Planning Ahead | Athens News

Total Page:16

File Type:pdf, Size:1020Kb

Planning Ahead | Athens News 13 Jun 2012 http://www.athensnews.gr/issue/13496/55567 by Helen Iatrou , Despina Pavlaki 17 May 2012 International Museum Day Within the framework of its participation in this year’s International Museum Day (May 18), the Museum of Greek Folk Art hosts an exhibition of interesting photographs by members of Kethea Paremvasi, a programme for substance-dependent individuals. Entitled Palea Athina (Old Athens), the images offer meaningful insight into how the budding photographers view their chaotic city. The odd note of hope, unexpected splashes of colour and visual recollections of the capital when life was a great deal simpler characterise the collection of 57 photographs on show. Paremvasi chose to cast its focus on the historic centre as it wanted to document the crumbling buildings and the narrow alleyways as well as highlight the contrasts between ancient and modernday life. On at the Museum of Greek Folk Art (The Bathhouse of the Winds, 8 Kyrristou St, Plaka) until June 3. Launch on May 18 at noon. Opening hours: Wednesday through Monday 9am to 3pm. For further info, phone 210-322-9031 or visit www.melt.gr For more on International Museum Day events, see pages 16 & 33 Ambelostudio Fine artist Melina Moisidelis moves her painter’s studio into the open for 12 consecutive hours in an effort to engage with urban nature and the people who inhabit it Citypark life is not Greece’s strongest point. Unless you own a dog that needs walking, urban patches of greenery are usually ignored or traversed in a hurry on your way to somewhere less leafy. In an effort to turn this around, Spanish- trained painter Melina Moisidelis temporarily moves her studio to a tiny little park between the busy intersection of Alexandras and Kifisias avenues, a little slice of paradise called Ambelokipi (Greek for “vineyard and garden”) Square. This urban intervention is part of the 8 to 8: State of Creative Emergency series, currently on its third edition. “I will transport my studio to a public location, where I will coexist with the natural environment and invite passers-by to spend a day reflecting and discussing the relationship between art and nature, while encouraging contemplation and enjoyment of that spot.” This little-regarded patch of land is smack-dab in the middle of a busy commercial area and although it handles heavy human traffic on a daily basis, it never actually manages to attract the attention of the people who traverse it. During her 12-hour stint in her “Ambelostudio”, Moisidelis will continue to work on her Third Women series, based on the book The Third Woman by French philosopher and sociologist Gilles Lipovetsky and consisting of females encased in plexiglas domes or portraits emerging behind crumbling walls. “Using aspects of the female body, I reflect on women’s position in contemporary society,“ says the artist, who paints faces and writhing silhouettes resisting, revolting from and reaffirming their identity. Some of the finished work will be mounted around the little square, transforming this overlooked location into a platform of onsite interaction between the public and the private. 8 to 8: State of Creative Emergency is an initiative originating with artist Blanka Amezkua according to which creative minds are invited to construct and execute an art project within 12 hours (from 8am to 8pm) that encourages public participation. Ambelostudio - May 19 (8am-8pm) at Ambelokipi Square (Intersection of Vas Sofias & Alexandras aves at Zacharof St) For info about other 8 to 8 projects, visit www.blankaamezkua.com/8to8 From MTV to YouTube Filmmaker Nikos Soulis, the directorial force behind some 2,500 music videos, shares his passion with participants in an eight-part workshop that will result in a collective music video with a connoisseur of this idiosyncratic genre guiding you every step of the way - May 21-25 at Loukoumi Bar (3 Avissianias Square, tel 698050365). Fee at 120 euros. For more information, email: [email protected] Vlassis Caniaris One of the most significant Greek artists of the postwar period, Vlassis Caniaris has always concerned himself with socio-political themes. The Athens branch of the Kalfayan Galleries showcases his 1980 installation “Cocktail”, hoping to create the basis for intense dialogue and raise a few questions along the way - May 28 to June 30 at Kalfayan Galleries (11 Charitos St, Kolonaki, tel 210-721-7679, www.kalfayangalleries.com) Conceptual variations Painter, novelist and art historian Kostas Evangelatos will he honoured with a solo show featuring characteristic conceptual work from his first period of aesthetic exploration. The body of work includes paintings made as far back as 1982, which have been exhibited in one form or another all over Europe - till May 31 at the Ionian Centre for the Arts and Culture (Metaxata, Kefalonia, tel 26710-41126, www.ionionartscenter.gr) Day drives away the night In his new solo show, Faidon Patrikalakis evolves from the primitive style of his earlier work towards a world of fantasy with a slight tinge of surrealism where colour and light triumph over the shadows and the night - till June 16 at Astrolavos-Dexameni Gallerie (11 Xanthippou St, tel 210-729-4342, www.astrolavos.gr) Bodies and objects in motion The 5th Bodies and Objects in Motion Festival presents the ora pro nobis collective in two stage plays (The Tart Belongs to the Flies, Chamber Sounds) that aim to promote up-and-coming artists and the inspiring relationship between physical movements and stage props - May 18-19 at Fournos Theatre (168 Mavromichali St, Neapoli, tel 210-646-0748). Entrance at 8 euros Human - being… A group exhibition Human-being… makes a strong statement: “We are here, we are human, please respect our right to preserve the sanctity of human existence.” In a world ruled by profit, only a shift in perception would lay the foundations for a hopeful future and the five participating artists provide visual motivation - till May 31 at Pop Up 123 (123 Pireos St, Gazi, tel 6944 615 541) You May! London-based Greek choreographer Zoi Dimitriou explores the limits of tolerance and the margins of risk in our rigidly structured 21st-century society, fearlessly expanding her choreographic idiolect to embrace new modes of onstage narration. Inspired by La jetee (1962) by French filmmaker Chris Marker - May 24-27 at the Onassis Cultural Centre (107-109 Syngrou Ave, Neos Kosmos, tel 213-0178-000, www.sgt.gr). Entrance at 18 euros The Gift of Screws Kostas Sahpazis’ first solo exhibition comprises 13 new sculptures that let slip the possibilities of material expression. Moody, eloquent and lyrical, his table-top, suspended and wall pieces push forward and are then circling back through persistent ambiguities and irrational arrangements of forms and materials - May 30 to July 30 at Andreas Melas & Helena Papadopoulos Gallery (cnr Epikourou 26 & Korinis 4 sts, tel 210-325-1881, www.melaspapadopoulos.com) The Greek Monsters by Beetroot Thessaloniki design agency/think-tank Beetroot Design Group celebrate their consistent brilliance (they were named Agency of the Year) with a cluster of installations, sculptures, idols, stencil graffiti and invisible audio monsters inspired by Greek mythology - till July 29 at the Benaki Museum, Pireos Street Annexe (138 Pireos St, www.benaki.gr) Athens News 18/May/2012 page 17, 20-21 Planning ahead Average: Your rating: None Athens News | Greece in English, since 1952 Copyright 1995-2010 NEP Publishing Company SA, 181 Doiranis St., Kallithea, Athens 176 73, Greece Designed, Developed & Hosted tel 213-008-7150, fax 210-943-1110 Reproduction or modification in whole or part without express written permission is prohibited..
Recommended publications
  • HIEU 117GS. Traditional Greek Society Syllabus
    Athens HIEU117 GS HIEU 117 GS: Traditional Greek Society: An Ethnographic History Dr. Thomas W. Gallant HS & S 4016 [email protected] webpage: http://thomaswgallant.org 4 Units Lecture: 8 hours Outside prep by the student: 10 On-site instruction: 10 Two Excursions Brief Course Description: Until recently, Greece was a traditional society. Using museum materials, site visits, archival resources and, a rich body of secondary historical and anthropological sources, , this course presents an ethnographic social history of Greek society during the long Nineteenth century. Course Description: At the dawn of the modern age, Greece possessed a very traditional society. Most people lived in small villages and were peasant farmers. Their’s was a world ruled by centuries long customs and practices. But because of Greece’s location and its place in the Ottoman Empire, Greek society was integrally connected to the world. Moreover, during the Nineteenth century Greek society underwent a transformation. The advent of industrialization and the rapid growth of Athens 1 Athens HIEU117 GS contributed greatly to the process, creating new working and middle classes. Using the materials displayed in museums, site visits to restored villages and living museums, as well the rich documentary record, this course presents an ethnographic history of Greek society during the long Nineteenth century. Course Materials. Gallant, Thomas W., 18-19th Century World History in Athens: On-site & Excursions Workbook, an illustrated workbook of materials related the the on-site lectures and the excursions. You must have this with you at every on-site lecture and excursion. Gallant, Thomas W. Modern Greece.
    [Show full text]
  • Speakers Biographies | Keynote Speakers |
    SPEAKERS BIOGRAPHIES | KEYNOTE SPEAKERS | Jim Broughton | Head of International Engagement | The Natural History Jim Broughton is responsible for the Natural History Museum’s international diplomacy, partnerships and global business activities – including its touring exhibitions program, its publishing, picture library, and the renowned Wildlife Photographer of the Year competition. Jim trained as a designer and has a background in exhibition development and museum master-planning, chiefly working within international collaborations. He has worked previously at the British Museum, at Historic Scotland and in consultancy, with much of his career spent on large partnership projects in Asia. Jim is Vice Chair of ICOM UK. Email: [email protected] John A. Giurini | Assistant Director for Public Affairs | The J. Paul Getty Museum John Giurini joined the Getty in January 2005 as Assistant Director in the Communications department of the J. Paul Getty Trust. In November 2007, he became head of public affairs for the J. Paul Getty Museum. In this capacity, he oversees all communications efforts for the Museum’s two Los Angeles locations, which includes media relations, marketing and branding, strategic planning and community relations, as well as donor relations. John is also a member of the Museum’s senior management team. Prior to joining the Getty, John ran his own public relations consulting practice specializing in consumer products, travel and tourism, retail, and non-profit organizations. Email: [email protected] Francesco Manacorda | Artistic Director | Tate Liverpool Francesco Manacorda is the Artistic Director of Tate Liverpool, where he conceives and executes the public programs. Before joining Tate Liverpool, Francesco has served as Director of Artissima in Turin, curator of the Barbican Gallery in London, and Visiting Lecturer in Exhibition History and Critical Theory at Royal College of Art, London.
    [Show full text]
  • Greek/French/English
    1111111111111111111111111 0088400017 Rec;u N° v~.. !; .. J .. ITNAlKEIO.r; AfPOTIKO.r; .r;YNII:MOI; IIAPAAOI;IAlillN llPOiONTON AllOY ANTONIOY 1:TjA.2396041807, fax.2396024507 Ernail: [email protected] Website: www.aianton.gr Elacxvwyi'i o YUVOIKEioe; OUVETOIPIOIJOC; TOU Ayiou AVTwviou IOPU811K£ TOV ]OUVIO TOU 1999, orro 26 yuvoiK£<; TOU XWpIOU, IJE oKorro vo rrpoo<pEpEI Epyooio OTO IJf.All TOU KOI va EVIOXUOEI TO ElooorHJa TOUe.;, lJE TrjV rrapaywy~ KOI 0108EOll rroloTIKWV, X£lporro[IlTWv rropaoooloKWV rrpoYovTwv, TO oTToio rropooK£uO~OVTOI JlE IJ£YaAll cppovrioo KOI rrpooox~. nopoA.A.llAa, 0 OUVETOIPfOIJ0<; oUIJj3dAEf OTllv avomu~£1 Tilt; TTEPIOX~t; KOI OTIl OIOT!'tPrjOrj Tt"j<; TTOPOOOOrj<; KOI T£1e; rrOAITIOTIKr)e; KAIlPOVOlJfOe;. H OVdyKl"j yla TO OUYK£KpIIJEVO rrpoTOVTa Ko80pio8rjKE orro EpEUVO oyopo<; rrou EylVE rrplv TIl OlllJloupyio TOU OUVETOIPIOlJoD. 01 yuvoiKEe; KOTocpEpav VO rrpoa8taouv a~ia OTO TOTTlKO OypOTfKO rrpoYovra KOI UAfKO, KOeWe.; KO! va olacpt"jlJioouV TO XWplO TOUe;, acpou TO rrpo'iovTO TOUe; ola8hoVTOI IJE TIl cpiplJa (ovolJaoio), «rUVOIKEio<; LUVETOIpIOIJOe; Ayiou AVTwviou». 0 OUVETOlpIOJlOe; KOTOCPEPE VO ETTlj3IWOEI rrapo TOV OVTOYWVI0I..I0, OfOTIlPWVTO<; TI<; O~iEe; TOU, ECPOPIJO~OVTO<; TTOIOTIKODe; EAEyXOUe.; KOI TTlOTOrr01WVTOe.; TIe; rropaYWYIKEe; OIOOIKaoiEe; TOU. EmAEx8t"jKOV aTTOTEA£O\.lOTIKd KaVOAfa OIOVO\.l!'tC;, lJia op8~ rrOAfTlK~ TlJloMyl"jOlle.;, Ka8wc; KOf 01 rrA.£ov KardAAl"jAOI TporrOI TTPowSIlOllC; TWV rrpoToVTWV, Myw TOU I..IIKpoD rrpoOrroAoYfO\.loD ylO rrpoj3oAr'}. laTopllCO To XWplO TO
    [Show full text]
  • Reek Cultural Collections
    SHORT Greece ARTICLESG reek Katerina Moutogianni, Constantinos FROM Cultural Chatzichristos CLOSED Collections: DOORS the Path to Europeana TO OPEN Introduction our prehistoric, classical and byzantine heri- tage. Taking the ATHENA project and Europeana GATES as a starting point, the Hellenic Ministry of In June 2010, the Ministry launched a new Culture and Tourism has embarked on a major portal, "Digital Collections of the Hellenic initiative to promote Greek cultural content Ministry of Culture and Tourism" online. The goal has been twofold: promoting (collections.culture.gr), with the aim of the digital collections of the Ministry through making digitised artefacts from its public mu- the development of a new portal and making seums accessible online. The new portal was them available in Europeana; and collabora- essential for publishing these digital items in ting with a number of other cultural institu- Europeana, since the aim of Europeana is to tions (including museums, archives, a music guide the visitor back to the website where library, a theatre etc), many of them supervi- they can view each item in its full original sed by the Ministry, to support them in publi- context. shing their digital collections in Europeana. The new portal was initially developed to ena- The case of public museums ble the publishing of existing digitised artefacts contained within the system of the Greek public museums exhibit collections that National Archive of Monuments of the Mi- belong to the state, and include the riches of nistry. The information in this system was ggggg originadata 96 The portal "Digital Collections Uncommon of the Hellenic Ministry Culture of Culture and Tourism" The new portal, produced by the Ministry Parthenon,on a very low budget with a great deal North Frieze, Block XXXIV,of in-house effort, was indeed Acropolis Museum.
    [Show full text]
  • Greeklitp2.Pdf
    THE ERA OF ENLIGHTENMENT (LATE 17TH CENTURY- 1821) The visit of the British ambassador Ainslie to the palace of the ruler of Wallachia. L. Mayer, Views in Turkey, in Europe and Asia, comprising Romelia, Bulgaria, Wallachia, Syria and Palestine (Palace at Bucoresti, Plate II). London, 1801-1806. (Gennadius Library, Athens) Princess Eleni Soutsou and the ruler of Wallachia Michael Soutsos. From Louis Dupré, Voyage à Athènes et à Constantinople ou Collection de Portraits, de vues et de costumes grecs et ottomans, Paris, 1825. (National Historical Museum, Athens) 67 View of Thrace, the Dardanelles, the Bosporus and Black Sea, with inset map showing the topography of Olympia, 0.50 X 0.70 m. National Historical Museum, Athens, no. 6334. A page from the ‘Map of Greece, including the islands and showing part of the Greek communities in Europe and Asia Minor…, published by Rigas Velestinlis of Thessaly for the benefit of Greeks and Philhellenes, 1797. Engraved by Francois Miller in Vienna’. RIGAS VELESTINLIS RIGAS AND KORA´S The total lack of reliable biographical information regarding the formative years of Rigas has been compensated by local legend and tradition. He was born in Velestino, Thessaly (1757?), where he received his basic education. His quest for further education took him to Constantinople (1774?) where he was introduced into Phanariot circles. He became a clerk to the noble family of Ypsilantis (1785) and later went to Walla- chia, perhaps having been admitted to Masonic circles. His contact with the Phanariot world, his time spent close to Ka- tartzis, a leading Greek proponent of the Enlightenment, and his knowledge of foreign languages, which enabled him to fol- low European intellectual developments, all served to broaden his horizons.
    [Show full text]
  • Athens DIRECTIONS
    Athens DIRECTIONS WRITTEN AND RESEARCHED BY John Fisher and Paul Hellander NEW YORK • LONDON • DELHI www.roughguides.com 2 Tips for reading this e-book Your e-book Reader has many options for viewing and navigating through an e-book. Explore the dropdown menus and toolbar at the top and the status bar at the bottom of the display window to familiarize yourself with these. The following guidelines are provided to assist users who are not familiar with PDF files. For a complete user guide, see the Help menu of your Reader. • You can read the pages in this e-book one at a time, or as two pages facing each other, as in a regular book. To select how you’d like to view the pages, click on the View menu on the top panel and choose the Single Page, Continuous, Facing or Continuous – Facing option. • You can scroll through the pages or use the arrows at the top or bottom of the display window to turn pages. You can also type a page number into the status bar at the bottom and be taken directly there. Or else use the arrows or the PageUp and PageDown keys on your keyboard. • You can view thumbnail images of all the pages by clicking on the Thumbnail tab on the left. Clicking on the thumbnail of a particular page will take you there. • To bookmark a page, click on the Bookmark tab on the left. Select New Bookmark from the dropdown menu and add your own description. • You can use the Zoom In and Zoom Out tools (magnifying glass) to magnify or reduce the print size: click on the tool, then enclose what you want to magnify or reduce in a rectangle.
    [Show full text]
  • Athens Athens in 4 Days Packed Itinerary
    Athens Athens in 4 Days Packed Itinerary © 2014-2015 visitacity.com All rights reserved. No part of this site may be reproduced without our written permission. Day 1 09:00 The Acropolis The UNESCO site topped by the Acropolis and other ancient structures 10:00 Parthenon The main structure on the Acropolis built in honor of Athena 11:10 Theater of Dionysos A well preserved amphitheatre, 174AD on the slopes of the Acropolis 12:15 Plaka Athens' old town, charming cobbled streets, cafes and neo-classical building 13:50 The Acropolis Museum This museum holds archaeological findings, statues and architecture from the Acropolis 15:55 Hadrian's Arch A 2nd century triumphal arch in honor of Emperor Hadrian 16:30 Temple of Olympian Zeus The remains of the largest temple in Greece, southeast of the Acropolis 17:30 Panathenaic Stadium Built in 330BC for the Panathenaic Games and adapted over time © 2014-2015 visitacity.com All rights reserved. No part of this site may be reproduced without our written permission. 09:00 The Acropolis Visit Duration: 1 hour Athens' top must-see attraction and a UNESCO site is the Acropolis, High City or Sacred Rock, a hill overlooking the city and home to the most recognizable symbol of the city, the Parthenon. The Acropolis has been inhabited since the Neolithic period and has been used as both a religious cult site and a residential area. Most Greek cities were built around a central hill or mound as it made a good-look out point and place to retreat in the event of an attack.
    [Show full text]
  • Lila De Chaves
    B I O G R A P H Y Lila de Chaves Ethnologist Lila de Chaves is an ethnologist who specialises in historical & ethnic textiles, jewellery & costumes and a supporter of Heritage & Museums around the world. Address: c/o Benaki Museum 1, Koumbari St., Kolonaki, Athens, Greece Telephone Νο: 210 7228701 Mobile: 6932 746 856 Email : [email protected] Birthplace: Athens, Greece CONSULTANCIES . Special consultant at the Benaki Museum since 1977 . Curator of the jewellery art work Shop of the Benaki Museum . Former curator of the Benaki Museum’s collection of Coptic textiles . Associate of the Hellenic Organisation for Small Scale Industries and Handicrafts (EOMMEX) since 1974 and in this capacity took part in international exhibitions of metalwork in Greece and abroad. Consultant to the Hellenic Centre for Metalwork (ELKA), a subsidiary of EOMMEX, for three years. TEACHING . Teaches history of the art and craft of textiles (medieval textiles, ecclesiastical and secular embroidery, Coptic textiles, kilims, carpets, lace), in the form of seminars at cultural institutions such as the American Women’s Organisation of Greece (AWOG), Panorama (YWCA), and Athens College. Taught in the M.A. programme of the visual arts division of South-eastern American College, Athens. Developed an original, short seminar on handmade jewelry and micro-sculpture (silver and gold) at the Benaki Museum, where for the past twenty years she has been teaching techniques, such as filigree and repoussée that are gradually being lost. To date more than a thousand people have attended these seminars, many of whom were professional goldsmiths and silversmiths. As President of the Friends of the Museum of Greek Folk Art (MGFA), donated 14 table-top looms and kits, and set up successful seminars for tapestry weaving, 1 within the framework of educational programmes for children and young people at the MGFA.
    [Show full text]
  • A 3 Day Tour in Broader Athens- Piraeus
    A 3 day tour in broader Athens- Piraeus I. SUSTAINABLE TOURISM PRODUCT 1 I. The concept . To create a walking route through the broader centre combining the three dimensions of a multi-thematic route (culture, gastronomy, environment) (Day 1) . To offer the opportunity for hiking on the mountain of Hymettus (Imittos) within the urban environment of the city (Day 2) . To discover the broader area of Piraeus as a vivid entertainment district (Day 3) II. The target group The itinerary addresses travelers aged 25-50 of middle income seeking a holistic experience of interaction with local people, cultural and physical environments rather than purely attraction- led tourism. The specific target group includes repeat visitors wanting to go beyond well-known tourist attractions, walk through the city and discover that within an hour’s drive the visitor can find him/herself hiking on a mountain or enjoying the sea. III. The related itinerary The package refers to a 3day visit to Athens (4 nights- 3 days) during June. Day 1: It includes walking through the areas of Gazi, Metaxourgeio, Kerameikos, Psirri, Thissio, Acropolis, Monastiraki, Plaka, Philopappou Hill, Makrigianni, Koukaki, Ano Petralona Day 2: includes hiking on Mount Hymettus (Imittos), discovering the neighbourhoods of Kaisariani, Vyronas Day 3 enjoying the coast Piraeus, Marina Zeas, Kastella, Mikrolimano, Peiraiki 1st afternoon arrival at the hotel preferably in the area of Koukaki 1 night stroll around the area (Koukaki/Makigianni) for a drink or dinner at a local traditional tavern (optional) Day 1 Most of Athens main tourist attractions are centrally located making it extremely convenient for walking.
    [Show full text]
  • National Museums in Greece: History, Ideology, Narratives Andromache Gazi
    Building National Museums in Europe 1750-2010. Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Bologna 28-30 April 2011. Peter Aronsson & Gabriella Elgenius (eds) EuNaMus Report No 1. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=064 © The Author. National museums in Greece: History, Ideology, Narratives Andromache Gazi Summary Greek national identity has been moulded on a threefold historical scheme that was initially sketched in the second quarter of the nineteenth century and had been crystallized by the first decades of the twentieth century. This scheme evolved gradually according to changing political and ideological circumstances. The sense of identity was initially based on Greece’s affinity to classical antiquity that was exalted to a revered model. When this affinity was disputed, the - previously discarded - Byzantine heritage was reassessed and accepted as an integral part of national heritage while aspects of folk life started being studied in order to provide evidence of the unbroken continuity of the nation down the centuries. Thus, by the end of the nineteenth century Greeks could pride themselves for being the heirs of a famous classical heritage, an important Byzantine legacy, and of a living folk tradition some aspects of which - it was believed - might be traced back to antiquity. This ideological process had been consolidated by the 1920s and has since served as the backbone of national master narratives. National museums such as the National Archaeological Museum (henceforth NAM), the Byzantine and Christian Museum (henceforth BCM), the Museum of Greek Folk Culture (henceforth MGFA) and the National Historical Museum are entrenched in this scheme, support the master narrative and present the notion of an eternal Hellenic spirit that guides the nation through different historical periods.
    [Show full text]
  • Environment and Culture 2008/9
    The tree of life in four seasons in four of life The tree Ministry of Culture and Tourism General Directorate of Antiquities and Cultural Heritage Directorate of Museums, Exhibitions and Educational Programs Department of Educational Programs and Communication Environment and Culture 2008/9 ISBN: 978-960-214-881-5 Copyright ©Ministry of Culture and Tourism 2009 Athens, 2009 Ministry of Culture and Tourism General Directorate of Antiquities and Cultural Heritage Directorate of Museums, Exhibitions and Educational Programs Department of Educational Programs and Communication Environment and Culture 2008/9 Editors: Stella Chryssoulaki, Alexandra Seleli Illustrations: Alexandra Seleli Translation: Elisabeth Founten Evaluation of the National Campaign of the Hellenic Ministry of Culture and Tourism ‘Environment and Culture – The tree of life in four seasons’ 2008/9: translation by the authors Page layout – Photo Editing: En Plo Editions Printing and finishing: Lyhnia S.A. Contents Environment and Culture 2008/9 – ‘The tree of life in four seasons’ ..............................................................................9 Intoduction… ............................................................................................................................................................................................... 14 Evaluation of the National Campaign of the Hellenic Ministry of Culture and Tourism ‘Environment and Culture – The tree of life in four seasons’ 2008-9 ..........................................................................
    [Show full text]
  • Scientific Program
    28th International Meeting of the Pediatric Colorectal Club 28th – 30th August 2021 Zappeion Megaron Athens, Greece HYBRID CONGRESS (in person and digital attendance) www.pccathens.com SCIENTIFIC PROGRAM Under the Auspices PANHELLENIC MEDICAL MEDICAL ASSOCIATION ASSOCIATION OF ATHENS ORGANIZATIONAL SUPPORT: iTA CONGRESS katahorisi lofric-bard 17x24.pdf 1 15/4/19 9:45 µµ Προϊόντα διαχείρισης ουροδόχου κύστης Η πρόταση για διαλείποντα καθετηριασμό που συμβάλλει στην καλύτερη ποιότητα ζωής των ασθενών Αυτοκόλλητοι Εξωτερικοί Περιπεϊκοί Καθετήρες POP-ON® Για την αντιμετώπιση της ανδρικής ακράτειας ούρων 100% από σιλικόνη ARITI A.E. ΑΘΗΝΑ: Λεωφ. Τατοΐου 52, 13677 Αχαρνές δίπλα Τηλ.: 210 8002650 - Fax: 210 6207503 στον άνθρωπο www.ariti.gr - [email protected] WELCOME MESSAGE Dear Colleagues and friends, It gives us great pleasure to invite you to participate in the 28th International Meeting of the Pedi- atric Colorectal Club, which will take place at the Zappeion Megaron in Athens, Greece from 28th to 30th August 2021. Diseases of the colon and rectum in children such as anorectal malformations, Hirschsprung’s disease, inflammatory bowel disease, idiopathic constipation and fecal incontinence present a special chal- lenge to pediatric surgeons. Many of these diseases have a major impact on quality of life and warrant long-term follow-up and treatment into adulthood. In order to provide the best medical and surgical care to children with colorectal diseases, it is essential that we have the highest possible standards of education, training and research. The 28th International Meeting of the Pediatric Colorectal Club aims to provide up-to-date clinical and scientific information on all aspects of pediatric colorectal diseases and malformations to practicing pediatric surgeons, pediatric urologists, pediatricians, pediatric gas- troenterologists, basic scientists, nurses and patient support groups.
    [Show full text]