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A Musical Analysis of William Grant Still's Songs of Separation: the Chamber Arrangement

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A Musical Analysis of William Grant Still's Songs of Separation: the Chamber Arrangement University of Kentucky UKnowledge Theses and Dissertations--Music Music 2021 A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT Michael Preacely University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2021.209 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Preacely, Michael, "A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT" (2021). Theses and Dissertations--Music. 187. https://uknowledge.uky.edu/music_etds/187 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. I retain all other ownership rights to the copyright of my work. I also retain the right to use in future works (such as articles or books) all or part of my work. I understand that I am free to register the copyright to my work. REVIEW, APPROVAL AND ACCEPTANCE The document mentioned above has been reviewed and accepted by the student’s advisor, on behalf of the advisory committee, and by the Director of Graduate Studies (DGS), on behalf of the program; we verify that this is the final, approved version of the student’s thesis including all changes required by the advisory committee. The undersigned agree to abide by the statements above. Michael Preacely, Student Dr. Everett McCorvey, Major Professor Dr. Lance Brunner, Director of Graduate Studies A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT DMA PROJECT A DMA project submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the College of Fine Arts at the University of Kentucky By Michael Shawn Preacely Lexington, Kentucky Director: Dr. Everett McCorvey, Professor of Voice, Director of Opera Lexington, Kentucky 2021 Copyright © Michael Shawn Preacely 2021 ABSTRACT OF DMA PROJECT A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT William Grant Still was given the title “The Dean of African American Music” because of the many firsts he accomplished as an African American musician in the early twentieth century. He is known for fusing his African American musical tradition of Jazz and blues with the classical European musical tradition. This study explores one of Still’s most famous song cycles, “Songs of Separation,” in the arrangement for string quartet, voice, and piano. This document considers the instrumentation of the string quartet arrangement and how Still uses the instrumentation to enhance the character OF the poetry. This document also provides a performance guide that will facilitate a discussion of technical concepts applicable to singing, of vocal relationships between text and poetry, as well as historical information concerning William Grant Still and his relationship to the poets of the cycle. These poets include Arna Bontemps, Phillipe Thoby Marcelin, Paul Laurence Dunbar, Countee Cullen, and Langston Hughes. KEYWORDS: William Grant Still, African American, Songs of Separation, string quartet, chamber music Michael Shawn Preacely Student’s Signature 04/30/2021 Date A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT By Michael Shawn Preacely Everett McCorvey, DMA Director of DMA Project Lance Brunner, PhD Director of Graduate Studies 04/30/2021 Date To my wife, LeTicia Shari, my sons, Joshua Michael, Benjamin Shawn, and Jayce Bryson Nathaniel, and my mom, Carol Ann, I thank you for the love and encouragement you have shown me throughout this process. I dedicate the completion of this degree to you, and I am so incredibly blessed to be your HUSBAND, FATHER, and SON! Thank you for believing in me. I love you! ACKNOWLEDGMENTS I would like to acknowledge Dr. Everett McCovey, my amazing committee members; Dr. Elizabeth Arnold, Dr. Lance Brunner, and Dr. Wayne Lewis, the world class faculty, and staff of the voice department at the University of Kentucky, Ms. Louise Shouse, Mr. Robert Gannoe (posthumously) and Mrs. Kathy Gannoe, and the countless other amazing family and friends who have been instrumental on my journey in completing this doctorate. You are my village and I honor you! THANK YOU iii TABLE OF CONTENTS ACKNOWLEDGMENTS ......................................................................................................................... iii LIST OF FIGURES .................................................................................................................................... v PART I: DOCUMENT ............................................................................................................................... 1 INTRODUCTION ........................................................................................................................ 2 CHAPTER ONE: The Life of William Grant Still ............................................................. 3 CHAPTER TWO: Songs of Separation ............................................................................... 9 I. Idolatry .............................................................................................................. 12 II. Poème ................................................................................................................. 17 III. Parted ................................................................................................................. 22 IV. If You Should Go ............................................................................................. 25 V. Black Pierrot .................................................................................................... 28 CONCLUSION ........................................................................................................................... 33 Part II: RECITAL PROGRAMS AND PROGRAM NOTES .......................................................... 34 Bibliography .......................................................................................................................................... 79 Vita............................................................................................................................................................. 82 iv LIST OF FIGURES Figure 1 Idolatry: The establishment of the rising fifth and falling fourth motive. ..........................................................................................................................13 Figure 2 Idolatry: The final thematic figure. ....................................................................14 Figure 3 Idolatry: The climax of the song. ........................................................................15 Figure 4 Poéme: Example of the parallel relationship between the voice and the piano. ............................................................................................................19 Figure 5 Poéme: Example of recitative. .............................................................................20 Figure 6 The piano part of Still’s original chamber manuscript of Parted. ..........23 Figure 7 Beginning of If You should Go. ..............................................................................26 Figure 8 Beginning of Black Pierrot. ...................................................................................30 Figure 9 The climax of Black Pierrot. ..................................................................................31 v PART I: DOCUMENT 1 INTRODUCTION Songs of Separation is considered to be one of William Grant Still’s (1895 – 1978) most popular song cycles. Originally composed for voice and piano in 1945, Still also arranged the cycle as a chamber work for voice, piano, and string quartet, c. 1946. This document explores the life and music of William Grant Still in his context as an African American composer in the early twentieth century. The analysis of the poetic and musical aspects of this piece, as well as the investigation of the relationship between the poetry, orchestration, and the vocal line of the chamber arrangement, will provide further insight into the complexity and historical relevance of this work. Copyright © Michael Shawn Preacely 2021 2 CHAPTER ONE: The Life of William Grant Still William Grant Still was born in Woodville, Mississippi, May 11, 1895 to William Grant (1871 – 1895) and Carrie Lena Fambro Still (1872 – 1927) both college educated. Upon his father’s untimely death, while Still was an infant, he and
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