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Programa.Pdf FIRT/IFTR International Federation for Theatre Research Annual Conference July 22nd - 26th, 2013 EXECUTIVE COMMITTEE IFTR-FIRT Christopher Balme, President COMITÉ EXÉCUTIF IFTR-FIRT Helen Gilbert, Vice-President Christina Nygren, Vice-President Brian Singleton, Past President Susan Haedicke, Treasurer Jan Clarke, Secretary General (Administration) Paul Murphy, Secretary General (Communication) Charlotte Canning, Editor Theatre Research International Winrich Meiszies (President of SIBMAS) Elected Members Khalid Amine & Co-opted Members Balakrishnapillai Ananthakrishnan Contents / Sommaire Awo Mana Asiedu Elaine Aston Boris Daussà-Pastor (co-opted) Jean Graham-Jones Kene Igweonu Hanna Korsberg Gay Morris Yasushi Nagata Emer O’Toole Anneli Saro Steve Wilmer Farah Yeganeh 7 / 9 The Routes of Barcelona’s Conference / Les Routes du Congrès de Barcelone Incoming Members Awo Mana Asiedu Bishnupriya Dutt 11 Keynotes Hayato Kosuge Peter W. Marx Sigriður Lára Sigurjónsdóttir (Student Member) 18 General Conference Calendar CONFERENCE ADVISORY Christopher Balme 21 Conference Sessions COMMITEE (FIRT 2013) Jean Graham-Jones COMITÉ CONSULTATIF (FIRT 2013) Christina Nygren (Working Groups) 91 Other Academic Activities Awo Mana Asiedu (New Scholars Forum) BARCELONA Boris Daussà-Pastor (Conf. Organizer, New Scholars Forum, Working Groups, Additional Activities during the Conference CONFERENCE COMMITEE General Panels, Website) COMITÉ DU CONGRÈS Mercè Saumell (Conference Organizer, Keynotes, General Panels, 95 Publication launches DE BARCELONE Social Programme) 97 Working Group-Sponsored Activities Jaume Ponsa (Conference Assistant) Carme Saldó (Visa Coordinator & Liason to Publishers) 98 MAE Visits Conference Image Enric Satué (Image and Graphic design) 99 Open MIC Conference Programme Mercè Saumell (Editor) Artefacto (Designer and Copyeditor) 103 Social Programme INSTITUT DEL TEATRE Ramón Jovells, Institut del Teatre General Manager (Conference Executive Practical Information Staff collaborating Production) with the Conference Francesca Alaminos (Administrative Coordination) 107 Access & Health Care Personel qui a collaboré Artur García (Website Contents Manager) avec le Congrès Laura Conesa (Social Programme Coordinator) 109 Floor Plans Jordi Aubach (Press and Public Relations) Maria Guillén (Production Assistant) 116 City of Theatre Eulàlia Conangla (Liaison to Centenary’s Office) 118 Restaurant Guide Volunteer’s Coordinating Team Cristina Cordero (Volunteer’s General Coordinator) Marc Chornet (Open Mic Coordinator) 123 Who is Who? Laia Falp (Accomodation Liason) The Routes of Barcelona’s Conference Creating this Programme has been an arduous and beautiful endeavor. It shows the dynamism of theatre scholarship and its protagonists, the scholars that contribute with their work, but it also shows our character and choices as organizers. The papers and panels you will see cover not only a wide range of themes taking center stage but also a rich array of perspectives for the study of performance. All 22 Working Groups of the International Federation for Theatre Research (FIRT/IFTR) are convening this year in Barcelona—and even new Working Groups seem to be in the making—showing a sustained ef- fort for developing theatre and performance scholarship in very diverse areas. Some of them are also presenting this year the results of their work in the form of publications. In addition, the theme of the conference generated an over- whelming response, with a number of scholars providing different takes on how we can rethink theatre and performance scholarship in the context of the routes that it has taken and the roots from where it may have originated. We hope that this theme will not only offer a possibility to view performance and performance scholarship as something fluid and intricate, but will also be the chance to review the ro(o)utes of our field and the possible paths that may lay ahead of us. On this note, the Programme also shows an impressive amount of New Scholars that contribute to the field challenging theatre scholarship with renewed interests and perspectives; they are the promise of a healthy future in our field, a promise that is in fact already here. This year’s marks a new structure for FIRT/IFTR Conference that inte- grates Working Groups within the general conference schedule rather than in a discrete section before the general conference starts. In line with this new direction taken by FIRT/IFTR Executive Committee, we decided to offer ad- ditional spaces of visibility for Working Groups within the general Conference with a number or Working Group-sponsored General Panels that will show- case their work and interests for the consideration of all colleagues. In addi- tion, we also wanted to capitalize on the alliances and shared interests already existing among some of us, allowing for the possibility of presenting full panels in the form of what we called Curated General Panels. We were happy to see the positive response that this initiative also had. In addition to the usual scholarly presentations typical of a FIRT/IFTR Conference, we decided to add a platform for the showcase of some practical work, with the intention of inviting not only conference participants but also artists and students from our own local community. We organized the Open MIC at the end of the day after conference sessions are over. This is a rather informal setting for the presentation of short fragments of practical work, with no rehearsal, and little technical equipment. We are thrilled to see that the 7 Open MIC programme has truly become a mixed program of local and inter- national proposals. The practical job of putting together, editing, and organizing the Confer- ence Programme you have right now in your hands has also been quite a labor of love, made possible by long nights and many people helping. The editorial choices trying to find the most comprehensible way to organize the informa- tion with such a vast event were not always easy. In spite of all the help and hard work, we are probably bound to have made some mistakes; we apologize in advance and ask for your understanding. Les Routes You are now the protagonist of this event. We are grateful for the opportu- nity we’ve been given to work together with you towards this event, a celebra- du Congrès de Barcelone tion of our field and an opportunity to learn from each other and grow. Thanks for your contribution. La création de ce Programme a été un effort ardu mais agréable. Il montre le dynamisme des Études Théâtrales et ses protagonistes, les chercheurs qui Boris Daussà-Pastor Mercè Saumell contribuent par leur travail, mais il montre aussi notre caractère et nos choix en tant qu’organisateurs. Les communications et les panneaux que vous ver- rez couvrent non seulement un large éventail de thèmes, mais aussi un riche éventail de perspectives pour l’étude de la performance. Les 22 Groupes de Travail de la Fédération Internationale pour la Recherche Théâtrale (FIRT/ IFTR) ont convoqué cette année leurs rendez-vous à Barcelone—et même des nouveaux groupes de travail sont en train de se constituer—, un fait que montre l’effort soutenu pour développer les études sur théâtre et performance dans des domaines très divers. Certains d’entre eux présentent également cette année les résultats de leurs travaux sous forme de publications. En outre, le thème du congrès a suscité une réponse enthousiaste, avec un certain nombre de spécialistes qui fournissent des visions différentes sur la façon dont nous pouvons repenser les études sur le théâtre et la performance dans le contexte des routes qu’ils ont prises et les racines (roots) d’où ils peuvent provenir. Nous espérons que ce thème offrira la possibilité de considérer les performances et l’études de la performativité comme quelque chose de fluide et complexe, mais sera aussi l’occasion de revoir les ro(o)utes de notre domaine et les chemins possibles que nous pouvons y prévoir. Sur cette note, le programme montre également une quantité impressionnante de Nouveaux Chercheurs qui con- tribuent au domaine des études théâtrales avec questions difficiles et avec des nouveaux points de vue et des énergies renouvelés; ils sont la promesse d’un avenir pour notre domaine en bonne santé, une promesse qui est en fait déjà arrivée. Cette année marque une nouvelle structure pour les Congrès FIRT/IFTR qui intègre les groupes de travail dans le calendrier général du congrès, plutôt que dans une section distincte avant que le congrès générale commence. En ligne avec cette nouvelle orientation prise par le Comité Exécutif FIRT/IFTR, nous avons décidé d’offrir des espaces supplémentaires de visibilité au sein du congrès générale pour les groupes de travail avec plusieurs panneaux générales qui présentent et mettent en valeur le travail et les intérêts des Groups de Travails devant tous les collègues. En outre, nous avons également voulu capi- taliser sur les alliances et les intérêts communs qui existent déjà entre certains d’entre nous, en prévoyant la possibilité de présenter des panneaux entiers sous la forme de ce que nous appelons Curated General Panels. Nous étions heureux de voir la réponse positive que cette initiative a eu aussi. En plus des présentations scientifiques habituelles typiques d’un congrès FIRT/IFTR, nous avons décidé d’ajouter une plate-forme pour la vitrine de 8 9 certains travaux pratiques, avec l’intention d’inviter non seulement les par- ticipants au congrès, mais aussi des artistes et des étudiants de notre propre milieu locale. Nous avons organisé le micro ouvert (Open MIC) à la fin de la journée après les sessions du congrès finissent. Il s’agit d’un cadre plutôt informel pour la présentation de fragments de travaux pratiques, sans répéti- tion préliminaires, et peu d’équipement technique. Nous sommes ravis de voir que le programme de micro ouvert (Open MIC) est véritablement devenu un programme mixte de propositions locales et internationales. Le travail pratique de rassembler, éditer et organiser le Programme du Congrès que vous avez maintenant entre vos mains a aussi été tout un travail d’amour, rendue possible par des longues nuits et des nombreuses person- Keynotes nes aidant.
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