DOCSLIB.ORG

EFM 2021 NEW TRAILER JUST Death of a COMPLETED Ladies’ Man SCREENING LINK AVAILABLE on REQUEST a MATTHEW BISSONNETTE Picture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EFM 2021 NEW TRAILER JUST Death of a COMPLETED Ladies’ Man SCREENING LINK AVAILABLE on REQUEST a MATTHEW BISSONNETTE Picture EFM 2021 NEW TRAILER JUST Death of a COMPLETED Ladies’ Man SCREENING LINK AVAILABLE ON REQUEST a MATTHEW BISSONNETTE picture FEATURING SONGS BY LEONARD COHEN from the producers of BROOKLYN, ONCE and CHICAGO Samuel O’Shea, a university professor of poetry, exuberant womanizer and MEMORIES enthusiastic drinker has seen better days. His second marriage is ending, and BIRD ON THE WIRE his wife and children are at their wits’ end with him. More disturbingly, he has begun seeing things: Frankenstein sidles up to the bar and strangers sing THE LOST CANADIAN and dance to Leonard Cohen tunes. His much-missed father, who died when WHY DON’T YOU TRY Samuel was just a boy, pops up for chats. HALLELUJAH At first Samuel thinks it could be the drink, or perhaps he’s just crazy or over- DID I EVER LOVE YOU imaginative, but then learns he is gravely ill. Reflecting on the life he has lived, Samuel retreats to his family shack in remote Ireland, where he begins work on HEART WITH NO COMPANION that great novel he always meant to write, and generally take stock. Surprisingly, or not, he meets and falls in love with a woman, who is full the unexpected. All this leads Samuel to an utterly unforeseeable happy ending. PRODUCERS Corey Marr - Corey Marr Productions (Passenger Side) / Marie-Claude Poulin - MCP Productions (Brooklyn, Café de Flore) / Martina Niland - Cosmo Films (Once, Sing Street) / Don Carmody - Don Carmody Productions (Chicago, Good Will Hunting) / Alexander Kushaev - Monte Rosso Production Canada - Ireland / 2020 / English Gabriel Byrne Brian Gleeson Jessica Paré (Hereditary, Zerozerozero Amazon series, (Phantom Thread, (Mad Men, Seal Team, Standby) Maniac series, Miller’s Crossing, Mother!, Logan Lucky) The Usual Suspects) Karelle Tremblay Antoine Olivier Pilon Suzanne Clément (The Fireflies Are Gone, (Mommy) (Mommy, Versailles, Our Loved Ones) Laurence Anyways) Why are We / Are We Not Creative? a HERMANN VASKE picture Why are We IN RELEASE NEW Why are We TRAILER JUST COMPLETED NOT Creative? SCREENING LINK Creative? AVAILABLE ON REQUEST a HERMANN VASKE picture a HERMANN VASKE picture The movie is a sequel to Vaske’s “Why Are We Creative”. While the first As part of a personal quest, for over 30 years director Hermann Vaske film concentrates on the promoters and sponsors of creativity, the new filmed the world’s most intriguing artists and thinkers, including film unveils the true killers of creativity. It’s an exploration of the toxic over 50 luminaries, among them Academy Award® and Nobel Prize circumstances that act as beta blockers to ideas in all the various creative winners, from the fields of visual art, music, acting, philosophy, politics, disciplines. business and science, posing the question: “Why are you creative?” The movie will follow director Hermann Vaske and his sidekick Michael Vaske’s subjects include: David Bowie, Ai Weiwei, Björk, Wim Madsen on their mission to unmask and identify the idea killers. Together Wenders, Philippe Stark, Yoko Ono, John Hegarty, David Lynch, Yohji they analyze what screws up creativity in order to identify the villains, from Yamamoto, Damien Hirst, Angelina Jolie, Nobuyoshi Araki, Quentin self-censorship to anxiety, from distraction to bureaucracy. The assassins Tarantino, Bono, Nick Cave, Neo Rauch, Stephen Hawking, the of creativity are many and they are lurking everywhere. And oddly, our Dalai Lama, Peter Ustinov, Marina Abramovic, Diane Kruger, Julian reasons for not being creative are often very creative indeed… Schnabel, John Cleese, Jimmy Page, Vivienne Westwood, Takeshi Kitano and many others. As Vaske says: “In an age of uncertainty, where only creativity can help to solve the problems of the world, simply encouraging creativity is not The answers Vaske received are as varied and intriguing as his enough. Only when we know where the enemy stands will we be able to respondents. WHY ARE WE CREATIVE? is a vibrant celebration of what avoid the beta blockers of creativity.” makes us most human, most fulfilled. FEATURING: MARINA ABRAMOVIC, JEFF KOONS, SHIRIN NESHAT, PRODUCERS Hermann Vaske / Emotional Network Production, GEORGE R.R. MARTIN, MICHAEL MADSEN, BJORK, DAVID BOWIE, Charles V. Bender PUSSY RIOTS, JOSHUA WONG, ISABELLA ROSSELLINI , WILLEM DAFOE, JIM JARMUSCH, KEN LOACH, TERRY GILLIAM, MARIANNA SIMNETT, Germany / 2018 / 82’ / 1:85 / 5.1 / English / Art Documentary DIANE KRUGER, JULIAN SCHNABEL, ALEXANDER PAYNE, SEAN PENN, TRINE DYRHOLM, JOHN CLEESE... Follow the project at whyareyoucreative.com Germany / 2020 / English / Art Documentary a MAJID MAJIDI picture SUN TRAILER PRESS BOOK WINNER BEST NEW TALENT CHILDREN WINNER BEST FILM HILAL a MAJID MAJIDI picture DOHA AJYAL FILM FESTIVAL SUN CHILDREN is the story of 12-year-old Ali and his three friends. Together they work hard to survive and support their families, doing small jobs in a garage and committing petty crimes to make fast money. BUSAN FILM FESTIVAL In a turn of events that seems miraculous, Ali is entrusted to find hidden treasure OFFICIAL SELECTION underground. He recruits his gang, but first, to gain access to the tunnel, the children must enroll at the Sun School, a charitable institution that tries to educate street kids and child laborers, close to where the treasure is located. LEEDS CAST Rouhollah Zamani, Javad Ezzati, Shamila Shirzad, Ali Nasirian, FILM FESTIVAL Tannaz Tabatabaie, Seyed Mohammad Mehdi Mousavi Fard, Shamila OPENING Shirzad, Abofazl Shirzad, Mani Ghafouri, Safar Mohammad, Ali Ghabeshi FILM PRODUCERS Majid Majidi, Amir Banan WRITERS Majid Majidi, Nima Javidi DIRECTOR OF PHOTOGRAPHY Houman Behmanesh SAO PAULO EDITOR Hassan Hassandoust MOSTRA OFFICIAL SELECTION Iran / 2020 / 99’ / Farsi “A heart-rending story with unexpected depth of emotion… it has guts and heart and a grubby, street-smart charisma. It’s one of the best films playing in this year’s Venice competition… the real treasure is the film” - THE GUARDIAN - “Quite the thrill ride, mixing a Dickensian, social-realist account of children in poverty in Tehran with a kinetic, far-fetched heist movie… a crowdpleaser… a thrilling portrait of youth” - INDIEWIRE - “Majid Majidi has made some of the most visually stunning and emotionally stirring films in world cinema about the plight of underprivileged, exploited and abused young people, and Sun Children is one of his very best” - THE HOLLYWOOD REPORTER - “I was reminded of The Florida Project… the kids compel and entertain” - VARIETY - a SUSANNA NICCHIARELLI picture IN COMPETITION Miss TRAILER PRESS BOOK IN COMPETITION Marx SAN a SUSANNA NICCHIARELLI picture SEBASTIAN PERLAS Bright, intelligent, passionate and free, Eleanor is Karl Marx’s youngest daughter. OFFICIAL Among the first women to link the themes of feminism and socialism, she takes SELECTION part in the workers’ battles and fights for women’s rights and the abolition of child labor. In 1883 she meets Edward Aveling and her life is crushed by their passionate but tragic love story. VIENNALE CAST Romola Garai (Suffragettes), Patrick Kennedy (Downton Abbey), FILM FESTIVAL John Gordon Sinclair, Felicity Montagu, Karina Fernandez, Oliver Chris and OPENING Philip Groening FILM PRODUCERS A Vivo film (Marta Donzelli, Gregorio Paonessa) with Rai Cinema, Tarantula Production (Joseph Rouschop, Valérie Bournonville) in coproduction with VOO and Be TV SAO PAULO MOSTRA MUSIC The movie includes prestigious American punk rock band OFFICIAL Downtown Boys (Rolling Stone, Spine, New Yorker) covers of Dancing SELECTION in the Dark by Bruce Springsteen and of L’Internationale plus their original songs: Waves of History, I’m Enough (I Want More) and A Wall Gatto Ciliegia contro il Grande Freddo (Nico, 1988), have done an electronic adaptation of classical music pieces by Chopin and Liszt KOLKATA DIRECTOR OF PHOTOGRAPHY Crystel Fournier (Nico, 1988, Tomboy) FILM FESTIVAL COSTUME DESIGNER Massimo Cantini Parrini (Pinocchio, Dogman) OFFICIAL EDITOR Stefano Cravero (Nico, 1988, Dafne) SELECTION Italy - Belgium / 2020 / 107’ / English - German “Garai commands attention as a defiant woman who was punkishly far ahead of her time” - Screen International - “An audacious retelling ... absolutely affecting” - The Guardian - “An explosive performance from star Romola Garai” - Indiewire - “Nicchiarelli’s film feels like its own kind of manifesto” - The Telegraph - “Miss Marx stands out with its progressive dimension” - Telerama - Memory House a JOÃO PAULO MIRANDA MARIA picture Memory TRAILER House PRESS BOOK a JOÃO PAULO MIRANDA MARIA picture Modern day Brazil, but lost in time. Cristovam, a native Black man from the rural North, moves to a former Austrian colony in the South to work in a milk factory. Confronted with xenophobic conservative people, he feels isolated and estranged from the white world. He discovers an abandoned house, filled with objects and memorabilia reminding him of his origins. He settles in, reconnecting with his roots. As if this memory house were alive, more objects start to appear. Slowly, Cristovam begins a metamorphosis. WINNER ROGER EBERT For his feature debut, director João Paulo Miranda Maria uses AWARD spiritual and fantastical story-telling to encapsulate the social and CHICAGO IFF racial tensions of modern day Brazil. PRODUCERS Paula Cosenza, Denise Gomes (BeBossa Entertainment - Brazil) and Didar Domehri (Maneki Films - France) WINNER BEST Brazil - France / 2020 / 93’ / Portuguese - German CINEMATOGRAPHY STOKHOLM FF US RELEASE BY FILM MOVEMENT « A nuanced look at systemic racism in Brazil » - VARIETY - « Memory House melds past
Load more

Recommended publications
  • Reservoir Dogs 1992
    04 programação da cinubiteca www.labcom.ubi.pt/cinubiteca universidade da beira interior licenciatura em cinema 23 | março | 04 ciclo { filmes de culto }* reservoir dogs 1992 . EUA . 99’ realização Quentin Tarantino argumento Quentin Tarantino Roger Avary fotografia Andrzej Sekula supervisão musical Karyn Rachtman montagem Sally Menke com Harvey Keitel Tim Roth Michael Madsen Chris Penn Steve Buscemi > Engenho narrativo. Tarantino gosta de contar histórias. Percebemos isso logo neste primeiro filme. E nos filmes seguintes. Ou em qualquer entrevista com o realizador. A arte de narrar não é algo simples, não é uma faculdade democrática. Será um privilégio, > Pop. O filme começa com a exegese de um uma vocação. Tarantino, cinéfilo de hino pop: “Like a Vigin”. Há no filme muito de videoclube, sabe bem que parte da força cultura popular. Tarantino não é um erudito, histórica do cinema lhe vem da sua capacidade não pretende sê-lo. Mas lida com inegável para engendrar ilusões, manipular destreza com imagens, figuras, factos do vasto expectativas, surpreender ou desconcertar (as caldeirão de cores, narrativas, sensações que dedicatórias a Corman ou Godard são, de a cultura urbana do século XX cozinhou. A modo diverso, ilustrativas disso mesmo). vibração é funky, a atitude é cool, alheia à Intrínsecos a toda a boa ficção estão o artifício gravidade do mundo, ao mesmo tempo e o engano: a verdade da mentira. Tarantino próxima da convicção e da presunção. Com a sabe que mais que o conforto, o espectador música dos anos 70 desenha o tom e o ritmo premeia a provocação. “Reservoir Dogs” é um exibição do filme.
    [Show full text]
  • Speech by Carolle Brabant, Quebec MBA
    QUEBEC MBA ASSOCIATION APRIL 25, 2012 The Canadian audiovisual industry: We mean business Speech delivered by Carolle Brabant, C.P.A., C.A., MBA Executive Director, Telefilm Canada I’d like to thank you for being here today as well as thank the Quebec MBA Association for making culture a part of these lunch-time talks. As an MBA graduate myself, I’m delighted to be able to use this forum to speak to you about a passionate and important industry for the economic and cultural future of Canada: the audiovisual industry. I decided to join this industry over 21 years ago and I’ve never regretted it. It has let me combine my passion for business with my passion for the arts. Every day, I get to work with inspirational, dynamic people who motivate me. 1/24 There’s been much talk of culture in the media these past few weeks as a result of the federal government’s recent budget cuts. But there’s also been much talk about the success garnered by Canadian productions. One need only think of the tremendous box office success enjoyed by Starbuck. It was announced this week that DreamWorks has acquired the remake rights and that Ken Scott would be the director. Then, of course, there’s Monsieur Lazhar, which made it all the way to the Oscars! The Canadian audiovisual industry is a vibrant, active industry that touches us every day through our television screens, at the movies, and increasingly on our computers and phones. It is an industry deserving of our attention, notably because of its contribution to the culture and economy of our country.
    [Show full text]
  • Film Guide April 2018
    FILM GUIDE APRIL 2018 www.loftcinema.org BEST F(R)IENDS & THE DISASTER ARTIST W/ GREG SESTERO IN PERSON! LAWRENCE OF ARABIA PRESENTED IN 70MM • SUNDAY, APRIL 15 AT NOON! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. APRIL 2018 SPECIAL ENGAGEMENTS 4-23 JOURNALISM ON SCREEN 6 BEER OF THE MONTH: LOFT MEMBERSHIPS 8 FIRESTONE LAGER LOFT JR. 12 BY FIRESTONE WALKER BREWING CO. ESSENTIAL CINEMA 14 ONLY $3.50 ALL THROUGH APRIL! SCIENCE ON SCREEN 16 NATIONAL THEATRE LIVE 17 NEW AT THE LOFT CINEMA! MONTH-LONG SERIES 19-20 The Loft Cinema now offers Closed Captions and Audio LOFT STAFF SELECTS 21 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 23-24 website to see which films offer this technology. NEW FILMS 25-34 REEL READS SELECTION 32 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 35 • aLoft Hotel • Espresso Art • Revolutionary Grounds • Antigone Books • Fantasy Comics • Rincon Market CULT CLASSICS 36 • Aqua Vita • First American Title • Rocco’s Little Chicago • Art Institute of Tucson • Fresco Pizza • Rogue Theatre THE LOFT CINEMA • AZ Title Security • Fronimos • Santa Barbara Ice Cream 3233 E. Speedway Blvd. • Bentley’s • Heroes & Villains • Shot in the Dark Café Tucson, AZ 85716 • Black Crown Coffee • Hotel Congress • Southern AZ AIDS • Bookman’s • How Sweet It Was
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
    ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world.
    [Show full text]
  • Festival Centerpiece Films
    50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E.
    [Show full text]
  • P38 2 Layout 1
    lifestyle MONDAY, NOVEMBER 10, 2014 Featurs Oscars: Will Christopher Nolan finally land a director nomination? his year’s director race is all about the other British biopic of the year, “The Not look promising Hollywood drama “Birdman or (The pair of actor-directors who could be last- the Oscar virgins. Most of the con- Theory of Everything,” directed by James But the burning question in the race Unexpected Virtue of Ignorance),” minute game changers. Clint Eastwood’s Ttenders in the running-starting Marsh. is if the Academy will finally come to its despite the film’s polarizing third act. “American Sniper” hasn’t officially with Richard Linklater (“Boyhood”) — For Marsh to land a nod, the doc film- senses and honor the Susan Lucci of the He’ll probably land the Paul Thomas screened yet, but those who have seen it have never been nominated in the cate- maker will need to campaign hard with category. At first glance, the odds might Anderson vote, since the director of “The say it’s another strong effort from the gory before. But one caveat to remem- the narrative that his Stephen Hawking not look promising for Christopher Master” will be sitting out of this year’s prolific director, who hasn’t factored into ber: predictors have been wary of declar- story isn’t just a vehicle for stars Eddie Nolan, who was snubbed for “Dark ceremony for his out-there “Inherent this category since 2007’s “Letters from ing any locks in this competition since Redmayne and Felicity Jones. Marsh laid Knight” trilogy and “Inception.” But Vice.” If Chazelle manages to grab the Iwo Jima.” (He definitely isn’t getting the Academy snubbed sure-thing con- the intricate groundwork for creating “Interstellar” is his most Academy-friend- Bennett Miller spot, will there still be nominated for “Jersey Boys.”) And then tenders Ben Affleck (“Argo”) and Kathryn such a true-to-life story that made ly film to date-and I mean that as a com- room for the real Bennett Miller? there’s Angelina Jolie, who makes her Bigelow (“Zero Dark Thirty”) two years Hawking himself cry at a screening.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • Print 2021.1.5 Updated
    BIOGRAPHY Ryo Kase Ryo Kase was born on November 9, 1974 in Kanagawa, Japan. Shortly after birth his family moved to Washington, United States, where he spent most of his childhood. Kase began his acting career in 2000 and gained his first starring role in Kazuyoshi Kumakiri’s Antenna (2004). He then went on to work with several internationally renowned Japanese film directors, including Takashi Kitano, Hirokazu Koreeda and Kiyoshi Kurosawa. His first appearance in an International film was Clint Eastwood’s Letters from Iwo Jima (2006). He continued to appear in several high-profile international films including Gus Van Sant’s Restless (2011), Abbas Kiarostami’s Like Someone in Love (2012), Hong Sang-soo’s Hill of Freedom (2014), Martin Scorsese’s Silence (2017) and Bel canto (2018). He is a recipient of multiple awards, including a nomination for Japan Academy Award, Blue Ribbon Award, Hochi Film Award and Asian Film Award. 5.January.2021 FILMOGRAPHY <MOVIE> 2020 MINAMATA Andrew Levitas The Works and Days C.W. Winter, Anders Edström (of Tayoko Shiojiri in the Shiotani Basin) 2019 TO THE ENDS OF THE EARTH Kiyoshi Kurosawa 2018 Bel Canto Dir. Paul Weitz LYING TO MOM (aka The Suzuki Family’s Lie.) Dir. Katsumi Nojiri Mori, The Artist’s Habitat Dir. Shuichi Okita 2017 Moonlight Shimo Ochiai Dir. Tasuku Emoto March comes in like a lion Dir. Keishi Otomo SILENCE Dir. Martin Scorsese 2016 Azumi Haruko wa Yukue Fumei Dir. Daigo Matsui 2015 FOUJITA Dir. Kohei Oguri Our Little Sister Dir. Hirokazu Koreeda 2014 Hill of Freedom Dir. Hong Sang-Soo My Hawaiian Discovery Dir.
    [Show full text]
  • 2020 Sundance Film Festival: 118 Feature Films Announced
    FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody ​ ​ ​ ​ Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro ​ ​ ​ ​ ​ López; Ema, courtesy of Sundance Institute. ​ ​ Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature ​ films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park ​ ​ City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources ​ support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
    [Show full text]
  • O Sentimental Machine
    476-18-05 s Mai 2018 www.strandgut.de für Frankfurt und Rhein-Main D A S K U L T U R M A G A Z I N >> Film Nach einer wahren Geschichte W i von Roman Polanski ll ab 17. Mai Kentri iam dg e, Co e, >> ff Tanz pot ee Kreationen f or B or l im Hessischen ac k Staatsballett Box / C h am b >> Musiktheater re Noire, , © Wi American Idiot in der Batschkapp ll William Kentri iam >> Literatur dg Jahre später e, Foto: Jo von Angelika Klüssendorf h n Ho dgk iss >> Kinder Kentridge Burgfestspiele Bad Vilbel O Sentimental Machine Bis 26.8.2018 ausgeschlossen. Gefördert durch sweg ist au echt tungen ausgenommen. Der R taltu Medienpartner Sonderverans ..; eis trittsprtrittspreis bis Kulturpartner Ein ärenäre eguegulgul 2 FÜR 1-GUTSCHEIN enn r im OriginalFoto vorlegen. oder als Zu zweit x zahlen.in die Ausstellung Einfach Gutschein und nur tigig für d Ein Gült INHALT Film 4 Isle of Dogs von Wes Anderson 5 Maria by Callas von Tom Volf TopTop FiveFive 6 Nach einer wahren Geschichte von Roman Polanski 7 Wunder der Wirklichkeit von Thomas Frickel Werbe Maria by Callas 8 18. Nippon Connection Highlights 8 23. Cuba im Film 9 Ein Leben von Stéphane Brisé 9 abgedreht 10 Filmstarts Theater Auf den Hund gekommen 16 Tanztheater »Isle of Dogs« von Wes Anderson Cuba im Film: Sergio y Serguéi 18 Der alte Schinken Um es gleich vorweg zu sagen: »Isle of im Schauspiel Frankfurt VW Golf 18 Premieren 4 Dogs« ist nicht der beste Wes-Anderson- 1 18 vorgeführt Film, all dieser Liebe zum Detail, dem tech- Mit innovativer Gebietsbe- 19 Der Spieler nisch-ästhetischen Wagemut und der Zitier- nachrichtigung, bringt Mama in der Exzesshalle freude zum Trotz, die wir von diesem Regisseur und Papa zum eh.
    [Show full text]
  • Ete De Kikujiro Dp.Pdf
    “ C’est simple, c’est beau, c’est l’intelligence faite film” Première & EN ASSOCIATION AVEC BAC FILMS PRÉSENTE VERSION RESTAURÉE UN FILM DE TAKESHI KITANO (1999) AVEC TAKESHI KITANO, YUSUKE SEKIGUCHI, KAYOKO KISHIMOTO DURÉE : 2H01. JAPON. COULEUR. 1.85. STERÉO SORTIE NATIONALE LE 20 JUILLET 2016 Photos et matériel presse téléchargeables sur www.letedekikujiro-lefilm.com DISTRIBUTION LA RABBIA 19, rue de Liège 75009 Paris www.larabbia.com RELATIONS PRESSE EN ASSOCIATION AVEC Matilde Incerti BAC FILMS assistée de Jérémie Charrier 9, rue Pierre Dupont 16, rue Saint-Sabin 75010 Paris 75011 Paris Tél : 01 80 49 10 00 Tél : 01 48 05 20 80 www.bacfilms.com [email protected] L’histoire Masao (Yusuke SEKIGUCHI) est un petit garçon qui vit avec sa grand-mère à Tokyo. Son père est décédé et sa mère travaille loin de la capitale. Quand les grandes vacances démarrent et que l’enfant voit tous ses amis partir, Masao décide de prendre la route pour retrouver sa mère. Alors qu'il s'enfuit du domicile familial, il tombe sur une ancienne voisine (Kayoko KISHIMOTO) de sa grand-mère qui ordonne à son petit ami Kikujiro (Takeshi KITANO) de l'accompagner. Truand sans envergure, celui-ci prend d'abord cette mission comme un fardeau... L'été de Kitano L'Eté de Kikujiro est le huitième film que réalise Takeshi Kitano, après le succès international, tout autant critique que public, que rencontre Hana-bi. Kitano est alors à un moment de sa carrière où il peut tout se permettre. Conscient qu'une image de réalisateur violent commence à lui coller à la peau, il décide de changer l'orientation de son nouveau film.
    [Show full text]