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2018-19 SEASON Celebrating 30 Years
2018-19 SEASON Celebrating 30 Years OPENING NIGHT Proving Up NEW YORK PREMIERE MUSIC BY Missy Mazzoli LIBRETTO BY Royce Vavrek Adapted from the short story “Proving Up” by Karen Russell Co-commissioned by Washington National Opera, Opera Omaha, and Miller Theatre at Columbia University © 2018 G. Schirmer Inc. IN A NEW PRODUCTION BY OPERA OMAHA Wednesday, September 26, 8 p.m. | Friday, September 28, 8 p.m. Click on a section to learn more OVERVIEW SYNOPSIS CREATIVE TEAM CAST PRODUCTION PHOTOS OVERVIEW Proving Up Wednesday, September 26, 8 p.m. | Friday, September 28, 8 p.m. The performance runs approximately 75 minutes with no intermission. Composer Missy Mazzoli and librettist Royce Vavrek thrilled audiences and critics alike in 2016 with the premiere of their opera Breaking the Waves. This dynamic creative duo reunites for Proving Up, a harrow- ing tale of a family’s pursuit of the American Dream set in post-Civil War Nebraska. Miller’s 30th Anniver- sary Season opens with the New York premiere of this chamber opera that is by turns optimistic, exultant, and menacing. Major support for Proving Up is provided by Francis Goelet Charitable Lead Trusts and H.F. Lenfest Fund of The Philadelphia Foundation Introducing Proving Up A CONVERSATION WITH MISSY MAZZOLI AND ROYCE VAVREK Tuesday, September 25, 6:30 p.m. | Lenfest Center for the Arts On the eve of the New York premiere of their newest opera, Proving Up, the dynamic creative duo sits down with Associate Dean and Executive Director Melissa Smey to talk about the project, their creative process, and their inspiration. -
ACADEMY MUSEUM of MOTION PICTURES Collection Highlights
ACADEMY MUSEUM OF MOTION PICTURES Collection Highlights OVERVIEW The Academy Museum will draw from the unparalleled collection of the Academy of Motion Picture Arts & Sciences, which contains a vast range of motion picture production and history-related objects and technology, works on paper, still and moving images covering the history of motion picture in the United States and throughout the world. The collections include more than 12 million photographs, 190,000 film and video assets, 80,000 screenplays, 61,000 posters, and 104,000 pieces of production art. The collection also includes more than 1,600 special collections of film legends such as Cary Grant, Katharine Hepburn, Alfred Hitchcock, and John Huston. These special collections contain production files, personal correspondence, clippings, contracts, manuscripts, scrapbooks, storyboards, and more. The Academy’s collecting divisions work collaboratively to acquire, preserve, digitize, and exhibit the broad range of materials entrusted to their care by generations of filmmakers and collectors. The Academy Museum has actively been acquiring three-dimensional motion picture objects since 2008. Its holdings now number approximately 2,500 items representing motion picture technology, costume design, production design, makeup and hairstyling, promotional materials and memorabilia, and awards. MOTION PICTURE TECHNOLOGY The collection includes examples of pre-cinema devices, early and modern motion picture cameras and projectors, sound, editing and lighting equipment, and other landmark -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
Puttin' on the Glitz: Hollywood's Influence on Fashion
SPRING EXHIBIT | LANGSON LIBRARY Puttin' on the Glitz Hollywood's Influence o n Fashion OCTOBER 2010 - APRIL 2011 MURIEL ANSLEY REYNO- 1 -LDS EXHIBIT GALLERY Puttin’ on the Glitz Hollywood’s Influence on Fashion An exhibit in the UC Irvine Langson Library Muriel Ansley Reynolds Exhibit Gallery October 2010 - April 2011 Curated by Becky Imamoto, Research Librarian for History THE UC IRVINE LIBRARIES • IRVINE, CALIFORNIA • 2010 Welcome to the UCI Libraries’ Fall 2010 exhibition. Puttin’ on the Glitz: Hollywood’s Influence on Fashion examines the major impact that Hollywood had and continues to have over fashion. This exciting exhibit highlights films and designers from Hollywood’s golden years through the 20th century, all presented within a historical context. Items on display include significant books, journals, images, videos, and movie posters from the Libraries’ collections, and stunning costumes from UCI’s drama department. The curator is Becky Imamoto, Research Librarian for History. I hope you enjoy the exhibit and return to view others in the future. Gerald L. Lowell Interim University Librarian - 3 - this exhibit examines the history of Hollywood costume design from its inception to the end of the 20th century. In the early 1910s, costume design was little more than an afterthought, with silent screen actresses providing costumes from their personal wardrobes. However, during the Golden Age (1930- 1959), Hollywood realized how much publicity and money could be generated through its promotion of new fashion designs, and so set to work building an image of splendor, luxury, and endless consumption. Hollywood was, and is, a powerful social force that determines what is considered by the rest of the world to be beautiful and glamorous. -
Costume Designers Guild to Margaret
PRESIDENT .;,0;;"'';:;;0 in Paris with news for her comrades of the in Moscow, Ninotchka famously announced at "There are going to be fewer but better Russians." As the result of a new approach to membership insti tuted this spring, the Academy is moving toward a similar declaration. Before anyone becomes too alarmed, though, I should make clear that there won't be any purges. This is a Fabian revolution, in which time is going to be allowed to do most of the heavy lifting. And the new system won't really give us "fewer" Academy members; it will only rein in the organization's rapid and somewhat unstructured growth in recent decades. Basically, what we began doing this year is to give each branch or other subsection of membership a target number of candidates to accept for membership. The numbers will vary from year to year, because they will be based on the number of active members we lose through death, the selection of retired status, etc. Some deliberate slack in the system will allow for (but not mandate) a mod est growth in membership each year. In the past, we've essentially asked the various member ship committees to endorse as many candidates for member ship as they cared to, so long as those candidates met the min imum requirements in their areas. Now we're asking the committees to give us only their very strongest candidates. Tllis year's 127 new invitees (most of whom will have accepted their invitation by the time you read this) are list RAY HARRYHAUSEN WITH ed on page 20. -
A Content Analysis of the Gender of Academy Award Nominees and Winners for Films
A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the Master of Science Katie E. Labovitz June 2011 © 2011 Katie E. Labovitz. All Rights Reserved. This thesis titled A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 by KATIE E. LABOVITZ has been approved for the E.W. Scripps School of Journalism and the Scripps College of Communication by _______________________________________________ Joseph P. Bernt Professor of Journalism _______________________________________________ Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT LABOVITZ, KATIE E., M.S., June 2011, Journalism A Content Analysis of the Gender of Academy Award Nominees and Winners for Films Released between 1927 and 2010 (92 pp.) Director of Thesis: Joseph P. Bernt Using a coding instrument designed specifically for this study, the researcher analyzed the gender of Academy Award nominees and winners in all categories in which potential for direct competition between women and men existed. This study examined if there was gender discrepancy in terms of whose work was recognized in the film industry by the Academy of Motion Pictures Arts and Sciences. Data from 83 Academy Awards ceremonies honoring the films released from 1927 to 2010 yielded 1,471 cases that, when analyzed, supported the statement that more men than women have been nominated for, and winners of, Academy Awards in every category other than Costume Design. Examining the results by year of nominations, wins, and categories showed trends in the numbers of women and men nominees and winners. -
Index to Academy Oral Histories Adele Balkan
Index to Academy Oral Histories Adele Balkan Adele Balkan (Costume designer) Call number: OH128 Academy Awards, 149-150, 173-174, 202-203 Academy of Motion Picture Arts and Sciences, 29, 150, 193 Adrian, 42, 52, 71, 92, 108, 120 THE AGE OF INNOCENCE (1993), 113 THE ALDRICH FAMILY (radio), 62 Anderson, Lillian, 19 Andrews, Julie, 195-198 ANDROCLES AND THE LION (film), 126-127 Angelus, Muriel, 63-65 Apollo Theater (New York), 7-8 Arizona (location shooting), 183-188 Arnaz, Desi, 68 Arthur, Jean, 74, 83 Austen, Jane (film adaptations), 111-112 Bacall, Lauren, 129-130 Balin, Ina, 188 Balkan, Adele -- early life and family, 5-15 Balkan, Adele -- education, 6-15 Balkan, Adele -- gets first job at Paramount, 15-17 Balkan, Adele -- goes to work for Irene at Bullock's Wilshire, 68-69 Balkan, Adele -- goes to work at RKO, 84 Balkan, Adele -- works outside the film industry, 115-117 Balkan, Adele -- goes to work at Twentieth Century-Fox, 116 Balkan, Adele -- goes to work at Universal Pictures, 179 Balkan, Adele -- goes back to work for Irene, 179-180 Balkan, Adele -- retires from Twentieth Century-Fox, 200-201 Balkan, Adele -- compares work conditions at different studios, 29, 49, 84-86, 90-91, 119-121 Balkan, Adele -- on American attitudes while location shooting in Egypt, 139-140 Balkan, Adele -- compares fashion design and designing for studios, 78 Balkan, Adele -- on contemporary costume design, 201-205 Balkan, Edward (brother), 104 Ball, Lucille, 68 Banton, Travis, 15-18, 20-22, 25-28, 30-33, 42-46, 50, 52-53, 63, 65, 85, 93-94, 108, 115, 120, -
Art Directors Guild to Induct Four Legendary Women Into Its Hall of Fame at the 20Th Annual Excellence in Production Design Awards on January 31, 2016
FOR IMMEDIATE RELEASE ART DIRECTORS GUILD TO INDUCT FOUR LEGENDARY WOMEN INTO ITS HALL OF FAME AT THE 20TH ANNUAL EXCELLENCE IN PRODUCTION DESIGN AWARDS ON JANUARY 31, 2016 LOS ANGELES, Sept. 9, 2015 -- Four legendary women – Production Designer Carmen Dillon, Production and Costume Designer Patricia Norris, Art Director and Set Designer Dorothea Holt Redmond and Illustrator Dianne Wager – will be inducted into the Art Directors Guild (ADG) Hall of Fame at the Guild’s 20th Annual Excellence in Production Design Awards, it was announced today by ADG Council Chairwoman Marcia Hinds and Awards Executive Producer James Pearse Connelly. The ceremony will be held at the Beverly Hilton Hotel on January 31, 2016. In making the announcement, Hinds said, “These women made great strides in their craft achieving prominence despite designing in a field dominated by men. Acknowledgement of their efforts leads to a more balanced and open Guild. They will be most welcomed into our prestigious Hall of Fame." Last year’s ADG Hall of Fame inductees, which are only given posthumously, were Production Designer John Gabriel Beckman (Monsieur Verdoux), Emmy®-winning Production Designer Charles Lisanby (The Lives of Benjamin Franklin) and Oscar®-winning Art Director Walter H. Tyler (Samson and Delilah. There are presently 44 Production Designers in ADG’s Hall of Fame. Bios and the complete list of inductees can be found at http://www.adg.org/?art=hall_of_fame. CARMEN DILLON (1908 – 2000) As the first female Art Director in the British film industry, Carmen Dillon made history in 1949 when she became the first woman to win an Oscar® for set decoration. -
Film Stars Don't Die in Liverpool
Presents FILM STARS DON’T DIE IN LIVERPOOL Directed by Paul McGuigan / Based on the memoir by Peter Turner Starring ANNETTE BENING, JAMIE BELL and JULIE WALTERS PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download soon via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/film-stars-dont-die-in-liverpool Film Stars Don’t Die In Liverpool releases in cinemas 1 March 2018 DistriButed in Australia By Transmission Films 1 ABOUT THE PRODUCTION In late September 1981 Peter Turner received a phone call that would change his life forever. His former lover, Hollywood actress Gloria Grahame, had collapsed in a Lancaster hotel. She refused medical attention and instead reached out to Turner, who at Grahame’s request took her to his warm if chaotic family home in Liverpool. The pair had met a few years previously, their paths crossing in a Primrose Hill guesthouse in which they were lodging. Turner was an aspiring actor, Grahame a fading star. She had made her name in the Hollywood studio system, often playing the moll, the floozy or as Turner notes in his memoir ‘the tart with the heart,’ appearing in a string of film noirs, including the likes of the sad and hauntingly romantic In a Lonely Place with Humphrey Bogart (shot by her husband at the time, Nicholas Ray) and the Fritz Lang classic The Big Heat opposite Lee Marvin. Gloria shone in the likes of Crossfire, for which she was Oscar nominated, Naked Alibi and Sudden Fear, while her turn in The Bad and The Beautiful scooped her an Oscar win for Best Supporting Actress. -
KY Costume Design Resume 11.05.2020
KAREN L.YOUNG COSTUME DESIGN / WARDROBE STYLIST karenLyoungcd.com [email protected] 614.824.7731 FEATURES: Blackjack: The Jackie Ryan Story 2B Films/Danny Abeckaser, director Greg Finley, David Arquette--1990 The Past Is Never Dead Big Prairie Films/Michael Modak-Truran, director Eric Roberts, Skyler Adams—1860 to 1957 Heartland Independent film/Rebecca & Josh Tickell, director William Mapother, David Arquette Mob ToWn Saban Films/Danny Abeckaser, director David Arquette, Jennifer Esposito--1957 Jenny’s Wedding IFC Films/Agnes Donoghue, director Katherine Heigl, Tom Wilkinson Christmas Pearl Independent film/Vince Maggio, producer Whoopi Goldberg, Judith Ivey Back in the Day Screen Media Films/Michael Rosenbaum, director Morena Baccarin, Jay R. Ferguson PoetLove Short film/David Paul, director Contemporary opera adapted to film Barren Short film/Rose Haag, director Story about tWo sisters and a baby Blush With Death Short film/Glass Eye Studio/Mark Reitz, director Early 1960’s campy murder mystery TELEVISION: I’m Not Him Independent film/Steve Grimaldi, director John Pallidino, Annie Heise--miracle story An Evergreen Christmas ARC Entertainment/Jeremy Culver, director Robert Loggia, Naomi Judd Love Finds You in Sugarcreek Up Network/Terry Cunningham, director Sarah Lancaster, Tom Everett Scott Final Witness: Ep. 5 2012 Lincoln Square for ABC/Cruz Angeles, director Period crime story from the victim--1990 Southern Home by Design sea. 3 TBS Productions/Olivia Sellers, producer Do-It-Yourself remodeling & design ASSISTANT COSTUME DESIGNER for FEATURES: Jumanji: Welcome to the Jungle Atlanta Unit/Laura Jean Shannon, designer Fantasy/responsible for background Escape Plan 3: Devil’s Station Roger Forker, costume designer Assisted With principles, background ASSISTANT COSTUME DESIGNER for TV: For Life Abigail Murray, costume designer TV pilot for NBC based on true story Modern Love, ep. -
Character and Costume in Cinema: the Hollywood Costumeexhibition
SCP 3 (1) pp. 91–96 Intellect Limited 2018 Studies in Costume & Performance Volume 3 Number 1 scp © 2018 Intellect Ltd Document. English language. doi: 10.1386/scp.3.1.91_1 Studies in Costume & Performance Intellect 10.1386/scp.3.1.91_1 3 DEBORAH NADOOLMAN LANDIS Copley Center of Costume Design, University of California Los 1 Angeles (UCLA) 91 96 Character and costume in © 2018 Intellect Ltd cinema: The Hollywood 2018 Costume exhibition ARTICLES Introduction KEYWORDS During a masterclass held in 2012, and in reference to her extensive publish- cinema ing on film costume design,1 Deborah Nadoolman Landis invited the audi- fashion ence to also write on the subject, noting ‘I ask my colleagues if I am to be the costume only one to fill the shelf with books on costume design and film’. Landis was character the curator of the V&A exhibition, Hollywood Costume,2 the most comprehen- design sive exhibition of its kind in decades. The exhibition analysed the extensive performance and detailed process employed to create a character through costume. Landis’ paper, on 22 April 2012, launched a series of talks titled Marking the Paradigm 1. Relevant to this discussion are Shift in Design for Performance Through Costume organized by Donatella Screencraft: Costume Barbieri for the Research Hub in Design for Performance at London College of Design (2003), Dressed: Fashion, University of the Arts London. The above quote and those that follow A Century of Hollywood Costume Design (2007), are edited with Landis from a transcript of the event. Hollywood Costume (2012), Filmcraft: Costume Design (2012), Landis on recycling costumes Hollywood Sketchbook: A Century of Costume There is a tradition in the theatre and in the movies to re-use costumes. -
PICCOLE DONNE Pb
LITTLE WOMEN Production Information About Little Women Writer-director Greta Gerwig (Lady Bird) has crafted a Little Women that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author’s alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig’s take, the beloved story of the March sisters—four young women each determined to live life on her own terms—is both timeless and timely. Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan, Emma Watson, Florence Pugh, and Eliza Scanlen, with Timothée Chalamet as their neighbor Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March. Directed by Greta Gerwig. Screenplay by Greta Gerwig. Based on the Novel by Louisa May Alcott. Produced by Amy Pascal, Denise Di Novi and Robin Swicord. Executive Producers are Adam Merims, Evelyn O’Neill, Rachel O’Connor and Arnon Milchan. The film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, with Chris Cooper and Meryl Streep. The film will be released in theaters on -insert local release date- About the Production Across disparate countries and radically different eras, Louisa May Alcott’s Little Women has come to life in a million different ways. It is a book that is unsparing in its depiction of the way the world is hard on ambitious girls, but also offers a comfort: that ambition – a vibrant inner life that breaks the bonds of the world – is its own reward.