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Biographies and Acknowledgements Biographies and Acknowledgements SIMPSON, DR ANDREW and HAMMOND, DR GINA In: A Cultural Cacophony: Museum Perspectives and Projects Online Version (2016), Cover; pp.1-2; and pp.238-244 https://www.museumsaustralia.org.au/ma2015-sydney Author contact details: [email protected] [email protected] Published by the NSW branch of Museums Galleries Australia ISBN: 978-1-74138-449-9 © Sydney, 2016 Museums Galleries Australia Museums Galleries Australia National Office New South Wales Branch PO Box 266 c/- Museum of Ancient Cultures CIVIC SQUARE ACT 2608 Department of Ancient History W: www.museumsaustralia.org.au Macquarie University NSW 2109 E: [email protected] .au P: +61 (2) 6230 0346 Copyright Statement Museums Galleries Australia respects the rights of all artists and copyright holders. The New South Wales Branch of Museums Galleries Australia is the copyright holder for this publication in its entirety. Individual authors hold copyright for their respective contributions to this volume. Consequently, all works that appear in this publication do so with the consent of the artist/s or copyright holder. No image or information displayed on these pages may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without permission. Contravention is an infringement of the Copyright Act and its amendments. EDITORS: Dr Andrew Simpson, Dr Gina Hammond A CulturalCacophony Museum Perspectives&Projects Identity Communication Culture Crisis Andrew Simpson Gina Hammond Editors: TABLE OF CONTENTS TABLE OF CONTENTS ........................................................................................................................... 1 INTRODUCTION ........................................................................................ Error! Bookmark not defined. A professional cacophony ................................................................................................................... 3 Andrew Simpson and Gina Hammond ........................................................................................ 3 PERSPECTIVES ....................................................................................................................................... 14 Sowing the seeds of wisdom and cultivating thinking in museums ................................................. 15 Janelle Hatherly ......................................................................................................................... 15 The challenge of contemporary relevance in a digital era ................................................................ 28 Kim Williams ............................................................................................................................. 28 Museums and freedom of speech .................................................................................................... 38 Alec Coles .................................................................................................................................. 38 Mining media content in museums: Digging deep for new opportunities ....................................... 48 Kim McKay ................................................................................................................................ 48 Museums, mausoleums and muniments rooms: Letting in the light on university collections ....... 56 John Simons ............................................................................................................................... 56 Fit for the future: Reflections on regional spaces in a changing world ............................................ 63 Sally Watterson ......................................................................................................................... 63 More on the museum diet: Ten strategies for sustainable museums and collections ..................... 71 Kylie Winkworth ........................................................................................................................ 71 PROJECTS .............................................................................................................................................. 85 “To the city for dancing”: The Women Artists collection and the birth of commercial art practice at Yuendumu ......................................................................................................................................... 86 Scott Mitchell ............................................................................................................................ 86 Art on the way to the theatre: Performing arts centres and their art collections ......................... 103 Steven Tonkin .......................................................................................................................... 103 From Bucharest to Hobart: A legacy of Romanian art ................................................................... 112 Rachael Rose ........................................................................................................................... 112 The power and the passion: The Forced Adoptions History Project .............................................. 120 Kathleen Anderson .................................................................................................................. 120 An expedition into the changing world of museum collections: Are they vital or a thing of the past? ........................................................................................................................................................ 125 Christina Hardy........................................................................................................................ 125 Creating new forms of value with Indigenous customers: Auckland War Memorial Museum, a case study ................................................................................................................................................ 133 Sally Manuireva ....................................................................................................................... 133 Music museum curatorship: Reclaiming rights and responsibilities for musicking on Minjerribah (North Stradbroke Island), Australia ............................................................................................... 143 Sandra Kirkwood ..................................................................................................................... 143 How to cope when you open your digital doors ............................................................................. 158 Paul Rowe................................................................................................................................ 158 19,000 glass plate negatives: Algernon Darge’s First World War legacy ........................................ 165 Joanne Smedley ....................................................................................................................... 165 A cultural renaissance in museums and collections at the University of Oklahoma ...................... 176 Michael A. Mares .................................................................................................................... 176 Reframing the small university museum ........................................................................................ 194 Jane Thogersen, Gina Hammond and Andrew Simpson ......................................................... 194 Real and virtual: The role of computed tomography and 3D imaging in museum practice ........... 208 Jaye McKenzie-Clark and John Magnussen ............................................................................. 208 Reminiscence Cottage: A multisensory space for people living with dementia ............................. 222 Sara Pearce ............................................................................................................................. 222 Museums and memory: The power of story .................................................................................. 233 Doreen Lyon ............................................................................................................................ 233 BIOGRAPHIES ...................................................................................................................................... 238 ACKNOWLEDGEMENTS ....................................................................................................................... 243 To cite this publication: Simpson A. and Hammond G. (eds). 2016. A Cultural Cacophony: Museum Perspectives and Projects. Museums Galleries Australia. Canberra. www.museumsaustralia.org.au/ma2015-sydney BIOGRAPHIES ANDERSON, Kathleen Kathleen Anderson BA Hon (1A) (Society and Culture - Anthropology) joined the National Archives Forced Adoptions History Project in 2013. In 2013 Kathleen was certified internationally with the Association for Public Participation. In 2016 Kathleen was appointed to the National Archives, Access Examination team. Her passion for learning sees her continue to work towards a postgraduate certificate in Public Service Management and a Masters of Law an Ethics. Kathleen plans to continue to write in her area of interest, which is storytelling and urban ethnography. COLES, Alex Alec Coles is CEO of the Western Australian Museum and was previously Director of Tyne & Wear Archives & Museums in North East England. He is leading the development of a major new museum project
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