Annual Report 2005-2006 PDF 2.9 MB
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The Nudge, Ahoribuzz and @Peace
GROOVe gUiDe . FamilY owneD and operateD since jUlY 2011 SHIT WORTH DOING tthhee nnuuddggee pie-eyed anika moa cut off your hands adds to our swear jar no longer on shaky ground 7 - 13 sept 2011 . NZ’s origiNal FREE WEEKlY STREET PRESS . ISSUe 380 . GROOVEGUiDe.Co.NZ Untitled-1 1 26/08/11 8:35 AM Going Global GG Full Page_Layout 1 23/08/11 4:00 PM Page 1 INDEPENDENT MUSIC NEW ZEALAND, THE NEW ZEALAND MUSIC COMMISSION AND MUSIC MANAGERS FORUM NZ PRESENT GOING MUSIC GLOBAL SUMMIT WHAT YOU NEED TO KNOW BEFORE YOU GO If you are looking to take your music overseas, come and hear from people who are working with both new and established artists on the global stage. DELEGATES APPEARING: Natalie Judge (UK) - Matador Records UK Adam Lewis (USA) - The Planetary Group, Boston Jen Long (UK) - BBC6 New Music DJ/Programmer Graham Ashton (AUS) - Footstomp /BigSound Paul Hanly (USA) - Frenchkiss Records USA Will Larnach-Jones (AUS) - Parallel Management Dick Huey (USA) - Toolshed AUCKLAND: MONDAY 12th SEPTEMBER FREE ENTRY SEMINARS, NOON-4PM: BUSINESS LOUNGE, THE CLOUD, QUEENS WHARF RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SHED10, QUEENS WHARF FEATURING: COLLAPSING CITIES / THE SAMI SISTERS / ZOWIE / THE VIETNAM WAR / GHOST WAVE / BANG BANG ECHE! / THE STEREO BUS / SETH HAAPU / THE TRANSISTORS / COMPUTERS WANT ME DEAD WELLINGTON: WEDNESDAY 14th SEPTEMBER FREE ENTRY SEMINARS, NOON-5PM: WHAREWAKA, WELLINGTON WATERFRONT RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SAN FRANCISCO BATH HOUSE FEATURING: BEASTWARS / CAIRO KNIFE FIGHT / GLASS VAULTS / IVA LAMKUM / THE EVERSONS / FAMILY CACTUS PART OF THE REAL NEW ZEALAND FESTIVAL www.realnzfestival.com shit Worth announciNg Breaking news Announcements Hello Sailor will be inducted into the New Zealand Music Hall of Fame at the APRA Silver Scroll golDie locks iN NZ Awards, which are taking place at the Auckland Town Hall on the 13th Dates September 2011. -
Annual Report 2009-2010 PDF 7.6 MB
Report NZ On Air Annual Report for the year ended 30 June 2010 Report 2010 Table of contents He Rarangi Upoko Part 1 Our year No Tenei Tau 2 Highlights Nga Taumata 2 Who we are Ko Matou Noa Enei 4 Chair’s introduction He Kupu Whakataki na te Rangatira 5 Key achievements Nga Tino Hua 6 Television investments: Te Pouaka Whakaata 6 $81 million Innovation 6 Diversity 6 Value for money 8 Radio investments: Te Reo Irirangi 10 $32.8 million Innovation 10 Diversity 10 Value for money 10 Community broadcasting investments: Mahi Whakapaoho a-Iwi 11 $4.3 million Innovation 11 Diversity 11 Value for money 11 Music investments: Te Reo Waiata o Aotearoa 12 $5.5 million Innovation 13 Diversity 14 Value for money 15 Maori broadcasting investments: Mahi Whakapaoho Maori 16 $6.1 million Diversity 16 Digital and archiving investments: Mahi Ipurangi, Mahi Puranga 17 $3.6 million Innovation 17 Value for money 17 Research and consultation Mahi Rangahau 18 Operations Nga Tikanga Whakahaere 19 Governance 19 Management 19 Organisational health and capability 19 Good employer policies 19 Key financial and non financial measures and standards 21 Part 2: Accountability statements He Tauaki Whakahirahira Statement of responsibility 22 Audit report 23 Statement of comprehensive income 24 Statement of financial position 25 Statement of changes in equity 26 Statement of cash flows 27 Notes to the financial statements 28 Statement of service performance 43 Appendices 50 Directory Hei Taki Noa 60 Printed in New Zealand on sustainable paper from Well Managed Forests 1 NZ On Air Annual Report For the year ended 30 June 2010 Part 1 “Lively debate around broadcasting issues continued this year as television in New Zealand marked its 50th birthday and NZ On Air its 21st. -
Individuality, Collectivity, and Samoan Artistic Responses to Cultural Change
The I and the We: Individuality, Collectivity, and Samoan Artistic Responses to Cultural Change April K Henderson That the Samoan sense of self is relational, based on socio-spatial rela- tionships within larger collectives, is something of a truism—a statement of such obvious apparent truth that it is taken as a given. Tui Atua Tupua Tamasese Taisi Efi, a former prime minister and current head of state of independent Sāmoa as well as an influential intellectual and essayist, has explained this Samoan relational identity: “I am not an individual; I am an integral part of the cosmos. I share divinity with my ancestors, the land, the seas and the skies. I am not an individual, because I share a ‘tofi’ (an inheritance) with my family, my village and my nation. I belong to my family and my family belongs to me. I belong to my village and my village belongs to me. I belong to my nation and my nation belongs to me. This is the essence of my sense of belonging” (Tui Atua 2003, 51). Elaborations of this relational self are consistent across the different political and geographical entities that Samoans currently inhabit. Par- ticipants in an Aotearoa/New Zealand–based project gathering Samoan perspectives on mental health similarly described “the Samoan self . as having meaning only in relationship with other people, not as an individ- ual. This self could not be separated from the ‘va’ or relational space that occurs between an individual and parents, siblings, grandparents, aunts, uncles and other extended family and community members” (Tamasese and others 2005, 303). -
Recordings by Artist
Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt -
The Edge of Ladyspace: Ladi6 and the Political Limits of Self-Branding
MEDIANZ ! VOL 15, NO 1 ! 2015 DOI: 10.11157/medianz-vol15iss1id6 - ARTICLE - The Edge of Ladyspace: Ladi6 and the Political Limits of Self-Branding Annalise Friend Abstract Musicians connected through online and offline networks make use of a personal brand to represent themselves and their work. This self-branding must be recognisable, repetitive, and ‘fresh’ if it is to cut through the deluge of contemporary media content. The brands of politically engaged performers—referred to as ‘conscious’ performers—often revolve around political critique, ‘oneness’, and personal and spiritual uplift. These notions are often placed in opposition to the apparent commodification of performers through practices of personal branding. The circulation and consumption of personal brands may not necessarily however, preclude the impact of apparent political critique. This article will explore how the Samoan Aotearoa-New Zealander vocalist Ladi6 plays with the role of ‘lady’ in her brand as a politically engaged strategy. Ladi6 draws on genre resources from conscious hip-hop, soul, reggae, and electronic music. Her assertion of female presence, or creation of a ‘ladyspace’, is both ambiguous and reflexive. While the production of her personal brand—found in videos, lyrics, photos, online presence, merchandise, and live performances—operates according to the logics of global capitalism; the consumption of this brand can provide an alternative ‘conscious’ mode of engagement with the Ladi6 musical commodity. Introduction This article presents Ladi6 (Karoline Tamati) as a case study of a performer who uses the role of being a ‘conscious’ artist as her personal brand. This type of branding implies that her lyrical and musical content is politically critical. -
Taking New Zealand Music to the World
OUTWARD SOUND RECIPIENTS Artists who have received Outward Sound grants assistance to date include: Agent Alvin, All Left Out, Bachelorette, Bang! Bang! Eche!, Battle Circus, Batucada Sound Machine, Bic Runga, Bleeders, Blindspott, Breaks Co-op, Brooke Fraser, Charlie ASH, Coco Solid, Collapsing Cities, Concord Dawn, Connan and the Mockasins, Cut Off Your Hands, taking new zealand David Dallas, David Kilgour, Dawn Of Azazel, Deja Voodoo, Die!Die!Die!, Dimmer, music to the world DJ Philippa, Don McGlashan, Elemeno P., Elizabeth Marvelly, Gasoline Cowboy, Goldenhorse, Goodnight Nurse, Greg Johnson, Hollie Smith, Jackie Bristow, John Psathas, Katchafire, Kingston, Kolab, Kora, Kylie Harris, NEW ZEALAND Ladi6, Lawrence Arabia, Liam Finn, MUSIC COMMISSION Little Bushman, Luger Boa, Midnight Youth, Minuit, Moana & The Tribe, Naked & Famous, TE REO REKA O AOTEAROA Pitch Black, P-Money, Scribe, Shapeshifter, SJD, So So Modern, Spacifix, Steriogram, The Black Seeds, The Brunettes, The Checks, The Mint Chicks, The Phoenix Foundation, The Rabble, The Ruby Suns, Tim Finn, Tyree. Phone: + 64 9 3760115 New Zealand music companies who Fax: + 64 9 3760116 have received Outward Sound grants Freephone 0800 4 NZMIC assistance to date include: Email: [email protected] Arch Hill Recordings, Handmade Records, Independent Music New Zealand, King Exports, LOOP Management NA, LOOP Recordings Aot(ear)oa, Midium Records, Monkey Records, www.nzmusic.org.nz Move The Crowd Records, Ode Records, Southbound Distribution, Sugarlicks Records, Tangata Records, Tardus Music, Yellow Eye. ©2009 NZMC WHAT IS OUTWARD SOUND? OUTWARD SOUND GRANT PROGRAM PHASES Phase 3 - Market Infiltration Outward Sound has been set up to provide assistance for market Applicants are expected to view funding on the basis of a three-phase Grants up to $60,000 i.e. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
Essential Criteria for Maximising the Playlist Potential of New Zealand
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Hook, Line & Singer! Essential criteria for maximising the play list potential of New Zealand music on commercial radio: A Programme Directors' perspective A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Media Studies at Massey University Palmerston North, New Zealand Karen Neill 2000 'Station and programme directors act as gatekeepers, being responsible for ensuring a prescribed and identifiable sound or format, based on what the management of the station believes will generate the largest audience - and ratings - and consequent advertising revenue. The ... prograrnme director ... will regularly sift through new releases, selecting three or four to add to the playlist. The criteria underpinning this process will normally be a combination of the reputation of the artist; a record's previous performance, if already released overseas; whether the song fits the station's format; and, at times, the gut intuition of those making the decision. In the case of the first of these factors, reputation and previous track record, publicity material from the label/artist/distributor plays an important role, jogging memories or sparking interest in a previously unknown artist' (Shuker, 1998, p. 242). Abstract For years the commercial radio industry in New Zealand has fought against regulation oflocal music on the airwaves, citing that in the competitive radio environment (a product of governmental deregulation of the industry) it would be detrimental to both their business and the present levels oflocal content being achieved voluntarily by radio. -
Top 40 Singles Top 40 Albums Forever Bust It Baby Pt 2 Indestructible Riot! 1 Chris Brown 21 Plies Feat
09 June 2008 CHART #1620 Top 40 Singles Top 40 Albums Forever Bust It Baby Pt 2 Indestructible Riot! 1 Chris Brown 21 Plies feat. Ne-Yo 1 Disturbed 21 Paramore Last week 1 / 7 weeks Gold x1 / SBME Last week 0 / 1 weeks WEA/Warner Last week 0 / 1 weeks Gold x1 / WEA/Warner Last week 30 / 6 weeks WEA/Warner Always On My Mind Teenage Love Affair Rockferry Jordin Sparks 2 Tiki Taane 22 Alicia Keys 2 Duffy 22 Jordin Sparks Last week 3 / 7 weeks DirtyDub/Rhythm/DRMNZ Last week 21 / 2 weeks SBME Last week 2 / 9 weeks Platinum x1 / Universal Last week 22 / 10 weeks SBME Take A Bow Untouched Exclusive: Forever Edition Hook Me Up 3 Rihanna 23 The Veronicas 3 Chris Brown 23 The Veronicas Last week 2 / 6 weeks Gold x1 / Universal Last week 19 / 17 weeks WEA/Warner Last week 18 / 31 weeks Platinum x1 / SBME Last week 33 / 7 weeks WEA/Warner Lollipop Homecoming Home Before Dark In Silico 4 Lil Wayne 24 Kanye West feat. Chris Martin 4 Neil Diamond 24 Pendulum Last week 4 / 7 weeks Universal Last week 23 / 5 weeks Universal Last week 1 / 5 weeks SBME Last week 0 / 3 weeks WEA/Warner Closer Hey Baby (Jump Off) Flight Of The Conchords Frank: Deluxe Edition 5 Ne-Yo 25 Bow Wow feat. Omarion 5 Flight Of The Conchords 25 Amy Winehouse Last week 20 / 4 weeks Universal Last week 33 / 2 weeks SBME Last week 4 / 7 weeks Gold x1 / SubPop/Rhythmethod Last week 28 / 4 weeks Universal Love In This Club Break The Ice Back To Black: Deluxe Edition Watershed 6 Usher feat. -
NZ Top 40 27 March 06.Qxd 28/3/06 2:42 PM Page 1
NZ Top 40 27 March 06.qxd 28/3/06 2:42 PM Page 1 CHART 1505 27 March 2006 TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 25 2 BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM 9852802 3595692 3582672 1 UNIVERSAL 1 12 NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 2 EMI 1 NEW 1 BOTH SIDES OF THE GUN BEN HARPER 1 VIRGIN/EMI 82876802772 9837828 7567837525 2 19CHECK ON IT BEYONCE FEAT. SLIM THUG SBME 2 NEW 1 WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 135BACK TO BEDLAM JAMES BLUNT 6 WEA/WARNER 3533452 9838304 82876802802 3 37LOVE GENERATION BOB SINCLAR MOS/EMI 3 44TIMELESS MUSIC: THE BEST OF COAST VARIOUS UNIVERSAL 3 22ON AN ISLAND DAVID GILMOUR SBME 3572140 82876793762 9879698 4 44BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 4 29MORE NATURE VARIOUS 1 SBME 4 35SING-ALONGS AND LULLABIES JACK JOHNSON 1 UNIVERSAL 9850564 3461862 9887850 5 23PUMP IT BLACK EYED PEAS UNIVERSAL 5 311SUPER '70S SUMMER VARIOUS 1 EMI 5 48RING OF FIRE: THE LEGEND OF JOHNNY CASH 1 UNIVERSAL 3501122 3452602 DRP006 6 67SUDDENLY I SEE KT TUNSTALL VIRGIN/EMI 6 54THE BEST COUNTRY ALBUM IN THE WORLD... EVER VOL 2 VARIOUS EMI 6 547BASED ON A TRUE STORY FAT FREDDY'S DROP 6 THEDROP/RHYTHMETHOD 7567940522 METHOD091 99728 7 85NASTY GIRL NOTORIOUS BIG BADBOY/WARNER 7 NEW 1 CRUNK HITS VARIOUS METHOD/SHOCK 7 NEW 1 CHAOS BY DESIGN CONCORD DAWN UPRISING/UNIVERSAL 82876783192 82876747162 8602472 8 513RUN IT CHRIS BROWN SBME 8 64BRAVO VARIOUS 1 SBME 8 77EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 82876808462 3484552 RR80882 9 72STUPID GIRLS PINK SBME 9 818THE BEST REGGAE ALBUM IN THE WORLD.. -
ANNUAL Report for the Year Ended 30 June 2013
ANNUAL REPORT For the year ended 30 june 2013 NZ On Air / Irirangi Te Motu Annual REPORt 2013 / TABLE OF CONTENTS Part 1 / Highlights 2 Chair's Introduction 4 Who We Are 5 Achieving Our Outcomes 6 Audiences / Focus On Online 8 Audiences / Focus On Prime-Time 10 Audiences / Focus On Documentaries 13 Audiences / Focus On New Zealand Music 14 Audiences / Focus On Ma- ori 18 Audiences / Focus On Pasifika 19 Audiences / Focus On Special Interest 20 Environment 21 Research 22 Operations 24 Part 2 / AccoUntabILITY StateMents Independent Auditor’s Report 30 Statement Of Comprehensive Income 31 Statement Of Financial Position 32 Statement Of Changes In Equity 33 Statement Of Cash Flows 34 Notes To The Financial Statements 35 Statement Of Service Performance 51 APPENDICES 56 DIRECTORY 72 NZ On Air / Annual Report 2013 1 HIGHLIGHTS N g a- Taumata Diversity Nga- Rerenga We focused the Digital Media Fund on Our MakingTracks funding scheme We delivered something for everyone content for special interest audiences backed 247 recordings and videos, on television – with more than 93 hours because these audiences are less well both mainstream and alternative. of drama and comedy, 169 hours of served by mainstream media. This documentary and current affairs, and 600 The funded songs span a wide range year we offered special opportunities to hours of childrens’ and special interest of genres including pop, rock, folk, create Pacific content. programmes. country, te reo, roots and reggae, The successful web-series musical The heavy metal, urban and hip hop. We maintained a balance of mainstream Factory created a strong community and special interest programming. -
Annual Report 2008-2009 PDF 5.9 MB
NZ On Air Annual Report For the year ended 30 June 2009 Proudly supporting local content for 20 years 1989-2009 Annual Report For the year ended 30 June 2009 Table of contents Table of contents Part 1 Our year 1 Highlights 1 Who we are 2 Mission statement and values 2 Chair’s introduction 3 Key achievements 4 Television funding 4 Maori broadcasting 10 Radio funding 11 Digital funding 13 NZ Music funding 14 Archiving funding 16 Research 17 Consultation 18 Operations 18 Main performance measures 20 Part 2 Accountability statements 21 Statement of responsibility 21 Audit report 22 Statement of financial performance 23 Statement of financial position 24 Statement of changes in equity 25 Statement of cash flows 26 Notes to the financial statements 27 Statement of service performance 42 Appendices 1. Television funding 51 2. Radio funding 55 3. NZ Music funding 56 4. Music promotion 58 5. Digital and Archiving funding 58 6. Maori broadcasting 59 Directory 60 Download the companion PDF document to see: 20 years of NZ On Air NZ On Air Annual Report to 30 June 2009 1 Part 1: Our Year Highlights • The website NZ On Screen was launched, showcasing historic New Our investments helped create some Zealand television and film online and outstanding success stories this year: winning a Qantas Media Award in its first year • The Top 10 funded television • Our Ethnic Diversity Forum brought programmes had some of our highest all relevant broadcasters together viewing numbers ever around a subject of increasing importance • New Zealand drama successfully