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Program; 2003-11-02 the Royal Serenaders Male Chorus State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Concert & Event Programs Royal Serenaders 11-2-2003 Program; 2003-11-02 The Royal Serenaders Male Chorus Follow this and additional works at: http://digitalcommons.buffalostate.edu/rs-programs Part of the History Commons, Music Commons, and the Religion Commons Recommended Citation "Program; 2003-11-02." Concert & Event Programs. Royal Serenaders Male Chorus Collection. Monroe Fordham Regional History Center, Archives & Special Collections Department, E. H. Butler Library, SUNY Buffalo tS ate. http://digitalcommons.buffalostate.edu/rs-programs/151 This Book is brought to you for free and open access by the Royal Serenaders at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Concert & Event Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. THE SERENADERS TENOR I TENOR II Rev. Terence Mckissick _..__"""'.' :p in1'~~-- Henry Coleman Jim Robinson ¢'~~ ;~:::._ ~):;::=. Bob Cook· $.<t, " ~ 9 Lamont "I~lover 4r_\ ,,~,-#.. ·!~,.- p~ __...,.. Gerald Richardson 4,s,~ _,,,,., .. Otis Glover ~-.....-i "')i,JJ'".,,_.,. l " ,,,_. ~·'" rf5~ BASS I BASS II Peter .Hey Norris Beasley Wardell Lewis Derrick M. Byrd Jr. William K. Wachob Bob Grimm Ed Watts James Pryo . Cecil L. Mathif ************************ The Serenaders are available for Concerts a ' other engagements, call 834-6705 fjfuu,A., ta du !Btandae .Nebon 'IL,~ fBoatul of, £Jnuln, 'U..M.. eAud. and &dl.e c{ a.t.ea:.. !i)tvduu.., Program IV Dedicated to the Memory ofMoses Hogan Pianist, Arranger, Composer AMHERST BFL CANTO mom Sat Fay Allen, C..ductor AH-Alm-Kaber, Attompaai•t WdMman, Cello 1957-2003 Kafk latroducdoa by Dadd: M. Byrd Jr. Brief History of the Settnaden Bob Cook a Jerry Richardson Amhent Bd Caafo Choir. Vhace I DANCING SONG (traditional Hungarian) .... Zoltan Kodaly DURME (Sephardic Folksong) ..... Alice Parker SOAR LIKE AN EAGLE ......... Althouse BUT ERE WE THIS PERFORM (from Dido and Aeneas) ...... Henry Purcell YOU ARE THE LIGHT ......... Fettke Amhent Bd Canto. Bravo JENNY REBECCA ...... Carol Hall LEAD ME, O GOD .......... Chesnokov I'll SAIL RIGHT HOME TO YOU ...... George Strid TO THE HEAVENLY HOST ..........Young I AM HIS CHILD ......arr. Hogan Combined Choirs D V FESTIVE TRUMPET TUNE (Organ Solo) ......... German j THE LION KING MEDLEY ........ based on an arr. by Brymer Joyce Cameron Mathis 1 Roy A. Mathis, Bob Cook, Soloists I m BRING HIM HOME .......arr. Leavitt (from Les Miserables) OLD TIME RELIGION ........ arr. Hogan Featuring Peter Hey and Bob Cook Roy A. Mathis, Soloist I AVE MARIA ..... William Grant Still (from the opera "Costaso") THIS LITTLE LIGHT OF MINE .. based on an arr. by Christiansen/Hogan Peter Hey, Soloist The Three Baritones Bob Cook, Roy A. Mathis, Peter Hey JESUS LAY YO' HEAD IN THE WINDOW ...... arr. Joubert Featuring Lamont Glover TIME TOGO ..... Guyton Wardell Lewis, Soloist RIDE ONI KING JESUS ...... arr. Hogan Jim Robinson, Soloist GOD BLESS AMERICA ..... based on an arr. by Fettke Combined Choirs The Opera: COSTASO Libretto by Verna Arvey Setting: a Spanish pueblo in the American Southwest Commandante Felipe Armona declares his passion for Carmela Costaso, the wife of his young lieutenant. Carmela loves her husband and tries to discourage the commandante. Costaso's telling of theJegend of an elusive city of gold hidden somewhere in the desert ("A Wand'ring Beggar Came") inspires Armona to send Costaso into the desert in search of this city, confident that he will die from the desert's hardships. Carmela pleads with her husband to stay, telling him that "the city of gold lies in our hearts"("Golden Days"). After days of searching in the desert, Costaso and his friend Manuel are near death from weariness, hunger, and thirst. Suddenly, they come upon the body of Pedro Amador, the killer sent by Armona to ensure their deaths. Instead, Amador has succumbed to the desert, and on his body they find a life-saving flask of water. Recognizing familiar landmarks, they realize that they are close · to home and sing the ecstatic "Ave Maria" in thanksgiving. Meanwhile, hope of their return has been abandoned by all except Carmela who continues to reject Armona's advances. When a representative of the governor arrives at the pueblo, Armona is astonished to hear a proclamation recalling him to Mexico City and is even more shocked to discover that it was a letter from Carmela to the governor which occasioned the proclamation. Meanwhile, a commotion on the outskirts of the crowd reveals the ragged survivors, Costaso and Manuel, who accuse Armona of causing their suffering. The crowd wants to exile Armona to the desert, but he shoots himself before they can reach him. Moses George Hogan March 13, 1957-Feb.15, 2003 born in New Orleans, Louisiana, has earned an international reputation as one of America's most gifted pianists, conductors and arrangers. His contemporary choral settings of spirituals and other works have been praised by the American Choral Directors .Association, Gramwiphone magazine, and choral directors across America. Audienc~s have responded with stancli.rig ovations upon hearing his unique and sensitive arrangements. The world renowned Plymouth Music Setus of Minrusota, the BO'J's Choir of Harkm, and the Morman Tabernacl.e Choir have all performed Hogan's arrangements for national audiences on television and radio_. His musical talents will be sorely missed. William Grant Still (1895-1978), often called the Dean of · Afro-American composers said, "If a Negro composer writes a good piece of music and it is the will of God that this be given to the world, it will be performed. If not, his work will soon pass into obiivion. Isn't this true ofa white composer as well?" In the centennial year of Still's birth, there was a resurgence of interest in the work of this musical pioneer; the first Afro-American to have a symphony performed by a white orchestra, the first to conduct a major symphony orchestra, and the first to have a full-length opera performed by a major American company. Renewed interest in Still's work brought a realization that this composer, although restricted by personal resources and the racial mores of his time, achieved remarkable things and produced works which should not "pasll into oblivion." Still composed eight eXtant operas. Troubled Island was produced in · 1949 by the New York City Center Opera Company. A Bayou ~gend was· produce<,! for television in 1981. Blue Steel, Mota and The Plllar have yet to be performed. in their entirety' the other operas have been produced at least once by regional or amateur opera companies. In his lifetime, he created over 150 musical works including a series of five symphonies, four ballets and nine operas. .
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