Designing State of the Art Economic Policy Structures
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Introduction
Notes Introduction 1 Pat Cooke, ‘Letter to the Irish Times’, 5 April 2006. 2 Editorial response to Pat Cooke’s letter, 5 April 2006. 3 See http://www.irishtimes.com/focus/easterrising/monday/. Accessed June 2010. 4 Sunniva O’Flynn, ‘Letter to the Irish Times’, 8 April 2006. 5 Tanya Kiang, ‘Letter to the Irish Times’, 12 April 2006. 6 O’Flynn, 8 April 2006. 7 Raphael Samuel, Theatres of Memory: Past and Present in Contemporary Culture (London: Verso, 1994), p.25. 8 Pierre Nora, quoted by John Gillis, ‘Memory and Identity: The History of a Relationship’, Commemorations: The Politics of National Identity, ed. John R. Gillis (Princeton: Princeton University Press, 1996), p.8. 9 As Conor McCarthy argues, in the 1960s ‘modernistion became a narrative in terms of which the “imagined community” of the Republic understood itself and envisioned its future.’ Modernisation, Crisis and Culture in Ireland, 1969–1992 (Dublin: Four Courts Press, 2000), p.30 10 See Jeanne Sheehy, The Rediscovery of Ireland’s Past: The Celtic Revival 1830–1930 (London: Thames and Hudson, 1980). 11 Lady Augusta Gregory, Selected Writings, eds. Lucy McDiarmid and Maureen Waters (Harmondsworth: Penguin, 1995), p.311. 12 W.B. Yeats, ‘The Man and the Echo’, Yeats’s Poems, ed. A. Norman Jeffares (Basingstoke: Macmillan – now Palgrave Macmillan, 1989), p.469. 13 See Joep Leerssen for a discussion of the Ordnance Survey and its representa- tion in Translations, in Remembrance and Imagination (Cork: Cork University Press, 1996), pp.102–3. 14 For a critical discussion of Riverdance see Aoife Monks, Comely Maidens and Celtic Tigers: Riverdance and Global Performance, Goldsmiths Performance Research Pamphlet (London: Goldsmiths, 2007). -
Irish Journalist Spring 2019
!1 THE IRISH JOURNALIST Newsletter of the National Union of Journalists in Ireland Spring 2019 We gather in grief. We gather in anger. of purpose which propelled Lyra McKee I can Grief at the loss of a woman of passionate only say: There is nothing ‘new’ in what you have commitment, of integrity, imagination and to offer. generosity. Anger at the murder of an innocent Lyra represented the future. worker killed because she was in the wrong Lay down your guns and look for a new path place at the wrong time: collateral damage in a away from senseless violence. senseless act of politically motivated violence. The voices of workers, of victims, of long- We also gather in hope. suffering communities deserve to be treated Lyra McKee refused to accept that change is with respect. Too many workers have had to impossible. She knew well what it was like to wear the unrequested crown of martyrdom. struggle against great odds, but she never lost Workers like the former secretary of NUJ hope. She belonged to a new generation and Belfast branch, Martin O’Hagan, so long a sought to achieve change with love in her heart feature of the May Day rally in Belfast. and without an ounce of hatred. Our message is clear. The violence must Lyra marched to the sound of a different drum. cease. No more martyrs. No more victims. To you who took her life; to those who supplied the gun; to those who exploited the — Séamus Dooley, Irish Secretary, alienation of young men living without the sense May Day Rally, Belfast INSIDE: NUJ stands with Lyra: pages 2-4; May Day in Belfast and Derry: pages 6-7; Living history: pages 10-11 !2 EDITOR’S NOTE informed, investigative journalism.” Standing together We stand with Lyra and Martin and everything they exemplified – courage, integrity, the Journalists and allies around the world relentless pursuit of truth through the best of investigative journalism. -
Magill Magazine, –
(01) Periodicals and Journalism:Layout 1 19/05/2014 21:05 Page 219 / Magill magazine, – KEVIN RAFTER In the Guardian newspaper recorded that ‘Magill has gained a political influ - ence that has no parallel in British or indeed European magazine publishing ’. Some years later, the Sunday Times credited the magazine with ‘dragging Irish journalism out of its largely comfortable, unquestioning dullness ’. In truth, the impact of Magill – which first appeared in October – lies somewhere between these two generous accolades. As other chapters in this volume highlight, throughout the twentieth century there were always publications offering alternatives to the mainstream national newspapers. In the late s, however, a series of magazine publications emerged with more radical production and content ambition. This ‘alternative ’ media scene – but one that was, as we shall discuss, rooted in the establishment – included Magill , In Dublin and Hot Press ; each title offering a different perspective on aspects of Irish society with content that overlapped between current affairs and popular culture. When these titles first appeared on the newsstands, the Irish Republic was moving in a ‘liberalising direction ’. Yet, change was stop-start and visions about what this society should be were deeply – and at times, bitterly – contested. In the wonderful phrase of John Waters, who worked at various times for all three titles, ‘the sixties had arrived years late, but we were fast catching up ’. These debates about sexuality, religion and politics, among other topics, provided rich material for this emerging magazine sector. This chapter considers the role of Magill , which in its first guise between and was at times ‘a powerful and influential voice ’. -
Irish Television Drama: a Society and Its Stories
Irish Television Drama: A Society and Its Stories Helena Sheehan published by Radio Telefís Éireann in 1987 2nd (revised) edition published in 2004 ISBN 0 86029 011 5 pb ISBN 0 86029 012 3 hb © Helena Sheehan Professor Helena Sheehan website: http://webpages.dcu.ie/~sheehanh/sheehan.htm e-mail: [email protected] Table of Contents Introduction Part 1: Concepts / Contexts / Criteria Chapter 1: Story, Myth, Dream and Drama Chapter 2: Television as a Medium of Drama Chapter 3: Judgments of Television Drama Part 2: The Evolution of Irish Television Drama Chapter 4: The 60s: The Coming of Television Chapter 5: The 70s: Progress, Pressures and Protests Chapter 6: The 80s: The Satellite Era Appendix: RTE Television Drama Productions 1962-1987 Titles index Introduction This is essentially a story about storytelling. It is, first of all, an account of why people tell stories. It is an exploration of what has been at stake in the whole, long and complex history of storytelling, stretching from the voices of the ancient bards to the signals of space age satellites. It is, in the second instance, a story about why particular people have told particular stories at a particular time in the history of a particular society. The Irish people have always been renowned as storytellers. This is the story of Irish storytelling in the television era. Although storytelling would seem to be a universal activity, fundamental to the human condition, it has by no means been a static one. It has not been the same for all times. It is an activity that has undergone enormous transformations. -
A Spring Festival of Events 2016 Welcome Institute for the from the Director Study of Conflict Transformation and Social Justice
INSTITUTE FOR THE STUDY OF CONFLICT TRANSFORMATION AND SOCIAL JUSTICE A SPRING FESTIVAL OF EVENTS 2016 WELCOME INSTITUTE FOR THE FROM THE DIRECTOR STUDY OF CONFLICT TRANSFORMATION AND SOCIAL JUSTICE On behalf of the Institute I am very pleased in the deliberations that resulted in the Good was shot on location, a range of Palestinians to welcome you to our fourth annual Spring Friday Agreement in 1998, a role that Queen’s and Israelis offer diverse views on the conflict Festival of Conflict Transformation. Our University recognised by awarding him an in the midst of which they must live; and Stolen programme for 2016 offers more events than honorary doctorate. Generation Indigenous artist Heather Shearer’s ever, with a broad mix of talks, conversations, exhibition ‘Colours for cultural justice: A journey film, exhibition and discussion that we hope will Conflict transformation, of course, is nurtured of Aboriginal art’ traces the role of art in healing provoke, stimulate and engage. not only by the endeavours of institutional and reconciliation. politics but by the everyday engagements This year we are delighted to host Northern of people in many other walks of life. In this Over the last four years we have built up a Ireland’s First Minister, Arlene Foster MLA, the programme we offer an insight into such work faithful body of supporters whom we look first woman to hold this office as well as the first in ‘Feedback from the Frontlines’, a series of forward to welcoming back in 2016. We also woman to lead her party. We therefore look three informal talks that range from topics such look forward to meeting new faces and if you forward very much to hearing her reflections as ‘trauma teddies’ to negotiating with the have never attended one of our events we around the theme of ‘Women, leadership Taliban, and delivered by those with first-hand warmly encourage you to do so in the hope that and peace-building’. -
The Legacy of Charles J. Haughey Alan Byrne
46 Someone had to live in the Big House: The legacy of Charles J. Haughey Alan Byrne “Fianna Fail was good for builders, and builders (IFSC), and the beginnings of social partnership with were good for Fianna Fáil. Everything was the trade unions, as having laid the foundations for the planned, someone had to live in the big house Celtic Tiger boom in the 1990s. His patronage of the arts and Haughey created a marvellous situation.” — often comes in for praise also, having removed income Patrick Gallagher, developer and financial backer of tax for artists as Minister for Finance in 1969, as well Haughey.1 as establishing Aosdána in 1981. Despite revelations of corruption, Haughey died in 2006 never having ecember 2019 marks 40 years since the accession seen the inside of a prison cell. His graveside oration of Ireland’s most controversial leader, Charles J. was delivered by then Taoiseach Bertie Ahern (himself Haughey, to the office of Taoiseach. Haughey’s later forced to resign following allegations of private comeback to be elected leader of Fianna Fáil after payments of his own) who remarked that “Despite the Da decade in the political wilderness was evidence of a controversy, even political opponents acknowledge tenacious figure that could deflect criticism or probing that he had indeed done the State some service[…] inquiries with ease. Haughey was also in debt to AIB to The ultimate judgement of history will be positive.”3 the tune of over £1m, having spent most of the 1970s This article will aim to challenge this sanitised view of living on a massive overdraft while ostensibly earning Charles J Haughey, and argue that on balance, Haughey only a TDs salary. -
The Leadership of the Republican Movement During the Peace Process
Appendix I: The Leadership of the Republican Movement during the Peace Process Other leading members of Sinn Féin Conor Murphy (p) Mary-Lou McDonald Alex Maskey (p) Caoimhghín Ó Caoláin Core strategy personnel Behind-the-scenes IRA figures Arthur Morgan (p) Sean Crowe (p) Gerry Adams (p) Michelle Gildernew Martin McGuinness (p) Aengus O Snodaigh Ted Howell (p) Bairbre de Brun Pat Doherty Martin Ferris (p) Gerry Kelly (p) Mitchel McLaughlin Influential ex-prisoners Declan Kearney (p) Behind-the-scenes Sinn Féin Tom Hartley (p) figures Seanna Walsh (p) Jim Gibney (p) Aidan McAteer (p) Padraig Wilson (p) Brian Keenan (p) Richard McAuley (p) Leo Green (p) Chrissie McAuley Bernard Fox (p) (until 2006) Siobhan O’Hanlon Brendan McFarlane (p) Dawn Doyle Raymond McCartney (p) Rita O’Hare Laurence McKeown (p) Denis Donaldson (until 2005) (p) Ella O’Dwyer (p) Lucilita Breathnach Martina Anderson (p) Dodie McGuinness (p) denotes former republican prisoner 193 Appendix II: The Geographical Base of the Republican Leadership Gerry Adams Ted Howell Gerry Kelly Declan Kearney Tom Hartley Jim Gibney Seanna Walsh Padraig Wilson Leo Green Bernard Fox Mary-Lou McDonald Pat Doherty (Donegal) Brendan McFarlane Martin McGuinness Sean Crowe Martin Ferris (Kerry) Laurence McKeown Mitchel McLaughlin Aengus O Snodaigh Conor Murphy (South Armagh) Alex Maskey Raymond McCartney Dawn Doyle Arthur Morgan (Louth) Denis Donaldson Martina Anderson Lucilita Breathnach Caoimhghín Ó Caoláin (Monaghan) Chrissie McAuley Dodie McGuinness Rita O’Hare Michelle Gildernew (Fermanagh) Richard McAuley Ella O’Dwyer Aidan McAteer Siobhan O’Hanlon Brian Keenan BELFAST DERRY DUBLIN OTHER 194 Notes Introduction 1. Sinn Féin Northern Ireland Assembly Election Leaflet, Vote Sinn Féin, Vote Nation- alist: Vote Carron and Molloy 1 and 2 (1982) (Linenhall Library Political Collection – henceforth LLPC). -
Prisoners, the Agreement, and the Political Character of the Northern Ireland Conflict
Fordham International Law Journal Volume 22, Issue 4 1998 Article 19 Prisoners, the Agreement, and the Political Character of the Northern Ireland Conflict Kieran McEvoy∗ ∗ Copyright c 1998 by the authors. Fordham International Law Journal is produced by The Berke- ley Electronic Press (bepress). http://ir.lawnet.fordham.edu/ilj Prisoners, the Agreement, and the Political Character of the Northern Ireland Conflict Kieran McEvoy Abstract This Essay first explores the historical context of prisoner release in Ireland, North and South. Second, the role of prisoners in the process of conflict resolution in the 1990s is examined in the periods before and after the breakdown of the first IRA cease- fire. The provisions within the Good Friday Agreement and subsequent legislation are then analyzed in so far as they relate to prisoner release as an incentive for peace among organizations outside the peace process, decommissioning, the victims of violence, and prisoner reintegration. Finally, this Essay argues that the “prisoner issue” represents a crucial acknowledgement by the British government of the political character of the conflict and suggests that such a view will be required by all the protagonists if the Agreement is to survive. PRISONERS, THE AGREEMENT, AND THE POLITICAL CHARACTER OF THE NORTHERN IRELAND CONFLICT Kieran McEvoy* INTRODUCTION The inclusion of provisions relating to the early release of paramilitary prisoners in the Good Friday Agreement' (or "Agreement") was one of the most controversial aspects of the Accord. In effect, practically all politically-motivated prisoners belonging to organizations on cease-fire will be released within two years of the scheme's commencement, by June 2000. -
The Changing Nature of Irish Political Journalism
RUN OUT OF THE GALLERY : The Changing Nature of Irish Political Journalism Kevin Rafter Introduction THIS ARTICLE EXAMINES THE evolution of parliamentary and political reporting in Ireland and builds on earlier work by Foley ( ) and Horgan ( ). It considers the changing nature of Irish political journalism and the loss of influence of the Par - liamentary Press Gallery and its constituent part, the Political Correspondents Group. This analysis takes place against a backdrop of continuing very high interest in politics in Ireland. During the general election, the television debate between Bertie Ahern and Enda Kenny, the leaders of the two main political parties, had an average audience of , – a national audience share of . per cent and a reach during the programme of .m viewers. The debate between the leaders of the other political parties – broadcast the previous evening to the main debate – had a national share of . per cent or , viewers. In addition, the RTÉ website, which had a dedicated area for election material, received just over .m hits on the day of the main leaders’ debate. Party political broadcasts, regardless of their impact, were also watched by sizable audiences – the broadcasts had an average viewership of , people. Opinion poll research undertaken in showed that six in ten of all adults could recall party political broadcasts from the previous general election (Rafter, ). These are all significant figures. While the leaders’ debate is a unique political event linked to a general election with heightened public attention, there is ongoing evidence from continuing high viewership figures for current affairs programmes in non-election periods to suggest that the Irish public continues to turn to the mainstream media for information on politics. -
Introduction: a New Departure 1 the Background to the Peace Process
Notes Introduction: a New Departure 1. Analysis of these peace processes is provided in John Darby and James Rae, 'Peace Processes from 1988-1998: Changing Patterns', Ethnic Studies Report, XLII, 1 (January 1999). 2. The renewed UN involvement in peacekeeping is associated with the need to deal with severe violence before proceeding to a settlement, in Bosnia, Kosovo, Sierra Leone, the Democratic Republic of Congo and East Timor. 3. In each area under study a distinguished academic or team monitored the peace process as it evolved or collapsed over a two-year period. All were work ing to an agreed methodology, which made allowances for local differences. The partners participating in the study with John Darby and Roger Mac Ginty were Pierre van der Post du Toit, University of Stellenbosch; Tamar Hermann, Tami Steinmetz Centre, Tel Aviv University and David Newman, Ben Gurion University; Ludger Mees, Universidad del Pais Vasco-Euskal Herriko Unibertsitatea, Bilbao; and Paikiasothy Saravanamuttu, Centre for Policy Alternatives, Colombo. 4. G.K. Chesterton, The Napoleon of Notting Hill (London: The Bodley Head, 1904), p.4. 5. Following the conservative/Conservative convention, unionist will be taken to mean unionism and unionists in general, while Unionist will refer to the largest unionist political party, the Ulster Unionist Party. 6. The front cover of Fortnight magazine (September 1989) shows a picture of a child holding a replica gun accompanied by the headline 'And now for the next thirty years'. 7. Neither a borrower or a lender be for loan oft loses both itself and friend, and borrowing dulls the edge of husbandry William Shakespeare, Hamlet, Act 1, Scene 3, line 75 1 The background to the peace process 1. -
The Chapter Would Start Off by Examining Why Crime Reportage
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service 1 SELLING FEAR? THE CHANGING FACE OF CRIME REPORTING IN IRELAND MARK O’BRIEN Introduction If newspapers are the first draft of history, then from looking at how some sections of the Irish media cover the crime issue one would be tempted to assume that the history of Ireland is characterised by a safe, non-violent, relatively crime free past and an unsafe, violent, crime ridden present. The past – when streets were safer and front doors were left open – has, almost overnight, been replaced by an unsafe present where crime is tearing society apart. In the public imagination the island of saints and scholars has been supplanted by an island of thieves, murderers and sex offenders. This chapter contends that this assumption is inaccurate despite its prevalence in public reminiscing and media concern about society being overwhelmed by crime. The perception of society as having evolved from being safe and relatively crime free to being unsafe and crime ridden is appealing but too simplistic. Like many assumptions it suffers from the defects of any rose-tinted view of the past and any jaundiced view of the present. There never was a golden crime free era – other than in the public’s collective memory and media reminisces. Every generation fears the moral decline of the present compared to the comfortable certainties of the past. This chapter contends that the low crime figures of the past are inaccurate due to the non-reporting of crime by victims and that crime levels were kept artificially low by mass emigration. -
Irish Identity in the European Union by Fintan O'toole
The Clod and the Continent: Irish Identity in the European Union by Fintan O'Toole "No man is an island, entire of itself; every man is a piece of the Continent, a part of the main; if a clod be washed away by the sea, Europe is the less…" (John Donne, Devotions, XII) EURUnion 2 The Clod and the Continent: Irish Identity in the European Union 3 1. In Charles Hepworth Holland's recently the Taoiseach Bertie Ahern, complained that published The Geology of Ireland , we learn that "directives and regulations agreed in Brussels the island is almost literally torn between two can often seriously impinge on our identity, continents. Four hundred million years ago, culture and traditions". Mary Harney again, when Ireland lay at the point where the part of the Ireland's budgetary policies were rebuked by the earth's crust on which North America now sits EU Commission, went on radio to say that "I was sliding underneath the part that supports hope everyone wears the green jersey on this Europe. Bits of the two continents were pushed and stands together to defend our economic together somewhere around the middle of success", implying that the green jersey, as a Ireland. In the south and east, the underlying symbol of Irish national identity, was a coat of rock belongs to Europe. In the north and west of armour against the assaults of the hostile the island, the ground beneath your feet belongs Europeans. to the North American Plate. In this, tectonics This rhetoric was extremely vague, and it gives unexpected support to the way most of us became an embarrassment when the same experience being Irish at the beginning of the Government had to go out and urge the 21st century.