A Cultural Guide to Athens
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Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014
Updated Tuesday, December 31, 2013 | 1:38:43 PM Last updated Tuesday, December 31, 2013 Updated Tuesday, December 31, 2013 | 1:38:43 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Heaven and Earth: Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. Cat. No. 1A / File Name: 3514-117.jpg Statuette of Europa, 1st or early 2nd century marble height: 34.5 cm (13 9/16 in.) Archaeological Museum of Ancient Corinth Cat. No. 1B / File Name: 3514-118.jpg Head of Pan, 2nd century (?) marble height: 14.4 cm (5 11/16 in.) Archaeological Museum of Ancient Corinth Cat. -
The Acropolis
November 2010 The Acropolis Acropolis is actually a generic Greek term referring to citadel on high ground originally designed for defense, and a number of Ancient Greek cities could boast such, such as Argos, Thebes, and Corinth. It was Athen’s acropolis, though that has become the Acropolis to the modern world. The Acropolis was formally proclaimed as the pre-eminent monument on the European Cultural Heritage list of monuments in 2007. The Acropolis is a flat-topped rock which rises 490 ft above sea level in the city of Athens, with a surface area of about 3 hectares. By the time of Pericles, during the Golden Age of Athens (460–430 BC), a number of temples had already been build and destroyed on the Acropolis, but most of the major temples were rebuilt under Pericles, Phidias (a great Athenian sculptor) and Ictinus and Callicrates (two famous architects) . During the 5th century BC, the Acropolis gained its final shape. After winning at Eurymedon in 468 BC, Cimon and Themistocles ordered the reconstruction of southern and northern walls, and Pericles entrusted the building of the Parthenon to Ictinus and Phidias. The Parthenon is the dominant building one sees standing atop the Acropolis today. It has been judged by architects as the most perfect building ever built by Man, and it undoubtedly is one of the major reasons why the Acropolis is so famous. The entrance to the Acropolis was a monumental gateway called the Propylaea. To the south is the tiny Temple of Athena Nike. A bronze statue of Athena, by Phidias, originally stood at its centre. -
Ebook Download Greek Art 1St Edition
GREEK ART 1ST EDITION PDF, EPUB, EBOOK Nigel Spivey | 9780714833682 | | | | | Greek Art 1st edition PDF Book No Date pp. Fresco of an ancient Macedonian soldier thorakitai wearing chainmail armor and bearing a thureos shield, 3rd century BC. This work is a splendid survey of all the significant artistic monuments of the Greek world that have come down to us. They sometimes had a second story, but very rarely basements. Inscription to ffep, else clean and bright, inside and out. The Erechtheum , next to the Parthenon, however, is Ionic. Well into the 19th century, the classical tradition derived from Greece dominated the art of the western world. The Moschophoros or calf-bearer, c. Red-figure vases slowly replaced the black-figure style. Some of the best surviving Hellenistic buildings, such as the Library of Celsus , can be seen in Turkey , at cities such as Ephesus and Pergamum. The Distaff Side: Representing…. Chryselephantine Statuary in the Ancient Mediterranean World. The Greeks were quick to challenge Publishers, New York He and other potters around his time began to introduce very stylised silhouette figures of humans and animals, especially horses. Add to Basket Used Hardcover Condition: g to vg. The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural color of the stone or bronze, but it could also cover sculptures in their totality; female skin in marble tended to be uncoloured, while male skin might be a light brown. After about BC, figures, such as these, both male and female, wore the so-called archaic smile. -
What Role and Perspectives for Africa's Social Economy to Cope with The
From Austerity to Growth and Recovery: Overcoming the Socio-Economic Consequences of Greece's Crisis SPEECH by Mr Luca JAHIER President of Group III 'Various Interests' of the European Economic and Social Committee INAUGURAL SESSION 20 March 2014 EN R - 1 - Your Excellencies Distinguished guests Dear friends and colleagues, It truly is a great pleasure, personally and for all members of the Various Interests Group of the European Economic and Social Committee, to be here with you today in Athens and in this exquisite building of the Zappeion Megaron. There are not many occasions in life where one can be so close to History: here we are looking out to the Parthenon, whilst standing in the Zappeion, this monument which represents the revival of those Athenian values in modern-time Greece. For the Zappeion Megaron was constructed in the 19th century to exhibit Greek art and industry during the modern Olympiads, a sort of precursor to the current Acropolis museum. The Zappeion was also the venue for the signature of the accession treaty of Greece to the EU in 1981. Hence the continuity. Indeed in Greece 'History' is inescapable, we are imbued with its memory, we are graced by its wisdom and we are humbled by its responsibility. And Mnemosyne, the Titan goddess of Memory and Remembrance is also the goddess who invented words and gave humans the skill of language: to always remember our common European history and our common aspirations. Did not the French President Valéry Giscard d'Estaing say in 1979 that "Europe without Greece is simply not Europe"? So today in the 6th year of the crisis, we are still united by our common quest for a sustainable, ambitious and cohesive Europe which responds to the needs of its citizens. -
Classics in Greece J-Term Flyer
WANG CENTER WANG Ancient Greece is often held in reverential awe, and Excursions around Greece to places including: praised for its iconic values, contributions, • Epidaurus: a famous center of healing in antiquity and site and innovations. However, much of what has been of one of the best preserved Greek theaters in the world considered iconic is, in fact, the product of a • Piraeus, Cape Sounion, and the Battle site of Marathon western classical tradition that re-imagines and re- • Eleusis, Corinth, Acrocorinth, and Corinth Canal fashions its ancient past to meet its present • Nauplion, a charming seaside city and the first capital of AWAY STUDY J-TERM needs. In this course, you will explore the romance modern Greece – and the realities – of ancient Greece in Greece. • Mycene and Tiryns, the legendary homes of Agamemnon and the hero Herakles Explore Athens, the birthplace of democracy, and • Ancient Olympia: where the original Olympics were the ruins of Mycenae, from which the Trojan War celebrated. was launched. Examine the evidence for yourself • The mountain monastery, and UNESCO World Heritage in Greece’s many museums and archeological site, of Hosios Loukas. sites. Learn how the western classical heritage has • Delphi: the oracle of the ancient world. reinvented itself over time, and re-envision what • Daytrip to Hydra island (optional). this tradition may yet have to say that is relevant, fresh, and contemporary. Highlights include exploring Athens, its environments, and the Peloponnesus with expert faculty. Scheduled site visits include: • Acropolis and Parthenon • Pnyx, Athenian Agora, and Library of Hadrian • Temples of Olympian Zeus, Hephaistus, and Asclepius • Theaters of Dionysus and Odeon of Herodes Atticus • Plaka and Monastiraki flea market • Lycebettus Hill, and the neighborhoods of Athens • National Archeological, New Acropolis, and Benaki museums “Eternal Summer Gilds Them Yet”: The Literature, Legend, and Legacy of Ancient Greece GREECE Educating to achieve a just, healthy, sustainable and peaceful world, both locally and globally. -
The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou
The Acropolis Museum: Contextual Contradictions, Conceptual Complexities by Ersi Filippopoulou 20 | MUSEUM international rsi Filippopoulou is an architect and a jurist, specialised in archaeological museums planning and programming. She served as Director Eof Museum Studies in the Greek Ministry of Culture, and was also responsible for the new Acropolis museum project over 18 years. She worked as Director of the Greek Managing Authority for the European Union, co-financed cultural projects for six years. She served as an adjunct faculty member at the Departments of Architecture of the Universities of Thessaloniki and Patras, Greece. She was elected chairperson of the ICOM International Committee for Architecture and Museum Techniques (ICAMT) twice on a three-year mandate. Since 2012, she has been working as an advisor on heritage issues to the Peloponnese Regional Governor. She recently published a book entitled Τo neo Mouseio tis Acropolis—dia Pyros kai Sidirou, which retraces the new Acropolis Museum’s tumultuous history from its inception to its inauguration (Papasotiriou Publishers 2011). Her current research project is a comparative approach to the Greek archaeological museum paradigm. MUSEUM international | 21 he visitor to the new Acropolis Museum in Athens, climbing to the up- per floor and passing through the exhibition gallery door to an all-glass space flooded with natural light, is suddenly awestruck by the breathtak- ing view of the Parthenon rising up above the surrounding city (Fig. 1). Enjoying the holistic experience inspired by the natural and cultural landscape, the viewer is unaware of past controversies about the mu- seum’s location, and is certain that is the right place to be for anyone wishing to admire the ancient monument together with its architectur- al sculptures. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Hellas: Then and Now
Hellas: Then and Now Classics 3700: Experiential Reflections, Summer 2019 Professor J. Walsh University of Guelph. Student: D. R. Chalykoff 0943282 Overall Word Count: 4,900 29 July 2019 1 In May of 2019 a group of mostly Classics students visited many sites of ancient and contemporary Greece. During those travels, this (mature) student, previously trained and seasoned in architecture, was most affected by three distinctly different phenomena: the meaning implicit in the architecture of the Acropolis; the shocking number of abandoned villas spotted roadside during our bus-based travels through Athens, the islands, and the Peloponnese; and, the built metaphors crying out for interpretation within the New Acropolis Museum. While all of these phenomena, and more, have been addressed within, there is no consequent claim that their treatment is exhaustive or definitive, only honest, cleanly argued, and heartfelt. As an organizing hypothesis, to carry the threads of exploration forward, the contention is that the symmetry of the Parthenon and the asymmetry of the Erechtheion, with the meanings implicit in both of those types of organization, will serve to illuminate the problem of the villas as well as the metaphors of the New Acropolis Museum. The Parthenon will be juxtaposed with the Spartan code and the Erechtheion with Pericles' Funeral Oration. In a less contextually apt series of juxtapositions, the problem of the villas will be tested against social theories of Jane Jacobs and Niall Ferguson in an attempt to understand how Japan and Israel prospered, after disastrous WWII experiences, while Greece faltered. Finally, the loads borne by the columns at the New Acropolis Museum will be analyzed to test their purpose and meaning as parts of a much greater whole. -
NEW EOT-English:Layout 1
TOUR OF ATHENS, stage 10 FROM OMONIA SQUARE TO KYPSELI Tour of Athens, Stage 10: Papadiamantis Square), former- umental staircases lead to the 107. Bell-shaped FROM MONIA QUARE ly a garden city (with villas, Ionian style four-column propy- idol with O S two-storey blocks of flats, laea of the ground floor, a copy movable legs TO K YPSELI densely vegetated) devel- of the northern hall of the from Thebes, oped in the 1920’s - the Erechteion ( page 13). Boeotia (early 7th century suburban style has been B.C.), a model preserved notwithstanding 1.2 ¢ “Acropol Palace” of the mascot of subsequent development. Hotel (1925-1926) the Athens 2004 Olympic Games A five-story building (In the photo designed by the archi- THE SIGHTS: an exact copy tect I. Mayiasis, the of the idol. You may purchase 1.1 ¢Polytechnic Acropol Palace is a dis- tinctive example of one at the shops School (National Athens Art Nouveau ar- of the Metsovio Polytechnic) Archaeological chitecture. Designed by the ar- Resources Fund – T.A.P.). chitect L. Kaftan - 1.3 tzoglou, the ¢Tositsa Str Polytechnic was built A wide pedestrian zone, from 1861-1876. It is an flanked by the National archetype of the urban tra- Metsovio Polytechnic dition of Athens. It compris- and the garden of the 72 es of a central building and T- National Archaeological 73 shaped wings facing Patision Museum, with a row of trees in Str. It has two floors and the the middle, Tositsa Str is a development, entrance is elevated. Two mon- place to relax and stroll. -
FOR IMMEDIATE RELEASE September 11, 2014 MEDIA CONTACTS: Rebecca Baldwin Nina Litoff (312) 443-3625 (312) 443-3363 [email protected] [email protected]
FOR IMMEDIATE RELEASE September 11, 2014 MEDIA CONTACTS: Rebecca Baldwin Nina Litoff (312) 443-3625 (312) 443-3363 [email protected] [email protected] THE ART INSTITUTE OF CHICAGO PRESENTS HEAVEN AND EARTH: ART OF BYZANTIUM FROM GREEK COLLECTIONS Over 60 Works From Greece Represent Life in the Empire that Lasted for More than a Millennium A new exhibition at the Art Institute of Chicago, Heaven and Earth: Art of Byzantium from Greek Collections, presents more than 60 superb artworks of the Byzantine era, from the 4th to the 15th centuries. Organized by the Hellenic Ministry of Culture and Sports of Athens, Greece, with the collaboration of the Benaki Museum, Athens, and originally exhibited at the National Gallery of Art in Washington, DC, and the J. Paul Getty Museum in Los Angeles, the exhibition includes major artistic holdings from Greece consisting of mosaics, sculptures, manuscripts, luxury glass, silver, personal adornments, liturgical textiles, icons, and wall paintings. About one third of the original exhibition will be presented in the Art Institute’s Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art from September 27, 2014, through February 15, 2015. For more than 1,000 years, Greece was part of the vast Byzantine Empire, established in 330 A.D. by the emperor Constantine the Great, who moved the capital of the Roman Empire east to a small town named Byzantium in modern-day Turkey. Renamed for him and transformed into Constantinople, Byzantium would come to represent an empire of splendor and power that endured for more than a millennium. Greek replaced Latin as the official language, and Greece itself was home to important centers of theology, scholarship, and artistic production—as 1 evidenced by the luxurious manuscripts displayed in the exhibition. -
With Archaeologist Kathleen Lynch
THE LEGACY OF Ancient Greece October 13-25, 2021 (13 days | 16 guests) with archaeologist Kathleen Lynch Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur Archaeological Institute of America xperience the glories of Greece, from the Bronze Age to the Classical era and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Kathleen Lynch Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient is Professor history and to witness how integral mythology, religion, drama, and literature of Classics at the University are to their understanding. This well-paced tour, from city to mountains to of Cincinnati seaside, spends a total of four nights in the modern yet historic capital, Athens; and a classical two nights in the charming port town of Nafplion; one night in Dimitsana, archaeologist with a medieval mountain village; two nights in Olympia, home of the original a focus on ancient Olympic Games; and two nights in the mountain resort town of Arachova, Greek ceramics. She earned her near Delphi. Ph.D. from the Highlights include: University of Virginia, and has worked on archaeological projects at sites in • SIX UNESCO World Heritage Sites: Greece (Athenian Agora, Olynthos, ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion Corinth, Pylos), Turkey (Gordion, temples, plus the nearby Acropolis Museum; Troy), Italy (Morgantina), and Albania (Apollonia). Kathleen’s research considers ˚ the greatest ancient oracle, Delphi, located in a spectacular what ancient ceramics can tell us mountain setting; about their use and users. -
Ciné Paris Plaka Kidathineon 20
CINÉ PARIS PLAKA KIDATHINEON 20 UPDATED: MAY 2019 Dear Guest, Thank you for choosing Ciné Paris Plaka for your stay in Athens. You have chosen an apartment in the heart of Athens, in the old town of Plaka. In the shadow of the Acropolis and its ancient temples, hillside Plaka has a village feel, with narrow cobblestone streets lined with tiny shops selling jewelry, clothes, local ceramics and souvenirs. Sidewalk cafes and family-run taverns stay open until late, and Cine Paris (next door) shows classic movies al fresco. Nearby, the whitewashed homes of the Anafiotika neighborhood give the small enclave a Greek-island vibe. Following is a small list of recommendations and useful information for you. It is by no means an exhaustive list as there are too many places to eat, drink and sight-see than we could possibly put down. Rather, this is a list of places that we enjoy and that our guests seem to like. We find that our guests like to discover things themselves. After all is that not a great part of the joy of traveling? To discover new experiences and places. We wish you a wonderful stay, and we hope you love Athens! __________________________________________________ The site to purchase tickets online for the Acropolis and slopes, The Temple of Olympian Zeus, Kerameikos, Ancient Agora, Roman Agora, Adrians Library and Aristotle's School is here https://etickets.tap.gr/ Once you access the site in the left-hand corner there are the letters EΛ|EN; click on the EN for English. MUSEUMS THE ACROPOLIS MUSEUM, Dionysiou Areopagitou 15, Athens 117 42 Summer season hours (1/4 – 31/10) Winter season hours (1/11 – 31/3) Monday 8:00 - 16:00 Monday – Thursday 9:00 - 17:00 Tuesday – Sunday 8:00 – 20:00 Friday 9:00 - 22:00 Friday 8:00 a.m.