The Origin of Sin and the Queen of Heaven Dedicated to My Namesake and Alter-Ego Christine "If It Were Not for You This Work Would Have Been a Place of Poverty"
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Arsu and ‘Azizu a Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk by Finn Ove Hvidberg-Hansen
’Arsu and ‘Azizu A Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk By Finn Ove Hvidberg-Hansen Historiske-filosofiske Meddelelser 97 Det Kongelige Danske Videnskabernes Selskab The Royal Danish Academy of Sciences and Letters DET KONGELIGE DANSKE VIDENSKABERNES SELSKAB udgiver følgende publikationsrækker: THE ROYAL DANISH ACADEMY OF SCIENCES AND LETTERS issues the following series of publications: Authorized Abbreviations Historisk-filosofiske Meddelelser, 8° Hist.Fil.Medd.Dan.Vid.Selsk. (printed area 1 75 x 104 mm, 2700 units) Historisk-filosofiske Skrifter, 4° Hist.Filos.Skr.Dan.Vid.Selsk. (History, Philosophy, Philology, (printed area 2 columns, Archaeology, Art History) each 199 x 77 mm, 2100 units) Matematisk-fysiske Meddelelser, 8° Mat.Fys.Medd.Dan.Vid.Selsk. (Mathematics, Physics, (printed area 180 x 126 mm, 3360 units) Chemistry, Astronomy, Geology) Biologiske Skrifter, 4° Biol.Skr. Dan. Vid.Selsk. (Botany, Zoology, Palaeontology, (printed area 2 columns, General Biology) each 199 x 77 mm, 2100 units) Oversigt, Annual Report, 8° Overs. Dan.Vid.Selsk. General guidelines The Academy invites original papers that contribute significantly to research carried on in Denmark. Foreign contributions are accepted from temporary residents in Den mark, participants in a joint project involving Danish researchers, or those in discussion with Danish contributors. Instructions to authors Manuscripts from contributors who are not members of the Academy will be refereed by two members of the Academy. Authors of papers accepted for publication will re ceive galley proofs and page proofs; these should be returned promptly to the editor. Corrections other than of printer's errors will be charged to the author(s) insofar as the costs exceed 15% of the cost of typesetting. -
The Epic of Gilgamesh Humbaba from His Days Running Wild in the Forest
Gilgamesh's superiority. They hugged and became best friends. Name Always eager to build a name for himself, Gilgamesh wanted to have an adventure. He wanted to go to the Cedar Forest and slay its guardian demon, Humbaba. Enkidu did not like the idea. He knew The Epic of Gilgamesh Humbaba from his days running wild in the forest. He tried to talk his best friend out of it. But Gilgamesh refused to listen. Reluctantly, By Vickie Chao Enkidu agreed to go with him. A long, long time ago, there After several days of journeying, Gilgamesh and Enkidu at last was a kingdom called Uruk. reached the edge of the Cedar Forest. Their intrusion made Humbaba Its ruler was Gilgamesh. very angry. But thankfully, with the help of the sun god, Shamash, the duo prevailed. They killed Humbaba and cut down the forest. They Gilgamesh, by all accounts, fashioned a raft out of the cedar trees. Together, they set sail along the was not an ordinary person. Euphrates River and made their way back to Uruk. The only shadow He was actually a cast over this victory was Humbaba's curse. Before he was beheaded, superhuman, two-thirds god he shouted, "Of you two, may Enkidu not live the longer, may Enkidu and one-third human. As king, not find any peace in this world!" Gilgamesh was very harsh. His people were scared of him and grew wary over time. They pleaded with the sky god, Anu, for his help. In When Gilgamesh and Enkidu arrived at Uruk, they received a hero's response, Anu asked the goddess Aruru to create a beast-like man welcome. -
Marina Gavryushkina UC Berkeley Art History 2013
UC Berkeley Berkeley Undergraduate Journal of Classics Title The Persian Alexander: The Numismatic Portraiture of the Pontic Dynasty Permalink https://escholarship.org/uc/item/7xh6g8nn Journal Berkeley Undergraduate Journal of Classics, 2(1) ISSN 2373-7115 Author Gavryushkina, Marina Publication Date 2013 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Gavryushkina 1 The Persian Alexander: The Numismatic Portraiture of the Pontic Dynasty Marina Gavryushkina UC Berkeley Art History 2013 Abstract: Hellenistic coinage is a popular topic in art historical research as it is an invaluable resource of information about the political relationship between Greek rulers and their subjects. However, most scholars have focused on the wealthier and more famous dynasties of the Ptolemies and the Seleucids. Thus, there have been considerably fewer studies done on the artistic styles of the coins of the smaller outlying Hellenistic kingdoms. This paper analyzes the numismatic portraiture of the kings of Pontus, a peripheral kingdom located in northern Anatolia along the shores of the Black Sea. In order to evaluate the degree of similarity or difference in the Pontic kings’ modes of representation in relation to the traditional royal Hellenistic style, their coinage is compared to the numismatic depictions of Alexander the Great of Macedon. A careful art historical analysis reveals that Pontic portrait styles correlate with the individual political motivations and historical circumstances of each king. Pontic rulers actively choose to diverge from or emulate the royal Hellenistic portrait style with the intention of either gaining support from their Anatolian and Persian subjects or being accepted as legitimate Greek sovereigns within the context of international politics. -
ANIMAL SACRIFICE in ANCIENT MESOPOTAMIAN RELIGION The
CHAPTER FOURTEEN ANIMAL SACRIFICE IN ANCIENT MESOPOTAMIAN RELIGION JOANN SCURLOCK The relationship between men and gods in ancient Mesopotamia was cemented by regular offerings and occasional sacrifices of ani mals. In addition, there were divinatory sacrifices, treaty sacrifices, and even "covenant" sacrifices. The dead, too, were entitled to a form of sacrifice. What follows is intended as a broad survey of ancient Mesopotamian practices across the spectrum, not as an essay on the developments that must have occurred over the course of several millennia of history, nor as a comparative study of regional differences. REGULAR OFFERINGS I Ancient Mesopotamian deities expected to be fed twice a day with out fail by their human worshipers.2 As befitted divine rulers, they also expected a steady diet of meat. Nebuchadnezzar II boasts that he increased the offerings for his gods to new levels of conspicuous consumption. Under his new scheme, Marduk and $arpanitum were to receive on their table "every day" one fattened ungelded bull, fine long fleeced sheep (which they shared with the other gods of Baby1on),3 fish, birds,4 bandicoot rats (Englund 1995: 37-55; cf. I On sacrifices in general, see especially Dhorme (1910: 264-77) and Saggs (1962: 335-38). 2 So too the god of the Israelites (Anderson 1992: 878). For specific biblical refer ences to offerings as "food" for God, see Blome (1934: 13). To the term tamid, used of this daily offering in Rabbinic sources, compare the ancient Mesopotamian offering term gimi "continual." 3 Note that, in the case of gods living in the same temple, this sharing could be literal. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
Who Were the Daughters of Allah?
WHO WERE THE DAUGHTERS OF ALLAH? By DONNA RANDSALU B.A., University of British Columbia,1982. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (RELIGIOUS STUDIES) We accept this thesis—as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1988 © Donna Kristin Randsalu, 1988 V In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of £gLlfr/OU^ £TUO>eS> The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date Per- n} DE-6(3/81) ABSTRACT Who were the Daughters of Allah, the three Arabian goddesses mentioned in the Qur'an and venerated by the pagan Arabs prior to the rise of Islam, and who since have vanished into obscurity? Can we reconstruct information about these goddesses by reference to earlier goddesses of the Near East? It is our intention to explore this possibility through an examination of their predecessors in view of the links between the Fertile Crescent and the Arabian Peninsula. Moving back in time from the seventh century A.D. (Arabia) through the Hellenistic Period (Syro/Phoenicia 300 B.C.-A.D. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
Read the Article As
Helena Forshell ROCK ART An attempt to understand rock art motifs through ancient literature, epics of creation and the history of metals IN WORKS AND DAYS (probably written down that the different properties of the metals in the 9th century B.C.) by the Greek Hesiod, the may have brought about the growing cruelty first humans are described as a golden race, and greed of man. In which way may the so- ”living like gods without sorrow of heart, re- cial behaviour of man be influenced by the mote and free from toil and grief. When they availability of metals and knowledge of their died, it was as though they were overcome properties? First, a brief outline of the qualities with sleep … they had all good things; for of gold, silver and copper. the fruitful earth unforced bare them fruit abundantly and without stint”. “The second generation which was of silver was less no- Gold ble by far … when they were full grown and Thousands of gold occurrences, most of them were come to the full measure of there prime, less profitable have been discovered in Europe they lived only a little time and that in sorrow alone. There, and in Caucasus, Ural and the because of their foolishness, for they could Himalayas, the heavy gold has accumulated not keep from sinning and from wronging in sea-beds and rivers through erosion of the one another”. The third generation, that of rock. Already in prehistoric times, gold was bronze, was violent, ”… they ate no bread, sifted in large quantities. Parrish (p. -
Gilgameshgilgamesh
HalloweenHalloween (All(All --HallowsHallows --Eve)Eve) SunsetSunset Oct.Oct. 3131 toto SunsetSunset Nov.Nov. 11 Roots: Gaelic (Ireland, Scotland) pagan festival of Samhain (sau:in ) and the Christian holy day of All Saints. Old Irish “summer’s end,” the end of the lighter half of the year and the beginning of “the darker half.” Festival of the dead. Ancient Gaels: The border between this world and the otherworld became thin on Samhain, allowing spirits, both harmless and harmful, to pass through. SamhainSamhain Some animals are being slaughtered and plants are dying. Bonfires : People and livestock walk between them as a cleansing ritual; bones of slaughtered animals are cast into the flames. Costumes and masks are worn to copy the spirits or placate them. Young men with masked , veiled or blackened faces, dressed in white. Shamhnag —turnips which were hollowed out and carved with faces to make lanterns —were also used to ward off harmful spirits. SamhainSamhain 22 Was also called F eile Moingfhinne (meaning “festival of Mongfhionn,” a goddess of the pagan Irish worshipped on Samhain) . In medieval Ireland , a principal festival celebrated with a great assembly at the royal court in Tara, lasting for three days. Places are set for the dead at the Samhain feast and stories and tales of the dead are told of the ancestors. Guishers —men in disguise, were prevalent in 16 th century. Children going door to door “guising” in costumes and masks carrying turnip lanterns and offering entertainment in return fo r food or coins was traditional. SamhainSamhain 33 Divination is a common folkloric practice that has survived in r ural areas. -
Inanna: a Modern Interpretation
The University of Maine DigitalCommons@UMaine Honors College Spring 2019 Inanna: A Modern Interpretation Erin Butts University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Communication Commons, and the Theatre and Performance Studies Commons Recommended Citation Butts, Erin, "Inanna: A Modern Interpretation" (2019). Honors College. 485. https://digitalcommons.library.umaine.edu/honors/485 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. INANNA: A MODERN INTERPRETATION By Erin Butts A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Communications, Theatre) The Honors College The University of Maine May 2019 Advisory Committee: Elizabeth Neiman, Associate Professor of English and Women’s, Gender, and Sexuality Studies, Co-Advisor Mary Jean Sedlock, Lecturer in Theatre, Production Manager, and Technical Director, Co-Advisor Daniel Bilodeau, Chair of Theatre and Dance Julie Lisnet, Instructor of Theatre Jennie Woodard, Preceptor in the Honors College © 2019 Erin H. Butts All Rights Reserved ABSTRACT Sumer has a culture lost to history. Currently, the University of Maine offers no courses about ancient Mesopotamia, one of the first civilizations. Over the years, historians have been translating the cuneiform tablets containing their religion and history. There has been one adaptation of those translations, by Diane Wolkstein in 1983 to bring the stories to a wider audience through a collection of stories around the goddess Inanna. -
Symbols of Islam
Symbols of Islam Calligraphic representation of the word Allah A troop of spectators on horseback and with inscribed banners Designs used as symbols of Islam include calligraphy watching a procession. Illustration from the seventh Maqama of of important concepts or phrases, such as the shahada, al-Hariri of Basra in a 13th-century manuscript (BNF ms. arabe takbir, basmala, etc.; besides this the colour green is often 5847). used as symbolising Islam. The star and crescent symbol was the emblem of the Ottoman Empire in the 19th cen- tury, and gradually became associated with Islam in late • The Abbasids chose black (blue) and fought under 19th-century Orientalism. black banners. • The Fatimids used a green standard, as well as white with gold. 1 Colour • Various countries on the Persian Gulf have chosen red flags Further information: Black Standard Further information: Green in Islam • The Fatimas used the colour purple to symbolise Early Islamic armies and caravans flew simple solid- humming birds. coloured flags (generally black or white) for identifica- tion purposes. In later generations, the Muslim lead- These four Pan-Arab colours, white, black, green and red, ers continued to use a simple black, white, or green flag dominate the flags of Arab states.[1][2] with no markings, writings, or symbolism on it. Muham- The color brown is often believed to symbolize purity and mad used flags of different colours in different Ghazwat peace. Many Muslims wear the color white when they at- (or campaigns commanded by Muhammad himself) and tend Friday prayers. The color black is considered the Saraya (or campaigns commanded by Sahabah, the com- colour of mourning in Western and Mediterranean coun- panions of Muhammad). -
Divinités Arabes Préislamiques
Michel MATHIEU-COLAS www.mathieu-colas.fr/michel LES DIVINITÉS ARABES PRÉISLAMIQUES Les divinités préislamiques ont été principalement connues, dans un premier temps, par l’image polémique qu’en donne le Coran. Notre connaissance s’est depuis notablement enrichie, non seulement par la publication d’anciens recueils (tel le Livre des idoles d’Ibn al-Kalbî), mais plus encore par les découvertes archéologiques et épigraphiques. L’exploration de la péninsule arabique s’est particulièrement développée à partir des années 1950. Trois domaines géographiques peuvent être distingués : - L’Arabie centrale, habitat de tribus essentiellement nomades, ce qui n’exclut pas l’existence de quelques villes, à commencer par La Mecque. Les principales divinités sont bien connues : Hubal et la triade féminine (al-Lât, al-Ouzza et Manât). Mais beaucoup d’autres se trouvaient vénérées par une ou plusieurs tribus. Les « idoles » résidaient souvent dans des pierres (le mot bétyle sous lequel on les désigne est la transcription d’une expression sémitique, beth īl, « la maison de dieu »), mais aussi dans des arbres ou d’autres lieux sacrés, délimités par de simples enceintes. - L’Arabie septentrionale est connue par de nombreuses sources épigraphiques (inscriptions lihyanites, thamoudéennes et safaïtiques datant des derniers siècles avant notre ère et des premiers de notre ère). Les Lihyanites et les Thamoudéens habitaient au nord-ouest de l’Arabie, cependant que les Safaïtes évoluaient aux confins du désert syrien (au sud-est de Damas). On peut y ajouter les inscriptions nabatéennes (bien qu’elles soient rédigées en araméen), ainsi que celles provenant de Palmyre (le plus souvent en araméen ou en grec), dont le panthéon témoigne d’influences arabes.