The Comment, February 5, 1987
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Torrey Peters Has Written the Trans Novel Your Book Club Needs to Read Now P.14
Featuring 329 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 1 | 1 JANUARY 2021 REVIEWS Torrey Peters has written the trans novel your book club needs to read now p.14 Also in the issue: Lindsay & Lexie Kite, Jeff Mack, Ilyasah Shabazz & Tiffany D. Jackson from the editor’s desk: New Year’s Reading Resolutions Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas As a new year begins, many people commit to strict diets or exercise regimes # Chief Executive Officer or vow to save more money. Book nerd that I am, I like to formulate a series MEG LABORDE KUEHN of “reading resolutions”—goals to help me refocus and improve my reading [email protected] Editor-in-Chief experience in the months to come. TOM BEER Sometimes I don’t accomplish all that I hoped—I really ought to have [email protected] Vice President of Marketing read more literature in translation last year, though I’m glad to have encoun- SARAH KALINA [email protected] tered Elena Ferrante’s The Lying Life of Adults (translated by Ann Goldstein) Managing/Nonfiction Editor and Juan Pablo Villalobos’ I Don’t Expect Anyone To Believe Me (translated by ERIC LIEBETRAU Daniel Hahn)—but that isn’t exactly the point. [email protected] Fiction Editor Sometimes, too, new resolutions form over the course of the year. Like LAURIE MUCHNICK many Americans, I sought out more work by Black writers in 2020; as a result, [email protected] Tom Beer Young Readers’ Editor books by Claudia Rankine, Les and Tamara Payne, Raven Leilani, Deesha VICKY SMITH [email protected] Philyaw, and Randall Kenan were among my favorites of the year. -
Major League Lacrosse All-Star Game Coming to Bonney Field in 2017
IF A MAN IS CALLED TO BE A STREET SWEEPER, STREET SWEEPER WHO DID HIS JOB WELL.’ ”NO WORK HE SHOULD SWEEP STREETS EVEN AS A MICHELANGELO PAINTED, IS INSIGNIFICANT. ALL LABOR THAT UPLIFTS HUMANITY OR BEETHOVEN “COMPOSED MUSIC OR SHAKESPEARE WROTE POETRY. HAS DIGNITY AND IMPORTANCE AND SHOULD BE HE SHOULD SWEEP STREETS SO WELL THAT ALL THE HOSTS OF UNDERTAKEN WITH PAINSTAKING EXCELLENCE. HEAVEN AND EARTH WILL PAUSE TO SAY, ‘HERE LIVED A GREAT — MARTIN LUTHER KING, JR. ” Volume 37 • Issue 02 Serving Carmichael and Sacramento County since 1981 January 13, 2017 LOCAL SAILOR PARTICIPATES Crab Health IN PACIFIC Beloved Critters Advisory Lifted PARTNERSHIP for CA Coast Immortalized by Art SACRAMENTO REGION, CA (MPG) - The California Department of Public Health (CDPH) has lifted the last remaining health advi- sory for Dungeness crab caught along the California coast. CDPH lifted this advisory on January 11th due to recent tests PAGE 2 showing that traces of domoic acid have declined to low or undetectable levels in Dungeness crabs caught in the area, indicat- GIRL SCOUT ing they are safe to consume. Dungeness crabs caught along CELEBRATES 100 the coast are safe to consume. However, as a precaution, con- YEARS OF COOKIES sumers are advised not eat the viscera (internal organs, also known as “butter” or “guts”) of crabs. The viscera usually contain much higher levels of domoic acid than crab body meat. When whole crabs are cooked in liquid, domoic acid may leach from the viscera into the cooking liquid. Water or broth used to cook whole crabs PAGE 3 should be discarded and not used to prepare dishes such as sauces, broths, soups or stews (for exam- ple, cioppino or gumbo), stocks, RESPONSES TO THE roux, dressings or dips. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
The Blackjacks (Blackjack Mulligan & Blackjack Lanza
THE BLACKJACKS (BLACKJACK MULLIGAN & BLACKJACK LANZA) Inducted by Stan Hansen While Blackjack Mulligan loved his time teaming up with Blackjack Lanza, he knew that it was too good to last. “Most tag teams are one weak guy and one strong guy, not two main eventers. Lanza and I were two main eventers, which was hard to keep as a team,” explained Mulligan. “Usually a team is formed by a weakness of one who’s an undercard guy, who’s a great talent that’s never going to make it big, and this other great talent that pulls the team along. But they compliment each other together … We were main eventers so we didn’t really hold the longevity that we should have.” From their initial pairing in 1972 in Indianapolis under the guidance of manager Bobby Heenan to their dissolution in 1975 when Mulligan left to go solo, the Blackjacks were just about the most feared team out there. Jack Lanza was a 6-foot-5, 250-pounder from Albuquerque, New Mexico, who broke into the business in 1962 after being trained by Verne Gagne. A former sociology teacher after attending the University of Minnesota, he started as the babyface “Cowboy” Jack Lanza before being paired with Heenan in Indianapolis a heel. “I hit if off with Blackjack Lanza the first day I met him. It was just one of those things. We made each other laugh and became the best of friends,” wrote Heenan in his first book. Bob Windham, a 6-foot-9, 345-pound ex-Marine who studied education—and football—at West Texas State, lined up with the New York Jets of the AFL until breaking his leg. -
Beat Instrumental " the COMPLETE Magazine Valentine of the Animals
NOVEMBER N 19 1964 0. EDITORIAL & ADVERTISEMENT OFFICES: 244 Edgware Road, London, W.2 Telephone: Paddington 6875 PUBLISHER: Sean O'Mahony EDITOR: Johnny Dean ART EDITOR: Bob Gibson ASS. FEATURES EDITOR: Kevin Swift ADVERTISEMENT MANAGER: R. M. Noble INSTRUMENTAl World Copyright Reserved Editorial----- - - CONTENTS 7 REl\!IEMBER THE BAD OLD DAYS WHEN OUR TOP Page I TWENTY WAS PACKED OUT WITH AMERICAN DISCS? 4. Profile on Curt Cresswell of The I How tin1es have changed! Now, the best records, whether they're Naturals. American or British, top the charts on both sides of the Atlantic. 5· Are Manager's Really Necessary? I WHAT HAS ALTERED? OUR SINGERS? No, not really. 6· Looking for Excitement. 7 The big difference is surely that previously, the backings on British · ::~urh;f;~ ~e~~~t;s:;;liff Bennett I discs were provided by session musicians who didn't really care a. sound City and Drum City. about the music they were playing: not all of them, of course, but 9. Chet Atkins. 1 a big enough percentage to take the "feel" out of many records. 10. Price 1s No Object and Win I Now, the instrurnentalists are people who buy records themselves George Harrison's Guitar Comp, and understand the sort of music they are playing. Give them the 11. Besson Advertisement. I nln of a recording studio and they don't want to leave until they 12. Welsh Beat. have produced something good. And what great records our groups 13. Premier Drums. I are turning out these days. 14. Where is Everybody and Hohner YOUR LETTERS HAVE BEEN A BIG HELP IN PLANNING Advertisement. -
Fort Valley Experimental Forest-A Century of Research 1908-2008
Fort Valley Experimental Forest— A Century of Research 1908-2008 Conference Proceedings August 7–9, 2008 Flagstaff, AZ United States Department of Agriculture Forest Service / Rocky Mountain Research Station Proceedings RMRS-P-55 December 2008 Olberding, Susan D., and Moore, Margaret M., tech. coords. 2008. Fort Valley Experimental Forest—A Century of Research 1908-2008. Conference Proceedings; August 7-9, 2008; Flagstaff, AZ. Proc. RMRS-P-55. Fort Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station. 282 p. Abstract One hundred years ago, the USFS began its forest research program in a two-room cabin near Flagstaff, Arizona, with one staff person, Gustaf A. Pearson. The site became known as the Fort Valley Experiment Station and was the first in a national network of research sites developed to address uncertainties regarding the rehabilitation and conservation for forest and range lands in the nation. Fort Valley’s name has changed over the century and for today’s reader, Fort Valley Experimental Forest (FVEF) is used. The conference recognized pioneering silvicultural, range, and watershed research and how the work continues today. Invited papers and contributed poster papers were presented during the first day of the conference. The second day’s schedule included field trips and the dedication of new monuments at the historic Fort Valley Experimental Forest headquarters. The conference consisted of USFS retired researchers, current scientists, and students that addressed issues affecting the perpetuation of the ponderosa pine forest of the Southwest. Keywords: long-term research, ponderosa pine, range research, silviculture, cultural resources, Fort Valley Experimental Forest, Long Valley Experimental Forest, http://www.rmrs.nau.edu/fortvalley/ Cover photo: Fort Valley Experimental Forest headquarters in winter. -
Dulcie Taylor Amy Mantis & the Space Between Asa Brebner
•Our 35th Year Proudly Promoting All Things Music• FREE! December 2020 Asa Brebner Tribute Elvin Bishop Dulcie Taylor Amy Mantis & The Space Between Reboot: Elvin Bishop - November 2005 In the business of music, you’d be hard who played blues in Oklahoma. It was pretty Pepper Shakers. As I got a little better, I was able at that time so we gravitated right for each other. pressed to find a more down-to-earth guy than hard getting started. I had those little pawn shop to get gigs with people like JT Brown. He was kind METRONOME: What year did you go solo? Elvin Bishop. Since the age of eighteen, he’s been guitars with the strings two inches off the neck. of a known saxophone player around Chicago. Late sixties maybe. I’m not good with dates. quietly storing away stories and tales of a career It’s a tribute to human persistence that I stuck Hound Dog Taylor... you’ve probably heard of METRONOME: Was it The Elvin Bishop Band? filled with larger-than-life events. From playing with it at all. him. Junior Wells gave me a few gigs. He was nice Yeah. with great Chicago bluesmen like Muddy Waters, METRONOME: What was your first pro gig? enough to. Then I got with Butterfield. METRONOME: What was the name of your Lightnin’ Hopkins and Albert Collins to jamming Before I got with [Paul] Butterfield, I played with METRONOME: How did you meet Paul? first record? with Jimi Hendrix, Elvin Bishop has done it all some little bands. -
Ienealogjc/M DEPARTMENT
LINEAGE-INDEX (name) (page) STURGEON: Samuel (the father of:) 7 Q) William (n> Jeremiah ÇIÎ) Samuel QV Henry Qf) Peter (Vil Robert VÏH John I 8 (Â Jeremiah I. 10 ( 1 / Jeremiah II 13 fa> Jeremiah III 15 b. Elijah 15 c. Wesley 15 "¿T. Willis 15 e,. Richard Henry 16 I William Absolum. 48 II Henry Vardaman 71 III George Washington 84 IV Sarah Isabell 89 V Charles Mintor 93 VI Jeremiah Riley 99 VII Martin 106 VIII Otto J08 IX Susan 109 X Curtis. Ill XI Graydon. 112 (jj George Washington. 117 I Martha Jane 118 II John Henry 118 III Mary E. 122 IV Cornelous 122 V Wm. ; . 122 VI David 124 VII A varilla 125 VIII Richard 126 IX Price. 126 X B. F. 126 XI Emma 126 XII Atcha . 126 XIII Anna D 127 'g", Susan 15 iENEALOGJC/M DEPARTMENT . CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS LINEAGE-INDEX (page) STURGEON CONTINUED h. Peter 15 ?i. Averilla 15 © Elijah 129 @. Jeremiah 129 <& Wm. Henry 129 Q. Cyrus 129 @. Alexander , 129 Q. John Thomas e 130 © Emily 130 (g> George Washington 130 Rebecca 12 Matthew 12 § John 12 @ John II 131 CÙ David 131 (2 Nathan 132 G5 John in 133 @ Tamar 133 © Robert 134 Q Samuel 134 (D Robert 134 (Q/ James 135 Q). Jeremiah 136 <2>. James II 138 @. John 139 ®. Squire 142 ©. Obediah 142 © Traux 144 Q). Roily 144 ®. Ransom 144 WEBSTER FAMILY 147 BRUMBACK FAMILY 159 Cornelius Daniel Webster b 17bU-176U Vardaman Webster 1 b 1776-1778 Webster Polly (Mary) ? 5 18U8 Jane (Jenny) Webster i b. -
INDEPENDENT AUSTRALIAN LABELS 1955 to 1990
AUSTRALIAN RECORD LABELS INDEPENDENT AUSTRALIAN LABELS 1955 to 1990 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 AUSTRALIAN INDIE LABELS, 1955–1990 ACKNOWLEDGEMENTS GRATEFUL THANKS TO: HANK B. FACER, FOR HIS ‘LOGO’ MUSEUM OF INDIGENOUS RECORDING LABELS, CHRIS SPENCER, FOR HIS AUSTRALIAN MUSIC MUSEUM, THE CONTRIBUTORS TO 45CAT.COM, DISCOGS.COM, RATEYOURMUSIC.COM AND MILESAGO, MARK GREGORY’S AUSTRALIAN FOLK SONGS WEBSITE AT FOLKSTREAM.COM THE NATIONAL FILM AND SOUND ARCHIVE, AND MUSIC AUSTRALIA, FOR THEIR ON-LINE CATALOGUES, ANDREW AINSWORTH, ALISTAIR BANFIELD, HARRY BUTLER, BILL CASEY, HEDLEY CHARLES, MICHAEL DEN HARTOG, DAVID HUGHES, DAVID KENT, ROSS LAIRD, JACK MITCHELL, IAN D. ROSS, GJERMUND SKOGSTAD, BRIAN WAFER, AND CLINTON WALKER LATE, GREAT COLLEAGUES GEORGE CROTTY, DEAN MITTELHAUSER, RON SMITH AND MIKE SUTCLIFFE FOR THEIR LOVE OF AUSTRALIAN MUSIC AND FOR THEIR PIONEERING RESEARCH. SOME PRESSING INFORMATION NUMBERS OR LETTERS PRINTED ON THE RECORD LABEL OR INSCRIBED IN THE RUN-OFF WAX OFTEN GIVES CLUES ABOUT WHICH RECORD COMPANY PRESSED THE RECORD, AND WHEN IT WAS PRESSED. TYPICAL PREFIXES INCLUDE: 7XS EMI CUSTOM RECORDING AW RADIOLA/AWA CUSTOM RECORDING CWG W&G CUSTOM RECORDING DB RCA DOTTED TRIANGLE SHEARD & CO. FH ASTOR MA ASTOR CUSTOM PRESSING MX FESTIVAL, OR AUSTRALIAN RECORD COMPANY / CBS PRS, YPRX EMI CUSTOM RECORDING RRC, RRCS RANGER CUSTOM RECORDING SMX FESTIVAL 2 AUSTRALIAN INDIE LABELS, 1955–1990 CAT. NO. TITLE(S) FORMAT / MX NO. / NOTES ARTIST(S) DATE 3333 RECORDS DISTRIBUTED BY MUSICLAND. MUSLP 3333 LIVE AT SING SING LP THE BACHELORS FROM PRAGUE 1986 3333/1 THE ENERGETIC COOL CD THE BACHELORS FROM PRAGUE 5.88 MUS SP 3333/2 GO / EVEN DISHWASHERS GET THE BLUES BACHELORS FROM PRAGUE 9.88 3333/3 THE ENERGETIC COOL LP THE BACHELORS FROM PRAGUE 1988 SP 3333/3 TIGHTROPE / THE OUTSIDER 7” BACHELORS FROM PRAGUE 3.89 TO MERCURY RECORDS, THROUGH PHONOGRAM AARON RECORDS PB 0001 MAMA / THAT LUCKY OLD SUN DAVID J. -
National Wrestling Alliance from Wikipedia, the Free Encyclopedia
National Wrestling Alliance From Wikipedia, the free encyclopedia The National Wrestling Alliance (NWA) is the largest governing body for a group of independent professional wrestling promotions and sanctions various NWA championships, including four championships of “World Title' stature. The NWA has been in operation since 1948, and is the sole governing body for most of professional wrestling. It operates as a talent and brand name franchiser for the inter-regional "territory" system. Table of Contents History........................................................................................................................................................1 Classic Territory System Era.................................................................................................................1 1940's................................................................................................................................................1 1950s.................................................................................................................................................3 1960s.................................................................................................................................................3 1970's................................................................................................................................................4 Decline of the Classic Territory System................................................................................................4 Early -
Fort Valley Experimental Forest—A Century of Research 1908-2008
Fort Valley Experimental United States Department of Agriculture Forest Service Forest—A Century of Rocky Mountain Research Station Proceedings RMRS-P-53CD Research 1908-2008 August 2008 Conference Proceedings August 7–9, 2008 Flagstaff, AZ Olberding, Susan D., and Moore, Margaret M., tech coords. 2008. Fort Valley Experimental Forest—A Century of Research 1908-2008. Conference Proceedings; August 7-9, 2008; Flagstaff, AZ. Proceedings RMRS-P-53CD. Fort Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station. 408 p. Abstract One hundred years ago, the USFS began its forest research program in a two-room cabin near Flagstaff, Arizona, with one staff person, Gustaf A. Pearson. The site became known as the Fort Valley Experiment Station and was the first in a national network of research sites developed to address uncertainties regarding the rehabilitation and conservation for forest and range lands in the nation. Fort Valley’s name has changed over the century and for today’s reader, Fort Valley Experimental Forest (FVEF) is used. The conference recognized pioneering silvicultural, range, and watershed research and how the work continues today. Invited papers and contributed poster papers were presented during the first day of the conference. The second day’s schedule included field trips and the dedication of new monuments at the historic Fort Valley Experimental Forest headquarters. The conference consisted of USFS retired researchers, current scientists, and students that addressed issues affecting the perpetuation of the ponderosa pine forest of the Southwest. Keywords: long-term research, ponderosa pine, range research, silviculture, cultural resources, Fort Valley Experimental Forest, Long Valley Experimental Forest, http://www.rmrs.nau.edu/fortvalley/ Cover photo: Fort Valley Experimental Forest headquarters in winter. -
Columbia Chronicle (04/14/1997) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 4-14-1997 Columbia Chronicle (04/14/1997) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (04/14/1997)" (April 14, 1997). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/379 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. APR 14 1997 ~COUE.GeU8lWly THE CHRONICLE o f COLUMB COLLEGE C Ii C AGO VOL. XXX, No. 21 April 14, 1997 THE OTH OF THE The 1'eCen-t: ~uceS"S" of independen-l 'Soull=ooJ,' give, Columbi" "nJ nuJenh <omething to boon "bout. ,ucce" hunJreJ, of film nuJent. from Chicago', film hou,e, to T m"ke it big in.film. But Ion in the T'ljtelling """ the ob.tacle, th"t come It's an all to familiar site around Columbi a 's campus: Film students lugging around clumsy black boxes, li g ht meters strapped around their necks. and shooling their fi lms in Gfa.nt Park. But what is going on inside the minds of these complex artists? Success, one might think, perhaps even . visions of a major Hollywood studio plucking them from their amateur status, making them by tomorrow's hottest director.