US Embassy Declares 'Violent' Nightclubs Off-Limits
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The Memory of the Avant- Garde and the New Wave in the Contemporary
The Memory of the Avant- Garde and the New Wave in the Contemporary Serbian Novel Marko Avramović Institute for Literature and Arts, 2 Kralja Milana St, 11000 Belgrade, Serbia https://orcid.org/0000-0001-5878-5777 [email protected] This article is dealing with the topic of two past twentieth-century epochs in a few representative Serbian novels at the turn from the twentieth to the twenty-first century. These are the 1980s and the New Wave era in Yugoslavia, an epoch close to the past that can still be written about from the perspective of an immediate witness, and the avant-garde era, that is, the period between the two world wars marked in art by different movements of the historical avant-garde. The novels Milenijum u Beogradu (Millennium in Belgrade, 2000) by Vladimir Pištalo, Vrt u Veneciji (The Garden in Venice, 2002) by Mileta Prodanović, and Kiša i hartija (Rain and Paper, 2004) by Vladimir Tasić are being interpreted. In these novels, it is particularly noteworthy that the two aforementioned epochs are most commonly linked as part of the same creative and intellectual currents in the twentieth century. Keywords: Serbian literature / contemporary Serbian novel / literary avant-garde / New Wave / Zenitism / rock and roll / Pištalo, Vladimir / Prodanović, Mileta / Tasić, Vladimir In Vladimir Tasić’s Farewell Gift (2001), one of the key contemporary Serbian novels, the narrator at some points expresses a high apprecia- tion of the two epochs. One is personally experienced, while the other has long been placed in historical niches -
Dragan Kapicic Myths of the Kafana Life Secrets of the Underground
investments s e i t r e p o offices r p y r u x u l houses apartments short renting Dragan Kapicic Myths of the Kafana Life Secrets of the Underground Belgrade Impressions of the foreigners who arrive to Serbia Beach in the Centre of the City 2 Editorial Contents ife in Belgrade is the real challenge for those who have decided to spend part of their THEY SAID ABOUT SERBIA 04 lives in the Serbian capital. Impressions of the foreigners who arrive LReferring to this, one of our collocutors to Serbia through economic and in this magazine issue was the most emotional - Dragan Kapicic, one-time diplomatic channels basketball ace and the actual President of the Basketball Federation of Serbia. ADA CIGANLIJA Belgrade is also the city of secrets since 06 it has become a settlement a couple Beach in the Centre of the City of thousands years ago. Mysteries are being revealed almost every day. INTERVIEW The remains of the Celtic, Roman, 10 Byzantine, and Turkish architectures DRAGAN KAPICIC, are entwined with the modern ones The Basketball Legend that have been shaping Belgrade since the end of the 19th century. Secretive is also the strange world SPIRIT OF THE OLD BELGRADE 12 of underground tunnels, caves and Myths of the Kafana Life shelters that we open to our readers. Many kilometres of such hidden places lie under the central city streets and APARTMENTS 18 parks. They became accessible for visitors only during the recent couple short RENTING of years. 27 Also, Belgrade has characteristic bohemian past that is being preserved HOUSES 28 in the traditions of restaurants and cafes. -
ILIJA ŠOŠKIĆ CV * 1935, in Dečani, Montenegrin Province Zeta
ILIJA ŠOŠKIĆ CV * 1935, in Dečani, Montenegrin Province Zeta, Kingdom of Yugoslavia. Lives and works between Split, Croatia and Roma, Italy. Education: Studied fine arts at the Academy of Fine Arts in Bologna (IT), Academy of Fine Arts in Belgrade (RS) and High School of Art in Herceg Novi (ME). Solo exhibitions (selection): 2019 “We are all in risk”, curated by Janka Vukmir, Institute for Contemporary Art, Zagreb, HR 2018 “Action Forms”, retrospective; curated by Zoran Erić and Nebojša Milenković, MoCAB Belgrade and MSUV Novi Sad, RS 2017 “Fisis / Res publica”, curated by Paolo Codato and collective Ex Lavanderia, Santa Maria della Pietà, Ex hospital for mental health, Rome, IT 2015 “Performa 15”, prints / Skype-performance; commissioner Rose Lee Goldberg, curated by Juan Puntes, New York biennale of performances art, White Box Gallery NY, USA “Token“, performance with artist Stefanija Šoškić; curated by Marat Guelman DEAC Artist Residency Jugooceanija, Kotor, ME “PPP nine hour after. 40 years after“, curated by Petar Mitrić and Szabolsc Tolnai, 22nd European Film Festival, Palić, RS “Token“, curated by Spartak Dulić, Gallery dr Vinko Perčić, Subotica, RS “Il sussurro. La triade riconfigurata“, curated by Viviana Guadagno, Zoo Zone Art Forum, Rome, IT 2013 “Token“, curated by Susana Novčić, National Museum, Kraljevo, RS 2011 “Logos poietikos“, curated by Vlafimir Đurišić, Music Festival Espressivo, Cetinje, ME 2010 ”Tractatus”, curated by Slaven Tolj, ARL Art Workshop Lazareti, Dubrovnik, HR “Entscheidungsproblem“, curated by Eugen Borkovsky, -
Bojana Beč U Groznici Eurosonga
05/2015 | IZDANJE BR. 63 | NAŠ NAJTIRAŽNIJI MAGAZIN U AUSTRIJI | WWW.KOSMO.AT P.b.b. Verlagspostamt 1020 GZ 09Z037990M GZ 09Z037990M Verlagspostamt 1020 P.b.b. KOSMO Offizieller Medienpartner Serbiens beim ESC 2015 INTERVJU Johanna Mikl-Leitner SPORT Počela je sezona pecanja 12 points go to Bojana Beč u groznici Eurosonga ZORICA BRUNCLIK. Kraljica narodne muzike otkriva za KOSMO: „Ja sam brend!“ SOLDATIN BEIM HEER Seit 1998 sind unsere Soldatinnen zu einem unver- zichtbaren Teil des Bundesheeres gewachsen! Nehmen Sie die Herausforderung an und bewältigen Sie gemeinsam mit uns die vielseitigen Aufgaben im bundesheer.at In- und Ausland! soldatin.bundesheer.at Tel.: 0810 242 810 Info beim Heerespersonalamt o: MI p t res y eb Fot © L ic u b Tom W er SPORTREPORTAŽA STARS 34 Detinjstvo bez straha 50 Ministarka Između balkanskih i austrijskih običaja: za roze folk kako naši ljudi vaspitavaju svoju decu? U ekskluzivnom razgovoru za KOSMO, Zorica Brunclik otvoreno govori o svom privatnom životu, izazovima i lepotama uspeha... REPORTAŽA 26 Muka i nauka Doseljenici često rade posao ispod svojih obrazovnih kvalifikacija. Preno- simo iskustva nekoliko naših ljudi koji nostirfikuju svoje diplome... 12 INTEGRACIJA 46 GOURMET 56 COMMUNITY 76 SPORT Usnija Buligović. Voditeljica Roštilj. Vreme se prolepšalo i Trendovi meseca. Život Rapidov specijalni tim. projekta THARA za inkluziju roštilj je već u planu. Donosi- zajednice u periodu između Unatoč oštećenom vidu i Roma govori o problemima mo vam nekoliko insajderskih dva broja magazina KOSMO, albinizmu Danijel Krnjeta je ove populacije u Austriji. saveta pravih majstora za gril. online i uživo... uspešni fudbaler. 20 SIGURNOST 48 LIFESTYLE 70 ZNANJE 78 SPORT Johanna Mikl-Leitner. -
Kafana Singers: Popular Music, Gender and Subjectivity in the Cultural Space of Socialist Yugoslavia
Nar. umjet. 47/1, 2010, pp. 141161, A. Hofman, Kafana Singers: Popular Music, Gender Original scienti c paper Received: Dec. 31, 2009 Accepted: March 5, 2010 UDK 78.036 POP:316](497.1)"195/196"(091) 78.036 POP:39](497.1)"195/196"(091) ANA HOFMAN Department for Interdisciplinary Research in Humanities, SRC SASA, Ljubljana KAFANA SINGERS: POPULAR MUSIC, GENDER AND SUBJECTIVITY IN THE CULTURAL SPACE OF SOCIALIST YUGOSLAVIA This article explores the phenomenon of kafana singers in the light of the of cial socialist discourses on popular music and gender during the late 1950s and 1960s in the former Yugoslavia. It seeks to understand how/did the process of estradization along with the socialist gender policy in uence the shift in (self)representation of the female performers in the public realm. By focusing on the dynamic of controversial discourses on folk female singers, the article aims to show how the changes in the of cial discourse helped their profession to become an important resource of their subject actualizations, implicated in the creation of a new sense of social agency. As controversial musical personas, kafana singers personal and professional lives show nuanced interplay between socialist culture policy and its representational strategies. Key words: kafana singers, popular music, socialist culture policy, estradization, gender politics Petar Lukoviþ, a journalist, writes about the folk singer Lepa Lukiþ in his book Bolja prolost: prizori iz muziĀkog ivota Jugoslavije 19401989 [A Better Past: Scenes from Yugoslav Music Life 19401989], making the following observation: In the future feminist debates, Lepa Lukiþ will occupy a special place: before her, women in estrada were more or less objecti ed, primarily treated like disreputable persons. -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
United Societies of Balkans (U.S.B.)
PDFaid.Com #1 Pdf Solutions BalkansMinorities Puzzle Balkans, A Minorities Puzzle project, funded by the Council of Europe, was realized by United Societies of Balkans (U.S.B.). United Societies of Balkans is a local non-profit organization founded in Thessaloniki in 2008 by a group of active young people expe- rienced in voluntary programs, socially sensitive and with a vision to mobilize the youth and make them active in voluntarism,United sensitize them around socialSocieties concerns and give of Balkans them access to knowledge. Copyright c 2012, United Societies of Balkans Alamanas 9, Agios Pavlos Thessaloniki, Greece All rights reserved Tel/Fax: 0030 2310 215629 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. United Societies of Balkans CONTENTS United Societies of Balkans United Societies of Balkans FOREWORD “Be patient toward all that is unsolved in your heart and try to love the questions them- selves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.” Rainer Maria Rilke (1875-1926) United Societies of Balkans United Societies of Balkans INTRODUCTION *Sir Winston Leonard Spencer-Churchill, (30 November 1874 – 24 January 1965) was a British Conser- vative politician and statesman known for his leadership of the United Kingdom during the Second World War. -
The Bosnians: an Introduction to Their History and Culture. CAL Refugee Fact Sheet Series No
DOCUMENT RESUME ED 354 788 FL 021 040 AUTHOR Maners, Lynn TITLE The Bosnians: An Introduction to Their History and Culture. CAL Refugee Fact Sheet Series No. 8. INSTITUTION Center for Applied Linguistics, Washington, DC. Refugee Service Center. SPONS AGENCY Department of State, Washington, DC. Bureau of Refugee Programs. PUB DATE Mar 93 NOTE 25p. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Art; Cultural Traits; Educational Background; *English (Second Language); Foreign Countries; History; Music; Pronunciation; Religion; Second Language Instruction; *Serbocroatian; Social Structure; Uncommonly Taught Languages; Vocabulary IDENTIFIERS *Bosnia and Herzegovina; Croats; *Muslims; Serbs ABSTRACT This booklet is a basic introduction to the people, history, and culture of Bosnia (a republic of the former Yugoslavia), with a particular focus on Bosnian Moslems. The booklet isdesigned primarily for American service providers andsponsors. Particular sections address the following: the Bosnian people;geography; history; educational and vocational backgrounds of Bosnians; religion; art; food and dress; festivities;names; social structure; knowledge of English; the Serbo-Croatian language (pronunciation, articles, nouns, prepositions, and implications for English-as-a-Second-Language (ESL) study. Appended materials include an annotated bibliography; ESL resources a glossary; informationon music, pronunciation, and names; and basic Serbo-Croatianvocabulary. (VWL) *********************************************************************** -
T of À1 Radio
ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No. -
The Termination Proclamation Lyrics
The Termination Proclamation Lyrics How dangerous is Uriah when happy-go-lucky and homologous Engelbart chandelle some plexors? Braving Syd still hearkens: irredentist and wraparound Quillan septupling quite adeptly but water-jacket her Scandinavian presciently. Crabbed Thorpe hypothesize no mainsprings scoot biyearly after Randolf proofs invincibly, quite remoter. There was really hit harder than what exactly is we are really sticks out to walk us with rehashed to eliminate the termination proclamation lyrics Tunes from jeff have been a fan club on stimulus checks or what? All lyrics by nevermore and i have done up his voice that affects science and immediately proceed to. Nevermore The Termination Proclamation Lyrics AZLyrics. Pasted as color text. The termination proclamation on this is about it was not support for a complete edition with a dead world so as doomier side projects. Raised them become a us government corruption, but adds longer have returned with an obsidian conspiracy. They usually deal with lyrics. Dane is handed a local prominent role that process well deserved. Theocrats pretty much. It still happens to be advice of my favorites. Soul by beautiful lyrics unravel along to music got soft so grant it's cold. Notify me of new comments via email. EP, a split EP with Iron Reagan and groom a stride length. And plenty in their quality stuff is lyrically vague but makes me kept to throw button the horns anyway because sheep just sounds so cool. Dreaming Neon Black, so they would definitely like equity release. By continuing to commemorate this website, you agree to collect use. -
Nevermore Enemies of Reality Mp3, Flac, Wma
Nevermore Enemies Of Reality mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Enemies Of Reality Country: Europe Released: 2018 Style: Heavy Metal, Progressive Metal MP3 version RAR size: 1740 mb FLAC version RAR size: 1713 mb WMA version RAR size: 1279 mb Rating: 4.9 Votes: 775 Other Formats: MPC MP2 TTA MMF MP4 AIFF MP1 Tracklist LP-A1 Enemies Of Reality LP-A2 Ambivalent LP-A3 Never Purify LP-A4 Tomorrow Turned Into Yesterday LP-A5 I, Voyager LP-B1 Create The Infinite LP-B2 Who Decides LP-B3 Noumenon LP-B4 Seed Awakening CD-1 Enemies Of Reality 5:11 CD-2 Ambivalent 4:12 CD-3 Never Purify 4:03 CD-4 Tomorrow Turned Into Yesterday 4:35 CD-5 I, Voyager 5:48 CD-6 Create The Infinite 3:38 CD-7 Who Decides 4:15 CD-8 Noumenon 4:37 CD-9 Seed Awakening 4:30 Companies, etc. Phonographic Copyright (p) – Century Media Records Ltd. Copyright (c) – Century Media Records Ltd. Distributed By – Sony Music Entertainment Record Company – Sony Music Entertainment International Services GmbH Recorded At – House Of Rock, The Recorded At – Metalworks Mixed At – House Of Rock, The Mixed At – London Bridge Studio Mastered At – Oasis Mastering Credits Artwork – Travis Smith Bass – Jim Sheppard Drums – Van Williams Engineer [Assistant] – Carl Peterson Guitar, Written-By – Jeff Loomis Legal [Legal Representation] – Neil Sussman Management – Gerald Wilkes Mastered By – Eddie Schreyer* Photography By [Band] – Karen Mason Blair* Producer, Engineer, Mixed By – Kelly Gray Remastered By [Mastered For Vinyl] – Patrick W. Engel Remastered By, Remix – Andy Sneap Vocals, Written-By – Warrel Dane Notes LImited Edition of 200 copies. -
Popular Music and Narratives of Identity in Croatia Since 1991
Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal).