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French Secular Music in Saint-Domingue (1750-1795) Viewed As a Factor in America's Musical Growth. John G
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 French Secular Music in Saint-Domingue (1750-1795) Viewed as a Factor in America's Musical Growth. John G. Cale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Cale, John G., "French Secular Music in Saint-Domingue (1750-1795) Viewed as a Factor in America's Musical Growth." (1971). LSU Historical Dissertations and Theses. 2112. https://digitalcommons.lsu.edu/gradschool_disstheses/2112 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-17,750 CALE, John G., 1922- FRENCH SECULAR MUSIC IN SAINT-DOMINGUE (1750-1795) VIEWED AS A FACTOR IN AMERICA'S MUSICAL GROWTH. The Louisiana State University and Agricultural and Mechanical College;, Ph.D., 1971 Music I University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED FRENCH SECULAR MUSIC IN SAINT-DOMINGUE (1750-1795) VIEWED AS A FACTOR IN AMERICA'S MUSICAL GROWTH A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by John G. Cale B.M., Louisiana State University, 1943 M.A., University of Michigan, 1949 December, 1971 PLEASE NOTE: Some pages may have indistinct print. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Grizzly Si Plifies Complex Obstacles Gets More Time to Gather Facts
_ II~ range: TA 250 instructors help them- Volume 9 Number 10 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, March 7, 1996 Home on the - ------------------ selves to a new shelter. See page 3A ----------------- -- BRAC on track Luncheon features Ann Crossley Q Maneuver Support struction facilities, NCO academy The Officers and Civilians Center transformation accommodations, range modifica- Women's Club luncheon fea- tions and housing conversions. turing Ann Crossley, author of proceeding smoothly "We're adequately funded for the 'Army Wives Handbook," the design of all projects and have is on March 21, 11:30 a.m., By Jacqueline Guthrie been approved for construction," not March 12 as previously pub- ESSAYONS Staff he added. Contractors will start lished. See complete story on breaking ground early next year. page lB. Fort Leonard Wood is well on "We also have a very solid start- its way to becoming the Maneuver up on the environmental impact Joint Endeavor troops Support Center as the Base Re- statement," Johnson said. This get tax extension alignment and Closure statement is part of the legal re- The Internal Revenue Ser- Commission transition office here quirements of the National vice has granted an automatic celebrate its one-year anniversary. Environmental Policy Act of 1969 extension to Dec. 15 to file The BRAC team has the job of that requires all federal agencies 1995 Federal Income Tax Re- moving of the Military Police and to complete one for activities that turns to soldiers serving in Chemical Schools from Fort could affect the environment. Operation Joint Endeavor on McClellan, Ala., to Fort Leonard Officials began preparing the in- or after March 15. -
PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers. -
122 a Century of Grand Opera in Philadelphia. Music Is As Old As The
122 A Century of Grand Opera in Philadelphia. A CENTURY OF GRAND OPERA IN PHILADELPHIA. A Historical Summary read before the Historical Society of Pennsylvania, Monday Evening, January 12, 1920. BY JOHN CURTIS. Music is as old as the world itself; the Drama dates from before the Christian era. Combined in the form of Grand Opera as we know it today they delighted the Florentines in the sixteenth century, when Peri gave "Dafne" to the world, although the ancient Greeks listened to great choruses as incidents of their comedies and tragedies. Started by Peri, opera gradually found its way to France, Germany, and through Europe. It was the last form of entertainment to cross the At- lantic to the new world, and while some works of the great old-time composers were heard in New York, Charleston and New Orleans in the eighteenth century, Philadelphia did not experience the pleasure until 1818 was drawing to a close, and so this city rounded out its first century of Grand Opera a little more than a year ago. But it was a century full of interest and incident. In those hundred years Philadelphia heard 276 different Grand Operas. Thirty of these were first heard in America on a Philadelphia stage, and fourteen had their first presentation on any stage in this city. There were times when half a dozen travelling companies bid for our patronage each season; now we have one. One year Mr. Hinrichs gave us seven solid months of opera, with seven performances weekly; now we are permitted to attend sixteen performances a year, unless some wandering organization cares to take a chance with us. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
GOLDENHURST Lunech Wnith Cjuoliaun Cnlatry Eatr Geodldenhurst and a Review of His Recently-Published Novel ‘Briefs Encountered’
A MAGAZINE ABOUT THE LIFE AND WORK OF SIR NOËL COWARD • MAY 2012 News and views of the Star Quality exhibition - and the ‘Noël Coward in New York’ festival. GOLDENHURST LunEch wnith cJuoliaun Cnlatry eatr Geodldenhurst and a review of his recently-published novel ‘Briefs Encountered’. Noël Coward at ‘Look Out’ - Firefly, Jamaica PRODUCED AND PUBLISHED BY THE INTERNATIONAL NOËL COWARD SOCIETY - 1- www.noëlcoward.net hat an amazing month March was! Apart from reasonable weather, two of the most significant events for me marked an early opening of Spring EDITORIAL long before an Easter chick was a wink in a cockerel’s eye. Out of the blue came a charming invitation from Julian Clary for the officers of the Society to visit The Old Manor - but forever Goldenhurst in the eye of the Coward faithful - for lunch and a celebration of the completed renovation of Noël’s country retreat in Kent and the publication of Julian’s novel Briefs Encountered. As Daniel Massey said once about an invitation to Noël’s for lunch, “Well, you don’t turn that down!” And we didn’t! More on the visit in this edition. The climax of the month was the opening of Star Quality - The World of Noël Coward at the Lincoln Center in New York. This exhibition has been rightly trumpeted in Home Chat for the past few editions and the result did not let the herald down. This really is an impressive achievement. As a result of an initial partnership between the New York Public Library for the Performing Arts (NYPL) and The Noël Coward Foundation (NCF) the idea was born - and together with other partners - the exhibition was created. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
By Charles Dickens Er to Nailing It
SC MAINSTAGE • NOVEMBER 24 THROUGH DECEMBER 24, 2001 So u h o t eper o David Emmes Martin Benson Producing Artistic Director Artistic Director presents CHARLES DICKENS’ adapted by JERRY PATCH Scenic Design Costume Design Lighting Design CLIFF FAULKNER DWIGHT RICHARD ODLE DONNA AND TOM RUZIKA Sound Design Music Director Choreographer GARTH HEMPHILL DENNIS CASTELLANO LINDA KOSTALIK Assistant Director Production Manager Stage Manager SHEILA HILLINGER JEFF GIFFORD *SCOTT HARRISON Directed by JOHN-DAVID KELLER PAUL, DARANNE AND COURTNEY FOLINO and BANK OF AMERICA, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY SCR -1 CAST OF CHARACTERS (in order of appearance) LENA, a vendor of second-hand goods .................................................................................. *Julia Coffey JOE, a cider salesman and a receiver of stolen goods .......................................................... *Art Koustik TOY LADY .......................................................................................................................... *Hisa Takakuwa PUPPETEER .................................................................................................................... Jonathan Mariott UNDERTAKER ............................................................................................................. *Jonathan Del Arco CHIMNEY SWEEP ....................................................................................................... *Timothy Landfield ELIZABETH SHELLY .................................................................................................... -
New York Sheet Music Society by Elizabeth Sharland’S Life Has Not Been B O
New New York Sheet Music Societsy lette VOLUME 32, NUMBER 2 SINCwwwE.NYS1MS.o9rg 80 NOVEMBER 2010 r DEDICATED TO THE PRESERVATION OF CLASSIC POPULAR MUSIC s g n i A Rare Treat... Gershwin Rarities: l l i B e The Gershwin You May Not Know s o R y Saturday, June 12, 2010 b By Jerry Laird that I am a veteran, people ask if I fought o t o for the Blue or the Grey, which could make h To me, it is always a rare treat to P discover little-known music by well-known me a friend of Stephen Foster! Our composers. In many cases, a tune that admiration and our thanks to the following earlier audiences may have passed over for presenting a fantastic afternoon of often has more to offer than some songs entertainment and information: that are part of the Great American The Presenters Songbook. Actually, they are part of that same book, but too many people don’t Tom Inglis is a retired school music realize it! At our June meeting, the entire teacher still very active as Musical Director group of performers and speakers did a for local theatre and choral groups and as a masterly job of presenting these rarities. I church organist and choir director. His first Pianist: Paul Bisaccia am surprised that “Vodka” and “The book, The Sheet Music Art of Irving Berlin , Original American Folk Song is a Rag.” has become a valuable source for dealers teacher in New Britain schools. She credits aren’t better known. -
Cultural Committee to Present at Wick Skitch Henderson
Academic Committee A Man and His Music Announces Plans More student representation on faculty-administrative com m ittees is the aim of Academic Director Robin Bieger Cultural Committee who has been meeting biweekly with Dr. Zielonka in an attempt to open administrative and To Present at Wick student channels of com m u n ication . At present The Cultural Committee of P ro k o fie ff’s “Peter and the student participation on Rosary Hill College will present Wolf” and Saint-Saëns’ “Carnival F a c u lt y - Ad m in is t r a t i ve Skitch Henderson — A Man and of the Animals,” Committees is minimal. Of the His Music on Tuesday, Oct. 14, He was born in Birmingham, thirteen Faculty-Committees, 1969, at 8:30 p.m. in Wick England and spent most of his student voice may be heard on Social Room. Tickets are on sale boyhood in Minnesota, Kansas, only five . , . and even there the now at $2.00 for students and and Olkahoma. He is a graduate ratio of faculty representatives is $3.00 for adults; tickets at the of the University of Southern so much greater than the student door will be $2.50 for students California at Los Angeles. representative’s rat jo that it is doubtful if the students voice is and $3.50 for adults. After wartime service as a Skitch Henderson is a being effectively utilized. B-29 pilot, Henderson was One of the major concerns of composer, conductor, pianist, invited to take over the musical raconteur, and one of the 111 the Academic Committee deals leadership of the biggest with the absence of student country’s outstanding concert program then on radio, “The and television personalities. -
The Music of the Spheres: Music and the Gendered Mind in Nineteenth-Century Britain
THE MUSIC OF THE SPHERES: MUSIC AND THE GENDERED MIND IN NINETEENTH-CENTURY BRITAIN A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Anna Peak August, 2010 Examining Committee Members: Dr. Sally Mitchell, Advisory Chair, English and Women‘s Studies Dr. Peter M. Logan, English Dr. Steve Newman, English Dr. Ruth A. Solie, External Member, Music and Women‘s Studies, Smith College ii © by Anna Louise Peak 2010 All Rights Reserved iii ABSTRACT This interdisciplinary study examines how nineteenth-century British ideas about music reflected and influenced the period‘s gendering of the mind. So far, studies of Victorian psychology have focused on the last half of the century only, and have tended to elide gender from the discussion. This study will contribute to a fuller picture of nineteenth-century psychology by demonstrating that the mind began to be increasingly gendered in the early part of the century but was largely de-gendered by century‘s end. In addition, because music was an art form in which gender norms were often subverted yet simultaneously upheld as conventional, this study will also contribute to a fuller understanding of the extent to which domestic ideology was considered descriptive or prescriptive. This work makes use of but differs from previous studies of music in nineteenth- century British literature in both scope and argument. Drawing throughout on the work of contemporary music historians and feminist musicologists, as well as general and musical periodicals, newspapers, essays, and treatises from the long nineteenth century, this dissertation argues that music, as a field, was increasingly compartmentalized beginning early in the century, and then unified again by century‘s end.