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Arka Pencere Yazarlarından © Murat Özer, 2011 © Kırmızı Kedi Yayınevi, 2011 Editör: Murat Özer, Burçin S
ariia pencere yakarlarından KIRMIZ IKEDi AŞKTAN DA ÜSTÜN 50 FİLM Cem Altınsaray Tunca Arslan Kemal Ekin Aysel Burak Göral Murat Özer Burçin S. Yalçın KIRMIZI KEDİ YAYINEVİ Kırmızı Kedi Yayınevi: 64 Sinema: 7 Aşktan da Üstün 50 Film Arka Pencere Yazarlarından © Murat Özer, 2011 © Kırmızı Kedi Yayınevi, 2011 Editör: Murat Özer, Burçin S. Yalçın Kapak Tasarımı: Bilgehan Aras Grafik: Aziz Zengin Kırmızı Kedi Yayınevi www. kirmizikedikitap. com kirmizikedi@kirmizikedikitap. com Ömer Avni M. Emektar S. No: 18 Gümüşsuyu 34427 İSTANBUL T: 0212 244 89 82 F: 0212 244 09 48 ÖNSÖZ Sinema tarihinde derin izler bırakmış pek çok ünlü yönetmen için, artık her ne anlama geliyorsa, “Filmlerini eleştirmenler beğensin diye çekmiyordu!” türünden şeyler söylendiğini muhakkak duymuşsunuzdur. Sinema sanatının seslendiği seyirci kitleleri ile eleştiri kurumu arasına kalın bir duvar örme gayreti güden bu yaklaşımın günümüzde yankılanan biçimleri arasında, “Halk beğendiyse, eleştirmenler beğenmez!” ya da tam tersi, “Eleştirmenler beğendiyse, kimse gitmez o filme!” yargılarının olduğunu da gayet iyi biliyoruz. Oysa köşelerini, bazı yönetmenler ve filmleri ile seyircilerin ve eleştirmenlerin oluşturduğu öyle sağlam üçgenler kurulmuş ki yedinci sanatın geçmişinde, söz ettiğim türden yaygın ve yanılgın iddiaların tümü bir çırpıda havada kalıyor, sonra da adeta tuzla buz oluyor. Charlie Chaplin’den Akira Kurosawa’ya, Sergey Eisenstein’dan Orson Welles’e, Federico Fellini’den Yılmaz Güney’e kadar geniş ve çok renkli bir yelpazede, sıradan seyircilerin de eleştirmenlerin -
NYCLB Scuttlebutt
NYCLB Scuttlebutt April 2018 Navy Yacht Club Long Beach Flag Articles Pages 2 - 5 Racing and Fleet Pages 6 - 8 Member’s Corner Page 9 Calendar & Upcoming Events Page 10—11 Flag Officers Directors Staff Page 12 Ads Page 13 - 20 Website: http://nyclb.com Address: 223 Marina Dr. Long Beach, CA 90803 Volume: 18 Issue: 4 Editor: Sylvia Wheeler The Scuttlebutt 1 Commodore Hello All, Due to the early advent of April showers this year, we were forced with great disappointment to cancel our St. Patrick’s Day event. But hold on . We will definitely be making up for this during our spring and summer months. So hang in there with us, there’s more fun to come! Yes, that’s right—more fun to come, starting with our Annual Opening Day event on April 7. Don’t miss this celebration of our fifty-first year! For our newer members and those new to the yachting community and protocol, this event kicks off the boating season with the installation of this year’s commodore. Opening Day ceremony and activities are planned and coordinated by Junior Staff Commodore, Tommy Wheeler. I hope you all will support this special event. Other notes of fun and progress for 2018: My letter last month reviewed several of the new community programs we are initiating at Navy Yacht Club Long Beach in support of our local veterans. Following our successful Long Beach VA Hospital PIER (Partnership In Effective Recovery) Center clothing drive in January, I met with representatives of Long Beach VA Hospital and initiated a partnership in support of their Women Veterans Program (WVP). -
December 2019 AUSTRALIAN $8.95 Incl
A merry Christmas to all our members and readers December 2019 AUSTRALIAN $8.95 incl. GST ShooterTHE MAGAZINE FOR SPORTING SHOOTERS TAHR TREK Chasing the big one in Kiwi high country Talbot on Target: Long Range Precision The official publication of the Sporting Shooters’ Association of Australia Now 196,000+ members strong! Proudly printed in Australia ssaa.org.au SSAAssaagunsales.com GUN SALES Australia’s most comprehensive firearms and accessories trading website Rifles Shotguns Handguns Reloading Scopes Accessories BUY AND SELL NEW AND USED • Firearms, parts and optics • Ammunition and reloading components • Knives and hunting products • Camping gear, vehicles, boats and property Take a look now! ssaagunsales.com Easy and safe Registration is free and only takes a minute or two and the SSAA Gun Sales website is easy to use. Importantly, you can be confident that ssaagunsales. com is a secure environment for online sales. Cheap and convenient Listings cost just $10 for SSAA members, which is a $10 discount off the non-member price. Choose up to six photos. The SSAA gun sales website works on tablets and smartphones, which means you can browse, sell and buy wherever you are. Try it now! Australia-wide If you have something to sell or need to look for an item to purchase, ssaagunsales.com is an Australia- wide marketplace. It means your buying and selling experience is effective and almost immediate. Enjoyable If you’re a firearms enthusiast, ssaagunsales.com is a great place to browse and see what’s available. Not only are there products -
Download—U.S. Fall 2017
FallFall 20172017 Table of Contents 1 Princess Pistachio and Maurice the Magnificent Marie-Louise Gay 4 Two Times a Traitor Karen Bass 6 Not Friends © Rebecca Bender Rebecca Bender 8 Timo’s Party Victoria Allenby Visit our website at 10 Best Pirate www.pajamapress.ca Kari-Lynn Winters to find book trailers, classroom resources, links to our authors’ websites, and more! 12 Slug Days Sara Leach 14 The Theory of Hummingbirds Michelle Kadarusman Pajama Press is… 16 Dragonfly Song Gail Winskill Wendy Orr Publisher 18 Baby Cakes [email protected] Theo Heras Richard Jones 20 Recently Released President [email protected] 24 Recent Award Winners & Nominees Pat Thornton Jones 25 Complete Visual Backlist Administration [email protected] Ann Featherstone Senior Editor [email protected] Catherine Mitchell © Dean Griffiths Rights Manager, Special Markets [email protected] Rebecca Buchanan Art Director [email protected] Erin Alladin MANAGING EDITOR [email protected] Ellen Myrick Marketing & Publicity [email protected] Pajama Press 181 Carlaw Ave. Suite 207, Toronto, ON, Canada, M4M 2S1 • 416-466-2222 She’s Back! An exciting, new adventure with the irrepressible Princess Pistachio “What’s his name?” asks the director. “Dog,” says Pistachio. “Dog Shoelace.” “That won’t do. He needs a stage name. A name for a star!” She is right, thinks Pistachio. Dog is going to have an ex- citing new life, so he needs an exciting new name. That evening, Pistachio looks up words in the dic- tionary. She tries them out on Dog. “Frederic the Fantastic?” says Pistachio. Dog rolls his Publication Date: eyes. September 4, 2017 “Astounding Antonio?” says Pistachio. -
Drew Kennedy
TEXAS MUSIC PICKERS PRESENTS: TEXAS MUSIC SEMINAR 2018 Learn Network Play December 3rd-4th The Hilton College Station & Conference C t Monday 1:30 - Registration/Check-In Tuesday 2PM: Building a Brand - Merch, image, 8:30: Registration/Check-in campaigns, design, and more! 9AM: Radio Promotion: All things radio • Tiffini Brock promotion! • Mark Sanders • Debbie Green • Taylor Ashlynn • Tami Millspaugh • Jackson Conrad • Tiffini Brock 3PM: Music Law 101: copyright, publishing • Dave Smith agreements, management agreements, recording agreements, distribution agreements, 10AM: Finding Your Sound: Creativity, etc. Originality, Authenticity, and Quality! • Mike Tolleson • David Macias • Gwen Seale • Gino Genaro • Tami Millspaugh 4PM: The Pre-Release Stage : All the things you • John Dickson need to check off the list before releasing a new • Erik Herbst project! • David Macias 11AM: Publishing Presentation: An • Tiffini Brock introductory guide in to the world of publishing! • Jill McGuckin • Scott Gunter • Christina Ramirez • Alex Torrez 11:50: Lunch 5PM: Texas Talk: A journey through Texas 12:30 Touring Strategy: Touring strategy, radio, the Texas charts, Texas music scene figuring out which markets to hit, getting history, Texas music and the economics! opening gigs for bigger artists and more! • Debbie Green • Eddie Kloesel • Chris Fox • Jeb Hurt • Dave Smith • Meredith Jones • Brendon Anthony • Andres Rocha • Wayne Foster 6PM: Artist Insights: An accomplished artist will take us through their musical journey, discuss 1:30 Artist Management: Tour management, the early years, give us some insights in to some marketing, business strategy, revenue of the things they've learned along the way, and management and more! we'll pick their brain about social media, music • Gino Genaro streaming, and any advice they have for up- • Eddie Kloesel and-coming artists. -
Text-Based Description of Music for Indexing, Retrieval, and Browsing
JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakult¨at Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut f¨ur Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erkl¨arung Ich erkl¨are an Eides statt, dass ich die vorliegende Dissertation selbstst¨andig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die w¨ortlich oder sinngem¨aß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikst¨ucken assoziiert wer- den k¨onnen. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielf¨altiger Bezeichnungen und erm¨oglichen es, Musikst¨ucke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich g¨angiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den St¨ucken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen k¨onnen zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen f¨ur • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten k¨onnen, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschl¨age basierend auf dem Suchverhalten des Benutzers zu machen. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
Study Guide to Man, Economy, and State with Power and Market
STUDY GUIDE TO MAN, ECONOMY, AND STATE A TREATISE ON ECONOMIC PRINCIPLES WITH POWER AND MARKET GOVERNMENT AND THE ECONOMY The Mises Institute dedicates this volume in deepest gratitude to Mr. Paul C. Reinhard. STUDY GUIDE TO MAN, ECONOMY, AND STATE A TREATISE ON ECONOMIC PRINCIPLES WITH POWER AND MARKET GOVERNMENT AND THE ECONOMY SCHOLAR’S EDITION MURRAY N. ROTHBARD ROBERT P. M URPHY Ludwig von Mises Institute AUBURN, ALABAMA Copyright 2006 by Ludwig von Mises Institute All rights reserved. Written permission must be secured from the publisher to use or reproduce any part of this book, except for brief quotations in critical reviews or articles. Published by the Ludwig von Mises Institute 518 West Magnolia Avenue, Auburn, Alabama 36832-4528. ISBN-13: 978-1-933550-00-8 ISBN-10: 1-933550-00-7 CONTENTS INTRODUCTION . .vii MAN, ECONOMY, AND STATE CHAPTER 1— FUNDAMENTALS OF HUMAN ACTION . .1 CHAPTER 2— DIRECT EXCHANGE . .15 CHAPTER 3— THE PATTERN OF INDIRECT EXCHANGE . .27 CHAPTER 4— PRICES AND CONSUMPTION . .39 CHAPTER 5— PRODUCTION: THE STRUCTURE . .55 CHAPTER 6— PRODUCTION: THE RATE OF INTEREST AND ITS DETERMINATION . .69 CHAPTER 7— PRODUCTION: GENERAL PRICING OF THE FACTORS . .81 CHAPTER 8— PRODUCTION: ENTREPRENEURSHIP AND CHANGE . .93 v vi Study Guide to Man, Economy, and State with Power and Market CHAPTER 9— PRODUCTION: PARTICULAR FACTOR PRICES AND PRODUCTIVE INCOMES . .107 CHAPTER 10— MONOPOLY AND COMPETITION . .121 CHAPTER 11— MONEY AND ITS PURCHASING POWER . .135 CHAPTER 12— THE ECONOMICS OF VIOLENT INTERVENTION IN THE MARKET . .155 POWER AND MARKET CHAPTER 1— DEFENSE SERVICES ON THE FREE MARKET . .175 CHAPTER 2— FUNDAMENTALS OF INTERVENTION . -
2014 Summer Arts!
815 Commercial Street Emporia, Kansas 66801 620.343.6473 www.emporiaksarts.org 2014 summer arts! PLEASE READ BEFORE REGISTERING! LOCATION: All Summer Arts classes are held at the Emporia Arts Center at 815 Commercial Street. ARRIVAL AND DEPARTURE: The Emporia Arts Center CANNOT be responsible for a child’s care before or after a class. Please drop off and pick up your child promptly. You or an adult designated by you will be asked to sign your child in and out before leaving the area. Children under the age of 10 must be picked up from their specific classroom. CLASS FEES: Payment is required at time of enrollment. Art supplies for all classes are included in class fees, unless indicated in the class description. ENROLLMENT: Classes are filled on a first-come, first-served basis. EAC cannot “hold” space in a class without payment in advance. Confirmations are not sent. Assume that you are enrolled in the class for which you registered. We will contact you in the event that the class is full or cancelled. Refunds are given only when a class is full or is cancelled by EAC. MAKE-UP: If a class meeting is cancelled by EAC, a make-up class will be scheduled. If a student is unable to attend a class, EAC is not responsible for providing a make-up. Class fees are not pro-rated for classes misses by students or for late enrollments. SCHOLARSHIP: EAC has a very generous scholarship fund available for students needing financial assistance. Call (620)343-6473 or email [email protected] to learn more about our scholarship fund. -
English Dictionary of Business Terminology (PDF)
English Dictionary of Business Terminology Erstellung/Compiled by: Studierende des Sprachenzentrums der Universität Hamburg Redaktion/Edited by: Carl Kanowsky VORWORT UND HINWEISE FÜR DIE WÖRTERBUCHBENUTZUNG Dieses Wirtschaftswörterbuch wurde von Teilnehmern des Projektkurses „Speaking Like the Masters of the Universe: A Business Dictionary“ (Sprachenzentrum der Universität Hamburg) im Sommersemester 2017 erarbeitet und zusammengestellt. Die ausgewählten Vokabeln stammen aus aktuellen Artikeln renommierter Zeitschriften und Magazine der englischsprachigen Wirtschaftspresse, z.B. CNN Money, Business Insider, Business Review Australia und The Financial Times. Für jedes Wort bzw. jede Redewendung hatten die Studierenden die Aufgabe, eine klare und verständliche Definition sowie einen Beispielsatz und eine lautliche Umschrift ins internationale phonetische Alphabet (IPA) zu formulieren. Folgende Hinweise sind für Leser*Innen zu beachten: I. Internationales phonetisches Alphabet (IPA) a. Verwendet wird ausschließlich standardamerikanisches Englisch. Zu besonderen Abweichungen von der „Received Pronunciation“ der britischen Inseln gehört der amerikanische „R-Laut“ [ɝ]. II. Abkürzungen a. Verwendet werden folgende Abkürzungen: - adj.: adjective (Adjektiv) - adv.: adverb (Adverb) - lit.: literally (wörtlich) - n.: noun (Substantiv) - sb.: somebody (jemand, -en, -em) - sthg.: something (etwas) - v.: verb (Verb) III. Zeichen von besonderer Bedeutung a. Die Stichwörter sind fett gedruckt. b. Lautliche Umschriften befinden sich innerhalb der [] Zeichen. c. Wortarten befinden sich innerhalb der () Zeichen. d. Der senkrechte Strich | kennzeichnet das Ende einer Definition und den Anfang eines Beispielsatzes. e. Die Beispielsätze sind kursiv gedruckt. f. Das Semikolon ; kennzeichnet eine weitere Definition des Wortes, die häufig unverwandt mit der ersten Definition ist. IV. Redewendungen a. Redewendungen werden zusammen mit der Wortart als „idiom“ kennzeichnet. b. In den meisten Fällen ist das Stichwort das wichtige Substantiv. -
E C U a D O R & P E
E C U A D O R & P E R U GALAPAGOS AND MACHU PICCHU ABOARD THE M/Y LA PINTA DURATION: 17 days / 16 nights SEASON: Year-round DEPARTURES: Guaranteed with a minimum of 2 participants TRIP RATING: Easy/moderate Natural History Cruise & Cultural Tour, Grade (II) – This trip includes occasional wet landings (ankle to knee deep water) to reach observation sites, optional water activities such as swimming, snorkeling or kayaking and nature hikes of up to 4 hours duration on occasionally rough or rocky trails. The Cusco/Machu Picchu segment takes place at high elevations up to an altitude of 12,335', the itinerary has been designed to allow gradual adjustment to the altitude. Walking tours of 1-3 hours duration are optional. Anyone in good fitness and condition, who is able to walk up to 4 hours, should be able to enjoy this trip. 2015 DATES: On request any week throughout the year, subject to availability La Pinta will operate year-round in 2015 (no dry dock period) INTRODUCTION: Galápagos National Park straddles the equator 600 miles west of Ecuador's Pacific coast. Undisturbed for centuries and isolated from the mainland, unusual species of birds, plants, reptiles and some mammals developed on the rocky, volcanic atolls of the Enchanted Isles. Darwin's visit and subsequent studies of the island's flora and fauna in 1835 contributed to the formulation of his theory on the evolution of species and brought this fascinating ecosystem to the attention of the world. The park, Ecuador's largest, was established in 1959 to protect the archipelago's unique environment and wildlife. -
1:4 September 2012
1:4 September 2012 A Hundred Gourds 1:4 September 2012 Welcome to A Hundred Gourds. Our journal's name is taken from a haiku by Chiyo-ni (1703– 1775), who is widely regarded as one of the greatest haiku poets of the Edo period: Haiku Editor – Lorin Ford Haiga Editor – Melinda Hipple, AHG 1.4 Ron Moss, Guest Haiga Editor for AHG 2:1 (December 2012) Aubrie Cox, Haika Edito for AHG 2:2 (March 2013) onward Expositions Editor – John McManus Tanka Editor – Susan Constable Haibun Editor – Mike Montreuil Renku Editor – William Sorlien Webmasters – Ray Rasmussen with Melinda Hipple, Sleiman Azizi, Köy Deli, and Jim Sullivan Copyright © A Hundred Gourds, 2012. All works herein are the property of the authors and artists. No work may be republished or used in any way without their explicit permission. A Hundred Gourds reserves first serial rights and the right to republish all works herein. Images credit: Ron Moss, consulting and contributing artist. Acknowledgements - (PDF Version) Many thanks are due to Lorin Ford, Haiku and Managing Editor of A Hundred Gourds, for her enthusiasm, encouragement and suggestions in this project of converting the web-based issues of the journal to PDF. Ron Moss for the new cover illustration used in the PDF issues. Jim Sullivan, the webmaster of A Hundred Gourds, for providing me with the web files needed to complete the conversions to PDF. Mike Montreuil 2 A Hundred Gourds 1:4 September 2012 Contents Feature 4 Kathleen O’Toole, Nick Virgilio (1928-1989): An American Haiku Master Revisited 5 Haiku 15 Haibun 70 Tanka