Choral Evensong
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LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Gaudent in Coelis 1
GAUDENT IN COELIS CHORAL MUSIC BY SALLY BEAMISH, JUDITH BINGHAM & JOANNA MARSH THE CHOIRS OF ST CATHARINE’S COLLEGE, CAMBRIDGE EDWARD WICKHAM RES10185 Sally Beamish (b. 1956) Judith Bingham & Gaudent in coelis 1. Gaudent in coelis [3:05] Charles Hubert Hastings Parry (1848-1918) Choral Music by Sally Beamish, 15. Distant thunder [5:13] Judith Bingham & Joanna Marsh Joanna Marsh (b. 1970) 16. My soul there is a country [3:51] 2. Lord, thou hast searched me and known me [3:23] Sally Beamish St Catharine’s Service Judith Bingham (b. 1952) 17. Magnificat [3:29] Edington Service 18. Nunc Dimittis [3:22] 3. Magnificat [5:48] The Choirs of St Catharine’s College, Cambridge 4. Nunc Dimittis [3:26] Edward Wickham conductor Total playing time [69:08] Joanna Marsh Missa Brevis: Collegium Sanctae Catharinae 5. Kyrie [3:28] 6. Gloria [6:25] 7. Sanctus & Benedictus [3:29] 8. Agnus Dei [3:22] Sally Beamish Two Canticles 9. Canticle by the Lax Pool [3:24] 10. Among the Sundered People [3:21] Judith Bingham & Thomas Tallis (c. 1505-1585) 11. The Spirit of truth [4:05] About The Choirs of St Catharine’s College & Edward Wickham: 12. If ye love me [2:20] ‘[...] splendidly performed by these exceptionally well-trained singers’ Judith Bingham & The Observer Samuel Sebastian Wesley (1810-1876) 13. The darkness is no darkness [4:06] ‘St Catharine’s […] acquit themselves well in some tricky music 14. Thou wilt keep him in in the lustrous wood surroundings of the college’s little chapel’ perfect peace [3:21] Gramophone Gaudent in coelis: Choral Music by In heaven rejoice the souls of the saints, Sally Beamish, Judith Bingham & who have followed the steps of Christ; Joanna Marsh and, because for his love they shed their blood, therefore with Christ they exult forever. -
A Service of Lessons and Carols for Advent
A SERVICE OF LESSONS AND CAROLS FOR ADVENT SUNDAY , NOVEMBER 30, 2014 5:OO PM INTRODUCTION : FROM ADVENT TO CHRISTMAS TO NOW “God is love, and those who abide in love but “to do justice, love mercy, and walk humbly abide in God, and God abides in them. We love with God.” because God first loved us. The commandment Isaiah sees that the nation of Israel will be we have from God is this: those who love God able to realize God’s redemption—to break the must love their brothers and sisters also.” grip of sin, violence, and murder—only through great suffering endured by an innocent servant (to These words, from the First Letter of many readers the nation of Israel itself). This John, state a central tenet of our faith, and sum servant will become the receptacle for all up in a few words much of the message of the violence, an atoning human scapegoat. Bible. The story of the Bible is the story of the Advent of Christ, the gradual unfolding of our Isaiah envisions redemption for Israel understanding of God’s message of love and through suffering that is God’s will (Isa. 53:10). redemption. The readings tonight were chosen to With the coming of the Christ, it becomes clear illuminate this process. that redemption is for all humankind, and that the servant —Jesus—suffers not because of God’s will Cain murders Abel in a time when there for suffering, but because a world wedded to were no recorded rules against murder, when the violence will have it no other way (Sixth Lesson). -
Sun 7Th Mar 2021 to Sat 3Rd Apr 2021
SUNDAY 7 MARCH 0945 THE CATHEDRAL EUCHARIST ONLINE ONLY SUNDAY 14 0945 THE CATHEDRAL EUCHARIST NAVE ALTAR THIRD SUNDAY Missa in honorem sacratissimi cordis Henrik Andriessen Hymns Lent Prose, 395, 547 FOURTH SUNDAY Missa simplex Katherine Dienes-Williams Hymns 499 (omit vv3-9), 238, OF LENT Prevent us, O Lord Alan Ridout Psalm 19. 7-end OF LENT God so loved the world (Crucifixion) John Stainer 535 (133ii), 507 Preacher: The Venerable Stuart Beake Laetare Sunday Preacher: The Revd Canon Chris Hollingshurst Prelude in B minor (BWV 544) Johann Sebastian Bach Mothering Sunday Regina Pacis (Symphony No 1) Guy Weitz 1800 EVENSONG NAVE MONDAY 8 Evening service Sancti Ioannis Cantabrigiensis Philip Moore Hymns 163 (omit v 2), 109 Edward King, Lo, the full final sacrifice Gerald Finzi Responses: Ebdon Bishop of Lincoln, 1910 In manus tuas Jeanne Demessieux Psalm 107. 1-9 Felix, Bishop, Apostle to the East Angles, 647 Geoffrey Studdert Kennedy, MONDAY 15 1730 EVENSONG NAVE Priest, Poet, 1929 Magnificat Secundi toni Philippe de Monte Responses: Harris Nunc Dimittis Secundi toni plainsong Ubi caritas Philip Moore TUESDAY 9 1930 LENT TALK III: THE KINGDOM, THE POWER AND THE GLORY ONLINE ONLY The Very Revd Dianna Gwilliams For further details, please email [email protected] TUESDAY 16 0800 MORNING PRAYER PRESBYTERY 0830 HOLY COMMUNION 1730 EVENSONG NAVE WEDNESDAY 10 Short Evening service Thomas Weelkes Responses: Byrd Nolo mortem peccatoris Thomas Morley 1930 LENT TALK IV: THE KINGDOM, THE POWER AND THE GLORY ONLINE ONLY THURSDAY 11 The Very Revd Dianna Gwilliams For further details, please email [email protected] FRIDAY 12 WEDNESDAY 17 0900 MORNING PRAYER PRESBYTERY Patrick, Bishop, Missionary, 0930 HOLY COMMUNION SATURDAY 13 Patron of Ireland, c.460 THURSDAY 18 0900 MORNING PRAYER PRESBYTERY Cyril, Bishop of Jerusalem, 0930 HOLY COMMUNION Teacher of the Faith, 386 1730 FIRST EVENSONG OF JOSEPH OF NAZARETH NAVE Evening service in E minor Pelham Humphrey Responses: Byrd The Cherry Tree Carol traditional, arr. -
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op. -
The Byrd Edition & English Madrigalists
T74 (2020) THE BYRD EDITION and THE ENGLISH MADRIGALISTS (including the INVITATION Series) William Byrd 1543 — 1623 STAINER & BELL ORDERING INFORMATION This catalogue contains titles in print at the date of its preparation and provides details of volumes in The Byrd Edition, The English Madrigalists and the Invitation Series. A brief description of contents is given and full lists of contents may be obtained by quoting the CON or ASK sheet number given. Many items by William Byrd and composers included in The English Madrigalists are available as separate items and full details can be found in our Choral Catalogue (T60) and our Early Music Catalogue (T71). Items not available either separately or in a small anthology may be obtained through our ‘Made-to-Order’ Service. Our Archive Department will be pleased to help with enquiries and requests. Alternatively, Adobe Acrobat PDF files of individual titles from The Byrd Edition and The English Madrigalists are now available through the secure Stainer & Bell online shop. Please see pages 5 and 13 for full details. Other catalogues containing our library series which will be of interest are: T69 Musica Britannica T75 Early English Church Music T108 Purcell Society Edition Prices, shown in £ sterling, are recommended retail prices exclusive of carriage and are applicable from 1st January 2020. Prices and carriage charges are subject to change without notice. In case of difficulty titles can be supplied directly by the publisher if prepaid by cheque, debit or credit card or by sending an official requisition. Card payments (Visa, Mastercard, Maestro or Visa Debit) are accepted for orders of £5.00 or over and can be made via our secure online ordering system on our website (www.stainer.co.uk) or by letter, telephone, email or fax. -
The Anthems of Thomas Ford (Ca. 1580-1648). Fang-Lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 The Anthems of Thomas Ford (Ca. 1580-1648). Fang-lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hsieh, Fang-lan Lin, "The Anthems of Thomas Ford (Ca. 1580-1648)." (1989). LSU Historical Dissertations and Theses. 4722. https://digitalcommons.lsu.edu/gradschool_disstheses/4722 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Musica Britannica
T69 (2021) MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Vauxhall Pleasure Gardens c.1750 Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London N3 ILS England Telephone : +44 (0) 20 8343 3303 email: [email protected] www.stainer.co.uk MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Musica Britannica, founded in 1951 as a national record of the British contribution to music, is today recognised as one of the world’s outstanding library collections, with an unrivalled range and authority making it an indispensable resource both for performers and scholars. This catalogue provides a full listing of volumes with a brief description of contents. Full lists of contents can be obtained by quoting the CON or ASK sheet number given. Where performing material is shown as available for rental full details are given in our Rental Catalogue (T66) which may be obtained by contacting our Hire Library Manager. This catalogue is also available online at www.stainer.co.uk. Many of the Chamber Music volumes have performing parts available separately and you will find these listed in the section at the end of this catalogue. This section also lists other offprints and popular performing editions available for sale. If you do not see what you require listed in this section we can also offer authorised photocopies of any individual items published in the series through our ‘Made- to-Order’ service. Our Archive Department will be pleased to help with enquiries and requests. In addition, choirs now have the opportunity to purchase individual choral titles from selected volumes of the series as Adobe Acrobat PDF files via the Stainer & Bell website. -
Service Scheme October 2018
Service Scheme October 2018 Regular Authorised services 1 Monday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong The First Service Philip Moore Responses: Stephen Cleobury Hear my prayer Adrian Batten Psalms: 6, 7, 8 2 Tuesday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong Basil Harwood in A flat Responses: Humphrey Clucas O hearken thou Edward Elgar Psalms: 12, 13, 14 3 Wednesday 08:30 Morning Prayer : 12:30 Holy Communion 17:30 Said Evening Prayer 4 Thursday 08:30 Morning Prayer 12:30 Holy Communion Francis of Assisi, Friar, 13:10 Organ Recital Founder of the Friars Minor, 1226 Friedhelm Flamme (Germany) 17:30 Choral Evensong Responses: Thomas Ebdon The Short Service William Byrd Hymn: 263 *(4, 5, 6) Hear, O Lord John Amner Psalms: 22, 23 5 Friday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong Herbert Sumsion in D Responses: Harrison Oxley Ave verum Arthur Wills Psalms: 27, 28, 29 6 Saturday 09:30 Holy Communion 16:15 Choral Evensong Responses: Richard Lloyd William Tyndale, Hugh Blair in B minor Psalms: 32, 33, 34 Translator of the Scriptures, Reformation Blessed be the God and father S S Wesley Hymn: 199 Martyr, 1536 7 Sunday 08:00 Holy Communion 11:00 The Cathedral Eucharist: Hymns on service sheet The Nineteenth Harvest Festival Preacher: The Very Revd Dr Tim Stratford Sunday After Missa Brevis Lennox Berkeley ` Trinity Fear not, O land Edward Elgar 15:30 Choral Evensong Responses: Richard Lloyd Hymns: 414, 413 Herbert Howells in G Psalm: 37 Welcome, Sweet and Sacred Feast Gerald -
Renaissance Terms
Renaissance Terms Cantus firmus: ("Fixed song") The process of using a pre-existing tune as the structural basis for a new polyphonic composition. Choralis Constantinus: A collection of over 350 polyphonic motets (using Gregorian chant as the cantus firmus) written by the German composer Heinrich Isaac and his pupil Ludwig Senfl. Contenance angloise: ("The English sound") A term for the style or quality of music that writers on the continent associated with the works of John Dunstable (mostly triadic harmony, which sounded quite different than late Medieval music). Counterpoint: Combining two or more independent melodies to make an intricate polyphonic texture. Fauxbourdon: A musical texture prevalent in the late Middle Ages and early Renaissance, produced by three voices in mostly parallel motion first-inversion triads. Only two of the three voices were notated (the chant/cantus firmus, and a voice a sixth below); the third voice was "realized" by a singer a 4th below the chant. Glogauer Liederbuch: This German part-book from the 1470s is a collection of 3-part instrumental arrangements of popular French songs (chanson). Homophonic: A polyphonic musical texture in which all the voices move together in note-for-note chordal fashion, and when there is a text it is rendered at the same time in all voices. Imitation: A polyphonic musical texture in which a melodic idea is freely or strictly echoed by successive voices. A section of freer echoing in this manner if often referred to as a "point of imitation"; Strict imitation is called "canon." Musica Reservata: This term applies to High/Late Renaissance composers who "suited the music to the meaning of the words, expressing the power of each affection." Musica Transalpina: ("Music across the Alps") A printed anthology of Italian popular music translated into English and published in England in 1588. -
Intrada Welcome and Announcements, Sharing Joys, Concerns, and Updates *Call to Worship *Opening Hymn *Affirmation of Faith Open
August 15, 2021 Bethany United Methodist Church 10:00am The Church with Open Hearts, Minds, and Doors 1860 Hayes Road • PO Box 527 • Gloucester Point VA 23062 Office Hours: Mon.-Thurs., 8:00 a.m.‒4:00 p.m. Phone: 804.642.2110 Fax: 804.642.2114 TH 12 SUNDAY AFTER PENTECOST Email: [email protected] Sermon Series: “God’s Questions” Website: www.bethanyumc-gp.org WELCOME, GUESTS! We’ve been expecting you! CELL PHONES: Please remember to silence your cell phone before the service begins. Thank you. VOLUNTEERS SERVING TODAY *Please stand as you are able. And it’s okay to sit. Acolyte: Stella White Media: Jeremy Nardozzi, Beth Cook, Susannah Hogge Altar Guild this month: Peggy Lewis, Laura Glaze, Laura Vaughan Intrada Aurelia (The Church’s One Foundation) Samuel Sebastian Wesley Liturgist: Clair Hillard Celebrating Wesley’s 211th birthday, August 14th (UMH 545) Trustee Contact this week: Diana Simmons Ushers: Milton Hudgins, Jon Kent Welcome and Announcements, Sharing Joys, Concerns, and Updates Pastor Paul Song Counting Team: Charlotte Cecil, Betty Durrette, Clair Hillard *Call to Worship Clair Hillard Leader: In the midst of the congregation I will praise you. STEWARDSHIP 8/08 UPCOMING COUNTING TEAMS Congregation: Rejoice in the Lord, O you righteous, and give thanks to God’s holy name! General Fund Total 8,325.89 Leader: We will extol you, our God and King, and bless your name for ever and ever. Pastor’s Discretionary Fund 235.00 8/22 Team 1: Mary Kaylor, Ann Byrd, Pat Hasty Congregation: Great is the Lord, and greatly to be praised, and God’s greatness is unsearchable. -
The 1600 Collection of Madrigals by Thomas Weelkes
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2014 The 1600 olC lection of Madrigals By Thomas Weelkes Rachel Linsey Albert University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Music Commons Recommended Citation Albert, Rachel Linsey, "The 1600 oC llection of Madrigals By Thomas Weelkes" (2014). Theses and Dissertations. 351. https://dc.uwm.edu/etd/351 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE 1600 COLLECTION OF MADRIGALS BY THOMAS WEELKES by Rachel Linsey Albert A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin-Milwaukee May 2014 ABSTRACT THE 1600 COLLECTION OF MADRIGALS BY THOMAS WEELKES by Rachel Linsey Albert The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Mitchell P. Brauner Thomas Weelkes in considered among the most important of the English madrigalists of the late sixteenth and early seventeenth centuries; however, little has been written about him. Modern scholarship begins with Edmund H. Fellowes’s edition of Weelkes’s madrigal publications. The only comprehensive study of Weelkes’s life and works is David Brown’s 1969 Thomas Weelkes: A Biographical and Critical Study. Most other Weelkes scholarship simply compares his music to that of his contemporaries. This thesis fills another gap in Weelkes studies by offering an analysis of his 1600 collection, Madrigals of 5 and 6 Parts, Apt for the Viols and Voices.