John Fowles' Contribution to Postmodern Literature
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
An Analysis of Feminism Reflected in the Film the French Lieutenant's
American International Journal of Contemporary Research Vol. 4, No. 4; April 2014 An Analysis of Feminism Reflected in the Film the French Lieutenant’s Woman Siyu Gao Beijing Institute of Petrochemical Technology Qingyuan north road No.19, Huangcun, Daxing District, Beijing Beijing, China Abstract The novel The French Lieutenant's Woman is a masterpiece that John Fowles, a contemporary British writer created in the 60s of last century. In 1981, the film of the same name directed by Karel Reisz and adapted by playwright Harold Pinter. The French Lieutenant’s Woman is one of the world's most successful literary classic films. It is about a love story happened in England in nineteenth Century. Sarah, a woeful and mysterious woman in Victorian era, a virgin but claimed to have committed to a French lieutenant, be spurned for being regarded as a sinful and lustful woman. But her mystery, unique, boldness, melancholy beauty and wild enthusiasm could arouse compassion and adoration of men. She had a torrid love with Charles but eventually left quietly when Charles had dissolved engagement with Freeman. In the Victorian era -- a patriarchal social environment, the social status of women was affected by the patriarchy. The female was put in a humiliating position for a long time. In patriarchal oppression, the economy also forced to sponge on men which result in women’s being unable to enjoy the right of self-realization and self-independent. However, in this film, the heroine Sarah in the social context demonstrated bravery and determination of striving against traditional customs, pursuing after true love and defending against her freedom. -
The Post-Postmodern Aesthetics of John Fowles Claiborne Johnson Cordle
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1981 The post-postmodern aesthetics of John Fowles Claiborne Johnson Cordle Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Cordle, Claiborne Johnson, "The post-postmodern aesthetics of John Fowles" (1981). Master's Theses. Paper 444. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE POST-POSTMODERN AESTHETICS OF JOHN FOWLES BY CLAIBORNE JOHNSON CORDLE A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF ~.ASTER OF ARTS ,'·i IN ENGLISH MAY 1981 LTBRARY UNIVERSITY OF RICHMONl:» VIRGINIA 23173 CONTENTS INTRODUCTION . p . 1 CHAPTER 1 MODERNISM RECONSIDERED . p • 6 CHAPTER 2 THE BREAKDOWN OF OBJECTIVITY . p • 52 CHAPTER 3 APOLLO AND DIONYSUS. p • 94 CHAPTER 4 SYNTHESIS . p . 102 CHAPTER 5 POST-POSTMODERN HUMANISM . p . 139 ENDNOTES • . p. 151 BIBLIOGRAPHY . • p. 162 INTRODUCTION To consider the relationship between post modernism and John Fowles is a task unfortunately complicated by an inadequately defined central term. Charles Russell states that ... postmodernism is not tied solely to a single artist or movement, but de fines a broad cultural phenomenon evi dent in the visual arts, literature; music and dance of Europe and the United States, as well as in their philosophy, criticism, linguistics, communications theory, anthropology, and the social sciences--these all generally under thp particular influence of structuralism. -
Circus Sunday Seward, Tall Twister; Steve Krones, Wesley 6 P.M
Hoag & Sons rrInIpSt'tfK SU an -928U Leola Weston wins coupon drawing 7 % e Leola Weston of R.R. 1, Roberts was announced as the winner of the coupon book drawing held Friday at the Shafer-Pearson Agency. Dr. Chambers of Chats worth drew out the winning contestant. Sl.e will receive a gift certificate for $50 good for any store in Chatsworth. ’P te U n d e o jU ft Also, a second prize of $25 was awarded to Marilyn Vaughan of Piper City. This is valid CHATSWORTH, ILLINOIS (60921), THURSDAY, MAY 14, 1981 only at Kelly’s Store in Chatsworth. CDNE HUNDRED SEVENTH YEAR NUMBER 33 These coupon books were made available <&1H1, Cornbett to the public since April 1. They were good for 30 days in Chatsworth to help promote the businesses in town. Pontiac prison chaplain guest speaker for Lions G. Coleman Akin, senior chaplain at the Klem and Max Moore, vice-presidents; Dan Pontiac Correctional Center, was the speaker Kerber. treasurer; Dr. O.D. Willstead, at Chatsworth Lions' ladies’ night dinner and secretary; and Jerry Oilman, president. program at the Farmers Pub on Monday ese officers also form the new board of evening, May 11. Chaplain Akin gave a moving directors. talk on the importance of the services his Lion president, Richard Pearson, in office performs, and what he feels is the completing his year ir. office, expressed growing effectiveness of his work and that of thanks to all in the club and the community for his four associates. The ministers are visible their help in making the year a successful one in all parts of the center, and he feels that the in community service. -
A Critical Study of the Novels of John Fowles
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Vernon Announced the Board of Directors Followed by U.S
» - MANCHESTER HERALD. Friday. Jan 6. 19M Sister can’t be candidate FDA probes orange juice gripes New England PROVIDENCE. R.l. — If Sister Arlene Violet MILWAUKEE (UPI) - The decides to run for political office, her bishop says stations and convenience stores. The FDA's Milwaukee office U.S. Food and Drug Administra it will permanently terminate her association There were also reports of the said samples of the product would In Brief tion is investigating complaints Manchester teacher pay: with the Sisters of Mercy. The Most Rev. Louis E . possibly tainted orange juice from be tested. No injuries were This man’s army Aquinas beats from several people that a brand of Gelineau. bishop of Provkleiice. said it is beyond other parts of the state. reported. orange juice called Very Fine may- his power to grant the Roman Catholic nun either The "Very Fine” brand orange Snelling won’t run again have been spoiled when thev drank How does It compare? Includes laughter East Catholic a dispensation or a 'leave of absence" to run for juice was packaged in 10-ounce The problem came to light when it. M ONTPELIER. Vt. — Republican Gov. state attorney general , glass bottles with a metal twist top. an Appl§ton truck driver notified Richard Snelling told a stunned Legislature he Because of that cases of the It carried an expiration date of Racine County authorities early ... page 3 ... page 11 page 15 will not seek re-election to a fifth term next fall. orange, juice in 10-ounce glass Sept: 12. 1984. and is packaged by Thursday that he felt a burning Snelling. -
EXISTENTIALISM in VICTORIAN ERA: REVIEWING JOHN FOWLES's the FRENCH LIEUTENANT's WOMAN Nimmy Mariam Jacob
VEDA’S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Vol.7 Issue 3 An International Peer Reviewed(Refereed) Journal 2020 Impact Factor (SJIF) 4.092 http://www.joell.in RESEARCH ARTICLE EXISTENTIALISM IN VICTORIAN ERA: REVIEWING JOHN FOWLES'S THE FRENCH LIEUTENANT'S WOMAN Nimmy Mariam Jacob (Post Graduate in English Language and Literature(2019), Plavilakandathil(H),Arattupuzha P.O., Pathanamthitta, Kerala, 689123.) DOI:10.33329/joell.7.3.20.30 ABSTRACT Victorian novels presented carefully constructed conventional characters that does not deviate from the social standards. It was hard to find whether any deviant people survived then. The Victorians survived on a turbulent ground with Darwin's theory of evolution and various political reforms. Darwin shook their religious adherence. There were people who struggled hard to maintain the status quo with their blind belief and aversion to change. Some of them believed in Darwin and exhibited themselves as free thinking men. In reality they possessed a chaotic soul and were trying hard to balance their Victorian essence and Modernity. Rarely lived some legendary men who transcended their age. These men often failed to find their space in any manuscripts of the time. The French Lieutenant's Woman, traces the roots of a 20th century philosophy named Existentialism in the predecessors. History has the feature of characteristically representing everything in groups or forms. Undermining the inconspicuous exclusivities provides an indubitable awareness about the period. Keywords: Conventions, Existentialism, Solitariness, Redemption, Victorianism. Author(s) retain the copyright of this articleCopyright© 2020VEDAPublications Author(s) agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License . -
Frenchlieutenantswom
Virtual April 6, 2021 (42:10) Karel Reisz: THE FRENCH LIEUTENANT’S WOMAN (1981, 124 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to The French Lieutenant’s Woman Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Directed by Karel Reisz Based on the novel by John Fowles Screenplay by Harold Pinter Produced by Leon Clore Original Music by Carl Davis Cinematography by Freddie Francis Liz Smith....Mrs. Fairley The film was nominated for five Oscars, including Patience Collier....Mrs. Poulteney Best Actress in a Leading Role (Meryl Streep) and David Warner....Murphy Best Writing, Screenplay Based on Material from Another Medium (Harold Pinter), at the 1982 Karel Reisz (21 July 1926, Ostrava, Academy Awards. Czechoslovakia—25 November 2002, London, England) directed 13 theatrical and tv films: “Act Meryl Streep....Sarah/Anna Without Words I” (2000), The Deep Blue Sea (1994), Jeremy Irons....Charles Henry Smithson/Mike Everybody Wins (1990), Sweet Dreams (1985), The Hilton McRae....Sam French Lieutenant's Woman (1981), Who'll Stop the Emily Morgan....Mary Rain (1978), The Gambler (1974), Isadora (1968), Charlotte Mitchell....Mrs. Tranter Morgan (1966), Night Must Fall (1964), Saturday Lynsey Baxter....Ernestina Night and Sunday Morning (1960), We Are the Jean Faulds....Cook Lambeth Boys (1958) and Momma Don't Allow Peter Vaughan ....Mr. -
Thursday Morning, May 31
THURSDAY MORNING, MAY 31 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View Reality Show Round- Live! With Kelly Kristen Stewart; 2/KATU 2 2 (cc) (Cont’d) Up; Stacy Keibler. (N) (TV14) Bill Hader. (N) (cc) (TVPG) KOIN Local 6 at 6am (N) (cc) CBS This Morning (N) (cc) Let’s Make a Deal (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) NewsChannel 8 at Sunrise at 6:00 Today Kristen Stewart; Giada De Laurentiis. (N) (cc) Anderson (cc) (TVG) 8/KGW 8 8 AM (N) (cc) Sit and Be Fit Wild Kratts (cc) Curious George Cat in the Hat Super Why! Por- Dinosaur Train Sesame Street Chris and Elmo go Sid the Science Clifford the Big Martha Speaks WordWorld (TVY) 10/KOPB 10 10 (cc) (TVG) (TVY) (TVY) Knows a Lot ridge race. (TVY) (TVY) camping in the woods. (TVY) Kid (TVY) Red Dog (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) MORE Good Day Oregon The 700 Club (cc) (TVPG) Law & Order: Criminal Intent Tux- 12/KPTV 12 12 edo Hill. (cc) (TV14) Portland Public Affairs Paid Paid Jane and the Willa’s Wild Life Through the Bible Paid Paid Paid Paid 22/KPXG 5 5 Dragon (TVY) (TVY7) Creflo Dollar (cc) John Hagee Rod Parsley (cc) This Is Your Day Kenneth Cope- Dean & Mary Life Change Cafe John Bishop TV Behind the Lifestyle Maga- James Robison Marilyn Hickey 24/KNMT 20 20 (TVG) Today (cc) (TVG) (TVG) (cc) (TVG) land (TVG) Brown Scenes (cc) zine (cc) (TVG) (cc) Eye Opener (N) (cc) My Name Is Earl My Name Is Earl Swift Justice: Swift Justice: Maury (cc) (TV14) The Steve Wilkos Show Fourteen- 32/KRCW 3 3 (TV14) (TV14) Jackie Glass Jackie Glass year-old dates 19-year-old. -
Martha Manor
Deutscher FALCON CREST - Fanclub March 2, 2011 The Good Soul on the Set: MARTHA MANOR The Longest Working Stand-in on Falcon Crest Interview by THOMAS J. PUCHER (German FALCON CREST Fan Club) Martha Manor worked on the set of many Hollywood movies and TV series, including Bonanza, as a stand-in and also played a number of supporting rôles. Throughout her career, she stood in for many Hollywood stars, including Lauren Bacall, Joanne Woodward, Mitzi Gaynor, Marie Wilson and Jane Wyman. On Falcon Crest, she was the longest working stand-in, being a part of the show for its entire life cycle. I met Martha, who is in her 80’s nowadays, for the first time when we both stood in line at the will call to pick up our crew tickets for the gala for Reza Badiyi’s 80th birthday at Royce Hall at UCLA in April 2010. Later, I met her again at Falcon Crest: A Look Back, the show’s first official reunion at the Paley Center for Media in Beverly Hills in October 2010 where we exchanged phone numbers and agreed on an interview. It took me a while to set up a phone conversation with her, but we finally set it up for March 2, 2011. When I called her, we first talked a bit about our fan club and the con- tinued interest in Falcon Crest. Landing the Job on Falcon Crest Martha began our conversation with one particular actress that really stood out in memories: Susan Sullivan. “I like her so much. -
SYMPHONIES of HORROR Musical Experimentation in Howard Shore's
SYMPHONIES OF HORROR Musical Experimentation in Howard Shore’s Work with David Cronenberg A thesis submitted to the Oberlin College & Conservatory Musical Studies Department in fulfillment of the requirements for University Honors by Vikram Shankar Spring 2017 Shankar, Symphonies of Horror 2 Table of Contents: Introduction 3 Methodology 6 Theoretical Frameworks 9 Early Experimentation: The Brood 20 Synthesized Surrealism: Videodrome 30 Breaking Through to the Mainstream: The Fly 40 Scoring the Unfilmable: Naked Lunch 60 Conclusion 77 Works Cited 81 Nosferatu, A Symphony of Horror: original score 84 Acknowledgments 86 Shankar, Symphonies of Horror 3 INTRODUCTION With a career spanning almost forty years, Canadian composer Howard Shore has become one of the most respected and sought after film composers working in the industry today. Much of his work, in particular his scores for the Lord of the Rings films, have received much academic attention; his longstanding working relationship with Canadian horror filmmaker David Cronenberg, however, has not yet benefited from such academic inquiry. Using the films The Brood, Videodrome, The Fly, and Naked Lunch as case studies, this thesis examines the way that Shore uses the arena of Cronenberg’s films as a laboratory for personal musical experimentation. Examples include Shore’s use of electronic synthesizer sounds alongside a string orchestra for Videodrome, implementations of canonic techniques and against-the-grain writing for The Fly, and the incorporation of free-jazz aesthetics in Naked Lunch. Using as sources Howard Shore’s words and what academic inquiry exists in this field, but more often utilizing my own analysis and observations of the music and films, I argue that Shore’s scores incorporate such musical experimentation to work in tandem with Cronenberg’s own experimental art.