Auction Week October 2017 1 2

Total Page:16

File Type:pdf, Size:1020Kb

Auction Week October 2017 1 2 SINCE 1707 Auction Week October 2017 1 2 7 3 – 6 8 Auction Week October 2017 OLD MASTER PAINTINGS Tuesday 17th October, 5 p.m. Palais Dorotheum Vienna, Viewing from Saturday 7th October www.dorotheum.com Preview of selected works: Online catalogues, object search, auction reminder, auction results: Munich 12th – 13th September, Brussels 18th – 19th September, London 25th – 26th September myDOROTHEUM – benefit from our online service 9 12 10 11 1 Giuseppe Bernardino Bison (1762–1844), The Palazzo Ducale and the Riva degli Schiavoni, Venice, oil on canvas, 57.5 x 79.5 cm, € 100,000 – 150.000 2 Giuseppe Bernardino Bison (1762–1844), The Molo by the Biblioteca Marciana facing the entrance of the Canal Grande, Venice, oil on canvas, 57.5 x 79.5 cm, € 100,000 – 150,000 3 – 6 Giovanni Paolo Castelli, Lo Spadino (1659 – c. 1730), Allegory of Spring, Summer, Autumn, Winter, oil on canvas, each 131 x 94 cm, € 80,000 – 120,000 each 7 Antonio Badile (1518–1560), Portrait of an artist, possibly a self-portrait, oil on canvas, 113 x 97 cm, € 80,000 – 120,000 8 Giuseppe Nuvolone (1619–1703), Tarquin and Lucretia, oil on canvas, 150 x 182 cm, € 60,000 – 80,000 9 Joseph Vernet (1714–1789), Villa Ludovisi, oil on canvas, 75 x 104 cm, € 150,000 – 200,000 10 Circle of Fra Filippo Lippi (c. 1406–1469), The Angel of the Annunciation and The Blessed Virgin, tempera on goldground panel, each 17 x 13 cm, a pair, € 60,000 – 80,000 11 Guido Cagnacci (1601–1663), The Penitent Magdalene, oil on canvas, 54.5 x 65 cm, € 80,000 – 120,000 12 Felice Ficherelli (1603–1660), Saint Praxedis, oil on canvas, 115 x 90 cm, € 150,000 – 200,000 13 Simon Vouet (1590–1649), Portrait of a Gentleman with his dog, oil on canvas, 199.2 x 114.5 cm, € 200,000 – 300,000 13 1 3 2 Enquiries Old Master Paintings: Vienna, Mark MacDonnell, Alexander Strasoldo, Damian Brenninkmeyer, Tel. +43-1-515 60-353, -556, -462, [email protected] Milan, Paola Eula, Tel. +39-02-303 52 41, [email protected] Rome, Maria Cristina Paoluzzi, Tel. +39-06-699 23 671, [email protected] Munich, Michael Hatzl, Tel. +49-89-271 21 41, [email protected] 4 5 6 7 1 Sebastian Vrancx (1573–1647) attributed to, A Carnival near the “Kipdorppoort Bastion” in Antwerp, oil on canvas, 60 x 88 cm, € 100,000 – 150,000 2 Peter Paul Rubens (1577–1640) workshop of, Portraits of the Archdukes Albrecht and Isabella Clara Eugenia of Austria, oil on canvas, a pair, each 123 x 91 cm, € 80,000 – 120,000 3 Laurens Craen (1620–1663/70), A Still Life with fruit, oil on canvas, 67 x 78 cm, € 80,000 – 120,000 4 Jan Philips van Thielen (1618–1667), A still life with flowers, oil on panel, 49 x 35.8 cm, € 60,000 – 80,000 5 Salomon van Ruysdael (1600/03–1670), A river estuary by a fort, oil on canvas, 67.3 x 88.8 cm, € 200,000 – 300,000 6 Cornelis van Cleve (1520–1570), The Madonna and Child with the Infant Saint John the Baptist, oil on panel, 117 x 84 cm, € 150,000 – 250,000 7 Frans Francken II (1581–1642), Diana and her nymphs, oil on copper, 50 x 66.5 cm, € 80,000 – 120,000 1 2 3 5 4 6 Auction Week October 2017 1 Ivan Constantinowich Aivazovsky (1817–1900), Rough sea off a rocky shore, 1899, oil on panel, 27 x 20 cm, € 50,000 – 60,000 2 Nicolae Jon Grigorescu (1838–1907), The spinner woman, oil on canvas, 51 x 42 cm, € 90,000 – 110,000 19TH CENTURY PAINTINGS 3 Antonio Mancini (1852–1930), Portrait of Don Paolo, the artist‘s father, oil on canvas, 100 x 60 cm, € 30,000 – 40,000 4 Vittorio Matteo Corcos (1859–1933), Portrait of Diane de la Bouchère, 1903, Thursday 19th October, 5 p.m. oil on canvas, 225 x 148 cm, € 120,000 – 160,000 5 Pierre Francois Eugene Giraud (1806–1881), Italian customs facilities at Simplon Pass, 1880, oil on canvas, 140 x 197 cm, € 60,000 – 80,000 Enquiries 19th Century Paintings: Vienna, Dimitra Reimüller, Christl Wolf, Tel. +43-1-515 60-355, -377, [email protected] 6 Edoardo Eugenio Zampighi (1859–1944), A happy family, Italy, Gautier Gendebien, Tel. +39-06-699 23 671, [email protected] oil on canvas, 72 x 105 cm, € 25,000 – 35,000 7 8 10 9 12 11 7 Franz Xaver Kosler (1864–1905), A Bedouin, oil on panel, 36 x 20.5 cm, € 10,000 – 15,000 8 Rinaldo Giudici (Venice late 19th century), The visit, oil on canvas, 95 x 140 cm, € 80,000 – 120,000 WORKS OF ART 9 Jerome Duquesnoy the Younger (1602–1654), attributed to, Maria Immaculata, c. 1650, marble, overall height 75.5 cm, € 40,000 – 50,000 10 A pair of palace vases, height 90 cm incl. plinth, Meißen, Wednesday 18th October, 2 p.m. 2nd half 19th century, € 90,000 – 120,000 11 Empire writing desk, Vienna c. 1810/15, 121 x 131 x 58 cm, € 30,000 – 40,000 12 An Empire combination table from Vienna, so-called “bonheure-du-jour” Enquiries: Furniture, Ulrich Prinz, Alexander Doczy, Günther Minichreiter, Tel. +43-1-515 60-291, [email protected] with a depiction of the Imperial family around Emperor Franz I Glass and Porcelain, Ursula Rohringer, Tel. +43-1-515 60-382, [email protected] (1768–1835), signed and dated “Bernhard Guerhard 1808”, Sculpture, Christine Masser, Tel. +43-1-515 60-331, [email protected] oil on canvas, 55 x 72 cm, mahogany, € 50,000 – 70,000 3 8 Auction 21st October, 4 p.m., Classic Expo CLASSIC MOTOR VEHICLES Enquiries Classic Motor Vehicles: Wolfgang Humer, Tel. +43-1-515 60-428, [email protected] 4 1 Selected Auctions Auction date Auction 09/19, Tue Antique Arms, Uniforms and Militaria 09/21, Thu Books and Decorative Prints 09/26, Tue Hofstätter II – Collection Reinhold Hofstätter 09/27, Wen Master Drawings, Prints before 1900, Watercolours, Miniatures 09/28, Thu Antiques – Clocks, Asian Art, Metalwork, Faience, Folk Art, Sculpture 09/28, Thu Antique Scientific Instruments and Globes, Classic Cameras and Accesorie 09/30, Sat Hunting, Sporting and Collectors Weapons 10/10 - 11, Tue - Wen Stamps 5 10/12 - 13, Thu - Fri Art and Antiques, Jewellery, Watches (Salzburg) 10/17, Tue Old Master Paintings 10/18, Wen Furniture, Sculptures and Works of Art, Glass and Porcelain 10/19, Thu Jewellery 10/19, Thu 19th Century Paintings 10/21, Sat Vintage Motor Vehicles 2 (Salzburg Fair, Classic Expo) 10/22, Sun Pinzgauer (Salzburg Fair, Classic Expo) 10/30, Mon Imperial Court Memorabilia and Historical Objects 10/31, Tue Source Tribal and Curiosity Sale 6 Palais Dorotheum Dorotheergasse 17, 1010 Vienna, Austria Auction Week October 2017 Viewing circa one week before the auction Mon – Fri, 10 a.m. – 6 p.m., Sat, 9 a.m. – 5 p.m. Sun, 8th and 15th October, 2 p.m. – 5 p.m. Information Tel. +43-1-515 60-570, [email protected] JEWELLERY Catalogues Tel. +43-1-515 60-200, [email protected] Thursday 19th October, 2 p.m. Dorotheum International London, Martina Batovic Enquiries Jewellery: Astrid Fialka-Herics, Alessandra Thornton, 11 St James’s Place, London SW1A 1NP, United Kingdom Beate Schlöglhofer, Günther Fröhlich, Günter Eichberger Tel. +44 (0)207 009 1049, [email protected] Tel. +43-1-515 60-567, -204, -336, -205, -368 Düsseldorf, Petra Schäpers, Südstraße 5, 40213 Düsseldorf, Germany [email protected] Tel. +49-211-210 77-47, [email protected] Italy: Cecilia Grilli, Mobile +39-366-734 32 06 [email protected] Munich, Franz von Rassler, Galeriestraße 2, 80539 Munich, Germany Tel. +49-89-244 434 73-0, [email protected] Valuation day 21st September Milan, Angelica Cicogna Mozzoni Auction Week Palazzo Amman, via Boito, 8, 20121 Milan, Italy Tel. +39-02-303 52 41, [email protected] 21st – 24th November 2017 Rome, Maria Cristina Paoluzzi Palazzo Colonna, Piazza SS. Apostoli, 66, 00187 Rome, Italy Tel. +39-06-699 23 671, [email protected] CONTEMPORARY Naples, Giuseppe Imparato Mobile +39-335 592 52 33, [email protected] Urbino, Maria Guidarelli ART, MODERN ART Mobile +39-329 167 52 73, [email protected] Brussels, Honorine d’Ursel 13, rue aux Laines, 1000 Brussels, Belgium JEWELLERY Tel. +32-2-514 00 34, [email protected] Valuation days 11th and 19th September WATCHES Paris, Joëlle Thomas, Mobile France +33-665-17 69 37 Austria +43-699-10 38 86 40, [email protected] Prague, Maria Galova Information: Tel. +43-1-515 60-570, [email protected] Ovocny´ trh 2, 11000 Prague 1, Czech Republic 7 Tel. +420-2-24 22 20-01, [email protected] Tel Aviv, Rafael Schwarz 1 Buccellati diamond bracelet, total weight c. 17 ct, from a European aristocratic collection, workmanship c. 1920/30, € 14,000 – 20,000 Tel. +972-3-374 13 90, [email protected] 2 Diamond pendant ear-clips, total weight c. 16 ct, GIA expert’s report von 2017 enclosed, € 130,000 – 200,000 3 Buccellati variable diamond jewellery set, total weight c. 14.70 ct, from a European aristocratic collection, workmanship c. 1920/30, € 90,000 – 150,000 Zürich, Valuation day 26th September 4 Fancy Intense Yellow Natural Even 4.66 ct, GIA expert’s report 2017 enclosed, diamond clip, brilliants total weight c. 4 ct, € 50,000 – 80,000 Tel.
Recommended publications
  • Shakespeare First Folio Sells for $8.4M – the Oldest Undergraduate by Alex Capon College for Women in the Western US, Founded in 1852
    To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp ISSUE 2464 | antiquestradegazette.com | 24 October 2020 | UK £4.99 | USA $7.95 | Europe €5.50 koopman rare art antiques trade KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Shakespeare first folio sells for $8.4m – the oldest undergraduate by Alex Capon college for women in the western US, founded in 1852. The First An ‘original and complete’ Folio had come to the US in 1961 copy of William Shakespeare’s when it was sold by London First Folio of plays set an dealership Bernard Quaritch to auction record in the the real estate investor Allan Exceptional sale at Christie’s Bluestein. New York. Estimated at $4m-6m, the Fifth copy for US dealer copy drew competition on Loewentheil, whose 19th October 14 from three phone Century Rare Book and bidders. After six minutes it was Photograph Shop in Brooklyn, knocked down to US book New York, bid £1.5m for another dealer Stephan Loewentheil at First Folio at Sotheby’s in 2010, $8.4m (£6.46m), a sum that surpassed the previous auction Continued on page 4 high of $6.16m/£3.73m (including premium) for a First Right: the copy of Folio sold in the same saleroom Shakespeare’s First Folio in October 2001. that sold for a record $8.4m It was consigned by Mills (£6.46m) at Christie’s New College in Oakland, California York on October 14.
    [Show full text]
  • Download 2014 Exhibition Catalog
    201BIENNIAL4 department of art faculty exhibition martin museum of art • baylor university January 21–March 7, 2014 Reception for the Faculty thursday, january 23 5:30-7:00 pm Forward & Acknowledgements The 2014 Baylor Art Faculty Exhibition begins a new tradition in the Department of Art. It is the first biennial exhibition and is accompanied by this beautiful, inaugural catalog. The Baylor art faculty are practicing professionals active in their respective fields of specialization. The research activity of the art historians involves worldwide travel and results in published scholarly articles and books. They will be participating in this display of talents by presenting twenty-minute lectures on topics of their choosing on Tuesday, February 25, beginning at 2:00 pm in lecture hall 149. The studio faculty exhibit internationally, nationally, regionally, and locally. They belong to professional societies and organizations. Their works regularly appear in peer-reviewed juried exhibitions, solo exhibitions at museums, galleries, and art centers, as well as in national and international publications. Collectively, this active professional activity adds vitality to the educational mission of the Department and the University. Known for their excellence in the undergraduate classroom and studio, their individual creative and scholarly pursuits are evoked and recorded in this exhibition, catalog, and lecture series. I wish to extend thanks to Virginia Green, Associate Professor of Art, for the design of this catalog, Dr. Karen Pope, Senior Lecturer in Art History, for the editing, Karin Gilliam, Director, Martin Museum of Art and her staff, Adair McGregor, Jennifer Spry, Margaret Hallinan, and Daniel Kleypas. Thanks also for the support from the Virginia Webb Estate Endowment, the Ted and Sue Getterman Endowed Fund, and to the Martin Museum Art Angels.
    [Show full text]
  • THE BERNARD and MARY BERENSON COLLECTION of EUROPEAN PAINTINGS at I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls
    THE BERNARD AND MARY BERENSON COLLECTION OF EUROPEAN PAINTINGS AT I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls GENERAL INDEX by Bonnie J. Blackburn Page numbers in italics indicate Albrighi, Luigi, 14, 34, 79, 143–44 Altichiero, 588 Amsterdam, Rijksmuseum catalogue entries. (Fig. 12.1) Alunno, Niccolò, 34, 59, 87–92, 618 Angelico (Fra), Virgin of Humility Alcanyiç, Miquel, and Starnina altarpiece for San Francesco, Cagli (no. SK-A-3011), 100 A Ascension (New York, (Milan, Brera, no. 504), 87, 91 Bellini, Giovanni, Virgin and Child Abbocatelli, Pentesilea di Guglielmo Metropolitan Museum altarpiece for San Nicolò, Foligno (nos. 3379 and A3287), 118 n. 4 degli, 574 of Art, no. 1876.10; New (Paris, Louvre, no. 53), 87 Bulgarini, Bartolomeo, Virgin of Abbott, Senda, 14, 43 nn. 17 and 41, 44 York, Hispanic Society of Annunciation for Confraternità Humility (no. A 4002), 193, 194 n. 60, 427, 674 n. 6 America, no. A2031), 527 dell’Annunziata, Perugia (Figs. 22.1, 22.2), 195–96 Abercorn, Duke of, 525 n. 3 Alessandro da Caravaggio, 203 (Perugia, Galleria Nazionale Cima da Conegliano (?), Virgin Aberdeen, Art Gallery Alesso di Benozzo and Gherardo dell’Umbria, no. 169), 92 and Child (no. SK–A 1219), Vecchietta, portable triptych del Fora Crucifixion (Claremont, Pomona 208 n. 14 (no. 4571), 607 Annunciation (App. 1), 536, 539 College Museum of Art, Giovanni di Paolo, Crucifixion Abraham, Bishop of Suzdal, 419 n. 2, 735 no. P 61.1.9), 92 n. 11 (no. SK-C-1596), 331 Accarigi family, 244 Alexander VI Borgia, Pope, 509, 576 Crucifixion (Foligno, Palazzo Gossaert, Jan, drawing of Hercules Acciaioli, Lorenzo, Bishop of Arezzo, Alexeivich, Alexei, Grand Duke of Arcivescovile), 90 Kills Eurythion (no.
    [Show full text]
  • OLD MASTER PAINTINGS Wednesday 4 July 2018
    OLD MASTER PAINTINGS Wednesday 4 July 2018 BONHAMS OLD MASTERS DEPARTMENT Andrew McKenzie Caroline Oliphant Lisa Greaves Director, Head of Department, Group Head of Pictures Department Director London London and Head of Sale London – – – Poppy Harvey-Jones Brian Koetser Bun Boisseau Junior Specialist Consultant Junior Cataloguer, London London London – – – Mark Fisher Madalina Lazen Director, European Paintings, Senior Specialist, European Paintings Los Angeles New York Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors – – Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Jean Ghika, Charles Graham-Campbell, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Matthew Haley, Richard Harvey, Robin Hereford, Ralph Taylor, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, David Johnson, Charles Lanning, Grant MacDougall Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Edward Wilkinson, Leslie Wright. OLD MASTER
    [Show full text]
  • Dorotheum Saw Many Great Private Collections Passing Through Decade
    art from circulating through the marketplace, I hope that we rooms, Emperor Franz Joseph commissioned the rebuilding of a might be able to build on the very real foundations of the last Palais on the grounds of an old monastery, which was inaugurat- decade of experience under the Washington Principles, and set ed in 1901. Already in the first thirty years of the 20 th century, the new benchmarks in diligence and claims processing for the next Dorotheum saw many great private collections passing through decade. Christie’s looks forward to working with you over the its premises and held numerous specialist sales of books, man- coming years on developing workable auction house guidelines uscripts, medals, coins and other art objects. During the Nazi and on addressing such other suggestions that would facilitate era, important posts within the Dorotheum hierarchy were as- the just and fair resolution of claims as may be made during the signed to supporters of the regime. The institution’s infrastruc- course of this Conference. ture was used to auction off aryanised property, and although the Dorotheum itself was not actively involved in aryanisations, it benefited extensively as a trading agent from consignments by administrative bodies such as the Gestapo, customs and finan- ▶ Felicitas Thurn cial authorities, or the City of Vienna. DOROTHEUM, AUSTRIA When the Dorotheum was privatized in 2001, the management DOROTHEUM: PROVENANCE RESEARCH AND DUE made coming to terms with the Dorotheum’s history during the DILIGENCE IN THE ART TRADE IN CENTRAL EUROPE Nazi era one of its prime concerns. Upon the sale of the Dor- otheum, the ÖIAG — the Austrian Republic’s investment and History privatization agency — as former owner of the auction house, paid USD 32 million into the General Settlement Fund as a com- More than 300 years aMer its foundation by Emperor Jo- pensation payment for their Austrian holdings that cooperated seph I, the Dorotheum is one of the most important auction with the Nazi Regime.
    [Show full text]
  • Division, Records of the Cultural Affairs Branch, 1946–1949 108 10.1.5.7
    RECONSTRUCTING THE RECORD OF NAZI CULTURAL PLUNDER A GUIDE TO THE DISPERSED ARCHIVES OF THE EINSATZSTAB REICHSLEITER ROSENBERG (ERR) AND THE POSTWARD RETRIEVAL OF ERR LOOT Patricia Kennedy Grimsted Revised and Updated Edition Chapter 10: United States of America (March 2015) Published on-line with generous support of the Conference on Jewish Material Claims Against Germany (Claims Conference), in association with the International Institute of Social History (IISH/IISG), Amsterdam, and the NIOD Institute for War, Holocaust, and Genocide Studies, Amsterdam, at http://www.errproject.org © Copyright 2015, Patricia Kennedy Grimsted The original volume was initially published as: Reconstructing the Record of Nazi Cultural Plunder: A Survey of the Dispersed Archives of the Einsatzstab Reichsleiter Rosenberg (ERR), IISH Research Paper 47, by the International Institute of Social History (IISH), in association with the NIOD Institute for War, Holocaust and Genocide Studies, Amsterdam, and with generous support of the Conference on Jewish Material Claims Against Germany (Claims Conference), Amsterdam, March 2011 © Patricia Kennedy Grimsted The entire original volume and individual sections are available in a PDF file for free download at: http://socialhistory.org/en/publications/reconstructing-record-nazi-cultural- plunder. Also now available is the updated Introduction: “Alfred Rosenberg and the ERR: The Records of Plunder and the Fate of Its Loot” (last revsied May 2015). Other updated country chapters and a new Israeli chapter will be posted as completed at: http://www.errproject.org. The Einsatzstab Reichsleiter Rosenberg (ERR), the special operational task force headed by Adolf Hitler’s leading ideologue Alfred Rosenberg, was the major NSDAP agency engaged in looting cultural valuables in Nazi-occupied countries during the Second World War.
    [Show full text]
  • Gabriele Anderl, Anneliese Schallmeiner, Sequestered/Confiscated Assets in Trieste
    STUDI DI MEMOFONTE Rivista on-line semestrale Numero 22/2019 FONDAZIONE MEMOFONTE Studio per l’elaborazione informatica delle fonti storico-artistiche www.memofonte.it COMITATO REDAZIONALE Proprietario Fondazione Memofonte onlus Fondatrice Paola Barocchi Direzione scientifica Donata Levi Comitato scientifico Francesco Caglioti, Barbara Cinelli, Flavio Fergonzi, Margaret Haines, Donata Levi, Nicoletta Maraschio, Carmelo Occhipinti Cura scientifica Daria Brasca, Christian Fuhrmeister, Emanuele Pellegrini Cura redazionale Martina Nastasi, Laurence Connell Segreteria di redazione Fondazione Memofonte onlus, via de’ Coverelli 2/4, 50125 Firenze [email protected] ISSN 2038-0488 INDICE The Transfer of Jewish-owned Cultural Objects in the Alpe Adria Region DARIA BRASCA, CHRISTIAN FUHRMEISTER, EMANUELE PELLEGRINI Introduction p. 1 VICTORIA REED Museum Acquisitions in the Era of the Washington Principles: Porcelain from the Emma Budge Estate p. 9 GISÈLE LÉVY Looting Jewish Heritage in the Alpe Adria Region. Findings from the Union of the Italian Jewish Communities (UCEI) Historical Archives p. 28 IVA PASINI TRŽEC Contentious Musealisation Process(es) of Jewish Art Collections in Croatia p. 41 DARIJA ALUJEVIĆ Jewish-owned Art Collections in Zagreb: The Destiny of the Robert Deutsch Maceljski Collection p. 50 ANTONIJA MLIKOTA The Destiny of the Tilla Durieux Collection after its Transfer from Berlin to Zagreb p. 64 DARIA BRASCA The Dispossession of Italian Jews: the Fate of Cultural Property in the Alpe Adria Region during Second World War p. 79 CAMILLA DA DALT The Case of Morpurgo De Nilma’s Art Collection in Trieste: from a Jewish Legacy to a ‘German Donation’ p. 107 CRISTINA CUDICIO The Dissolution of a Jewish Collection: the Pincherle Family in Trieste p.
    [Show full text]
  • Handbook on Judaica Provenance Research: Ceremonial Objects
    Looted Art and Jewish Cultural Property Initiative Salo Baron and members of the Synagogue Council of America depositing Torah scrolls in a grave at Beth El Cemetery, Paramus, New Jersey, 13 January 1952. Photograph by Fred Stein, collection of the American Jewish Historical Society, New York, USA. HANDBOOK ON JUDAICA PROVENANCE RESEARCH: CEREMONIAL OBJECTS By Julie-Marthe Cohen, Felicitas Heimann-Jelinek, and Ruth Jolanda Weinberger ©Conference on Jewish Material Claims Against Germany, 2018 Table of Contents Foreword, Wesley A. Fisher page 4 Disclaimer page 7 Preface page 8 PART 1 – Historical Overview 1.1 Pre-War Judaica and Jewish Museum Collections: An Overview page 12 1.2 Nazi Agencies Engaged in the Looting of Material Culture page 16 1.3 The Looting of Judaica: Museum Collections, Community Collections, page 28 and Private Collections - An Overview 1.4 The Dispersion of Jewish Ceremonial Objects in the West: Jewish Cultural Reconstruction page 43 1.5 The Dispersion of Jewish Ceremonial Objects in the East: The Soviet Trophy Brigades and Nationalizations in the East after World War II page 61 PART 2 – Judaica Objects 2.1 On the Definition of Judaica Objects page 77 2.2 Identification of Judaica Objects page 78 2.2.1 Inscriptions page 78 2.2.1.1 Names of Individuals page 78 2.2.1.2 Names of Communities and Towns page 79 2.2.1.3 Dates page 80 2.2.1.4 Crests page 80 2.2.2 Sizes page 81 2.2.3 Materials page 81 2.2.3.1 Textiles page 81 2.2.3.2 Metal page 82 2.2.3.3 Wood page 83 2.2.3.4 Paper page 83 2.2.3.5 Other page 83 2.2.4 Styles
    [Show full text]
  • Fighting Corruption of the Historical Record: Nazi-Looted Art Litigation
    Fighting Corruption of the Historical Record: Nazi-Looted Art Litigation Jennifer Anglim Kreder* For the first time in history, restitution may be expected to continuefor as long as works of art known to have been plundered during a war continue to be rediscovered. -Ardelia R. Hall' I. INTRODUCTION Over the years, with a few praiseworthy exceptions, U.S. courts have dismissed many claims to recover Nazi-looted art on technical grounds, causing distortion of the historical record.2 This trend seems to reflect bias against these historical claims arising from a lack of historical knowledge. Tales of venerated institutions, such as the Museum of Modem Art (MoMA), acquiring what they knew or should have known was trafficked and laundered art may seem outrageous to those unaware of the infection of the market with art that had been stolen or extorted from Jews between 1933 and 1945. Even when judges recognize the plausibility of such claims,s attending to them requires judicial fortitude and dedication to sorting . Associate Dean for Faculty Development and Professor of Law, Salmon P. Chase College of Law, Northern Kentucky University; J.D., Georgetown University Law Center. The views expressed in this Article are those of the author only and are not necessarily those of the Kansas Law Review, Inc., its editors, or staff. 1. Ardelia R. Hall, The Recovery of Cultural Objects Dispersed During World War [1, 25 DEP'T ST. BULL. 337, 339 (1951). 2. See infra Appendix A, Federal Holocaust-Era Art Claims Since 2004 (Oct. 26, 2012) [hereinafter App. A]. 3. See infra Part II (detailing how judicial decision-making is prone to bias against Holocaust- era claims).
    [Show full text]
  • Working for the IAEA
    Working for the IAEA A Guide for US Citizens 2018 Edition Working for the IAEA A Guide for US Citizens 2018 Edition From the Editors This Guidebook is intended to provide practical information for United States citizens embarking on or considering an assignment at the International Atomic Energy Agency (IAEA) in Vienna, Austria. Since its first appearance in 1989, the Guidebook has been revised frequently to reflect changes occurring at the IAEA, within the United States Support Program to IAEA Safeguards (USSP), and in Vienna. The 2018 Edition reflects these changes at the time of publication. Nevertheless, IAEA salaries, allowances, and other benefits change, as do telephone numbers, addresses, and websites. Currency exchange rates, prices, and store hours in Vienna inevitably fluctuate. We regret any inconvenience this may cause our readers. The 2018 Edition of the Guidebook was prepared by the International Safeguards Project Office (ISPO) under the auspices of the USSP and was published by Brookhaven National Laboratory (BNL). Jeanne Anderer, Ben Dabbs Editors November 2018 Working for the IAEA: A Guide for US Citizens 2018 Edition Prepared by the International Safeguards Project Office (ISPO) under the auspices of the United States Support Program to IAEA Safeguards (USSP) International Safeguards Project Office (ISPO) Brookhaven National Laboratory 30 Bell Avenue, Building 490C Upton, New York 11973‑5000, USA Telephone: (631) 344‑5902 Fax: (631) 344‑5266 Web: bnl.gov/ispo facebook.com/ISPObnl youtube.com/IAEAvideo Printed by Brookhaven
    [Show full text]
  • Auction Week April 2017 1
    SINCE 1707 Auction Week April 2017 1 2 3 Auction Week April 2017 OLD MASTER PAINTINGS Tuesday 25th April, 5 p.m. Palais Dorotheum Vienna Viewing from Saturday 15th April 5 Preview of selected works: Düsseldorf 13th – 17th March Brussels 23rd – 28th March www.dorotheum.com London 23rd – 24th and 27th March Online catalogues, object search, auction reminder, auction results: 4 Munich 3rd – 5th April myDOROTHEUM – benefit from our online service 6 7 8 9 10 1 Michele Marieschi (1710–1743), Campo di San Giovanni e Paolo, Venice, oil on canvas, 80 x 111 cm, € 300,000 – 400,000 2 Carlo Canella (1800–1879), Piazza San Marco and the Campanile, Venice, oil on canvas, 81 x 131 cm, € 150,000 – 200,000 3 Francesco Guardi (1712–1793), Piazza San Marco, Venice, oil on canvas, 26 x 45 cm, € 200,000 – 300,000 4 Vittore Crivelli (c. 1440 – c. 1502), Saint Clare, tempera on gold ground panel, 77 x 42 cm, € 100,000 – 150,000 5 Sano di Pietro (1405–1481), Saint Bernardino preaching, tempera on panel, 24.5 x 38.5 cm, € 100,000 – 150,000 6 Apollonio da Giovanni (1416–1465), Battle of Pharsalos, tempera and gold on panel, 40 x 157.2 cm, € 400,000 – 600,000 7 Francesco Ubertini, il Bacchiacca (1494–1557), The Preaching of Saint John the Baptist, oil on panel, 77.5 x 60 cm, €100,000 – 150,000 8 Jacopo dal Sellaio (1441–1493), Madonna and Child with Saint John and Angel, tempera on panel, tondo, 83.3 cm, €250,000 – 300,000 9 Giovanni Francesco Barbieri, il Guercino (1591–1666), Portrait of Cardinal Bernardino Spada, oil on canvas, 60 x 43 cm, € 150,000 – 200,000 10 Jusepe de Ribera, lo Spagnoletto (1591–1652), Saint Onuphrius, signed and indistinctly dated, oil on canvas, 99.5 x 74.8 cm, € 200,000 – 300,000 1 2 3 4 5 Enquiries Old Master Paintings: Vienna, Mark MacDonnell, Alexander Strasoldo, Damian Brenninkmeyer, Tel.
    [Show full text]
  • Contemporary Week 4 – 7 June, 2019
    SINCE 1707 Contemporary Week 4 – 7 June, 2019 Andy Warhol (1928–1987), Judy Garland and Liza Minnelli, 1978, synthetic polymer and silkscreen ink on canvas, 101.5 x 101.5 cm, €280,000 – 420,000 Contemporary Art Auctions Wednesday, 5 June Thursday, 6 June 3 1 2 4 1 Cy Twombly (1928–2011), Untitled, 1963/64, colored pencil and pencil, wax crayon on paper, 86 x 67 cm, €180,000 – 220,000 2 Franz West (1947–2012), Untitled, 1 photo, 2 Marilyn-Warhol cards reworked on primed hardboard, 1981, in original artist‘s frame, 33 x 51 cm, €25,000 – 35,000 3 Ilya Kabakov (b. 1933), The egg, 2002, alabaster powder on “pietra serena” stone and wood basement, n. 3/5, 49 x 66.5 x 43.5 cm, (base 128 x 113 x 39.5 cm), €80,000 – 120,000 4 Günther Förg (1952–2013), Untitled, 1990, acrylic on wood, in artist‘s frame, 187 x 167 cm, 158 x 138 cm (without frame), €150,000 – 200,000 5 Serge Poliakoff (1906–1969), Composition abstraite, c. 1962, oil on canvas, 54 x 65 cm, €70,000 – 100,000 6 Otto Piene (1928–2014), Untitled, 1963/64, oil and pearl on canvas, 60 x 70 cm, €180,000 – 220,000 7 Günther Uecker (b. 1930), Reihung, 1970, nails, graphite, linen on wood, 102.5 x 102.5 x 9 cm, €400,000 – 600,000 5 6 7 1 2 4 3 1 Arnaldo Pomodoro (b. 1926), Disco in forma di rosa del deserto, studio I, 1993/94, bronze, n.
    [Show full text]