The Madhuri Magic
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Sholay, the Making of a Classic #Anupama Chopra
Sholay, the Making of a Classic #Anupama Chopra 2000 #Anupama Chopra #014029970X, 9780140299700 #Sholay, the Making of a Classic #Penguin Books India, 2000 #National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh. file download natuv.pdf UOM:39015042150550 #Dinesh Raheja, Jitendra Kothari #The Hundred Luminaries of Hindi Cinema #Motion picture actors and actresses #143 pages #About the Book : - The Hundred Luminaries of Hindi Cinema is a unique compendium if biographical profiles of the film world's most significant actors, filmmakers, music #1996 the Performing Arts #Jvd Akhtar, Nasreen Munni Kabir #Talking Films #Conversations on Hindi Cinema with Javed Akhtar #This book features the well-known screenplay writer, lyricist and poet Javed Akhtar in conversation with Nasreen Kabir on his work in Hindi cinema, his life and his poetry. -
Kendriya Vidyalaya Narangi Panel for Contractual
KENDRIYA VIDYALAYA NARANGI PANEL FOR CONTRACTUAL TEACHERS FOR THE SESSION 2021-22 Post : PRT Sl No Name 1 Laxmi Pandit 2 Subidya Sarmah 3 Nongmaithem Roshni devi 4 REKHA SINGH KUSHWAHA 5 Rezina Begum 6 Mampi Ball 7 Anjali Kumari Singh 8 Debjanee Zaman 9 Punyawati devi 10 Nisha Kumari Dubey 11 Liyaquat ali 12 Sujata Rai 13 ATMIKA CHAUBEY 14 Rekha rani Mandal 15 Dolima Singha 16 Vivek Bharadwaj 17 Prabhati kalita 18 Manish Tripura 19 Junu Devi 20 Sharmila sinha 21 Sikha gogoi borah 22 LEENA SARANIA 23 ANUPAMA KACHARI 24 JULIET DAS Post : PRT Music Sl No Name 1 Nabanita Hazarika 2 Puja Saha 3 Hiramoni Deka 4 Mriganka Kashyap 5 SHUBHASHISH BHATTACHARJEE Post : PRT Dance Sl No Name 1 Sikharani Kalita Mahanta Post : PRT Art and Craft Sl No Name 1 Bhrigu Kumar Kalita 2 Seema Nath 3 Dhrubajit Sarma 4 Kartik Lahkar Post : Sports Coach (Football) Sl No Name 1 VISHAL MARPHEW 2 Rohit saikia Post : Sports Coack(Taekwondo) Sl No Name 1 Sujay shnakar roy 2 Ajay Basfore Post : Yoga Coach Sl No Name 1 Juri konwar 2 Manashi Kalita 3 Sarita Devi 4 Mritunjay Rajak 5 Prasenjit Dey 6 Kumita Rajbongshi 7 BIJIT CHAKROBORTY Post : Computer Instructor Sl No Name 1 Bhaskar Jyoti Hazarika 2 Chandamita Talukdar 3 Surankana Sharma 4 KANIKA TALUKDAR Post : Counselor Sl No Name 1 Pooja Bhatta 2 CIMCIMA HAZARIKA 3 ANURADHA MAHAPATRA 4 Nabanita Hazarika 5 Sharmilli Saha 6 Mausam Duari 7 Vidyapati Kumari Post : Nurse Sl No Name 1 Jagriti Baruah 2 Minu Malakar Post : TGT Assamese Sl No Name 1 DHIRAJ SARMA 2 Mamu Kataki 3 Nayantara Bhuyan 4 RIJU MANI DEKA 5 Doly Mazumder -
Magazine1-4 Final.Qxd (Page 3)
SUNDAY, JULY 19, 2020 (PAGE 4) What we obtain too cheap, BOLLYWOOD-BUZZ we esteem too lightly Unforgettable Bimal Roy V K Singh Inderjeet S. Bhatia "Prince" Devdass (Dilip Kumar) and Paro's (Suchitra Sen). Child music and song " Yeh mera Diwanapan Hai" by mukesh are hood friendship blossoms into love. But Paro is forced to still popular. 'The harder the conflict, the more glorious The 111th birth anniversary of Bimal Roy, the father fig- marry a rich zamindar because Dev Dass's Father (Murad) "Kabuliwala" produced by Bimal Roy and released on the truimph'. These words of Thomas Paine ure of Indian Cinema was held on 12th was against this relationship. This turned Devdass into a 14th Dec,1961 was not a commercial hit but is still remem- written before the American Revolution July. Bimal Roy, lovingly called as depressed alcoholic. Chandramukhi (Vijayanthimala) too bered for power-packed performace of Balraj Sahni in the Bimal Da 1909 to a Bengali Baidya , sought to inspire Americans in their struggle could not provide solace to his bleeding heart. Released on title role of a Pathan called Rahmat whose wife is no more. Dhaka, which was part of Eastern Jan 1 , 1955 film created box office history by collecting He has a little daughter Ameena (Baby Farida) to whom he for freedom against Great Britain. They have Bengal before partition of 1947 (now more 1 crore in those times. Film bagged best actress in a cares like a mother. He also keep saving her from the wrath an evergreen freshness and resonate with the Dhaka division Bangladesh). -
Govind Nihalani's 'Hazaar Chaurasi Ki
Reclaiming Her /histories), reclaiming Lives: Govind Nihalani’s ‘Hazaar Chaurasi ki Ma’ and Mahashweta Devi’s Mother of 1084. Baruah Baishali Assistant Professor. Dept. of English Satyawati College (D) University of Delhi India Mahashweta Devi’s story is about the reawakening of a mother proselytized by the death of her son against the backdrop of the systematic “annihilation” of the Naxalites in the 1970’s Bengal. The uncanny death forces the apolitical mother to embark on a quest for the discovery of her ‘real’ son which eventually leads to her own self-discovery. The discovery entails the knowledge of certain truths or half truths about the particular socio-political milieu in which the characters are located. Sujata conditioned to play the submissive, unquestioning wife and mother for the major part of her life gains a new consciousness about her own reality (as a woman) and her immediate context (the patriarchal / feudal order). She therefore pledges to refashion herself by assimilating her son’s political beliefs of ushering in a new egalitarian world without centre or margin. In Govind Nihalani’s own words his film is “a tribute to that dream”. The symbiotic relation of the mother and the son which is shown to be more than just blood relation is done full justice by Nihalani. Jaya Bacchan plays to the hilt the traumatized mother (Sujata) who finds herself locked within her “solitary cell” and constantly assailed by the guilt of not knowing her son adequately when alive. The information about her son (Brati) that surfaces by her association with one Somu’s mother (Seema Biswas) and Nandini (played by Nandita Das) help her discover Brati his idealism, and shed her complacency about the arrangements of the hierarchised structure that underline every interpersonal (man- woman) and social (class/caste) relationship. -
2 ITA NO.4838/MUM/2016 (A.Y: 2009-10) Mr
IN THE INCOME TAX APPELLATE TRIBUNAL MUMBAI BENCH “F”, MUMBAI BEFORE SHRI C.N. PRASAD, HON'BLE JUDICIAL MEMBER AND SHRI N.K. PRADHAN, HON'BLE ACCOUNTANT MEMBER ITA NO.4838/MUM/2016 (A.Y: 2009-10) Mr. Jackie Shroff v. A.C.I.T Range – 16(1) 901, 9th Floor, Freeda One Aayakar Bhavan, M.K. Road, Carter Road, Bandra (West) Mumbai-400 020 Mumbai – 400 050 PAN: AAJPS 6596 A (Appellant) (Respondent) Assessee by : Shri Madhur Agarwal & Shri Pankaj Jain Department by : Shri Sushil Kumar Poddar Date of Hearing : 25.10.2018 Date of Pronouncement : 31.12.2018 O R D E R PER C.N. PRASAD (JM) 1. This appeal is filed by the assessee against the order of the Learned Commissioner of Income Tax (Appeals) – 4, Mumbai [hereinafter in short “Ld.CIT(A)”] dated 27.04.2016 for the Assessment Year 2009-10. 2. The first ground in the appeal of the assessee is against confirming the action of the Assessing Officer in bringing to tax the advances received www.taxguru.in 2 ITA NO.4838/MUM/2016 (A.Y: 2009-10) Mr. Jackie Shroff by the assessee as income, as against the income shown by the assessee based on completion and release of movies. 3. Ld. Counsel for the assessee, at the outset submitted that the identical issue in appeal is decided against the assessee for the Assessment Year 2006-07 by the Tribunal in ITA.No. 7843/Mum/2010 dated 21.11.2012. 4. On a perusal of the assessment order and appellate order of the Ld. -
Ajeeb Aadmi—An Introduction Ismat Chughtai, Sa'adat Hasan Manto
Ajeeb Aadmi—An Introduction I , Sa‘adat Hasan Manto, Krishan Chandar, Rajinder Singh Bedi, Kaifi Azmi, Jan Nisar Akhtar, Majrooh Sultanpuri, Ali Sardar Jafri, Majaz, Meeraji, and Khawaja Ahmed Abbas. These are some of the names that come to mind when we think of the Progressive Writers’ Movement and modern Urdu literature. But how many people know that every one of these writers was also involved with the Bombay film indus- try and was closely associated with film directors, actors, singers and pro- ducers? Ismat Chughtai’s husband Shahid Latif was a director and he and Ismat Chughtai worked together in his lifetime. After Shahid’s death Ismat Chughtai continued the work alone. In all, she wrote scripts for twelve films, the most notable among them ◊iddµ, Buzdil, Sån® kµ ≤µ∞y≥, and Garm Hav≥. She also acted in Shyam Benegal’s Jun∑n. Khawaja Ahmed Abbas made a name for himself as director and producer for his own films and also by writing scripts for some of Raj Kapoor’s best- known films. Manto, Krishan Chandar and Bedi also wrote scripts for the Bombay films, while all of the above-mentioned poets provided lyrics for some of the most alluring and enduring film songs ever to come out of India. In remembering Kaifi Azmi, Ranjit Hoskote says that the felicities of Urdu poetry and prose entered the consciousness of a vast, national audience through the medium of the popular Hindi cinema; for which masters of Urdu prose, such as Sadat [sic] Hasan Manto, wrote scripts, while many of the Progressives, Azmi included, provided lyrics. -
Maheka Mirpuri
Maheka Mirpuri https://www.indiamart.com/maheka-mirpuri/ Designing for the women of style, Maheka manages to combine elegance and creativity with effortless ease. Her immaculate designs and her effervescent creations have made her a name to reckon with. About Us For designer Maheka Mirpuri what started as a passion soon grew to become her profession with the launch of her couture-de-salon, Mumbai’s only “By Appointment” fashion atelier. Maheka Mirpuri fashioned her alcove in the scintillating world of haute couture by creating spectacular, classy and chic women's wear ensembles. Fashion is something Maheka is passionate about - the most exhilarating way of propagating her experiences, enthusiasm and reverie with others. A designer of repute, Maheka Mirpuri excels in beautifying a woman naturally, highlighting her personality on an individual level. Catering to the astute fashion enthusiasts including Corporates, socialites and celebrities, Maheka Mirpuri’s ensembles are donned by the crème-de-la-crème of the world. Leading names from Bollywood including Sonakshi Sinha, Parineeti Chopra, Deepika Padukone, Sridevi, Manisha Koirala, Bipasha Basu, Prachi Desai, Lara Dutta, Sushmita Sen, Neha Dhupia, Koena Mitra and others have donned Maheka’s sensuous and chic designs both on and off the ramp. Designing for the women of style, Maheka manages to combine elegance and creativity with effortless ease. Her immaculate designs and her effervescent creations have made her a name to reckon with. The designer's signature is prominent in the silhouettes that are at par with international fashion trends. Maheka defines her lines as being characterized by an attention to detail and to.. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR TH TUESDAY,THE 29 OCTOBER,2013 INDEX PAGES 1. APPELLATE JURISDICTION 1 TO 43 2. COMPANY JURISDICTION 44 TO 45 3. ORIGINAL JURISDICTION 46 TO 59 4. REGISTRAR GENERAL/ 60 TO 78 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 29.10.2013 1 (APPELLATE JURISDICTION) 29.10.2013 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 (DIVISION BENCH-1) HON'BLE THE CHIEF JUSTICE HON'BLE MR. JUSTICE MANMOHAN [NOTE-I: COUNSELS ARE REQUESTED TO PAGINATE THEIR FILES IN CONFORMITY WITH THE COURT FILE IN ADVANCE.] [NOTE-II: COUNSELS ARE REQUESTED TO PROVIDE LIST OF BOOKS/ACTS ON WHICH THEY ARE RELYING IN ADVANCE.] FRESH MATTERS & APPLICATIONS ______________________________ 1. CM APPL. 6715/2013 NIPPON STEEL CORPORATION TUSHA MALHOTRA,PRATHIBA M CM APPL. 12791/2013 Vs. UNION OF INDIA SINGH,ANAND AND ANAND,SUNIL In LPA 379/2011 KUMAR AFTER NOTICE MISC. MATTERS ____________________________ 2. LPA 180/2013 SHARAT CHAND GUPTA FOUNDATION DINESH MOHAN SINHA CM APPL. 4968/2013 Vs. FATEH SINGH 3. W.P.(C) 13415/2009 MANOJ KUMAR GUPTA AND ORS ANIL K AGGARWAL AND CM APPL. 2959/2012 Vs. UOI AND ANR ANSHUMALEE SOOD FOR DIRECTIONS ________________ 4. LPA 565/2011 KHAN MARKET TRADERS VIDHI GUPTA,SHALLY BHASIN CM APPL. 12411/2013 ASSOCIATION AND ANR MAHESHWARI,PARUL,PREET PAL CM APPL. 14205/2013 Vs. UNION OF INDIA AND ORS SINGH CM APPL. 14206/2013 (Disposed-off Case) 5. LPA 256/2013 UNION OF INDIA MANEESHA DHIR CM APPL. -
8 19 MARCH 2019 Newstodaynet.Com Newstodaydaily Ntchennai CHENNAI ‘QUALITY MATTERS
TUESDAY 8 19 MARCH 2019 newstodaynet.com newstodaydaily ntchennai CHENNAI ‘QUALITY MATTERS Arun Vijay completes shooting for Saaho Actor Arun Vijay has completed the shooting for the mega venture Saaho starring Prabhas in the lead. He tweeted, Its a wrap for me!! THE MOST’ #Saaho. Happy to have been a part of this incredibly hard work- ing team. Thanks to #Prabhas @ u sujeethsign @UV_Creations & the Rai Laxmi speaks rest of da cast n crew for makin this about Neeya 2 & more journey a memorable one! Wait for an exhilarating experience in thea- tres from Aug 15! C u all..’ | M BHARAT KUMAR | Saaho, directed by Sujeeth stars GOLLAPUDI AWARD Prabhas and Shraddha Kapoor in ‘I want to be part of good stories. I don’t mind waiting till I get lead roles. It also has Arun Vijay, the right project’, says actress Rai Laxmi. Jackie Shroff, Neil Nitin Mukesh, She awaits the release of her next Neeya 2 in which she is “ paired opposite Jai. Directed by Suresh, the movie also features Evelyn Sharma and others play- FOR 96 FILMMAKER Varalaxmi Sarathkumar and Catherine Tresa in key roles. A ing pivotal roles. The movie is I aappearppear iinn sequel to yesteryear hit Neeya, it is about a snake that wants | NT Bureau | simultaneously made in four lan- guages - Tamil, Telugu, Hindi and to take revenge. he Gollapudi Srinivas national Malayalam.ttwowo ddifferentifferent Speaking to News Today, she says, ‘I appear in two different Taward for the best debut fi lm Saaho has music by Shankar- get-ups in the movie. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Oberoi (Middle East) Events
OBEROI (MIDDLE EAST) EVENTS AN INSIGHT INTO THE EVENTS THAT MADE HISTORY P.O.Box 21187, Sharjah, United Arab Emirates Tel: + 971 6 5245292 Fax: + 971 6 5688301 E-mail: [email protected] / [email protected] INTRODUCTION OME – Oberoi (ME) Events , rated one of the leading and most reputed Event Management firms in the region – having presented over 52 professionally conceptualized Musical concerts, Theatre events, International Music Awards, Corporate Gala events etc., since 2 decades. We are proud to say that OME has been the pioneer in the UAE/ Gulf in the staging of their event brand “ONE WORLD ONE MUSIC” ( 1W1M ) series musical concerts – presenting the leading and elite singers and musicians from the sub-continent, together on one platform – with a humble and noble mission to spread the message of peace, brotherhood and friendship in the region. The trail blazer of the 1W1M series concerts, featuring the most popular artistes from India & Pakistan, SONU NIGAM AND JUNOON , at the prestigious Nad Al Sheba grounds in October 2000, broke many-a- records: • THE FIRST INDO-PAK CONCERT IN THE UAE/ GULF • THE 2 ND HIGHEST ATTENDANCE IN ANY ASIAN MUSICAL CONCERT IN THE UAE/ GULF (+ 15,000) • THE LONGEST DURATION MUSICAL EVENT IN THE UAE/ GULF (+ 5-1/2 HOURS) • THE 1 ST ASIAN EVENT TO BE ANNOUNCED IN THE BBC MIDDLE EAST WORLD NEWS With the immense success and fan following for the “ONE WORLD ONE MUSIC” concept concerts, witnessed by over 60,000 music lovers of S. Asia in the UAE, we were invited by DSF authorities to present three of the most prestigious 1W1M musical events for the prestigious “Dubai Shopping Festival 2003 and 2004” calendar of events – the same which were acclaimed as one of the most entertaining and successful events in the UAE.