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The Role of Literature in the Films of Luchino Visconti
From Page to Screen: the Role of Literature in the Films of Luchino Visconti Lucia Di Rosa A thesis submitted in confomity with the requirements for the degree of Doctor of Philosophy (Ph. D.) Graduate Department of ltalian Studies University of Toronto @ Copyright by Lucia Di Rosa 2001 National Library Biblioth ue nationale du Cana2 a AcquisitTons and Acquisitions ef Bibliographie Services services bibliographiques 395 WeOingtOn Street 305, rue Wellington Ottawa ON K1A ON4 Otiawa ON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence ailowing the exclusive ~~mnettantà la Natiofliil Library of Canarla to Bibliothèque nation& du Canada de reprcduce, loan, disûi'bute or seil reproduire, prêter, dishibuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format é1ectronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, From Page to Screen: the Role of Literatuce in the Films af Luchino Vionti By Lucia Di Rosa Ph.D., 2001 Department of Mian Studies University of Toronto Abstract This dissertation focuses on the role that literature plays in the cinema of Luchino Visconti. The Milanese director baseci nine of his fourteen feature films on literary works. -
Treasures of Sicily Trip Notes
Current as of: November 19, 2019 - 12:49 Valid for departures: From January 1, 2018 to December 31, 2020 Treasures of Sicily Trip Notes Ways to Travel: Guided Group 9 Days Land only Trip Code: Destinations: Italy Min age: 16 ADZ Leisurely / Programmes: Culture Moderate Trip Overview Sicily is one of the most fascinating islands in Europe, thanks to the indelible marks left by the Phoenicians, Greeks, Romans, Arabs, Normans and Spanish civilisations. This comprehensive tour explores its sophisticated cities, picturesque villages, well-preserved archaeological sites and splendid scenery. It starts with an excursion on Mt Etna, continuing to the towns of Syracuse, Agrigento and Selinunte - all listed as UNESCO heritage sites. There is also a day in Zingaro National Reserve with magnicent views of the Mediterranean. At a Glance 7 nights in 3 and 4-star hotels and 1 night agriturismo, all en suite Sightseeing on foot and 2 daywalks Group normally 6 to 18, plus local leader. Min age 16 yrs Travel by private air-conditioned minibus Trip Highlights Explore Baroque heritage in Noto and Ragusa Ibla Visit archaeological sites in Siracusa, Agrigento and Selinunte Cover the island's highlights and best heritage sites in nine days Is This Trip for You? This is a comprehensive itinerary, with a few long and busy days due to the amount of distance that we cover. There is some gentle walking involved on most days during the sightseeing but it won't be strenuous. All transfers are by private air-conditioned minibus allowing us to enjoy comfortable journeys. Please note that due to traf c restrictions in place in a lot of the historic centres visited you may have to carry your suitcase over cobbled pavements, although the bus will be leaving you as close as possible to your hotel. -
First Circular - 19Th International Symposium on Vulcanospeleology
19TH INTERNATIONAL SYMPOSIUM ON VULCANOSPELEOLOGY, 2020 CATANIA – SICILY – ITALY Figure 1: Etna's summit craters seen Barbagallo craters - ph. G. Priolo DATES The 19TH International Symposium on Vulcanospeleology (ISV) will be held in Catania, on the island of Sicily in Italy from Saturday August 29 to Saturday September 5, 2020. LOCATION The 19th ISV will take place in the prestigious setting of the University of Catania, in the centre of the city. The town is only 35 kilometres from the top of Mt. Etna. The big draw for cavers will be the lava tubes, numbering over 300, on Mt. Etna. This mountain is a composite strato-volcano that reaches 3.325 m a.s.l. Its pyroducts cover a large area (8100 hectares/ 20,000 acres). ORGANIZING TEAM The symposium will be organized jointly by Gruppo Grotte Catania (GGC) and University of Catania. The GGC caving group is affiliated with the Catania section of the Club Alpino Italiano (CAI). The University of Catania1 is one of the oldest in Italy. 1 Founded in 1434 AD FIRST CIRCULAR - 19TH INTERNATIONAL SYMPOSIUM ON VULCANOSPELEOLOGY INTRODUCTION Letter from Paolo Forti to the President of the UIS Commission before the IVS18 Dear Vulcanospeleologists, Unfortunately, I will not attend your Symposium (IVS18 Lava Beds California) but I am sure that it will be successful as all the past ones, several of which I had the chance to attend. I heard that there is a chance to host in Italy the next Symposium on Vulcanospeleology and I am very excited because, if it will really happen, I will have the possibility to participate. -
The Melodramatic Realism of Luchino Visconti
The Melodramatic Realism of Luchino Visconti David Gariff Notes to accompany the film series Luchino Visconti at the National Gallery of Art (front cover) La terra trema November 3 through December 16, 2018 (above) Morte a Venezia (back cover) Senso Courtesy Photofest nga.gov/film 1 The Melodramatic Realism of Luchino Visconti I like melodrama because it is situated just at the In 1948 the Italian film director Luchino Visconti meeting point between life and theater. (1906 – 1976) made La terra trema (The Earth Trembles), the story of the rituals and hardships of life in the small Sicilian fish- — Luchino Visconti ing village Aci Trezza, near Catania. Based on the nineteenth- century verismo novel I malavoglia by Giovanni Verga (1840 – 1922), La terra trema is, in part, Visconti’s response to films by French directors like Jean Renoir (1894 – 1979) and René Clair (1898 – 1981). More importantly, the film is a vibrant example of the tenets of neorealism advocated in Visconti’s 1941 article “Truth and Poetry: Verga and the Italian Cinema,” which was published in the Italian avant-garde journal Cinema. The article calls for Italian filmmakers to return to the rich tradition of Italian realist literature that extends back into the nineteenth century, specifically the novels and stories of Verga. Visconti praises Verga’s stark, impersonal, and often fatalistic portray- als of human experience, as well as his sensitivity to regional dialects and customs, as inspiration for a relevant cinema that would confront the problems of modern Italy in the 1940s. With the fall of Fascism in 1943, Italian filmmakers embraced a new freedom that encouraged this direct and authentic style of movie making. -
Time and Space Scattered Volcanism of Mt. Etna Driven by Strike-Slip Tectonics Received: 23 April 2019 M
www.nature.com/scientificreports OPEN Time and space scattered volcanism of Mt. Etna driven by strike-slip tectonics Received: 23 April 2019 M. Firetto Carlino 1, D. Cavallaro1, M. Coltelli1, L. Cocchi 2, F. Zgur3 & D. Patanè1 Accepted: 25 July 2019 High-resolution seismic refection, magnetic and gravity data, acquired ofshore of Etna volcano, Published: xx xx xxxx provide a new insight to understanding the relationship between tectonics and spatial-temporal evolution of volcanism. The Timpe Plateau, a structural high pertaining to the Hyblean foreland domain, located ofshore of southeastern Mt. Etna, is speckled by volcanics and strongly afected by strike-slip tectonics. Transpressive deformation produced a push-up and a remarkable shortening along WNW-ESE to NW-SE trending lineaments. Fault segments, bounding basinal areas, show evidence of positive tectonic inversion, suggesting a former transtensive phase. Transtensive tectonics favoured the emplacement of deep magmatic intrusive bodies and Plio-Quaternary scattered volcanics through releasing zones. The continuing of wrench tectonics along diferent shear zones led to the migration of transtensive regions in the Etna area and the positive inversion of the former ones, where new magma ascent was hampered. This process caused the shifting of volcanism frstly along the main WNW-ESE trending “Southern Etna Shear Zone”, then towards the Valle del Bove and fnally up to the present-day stratovolcano. Although Mt. Etna (eastern Sicily, Italy) provides one of the most intricate and studied examples of volcanism, its origin and spatial-temporal evolution are still the object of debate. Mt. Etna basaltic volcanism takes place in an atypical setting, i.e. -
Active Tectonics Along the South East Offshore Margin of Mt. Etna: New Insights from High-Resolution Seismic Profiles
geosciences Article Active Tectonics along the South East Offshore Margin of Mt. Etna: New Insights from High-Resolution Seismic Profiles Giovanni Barreca 1,* ID , Marta Corradino 2 ID , Carmelo Monaco 1 ID and Fabrizio Pepe 2 ID 1 Dipartimento di Scienze Biologiche, Geologiche e Ambientali, University of Catania, Corso Italia, 57, 95129 Catania, Italy; [email protected] 2 Dipartimento di Scienze della Terra e del Mare (DISTEM), University of Palermo, Via Archirafi, 20/22, 90123 Palermo, Italy; [email protected] (M.C.); [email protected] (F.P.) * Correspondence: [email protected]; Tel.: +39-095-719-5703 Received: 6 December 2017; Accepted: 6 February 2018; Published: 8 February 2018 Abstract: The offshore margin of Mt. Etna has been shaped by Middle Pleistocene to Holocene shortening and extension and, more recently, by gravity-related sliding of the volcanic edifice. These processes have acted contemporaneously although the gravitational component largely prevails over the tectonic one. In order to investigate this issue, we focused on the main role of active tectonics along the south-eastern offshore of Mt. Etna by means of marine high-resolution seismic data. Seismic profiles revealed post-220 ka sedimentary deposits unconformably overlaying the Lower-Middle Pleistocene Etnean clayey substratum and volcanics of the Basal Tholeiitic phase and the Timpe phase. Offshore Aci Trezza-Catania, the architecture of the sedimentary deposits reflects syn-tectonic deposition occurred into “piggy-back” basin setting. Shortening rate was estimated at ~0.5 mm/a since ~220 ka. Asymmetric folding also involves post Last Glacial Maximum deposits, evidencing that compressional deformation is still active. -
Active Tectonics Along the South East Offshore Margin of Mt. Etna: New Insights from High-Resolution Seismic Profiles
geosciences Article Active Tectonics along the South East Offshore Margin of Mt. Etna: New Insights from High-Resolution Seismic Profiles Giovanni Barreca 1,* ID , Marta Corradino 2 ID , Carmelo Monaco 1 and Fabrizio Pepe 2 ID 1 Dipartimento di Scienze Biologiche, Geologiche e Ambientali, University of Catania, Corso Italia, 57, 95124 Catania, Italy; [email protected] 2 Dipartimento di Scienze della Terra e del Mare (DISTEM), University of Palermo, Via Archirafi, 20/22, 90123 Palermo, Italy; [email protected] (M.C.); [email protected] (F.P.) * Correspondence: [email protected]; Tel.: +39-095-719-5703 Received: 6 December 2017; Accepted: 6 February 2018; Published: 8 February 2018 Abstract: The offshore margin of Mt. Etna has been shaped by Middle Pleistocene to Holocene shortening and extension and, more recently, by gravity-related sliding of the volcanic edifice. These processes have acted contemporaneously although the gravitational component largely prevails over the tectonic one. In order to investigate this issue, we focused on the main role of active tectonics along the south-eastern offshore of Mt. Etna by means of marine high-resolution seismic data. Seismic profiles revealed post-220 ka sedimentary deposits unconformably overlaying the Lower-Middle Pleistocene Etnean clayey substratum and volcanics of the Basal Tholeiitic phase and the Timpe phase. Offshore Aci Trezza-Catania, the architecture of the sedimentary deposits reflects syn-tectonic deposition occurred into “piggy-back” basin setting. Shortening rate was estimated at ~0.5 mm/a since ~220 ka. Asymmetric folding also involves post Last Glacial Maximum deposits, evidencing that compressional deformation is still active. -
Continuities and Ruptures in Italy's Postwar Filmic Foodscape
Breaking Bread: Continuities and Ruptures in Italy’s Postwar Filmic Foodscape Nicole Ann Kiviat Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Nicole Ann Kiviat All Rights Reserved ABSTRACT Breaking Bread: Continuities and Ruptures in Italy’s Postwar Filmic Foodscape Nicole Ann Kiviat This dissertation examines food tropes in Italian films of the Economic Miracle, investigating moments of continuity with prewar gastronomic traditions, as well as denoting drastic breaks with the familiar. The kitchen is a place of traditional culinary practices and ingredients, and from which sensations of hominess and conviviality are continually generated; yet, the kitchen is where the changes to the postwar foodscape are most visible. In my analysis of films released from 1954 to 1973, the kitchen is treated as a site of both recognizability and unrecognizability: the feeling that someone does not belong among the people, objects, and rituals part of that changing arena; alternatively, they might not be recognized themselves. In the readings that follow, these directors, actors, and writers grapple with such unrecognizability by way of the stomach: the organ with which to digest food and, moreover, to process the changes that that gastronomy represents. This dissertation is divided into four chapters, or, rather, two halves: first, continuity and desire, and later, rupture and violent rejection. These halves represent continuities and breaks, respectively, as this project follows the transformation of Italy’s “rosy” cinema into dark, nihilist auteurism. At the center of the first half are two stars: Totò (Chapter Two) and Sophia Loren (Chapter Three). -
A Cinematic Nation: Representation, Regionalism, and the National Question in Postwar Italy
A Cinematic Nation: Representation, Regionalism, and the National Question in Postwar Italy By ©2009 Brent Jeffrey Piepergerdes Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. James R. Shortridge ____________________________ Chairperson Committee Members Garth A. Myers ____________________________ J. Christopher Brown ____________________________ Terry A. Slocum ____________________________ Janice M. Kozma ____________________________ Date Defended: December 04, 2009 The Dissertation Committee for Brent Jeffrey Piepergerdes certifies that this is the approved version of the following dissertation: A Cinematic Nation: Representation, Regionalism, and the National Question in Postwar Italy James R. Shortridge ____________________________ Chairperson Committee Members Garth A. Myers ____________________________ J. Christopher Brown ____________________________ Terry A. Slocum ____________________________ Janice M. Kozma ____________________________ Date Approved: December 11, 2009 i Table of Contents List of Figures iii Acknowledgements iv Introduction: Imagined Italies—Cinema, Nation, Narration 1 1 The Southern Question and the Roots of Modern Italian Regionalism 20 2 Film Neorealism and the Postwar Italian Condition 52 3 The Periphery of Modernity: An Overview of Cinema and the South during the 83 Economic Miracle 4 To Laugh or Cry?: Commedia all’italiana and the Critique of Cultural Change 101 5 Interrogating the Hegemony of the Italian Economic Miracle 132 6 Popular Cinema and the Deconstruction of the Myths of Modernization 176 7 Boundaries: New Regionalisms and the Limits of the Cinematic Nation 210 Notes 232 Appendix 254 Filmography 259 Bibliography 264 ii List of Figures I.1. (Map) The traditional border between the North and the Mezzogiorno. -
Lachea Islet and Cyclop Rocks” (Southern Italy)
sustainability Article Preliminary Recognition of Geohazards at the Natural Reserve “Lachea Islet and Cyclop Rocks” (Southern Italy) Giovanna Pappalardo 1 , Simone Mineo 1,* , Serafina Carbone 1, Carmelo Monaco 1,2,3 , Domenico Catalano 4 and Giovanni Signorello 4 1 Department of Biological, Geological and Environmental Sciences, University of Catania, 95129 Catania, Italy; [email protected] (G.P.); [email protected] (S.C.); [email protected] (C.M.) 2 CRUST—Interuniversity Center for 3D Seismotectonics with Territorial Applications, 66100 Chieti, Italy 3 Istituto Nazionale di Geofisica e Vulcanologia, Osservatorio Etneo, 95125 Catania, Italy 4 CUTGANA Centro Universitario per la Tutela e la Gestione degli Ambienti Naturali e degli Agro-Ecosistemi, University of Catania, 95123 Catania, Italy; [email protected] (D.C.); [email protected] (G.S.) * Correspondence: [email protected] Abstract: In this study, we present a preliminary recognition of geohazards at the natural reserve archipelago “Lachea Islet and Cyclop Rocks” by integrating infrared thermography (IRT) and morphological-aerial interpretation. The study area, located in the wider setting of the UNESCO (United Nations Educational, Scientific and Cultural Organization) World Heritage Mount Etna (eastern Sicily), is a worldwide renowned tourist destination suffering from a limited fruition due to the instability of rock masses. The peculiar setting of the area, represented by steep sea rocks and an islet, requires the employment of remote surveying methodologies for the preliminary slope characterization in the perspective of safe ground surveys. In this paper, IRT analysis allowed the recognition of signs of past rockfalls, as well as the presence of loose rock material likely laying in unstable conditions, thanks to the variation of the surface temperature characterizing the slope. -
U3AC FILM GROUP ARCHIVES (In Term Order - Most Recent First) Spring 2020
U3AC FILM GROUP ARCHIVES (in term order - most recent first) Spring 2020 14 January Walkabout Dir: Nicolas Roeg: Australia 1970 (96 mins) [Member’s Request] Nicolas Roeg’s second film as director is an atmospheric masterpiece of sexual tension. Jenny Agutter and Luc Roeg (the director’s son, here credited as Lucien John) play the children stranded in the outback when their father kills himself. As they are guided by an Aborigine youth (David Gulpili) who teaches them how to live off the seemingly arid land, Roeg successfully conjures up a tale that is as dazzling as the shimmering landscape against which it is set. 21 January The Great Dictator Dir: Charles Chaplin: USA 1940 (124 mins) [Member’s Request: Forties' Season: Chaplin Tribute] Chaplin’s first dialogue feature was brilliant satire on the anti-Semitic Nazi regime, with Chaplin in the dual role of a Jewish barber and dictator Adenoid Hynkel. This features some of Chaplin’s greatest comic moments – the glories of the barber shaving a customer in time to a Hungarian dance by Brahms, contrasting with Hynkel’s solo ballet with a globe of the world. Bliss, even though Chaplin said that if he had known the Nazis’ real horror, he would never have made such a burlesque, and the final speech, pleading for universal tolerance when the barber takes over from Hynkel is passionate but mawkish. 28 January Shoplifters Dir: Hirokazu Kore-eda: Japan 2018 (121 mins) [Member’s Request] This Palme d’Or winning drama about a Japanese family of crooks who lift a lost little girl from the streets is a satisfying and devastating gem. -
Emigration in Italian Nation Identity Construction from Postwar To
Spaesati d’Italia: Emigration in Italian National Identity Construction from Postwar to Economic Miracle By Fabiana Woodfin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mia Fuller, Chair Professor Barbara Spackman Professor Gene Irschick Spring 2011 1 Abstract Spaesati d’Italia: Emigration in Italian National Identity Construction from Postwar to Economic Miracle by Fabiana Woodfin Doctor of Philosophy in Italian Studies University of California, Berkeley Professor Mia Fuller, Chair Since the founding of the Italian nation in 1861, mass emigration has played a crucial role in the construction of a national identity among a population historically divided by regional, ethnic, linguistic and cultural differences. In the aftermath of the Second World War, emigration continued to fulfill a vital function in Italy’s national redefinition. In material terms, it enabled Italy to rebuild a devastated political and economic framework in a manner that allowed old power blocs to evade the restructuring of traditional relations of production. Yet emigration proved equally essential for redrawing the cognitive map of the nation, laying out the new ideological terrain upon which material reconstruction was to take place. In the ideological vacuum that followed the collapse of Fascism and the nation’s loss of foreign colonies, postwar emigration narratives proved fundamental for carrying out a project of collective redemption that cleansed Italians from the stain of Fascism while restoring the colonial imaginary that had traditionally governed the nation’s relationship with its South.