The Journal of Humanity, Creativity and Mighty Fine People by One Percent Collective

Total Page:16

File Type:pdf, Size:1020Kb

The Journal of Humanity, Creativity and Mighty Fine People by One Percent Collective The journal of humanity, creativity and mighty fine people by One Percent Collective. _Ladi6 on love _Music as therapy _Playing For Change _Music and Maˉoridom What is this beautiful wee publication I’m holding? The Generosity Journal shares the stories of mighty fine people. It’s a fresh dose of positive media brought to you by One Percent Collective, a Kiwi-based charity that helps you share 1% of your income with great causes on the regular. www.thegenerosityjournal.co.nz THE GENEROSITY JOURNAL PUBLISHER: One Percent Collective EDITOR: Pat Shepherd SUB-EDITOR: Jd Nodder ART DIRECTION: Kelly Spencer, Sean Duffell and Pat Shepherd. COVER ILLUSTRATION: Natasha Vermeulen CONTRIBUTORS: Ladi6, Toby Morris, Sacha Stejko, Jess Holly Bates, Kate Ricketts, Martin Andrews, Barnaby Weir, Mel Parsons, Martyn Pepperyll, Ren Kirk, Esther McLaren, Thomas Oliver, Louis Baker, Ria Hall, Rob Ruha, Monty Clark, Julie Herbert, Laura Ichim, RMTC. WHERE WE GET S#%T DONE: Biz Dojo Wellington ONE PERCENT COLLECTIVE SPONSORS: Future 50, The Original Cocoa Traders and Trade Me. Most content will be available to share online at www.thegenerosityjournal.co.nz. If you are SPECIAL THANKS TO: interested in supporting The Generosity Journal, please get in touch by email to [email protected]. The views expressed in this publication are not necessarily those of the publisher or editorial team. All rights reserved. No part of this publication may be reproduced in any form without the express written permission of the publisher. The Generosity Journal is subject to copyright in its entirety. STOCK: Printed on BJ Ball FSC Approved stock. Sumo Offset 300gsm and Sumo Offset 150gsm. PRINTER: ww.format.co.nz SUBSCRIBE TO OUR MONTHLY STORYTIME EMAILS WWW.ONEPERCENTCOLLECTIVE.ORG/STORYTIME our Collective impact Collectively our 300 donors have raised over a quarter of a million dollars for our partner charities. 100% of these donations are passed on to the charities that they choose to share their donations between. Big ups to all the generous people donating 1% of their income! * As at 31st Aug 2016. The large dollar differences are due to charities being partners for varying lengths of time. Choose your charities at www.onepercentcollective.org KELLY PAT SHEPHERD SEAN DUFFELL SPENCER This publication wouldn't exist if it wasn't for the generosity of our Kiwi musicians. Since 2003 I've been photographing the music scene here in NZ. It's what drew me to Wellington and inspired me to produce a free music publication which was part of the inspiration REN KIRK for starting One Percent Collective and this very Journal that you hold in your hands. TOBY MORRIS Our quarter of a million dollar donation milestone has been reached thanks to our donors and to the Kiwi musicians who donated more than 1% of their time to bring the Collective together at events. As Warren Maxwell of Trinity Roots once said ‘Music and musicians have the sincere ability to bring people together for an event and in doing so re- create ancient rituals that make a community.’ This issue has largely been dedicated to the theme of music and generosity – a chance for us to look outside of the charitable sector for MARTYN inspiration and to see what part music plays in JD NODDER PEPPERYLL the world of generosity. So go on, grab your headphones, line up some sweet Kiwi tunes and take some time out of your day to dive into our #WhyMusic issue of The Generosity Journal. PAT Say hello to the creators and contributors behind the scenes of The Generosity Journal. Editor / Chief Doer of Things JD NODDER is a long-time supporter of One Percent Collective who has brought her writing and publishing at One Percent Collective skills to the table once again as sub-editor of The Generosity Journal. NATASHA VERMEULEN is an Auckland-based designer and illustrator whose work has featured in The Generosity Journal since day one, with her talent gracing the cover of this very issue. www.fromthemill.co.nz SEAN DUFFELL & KELLY SPENCER are both Wellington-based graphic artists who reside at the Honey Badger Studios, where they helped us shape up the design and illustrations featured in this Journal. www.seanduffell.com www.kellyspencer.co.nz REN KIRK is an Auckland-based writer and photographer who has spent a good deal of time in and around the NZ music scene. She’s passionate about people and helping share their stories. TOBY MORRIS is an Auckland-based cartoonist, illustrator and music nerd. Toby’s Pencilsword series on The Wireless has reached millions worldwide and opened our eyes to incredibly important issues in Aotearoa. MARTYN PEPPERYLL is a freelance music journalist, radio broadcaster and DJ from Wellington. ESTHER MCLAREN is a Wellington-based journalist who helped shape our Thomas & Louis interview. NATASHA VERMEULEN MY PLAN TO SAVE THE WORLD: In the past, I know comedians have us all to be around her almost 24/7 in had their turn at writing this piece the hospital, and marae-styles back in and ideally, I have been told, this is Christchurch at her parents’ family home. a fun piece. For me and my family this She wanted us there, and we were there! time of year right now is, well, not fun, She showed so much courage during this and I have momentarily lost my sense time, refusing to let anyone cry around of humour. Six weeks before I wrote this, her, stating she didn’t want a ‘pity my 30-year-old, break-dancing, fashion party’. I feel immensely grateful to her. designer, energetic, life-loving cousin Lily Incredibly, she gave to us in her moment was diagnosed, completely out of the blue, of helplessness. with a rare form of cancer called mucinous adenocarcinoma. Within three weeks She gave us each other, and through that of her diagnosis we were organising single act of giving, she gave us all so her funeral. much love, comfort and time – to be with her and to be with each other. She spoke This cousin of mine was more akin about gratitude for her life, for love and to a sister; we grew up together in for us all. As I write this now I fully realise Christchurch, both with lots of siblings in she was laying the foundation for the real, our immediate families, and our sister- true plan on how anyone can save the mothers close, we spent our childhoods world. So here it is, are you ready? alongside each other. We both lived in Wellington when I was recording my LOVE album, Time is Not Much – in fact, she Sounds simple doesn’t it, and perhaps features with me in the hollering at the even a bit sermon/obituary/cliché-like, end of the song, ‘More than Fake’. I but I tell ya, I believe it to be true. Don’t remember we sat there alone, with one get me wrong, I’m not saying that bad microphone, the two of us layering our times don’t exist or that love will cure shrieks and hollers, creating this fake all. In fact, what I am saying is dark party, cracking up at ourselves capturing days are exactly what we have. Horrible, it all. When she moved to Auckland unfathomable, scary, unbelievably around five years ago I would see her horrendous days do exist! But Lily taught often, and even more so in the weeks me that even through the worst you can leading up to her passing. give, receive and multiply love. When I This is when Lily gave me the plan to save think back now over those past six weeks the world. and all that has gone on, all I can think about and be grateful for, is love. You see, my family and I had this rare opportunity to spend time with Lily So, what is my plan to save the world, knowing and feeling that every moment I hear you say? My plan is to save the was extremely precious. She allowed world, with love. Illustration by Toby Morris GOOD STUFF Yoga Rhapsody combines two of our Defender Bags are made in New Zealand from recycled Street Smart encourages audiences to look beyond the stigma Thunderpants have partnered with Al Brown to deliver the fave things: yoga and music. Paul and billboards. Our Collective partner charity SpinningTop has of homelessness and see them for who they are – humans in ultimate Kiwi classic fundraiser, the sausage sizzle … with a twist. Jemma host amazing public classes and been producing the bags for over five years, with 100% of need of understanding and aroha. Loading Docs plays host Their Sausage Sizzle Philanthropants range will donate a portion generously volunteer with a number of profits supporting vulnerable children in Thailand and Burma. to a selection of awe-inspiring three minute documentaries of sales to a different charity each month. To kick things off they free classes for community organisations Their shoppers and tote bags are ideal for the Sunday market including Street Smart, which features Regina Toto, from our will be supporting Collective partner charity, Garden to Table, in the Wellington area. and due to the vinyl billboards used, every design is unique! partner charity DCM, sharing her story of a life on the streets. helping to deliver food education to schools throughout NZ. www.yogarhapsody.com www.defenderbags.org www.loadingdocs.net/streetsmart www.thunderpants.co.nz WLG Peoples Coffee — EST. 2004 — 12A Constable Street, Wellington (04) 389 6777 peoplescoffee.co.nz the ongoing journey of Peoples’ An environmentally driven brand, development in coffee quality and Peoples Coffee are committed to not social projects, and to invest and only producing incredible coffee, but share resources, ensuring enduring ensuring the wellbeing of the farmers trade relationships.
Recommended publications
  • The Nudge, Ahoribuzz and @Peace
    GROOVe gUiDe . FamilY owneD and operateD since jUlY 2011 SHIT WORTH DOING tthhee nnuuddggee pie-eyed anika moa cut off your hands adds to our swear jar no longer on shaky ground 7 - 13 sept 2011 . NZ’s origiNal FREE WEEKlY STREET PRESS . ISSUe 380 . GROOVEGUiDe.Co.NZ Untitled-1 1 26/08/11 8:35 AM Going Global GG Full Page_Layout 1 23/08/11 4:00 PM Page 1 INDEPENDENT MUSIC NEW ZEALAND, THE NEW ZEALAND MUSIC COMMISSION AND MUSIC MANAGERS FORUM NZ PRESENT GOING MUSIC GLOBAL SUMMIT WHAT YOU NEED TO KNOW BEFORE YOU GO If you are looking to take your music overseas, come and hear from people who are working with both new and established artists on the global stage. DELEGATES APPEARING: Natalie Judge (UK) - Matador Records UK Adam Lewis (USA) - The Planetary Group, Boston Jen Long (UK) - BBC6 New Music DJ/Programmer Graham Ashton (AUS) - Footstomp /BigSound Paul Hanly (USA) - Frenchkiss Records USA Will Larnach-Jones (AUS) - Parallel Management Dick Huey (USA) - Toolshed AUCKLAND: MONDAY 12th SEPTEMBER FREE ENTRY SEMINARS, NOON-4PM: BUSINESS LOUNGE, THE CLOUD, QUEENS WHARF RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SHED10, QUEENS WHARF FEATURING: COLLAPSING CITIES / THE SAMI SISTERS / ZOWIE / THE VIETNAM WAR / GHOST WAVE / BANG BANG ECHE! / THE STEREO BUS / SETH HAAPU / THE TRANSISTORS / COMPUTERS WANT ME DEAD WELLINGTON: WEDNESDAY 14th SEPTEMBER FREE ENTRY SEMINARS, NOON-5PM: WHAREWAKA, WELLINGTON WATERFRONT RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SAN FRANCISCO BATH HOUSE FEATURING: BEASTWARS / CAIRO KNIFE FIGHT / GLASS VAULTS / IVA LAMKUM / THE EVERSONS / FAMILY CACTUS PART OF THE REAL NEW ZEALAND FESTIVAL www.realnzfestival.com shit Worth announciNg Breaking news Announcements Hello Sailor will be inducted into the New Zealand Music Hall of Fame at the APRA Silver Scroll golDie locks iN NZ Awards, which are taking place at the Auckland Town Hall on the 13th Dates September 2011.
    [Show full text]
  • Annual Report 2020
    Annual Report April 2019 - March 2020 Our vision is to have an Aotearoa where all children flourish, free from poverty He kai tahu me kikini, he kai tahu me tīhore, mā te tamaiti te iho "Pinch off a bit, peel off a bit, the inside is for the child” (said of the potted bird) Our mission CPAG strives to achieve the elimination of child poverty in Aotearoa New Zealand. We work to provide evidence-based research about the causes and effects of poverty on children and their families, and to inform the public, policy makers, media and politicians of the changes to policy needed to reduce child poverty. Our activities and decisions honour Te Tiriti O Waitangi, and other cultural perspectives. Management Committee 2019-20 Elected: Innes Asher, Jennifer Braithwaite, Helen Bull, Frank Hogan, Alan Johnson,Therese Luxton, George Makapatama, Talavao Ngata, Michael Quirke and Sakthy Wijeyesinghe. Co-opted: Claire Dale, Mike O’Brien, Peter O’Connor, Nikki Turner and Janfrie Wakim. Research Committee 2019-20 Innes Asher, Toni Ashton, Gerry Cotterell, Claire Dale, Alan Johnson, Mike O’Brien, Susan St John, Janfrie Wakim. Staff Georgie Craw - Executive Officer Jeni Cartwright - Communications Advisor Carmelite Müller - Administration and Communications Assistant All supported by regional network volunteers in: Nelson-Tasman, Dunedin, Christchurch, Whangarei and Wellington Annual Report April 2019 - March 2020 Our last 12 months of activity has seen exciting developments Contents Co-Convenors' report 2 The year at a glance 5 Accomplishments 4 Working together to create change 6 Te Ao Māori at CPAG 6 Full list of outputs and events 7 Ngā Tangata Microfinance report 8 Annual Report April 2019 - March 2020 1 Co-Convenors' report E ngā iwi, e ngā reo, e ngā karangatanga maha o ngā hau e whā, tēnei te mihi atu ki a koutou katoa.
    [Show full text]
  • Individuality, Collectivity, and Samoan Artistic Responses to Cultural Change
    The I and the We: Individuality, Collectivity, and Samoan Artistic Responses to Cultural Change April K Henderson That the Samoan sense of self is relational, based on socio-spatial rela- tionships within larger collectives, is something of a truism—a statement of such obvious apparent truth that it is taken as a given. Tui Atua Tupua Tamasese Taisi Efi, a former prime minister and current head of state of independent Sāmoa as well as an influential intellectual and essayist, has explained this Samoan relational identity: “I am not an individual; I am an integral part of the cosmos. I share divinity with my ancestors, the land, the seas and the skies. I am not an individual, because I share a ‘tofi’ (an inheritance) with my family, my village and my nation. I belong to my family and my family belongs to me. I belong to my village and my village belongs to me. I belong to my nation and my nation belongs to me. This is the essence of my sense of belonging” (Tui Atua 2003, 51). Elaborations of this relational self are consistent across the different political and geographical entities that Samoans currently inhabit. Par- ticipants in an Aotearoa/New Zealand–based project gathering Samoan perspectives on mental health similarly described “the Samoan self . as having meaning only in relationship with other people, not as an individ- ual. This self could not be separated from the ‘va’ or relational space that occurs between an individual and parents, siblings, grandparents, aunts, uncles and other extended family and community members” (Tamasese and others 2005, 303).
    [Show full text]
  • JAZZ TIMES The
    Page 4 Jazz in Martinborough 2017 – JAZZ TIMES the LOCAL The Village CafÉ ENERGY Thursday Saturday sunday PROJECT Jazz Times Sue Pugmire Jazz Combo Senses Quintet College Combos 7.30 Performance 10.15 – 11.45am at the Cafe All gigs are free of charge except highlighted events. Who’s Who, What’s What, Who’s Where & When *see note $30 Sue Pugmire Trio Sforzando (Rathkeale) Tickets on sale through iTicket, Martinborough Wine friday 12.00 – 2.00pm 9.45 – 10.15am Merchants and selected iSites. Gig guide and band information available at our website: MARTINBOROUGH 31 aug - 3 SEPT 2017 FREE Songbird Duo Nigel Patterson WaiColl/Rathkeale Band 11.00 – 12.30pm Quartet 10.30 – 11.00am www.jazzinmartinborough.co.nz 7.30 Performance Upper Structure (Kuranui) original modern jazz and everything in Headline acts Senses Quintet *see note $40 *This year the Town Hall is closed for 3.00 – 4.00pm 11.15 – 11.45am upgrading, so the Headline Acts are between, we have something for everyone. The Nigel Patterson Quartet (NPQ) are the Venue Dancing & Drinking sunday Vade Sahira Orchestra being hosted by The Village Café “This year’s festival is dedicated to the eagerly anticipated feature act on Saturday Society Senses Quintet 12.00 – 12.30pm Dinner from 6pm founder of Jazz in Martinborough, Ian night. NPQ is brimming with talent and 7.30 Performance 1.00 – 2.45pm Reservations are essential Cresswell, who unexpectedly passed away creativity, led by Nigel Patterson from the Menu *see note $35 Contact venue direct recently” says Ted Preston, festival co-founder.
    [Show full text]
  • Sound Arts Is Published By: MENZA: Music Education New Zealand Aotearoa
    The The ENZA magazine MMENZA magazine 2012 in this issue... Volume 7 Bret McKenzie: The Story behind the Songwriter, Orff in action – An Example of a Musical Journey, Number 3 Believing in possibilities, Secondary Arts support for your region plus much much more June June 2012 The Menza magazine in this issue . 3 Introduction – Errol Moore Sound Arts is published by: MENZA: Music Education New Zealand Aotearoa. 3 Tēna Koutou – Stephanie Lees It is the professional magazine for all New Zealand music educators. Bret McKenzie: The Story behind the MENZA has as its vision: 5 Songwriter – Rosie Condon Making Education brighter through Music. Orff in Action – An Example of a 6 Musical Journey – Fay Young MENZA maintains a website: www.tunemein.co.nz 7 Believing in possibilities !e postal address is: MENZA PO Box 27499 9 Secondary Arts support for your region Marion Square WELLINGTON 6141 11 Reading the Booktrack 13 Kiwi boys can sing! – Timothy Maurice Carson MENZA Board Members 15 Sistema Aotearoa Errol Moore Otago [email protected] (President) Te Ara Puoro: bicultural understandings through 16 music – Trevor Thwaites Sally Bodkin-Allen Southland [email protected] Mary Horner Wellington Mary.Horner@stmaryswellington. 17 NZSM Pasifika Performance papers bring a new school nz perspective – Stephen Gibbs Stephanie Lees Auckland [email protected] Millie Locke Auckland [email protected] Hook into Sound 11 May aka JUMBO MENZA DAY @ Catherine Short Waikato [email protected] 19 Gisborne – Milie Locke Celia Stewart Canterbury [email protected] Andrew Stopps Wellington [email protected] 21 A Life of Music At Papatoetoe Intermediate School Maria Winder Auckland [email protected] 21 Hook Line and Sing-along 2012 Editorial Co-ordinators 23 Arts and Social, Economic and Cultural Prosperity Celia Stewart [email protected] Get the Groove: TRCC course of early childhood Helen Willberg [email protected] 24 teachers 0–8 Mary Horner mary.horner@stmaryscollege.
    [Show full text]
  • Steven Dakin
    auckland.ac.nz/UniNews JUNE 2020 STEVEN DAKIN Good eye healthcare for everyone is in his sights: ‘The current system is flawed’ Page 6 TAKING CARE OF BUSINESS ROUGH JUSTICE TALES FROM LOCKDOWN When the Business School received calls Tamasailau Suaalii’s research exposes Merryn Gott says the voices of people for help from businesses as a result of inequities in the justice system for Māori 70 plus weren’t heard during lockdown. Covid-19, Antje Fiedler made connections and Pacific youth Now she wants their tell-all letters. Page 9 Page 3 Page 5 SNAPSHOTS THIS ISSUE My Story: Sailau Suaalii 3 QUALITY EDUCATION HUB As well as the University holding onto its Good to Know 4, 8, 9 No. 1 spot in the Times Higher Education University Impact Rankings, there’s more – Siouxsie vs Superbugs 4 recogniton. Auckland is one of only 17 universities worldwide to be made a hub for – Kuputaka 4 the Sustainability Development Goals (SDGs) – Their own devices 4 in the United Nations Academic Impact (UNAI) group, being assigned SDG 4: Quality – The nose knows 8 Education. Auckland will lead a group of 1,300 UNAI member institutions in more than 130 – Virtually an intern 8 countries to develop new ideas for achieving the SDGs. See: tinyurl.com/UNAI-hub-SDG4 – Bearing up under lockdown 8 – Taking care of businesses 9 BAR OPENS AT 8AM Regular bars may be open again but you – Lockdown living on campus 9 probably won’t be there at 8am. But the Merryn Gott 5 final three Raising the Bar events are still being held online, and the presentations are Steven Dakin 6 given at 8am and 8pm.
    [Show full text]
  • Wellington Jazz Among the Discourses
    1 OUTSIDE IN: WELLINGTON JAZZ AMONG THE DISCOURSES BY NICHOLAS PETER TIPPING A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 2 Contents Contents ..................................................................................................................................... 2 List of Figures ............................................................................................................................. 5 Abstract ...................................................................................................................................... 6 Acknowledgements .................................................................................................................... 8 Introduction: Conundrums, questions, contexts ..................................................................... 9 Sounds like home: New Zealand Music ............................................................................... 15 ‘Jazz’ and ‘jazz’...................................................................................................................... 17 Performer as Researcher ...................................................................................................... 20 Discourses ............................................................................................................................ 29 Conundrums ........................................................................................................................
    [Show full text]
  • Public Version Fairfax / Nzme Response to Submissions 29
    PUBLIC VERSION FAIRFAX / NZME RESPONSE TO SUBMISSIONS 29 JULY 2016 INTRODUCTION 1. NZME Limited 1 (" NZME ") and Fairfax NZ Limited (" Fairfax ") have had the opportunity to review the public submissions to the Commerce Commission (" Commission ") in response to the Commission's Statement of Preliminary Issues dated 14 June 2016 (" SOPI ") in relation to the Fairfax / NZME application (the " Application ") seeking approval to merge the New Zealand operations of NZME and Fairfax (the "Transaction "). 2. Fairfax and NZME's responses and observations in relation to the submissions and the key points contained in them are set out below. Appendix Two also contains an overview of the recent Reuters Institute Digital News Report 2016 and The Pew Research Center State of the News Media 2016 report that reinforce the acceleration of the trends identified in the Application. SUMMARY 3. The Commission received 49 submissions in total. Once duplicated submissions from a single person / economic entity are removed, there are fewer than 40.2 This is a low number of submissions on a high-profile transaction involving media. 3 4. All the submissions were from competitors, journalists, or academics / public policy lobby groups. That is unusual when measured, for example, against the range of submissions received by the Commission on its last high profile authorisation. 4 It is however not surprising. In traditional competition analysis, if competitors are opposing, it is often an indicator that the merger will be pro-competitive,5 as the merged entity is potentially expected to provide a better offering to customers (in this case, consumers and advertisers). 5.
    [Show full text]
  • Song List by Artist
    Song List by Artist Artist Song Name 10,000 MANIACS BECAUSE THE NIGHT EAT FOR TWO WHAT'S THE MATTER HERE 10CC RUBBER BULLETS THINGS WE DO FOR LOVE 112 ANYWHERE [FEAT LIL'Z] CUPID PEACHES AND CREAM 112 FEAT SUPER CAT NA NA NA NA 112 FEAT. BEANIE SIGEL,LUDACRIS DANCE WITH ME/PEACHES AND CREAM 12TH MAN MARVELLOUS [FEAT MCG HAMMER] 1927 COMPULSORY HERO 2 BROTHERS ON THE 4TH FLOOR COME TAKE MY HAND NEVER ALONE 2 COW BOYS EVERYBODY GONFI GONE 2 HEADS OUT OF THE CITY 2 LIVE CREW LING ME SO HORNY WIGGLE IT 2 PAC ALL ABOUT U BRENDA’S GOT A BABY Page 1 of 366 Song List by Artist Artist Song Name HEARTZ OF MEN HOW LONG WILL THEY MOURN TO ME? I AIN’T MAD AT CHA PICTURE ME ROLLIN’ TO LIVE & DIE IN L.A. TOSS IT UP TROUBLESOME 96’ 2 UNLIMITED LET THE BEAT CONTROL YOUR BODY LETS GET READY TO RUMBLE REMIX NO LIMIT TRIBAL DANCE 2PAC DO FOR LOVE HOW DO YOU WANT IT KEEP YA HEAD UP OLD SCHOOL SMILE [AND SCARFACE] THUGZ MANSION 3 AMIGOS 25 MILES 2001 3 DOORS DOWN BE LIKE THAT WHEN IM GONE 3 JAYS FEELING IT TOO LOVE CRAZY EXTENDED VOCAL MIX 30 SECONDS TO MARS FROM YESTERDAY 33HZ (HONEY PLEASER/BASS TONE) 38 SPECIAL BACK TO PARADISE BACK WHERE YOU BELONG Page 2 of 366 Song List by Artist Artist Song Name BOYS ARE BACK IN TOWN, THE CAUGHT UP IN YOU HOLD ON LOOSELY IF I'D BEEN THE ONE LIKE NO OTHER NIGHT LOVE DON'T COME EASY SECOND CHANCE TEACHER TEACHER YOU KEEP RUNNIN' AWAY 4 STRINGS TAKE ME AWAY 88 4:00 PM SUKIYAKI 411 DUMB ON MY KNEES [FEAT GHOSTFACE KILLAH] 50 CENT 21 QUESTIONS [FEAT NATE DOGG] A BALTIMORE LOVE THING BUILD YOU UP CANDY SHOP (INSTRUMENTAL) CANDY SHOP (VIDEO) CANDY SHOP [FEAT OLIVIA] GET IN MY CAR GOD GAVE ME STYLE GUNZ COME OUT I DON’T NEED ‘EM I’M SUPPOSED TO DIE TONIGHT IF I CAN’T IN DA CLUB IN MY HOOD JUST A LIL BIT MY TOY SOLDIER ON FIRE Page 3 of 366 Song List by Artist Artist Song Name OUTTA CONTROL PIGGY BANK PLACES TO GO POSITION OF POWER RYDER MUSIC SKI MASK WAY SO AMAZING THIS IS 50 WANKSTA 50 CENT FEAT.
    [Show full text]
  • The Edge of Ladyspace: Ladi6 and the Political Limits of Self-Branding
    MEDIANZ ! VOL 15, NO 1 ! 2015 DOI: 10.11157/medianz-vol15iss1id6 - ARTICLE - The Edge of Ladyspace: Ladi6 and the Political Limits of Self-Branding Annalise Friend Abstract Musicians connected through online and offline networks make use of a personal brand to represent themselves and their work. This self-branding must be recognisable, repetitive, and ‘fresh’ if it is to cut through the deluge of contemporary media content. The brands of politically engaged performers—referred to as ‘conscious’ performers—often revolve around political critique, ‘oneness’, and personal and spiritual uplift. These notions are often placed in opposition to the apparent commodification of performers through practices of personal branding. The circulation and consumption of personal brands may not necessarily however, preclude the impact of apparent political critique. This article will explore how the Samoan Aotearoa-New Zealander vocalist Ladi6 plays with the role of ‘lady’ in her brand as a politically engaged strategy. Ladi6 draws on genre resources from conscious hip-hop, soul, reggae, and electronic music. Her assertion of female presence, or creation of a ‘ladyspace’, is both ambiguous and reflexive. While the production of her personal brand—found in videos, lyrics, photos, online presence, merchandise, and live performances—operates according to the logics of global capitalism; the consumption of this brand can provide an alternative ‘conscious’ mode of engagement with the Ladi6 musical commodity. Introduction This article presents Ladi6 (Karoline Tamati) as a case study of a performer who uses the role of being a ‘conscious’ artist as her personal brand. This type of branding implies that her lyrical and musical content is politically critical.
    [Show full text]
  • Annual Report 2008-2009 PDF 5.9 MB
    NZ On Air Annual Report For the year ended 30 June 2009 Proudly supporting local content for 20 years 1989-2009 Annual Report For the year ended 30 June 2009 Table of contents Table of contents Part 1 Our year 1 Highlights 1 Who we are 2 Mission statement and values 2 Chair’s introduction 3 Key achievements 4 Television funding 4 Maori broadcasting 10 Radio funding 11 Digital funding 13 NZ Music funding 14 Archiving funding 16 Research 17 Consultation 18 Operations 18 Main performance measures 20 Part 2 Accountability statements 21 Statement of responsibility 21 Audit report 22 Statement of financial performance 23 Statement of financial position 24 Statement of changes in equity 25 Statement of cash flows 26 Notes to the financial statements 27 Statement of service performance 42 Appendices 1. Television funding 51 2. Radio funding 55 3. NZ Music funding 56 4. Music promotion 58 5. Digital and Archiving funding 58 6. Maori broadcasting 59 Directory 60 Download the companion PDF document to see: 20 years of NZ On Air NZ On Air Annual Report to 30 June 2009 1 Part 1: Our Year Highlights • The website NZ On Screen was launched, showcasing historic New Our investments helped create some Zealand television and film online and outstanding success stories this year: winning a Qantas Media Award in its first year • The Top 10 funded television • Our Ethnic Diversity Forum brought programmes had some of our highest all relevant broadcasters together viewing numbers ever around a subject of increasing importance • New Zealand drama successfully
    [Show full text]
  • New Zealand Media Ownership 2018
    NEW ZEALAND MEDIA OWNERSHIP 2020 AUT research centre for Journalism, Media and Democracy (JMAD) Edited by Merja Myllylahti and Wayne Hope December 7, 2020 ABOUT THIS REPORT This report is part of JMAD’s ongoing series of reports on New Zealand media ownership. Since 2011, the AUT research centre for Journalism, Media and Democracy (JMAD) has published reports that document and analyse developments within New Zealand media. These incorporate media ownership, market structures and key events during each year. The reports are freely available and accessible to anyone via the JMAD research centre: https://www.aut.ac.nz/study/study-options/communication- studies/research/journalism,-media-and-democracy-research-centre 2020 report team To celebrate the JMAD research centre’s 10th anniversary, this 10th New Zealand media ownership report is co-written by AUT lecturers who are experts in their fields. The report is co-edited by the JMAD Co-Directors Dr Merja Myllylahti and Professor Wayne Hope. Contributors Dr Sarah Baker Dr Peter Hoar Professor Wayne Hope Dr Rufus McEwan Dr Atakohu Middleton Dr Merja Myllylahti Dr Greg Treadwell This report is covered by the Creative Commons Attribution License 4.0 International. When reproducing any part of this report – including tables and graphs – full attribution must be given to the report author(s). 1 10TH ANNIVERSARY OF JOURNALISM, MEDIA AND DEMOCRACY RESEARCH CENTRE The AUT research centre for Journalism, Media and Democracy (JMAD) was established in 2010 by (then) Associate Professors Wayne Hope and Martin Hirst to promote research into the media and communication industries and to increase knowledge about news and professional practices in journalism.
    [Show full text]