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Film Preservation Program Are "Cimarron,"
"7 NO. 5 The Museum of Modern Art FOR RELEASE JANUARY 14 11 West 53 Street, New York, N.Y. 10019 Tel. 955-6100 Cable: Modernart EARLY FILMS TO BE REVIVED AT MUSEUM "The Virginian," Cecil B. DeMllle's 1914 classic, from the novel by Owen Wlster, with Dustin Famun who played in the stage version, will be shown as part of a series of eleven early films to be presented from January 14 through January 25, at The Museum of Modern Art. The Jesse Lasky production of "The Virginian" will be introduced by James Card, Curator of the George Eastman House Motion Picture Study Collection in Rochester, which is providing the films on the Museum program. At the eight o'clock, January 14 performance, Mr. Card will introduce the film and address himself to the controversy over the direction of "The Virginian," one of the early silent feature films. The fact that Cecil B. DeMille directed has been in dispute over the years. On the same program with "The Virginian," another vintage film will be shown. Tod Browning's "The Unknown" starring Lon Chaney. Made in 1927, it was an original story by the director, called "Alonzo, the Armless." According to The New York Times Film Reviews, a recently published compilation of the paper's film criticism, "the role ought to have satisfied Mr. Chaney's penchant for freakish characterizations for here he not only has to go about for hours with his arms strapped to his body, but when he rests behind bolted doors, one perceives that he has on his left hand a double thumb." Joan Crawford plays the female lead in the film, about which Roy Edwards writes in Sight and Sound, the characters and special effects add up to a "thorough display of grotesqueries." Other notable films that are part of this film preservation program are "Cimarron," starring Richard Dix and made in 1931 from Edna Ferber's popular novel; "Dr. -
Nthouje Turers Are Doing Their Part
at the Rolling Orchestra Concert Feature Orchestra At Hamilton Park To-night HOLLYWOOD In The Local Central YMCA at Park To-night Theaters and Louis Chieffo and Singing Famed Saxophonist GOSSIP Band Make Initial PALACE Minstrels Attraction Last Night Showing Here ■> AND Warner Baxter and Myma Loy den Harvest" a dramatic INTIMATE GLIMPSES are the stars that are appearing In Todd Rollins, handsome young Into the and private Louts Chleffo and his singing public INSIDE STUFF ON THE that sensational packed drama orchestra leader, bring* his fsmour t the men who control the "Penthouse” which opened at tho minstrels put on another of their af danoe band to Hamilton park to- pit In the stock markets Palace theater to-day. A Manhat- concerts at Central T.M.C.A. forms the foundation for MOVIE COLONY lobby first time as the mid- tan cocktail of whoopee parties, the night for the "Oolden Harvest" which last night. Among special story. love, hate and disillusion Is mas- week feature attraction at the out ids the State's double feature features were several numbers on terfully mixed for lovers of real east ballroom. * program tomorrow and Fri- Michael today, screen entertainment in this Cos- the piano accordion by day. Intensely Interesting screen Hollywood—It really doesn’t pay This orchestra, comprised of 11 mopolitan production, which no Brunette which were loudly ap- fare, ‘‘Oolden Harvest," boasts a to give a motion ploture director men, Is one of the finest that evei doubt many of you have read the was a cast headed Richard too much time to himself—because Another specialty Broadway, the whole unit sterling by story and now you are given the plauded. -
'Thirteen Hours by Air/ Air Drama, Sunday and Monday at Capitol |
‘Thirteen Hours by Air/ Air Drama, Sunday and Monday at Capitol | John Cromwell, who handled th* IN ‘13 HOURS BY AIR’ ‘PETTICOAT FEVER’ megaphone on Selznick Internation- al's “Little Lord Fauntleroy," which ROMANCE t D brings Freddie Bartholomew, Dolorea Costello Barrymore and a great cast,has served In almost evary con- ceivable capacity in the theatre. He has been playwright, stage manager, INTRIGUE director. “little ON and actor, producer Lord Fauntleroy” is released through SHIP PICTURED United Artists. Third and fourth Americans always have coloring than their Fred MacMurray, Joan Bennett Play Leads In Plot Taken From Magazine Serial THEATRE SUNDAY and MONDAY Drama in the sky is the theme of Thirteen Hours By Air,’ which shows Sunday and Monday at the Capitol Theater, Brownsville, and everyone who enjoys his drama in tense, punch-packed doses will have the time of his life at the film. For “Thirteen Hours By Air” starts off at a terrific pace, and Robert Montgomery and Myma Loy co-starred in “Petticoat Fever” like the New York-to-San Francis- showing Sunday and Monday at both the Arcadia theatre in Hariingen co on which most of its ac- plane and the Rivoli theatre in San Benito. tion takes place, roars on at high speed up to the very finish. Director Mitchell Leisen, furnish- Joan Bennett and Fred MacMurray In the mystery romantic thriller in the track and field event* 75 to ed with a grand cast and an equal- “13 Hours By Air,” showing Sunday and Monday at the Capitol theatre 47. ly grand script, has made the most Brownsville. -
Biographies of Universal Stars and Featured Players 1933
LIBRARY OF MODERN ART Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/biographiesofuniOOunse ( BIOGRAPHIES OP UNIVERSAL STARS AND FEATURED PLAYERS LET AYRSS CLYDE BEATTY m NOAH BEERY JR. TALA BIRLLL ••TOM BROV'N — ANDY DEVINE m KARL OFF -r JUNE KNIGHT -» PAUL LUKAS KEN MAYNARD tm TOM MIX m CHARLIE MURRAY PAT O'BRIEN -mm ZASU PITTS GEORGE SIDNEY «- ONSLOW STEVENS ^ GLORIA STUART SLIM SUMMER VI LL NOTE: Any further information about these players, photos, mats on feature stories can be ob- tained promptly by writing to Universal Pictures Corp'. 730 Fifth Ave., New York City. Paul Gulick Publicity Director : I k ; 1 i 81 LEW AYRES "All Quiet on the Western Front" gave Lew Ayres the opportunity that three years of hope, striving and often downright starvation had richly earned* He was born December 29, 1909, in Minneapolis, Minnesota, where he attended the Lake Harriet School until he was ten. After Lew completed his high School education in San Diego, Calif,, where the Ayres family had moved from Minneapolis, he entered the University of Arizona to study medicine,, Ayres f interest in music manifested itself when he "was sixteen in San Diego, Then he learned to play the banjo, the guitar and to sing. He played in the high school orchestra and with the jazz band at the University, Leaving the University, Lew found a place as a musician with various orchestras In West Coast cities. -
Hooray for Hollywood!
Hooray for Hollywood! The Silent Screen & Early “Talkies” Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 PartHooray I: The Silent forScreen andHollywood! Early “Talkies” How It All Began — Movie Technology & Innovation Eadweard Muybridge (1830–1904) Pioneers of Communication • Scott 3061; see also Scott 231 • Landing of Columbus from the Columbian Exposition issue A pioneer in motion studies, Muybridge exhibited moving picture sequences of animals and athletes taken with his “Zoopraxiscope” to a paying audience in the Zoopraxographical Hall at the 1893 Columbian Exposition. Although these brief (a few seconds each) moving picture views titled “The Science of Animal Locomotion” did not generate the profit Muybridge expected, the Hall can be considered the first “movie theater.” Thomas Alva Edison William Dickson Motion Pictures, (1847–1947) (1860–1935) 50th Anniversary Thomas A. Edison Pioneers of Communication Scott 926 Birth Centenary • Scott 945 Scott 3064 The first motion picture to be copyrighted Edison wrote in 1888, “I am experimenting Hired as Thomas Edison’s assistant in in the United States was Edison upon an instrument which does for the 1883, Dickson was the primary developer Kinetoscopic Record of a Sneeze (also eye what the phonograph does for the of the Kintograph camera and Kinetoscope known as Fred Ott’s Sneeze). Made January ear.” In April 1894 the first Kinetoscope viewer. The first prototype, using flexible 9, 1894, the 5-second, 48-frame film shows Parlour opened in New York City with film, was demonstrated at the lab to Fred Ott (one of Edison’s assistants) taking short features such as The Execution of visitors from the National Federation of a pinch of snuff and sneezing. -
Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
1 \^Ith D Brownsville a and B Valley D Theaters 1
1 \^ith D Brownsville a and B Valley D Theaters 1 COMEDY RIOT STARS OF FILM WILL IS ADVISING I IN ‘OUR BETTERS’ HaewaHHBBBMT «ws\ iteS And the big laugh riot ‘"Riey Just Had to Get Married”, featuring fSUm Summerville and Zasu Pitts, the great laugh team. Showing Tuesday and Wednesday at the Capitol. Brownsville. Constance Bennett and Gilbert Roland in “Our Betters’* showing to- day and Monday at the Rivoli Theatre. San Benito. Dick Powell. Marion Nixon and Will Rogers in “Too Busy to Work," “THE showing Tuesday and Wednesday at V\e Rivoli Theatre. San Benito. GREAT JASPER’1 stalwart young leading man Is cast as Lieut. B F. Pinkerton. Charlie LAW ON I'AROLE GIRL’S TRAIL THRILLS ARE Ruggles has an effective comedy ummm mmmrn " role especially written into the pic- ture for him. Irving Pu^el Is a con- APLENTY IN vincing menaco’. Pistol Shoot Sunday (Special to The Herald • FILM HARLINGEN. March 25 —The QUEEN_ last preliminary pistol shoot before the record shoot of April 9. is ex- Edward G. Robinson and Bebe Daniels in “Silver Dollar." showing Ha* ‘Lucky Devil*’ pected to be held by reserve of- Thursday and Friday at the Rivoli Theatre, San Benito. Bill In ficers of the Valley at A< Boyd Gardens Sunday. Lead Role In April the officers will PRIVATE JONES (SPITFIRE TRACY) for medals offered by a San tonic firm. Dare-devil stunts performed by w. nos men with charmed lives make Richard Dix In a new screen hit The Great "MARRIAM again Jasper" supported Lucky Devils,' Bill Boyd's new RKO by Wera Engels and Edna May Oliver. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
Independent Republicans Start Club
today, with rain In nf- night, and poaalhly The Times Has ..... morning. followed !»> nail colder to m orrow MORE THAN 8000 Readers Each Week EARL TELLS REASON FOR second h e a r in g o n TURNING DOWN MOTION HELD FOR GRAND JURY AS NINE FIRE ALARMS CONDEMNATION MAY BUYER OF STOLEN GOODS Kiehanl 8. EUrl, Chairm an ot the PAYING INCLINES TO Steve Dasnoff, of 70 Bright sercoi, INDEPENDENT Township Committee, wishes to make OVER THE WEEKEND BE USED TO PROCURE when arraigned before police Judge clear through The Tim es why tie re James A. Dowd last night was held un fused to entertain the motion at the DECISION BY COURT der $10(1 bail for action of tiie grand public hearing an paving Tuesday MAKE ENGINES STEP, KEAN RIGHT OF WAY jury on a charge by 'Thomas Hand or. Effort To Settle Regarded In night to enforce the contract (o the REPUBLICANS letter. Virginia street for receiving stolen Contradiction To Terms Two Houses Damaged; Auto Estate Will Not Voluntarily goods. It is claimed that fouivrfhags, Cited In Contracts lie was convinced, lie said, that tbfc Blaze And Grass Fires * Permit Use Of Lands To of adam ant and one bag of lime val people do r.ot want the streets torn Keep Engines Busy Pollute Water Supply ued at $3.90 were bought by Dasnoff START CLUB PRACTICALLY AGREE TO up and since,according to Engineer from two men who came to his liome. rO RCE CONTRACTORS'HAND C. H. hosier, this is w hat would hap Hand said the material was stolen by pen i t ‘the contract were' enforced, lie ! ho Hillside fire departments were Indications are that condemnation the two men from a new homo on I G Farmed, County Committee kept busy over the week-end answer I'raoti<*;i 1 assurance that the paving refused lo entertain this motion which proceedings will have to be instituted Bright street. -
Inside Facts of Stage and Screen (October 25, 1930)
PRICE 10 CENTS RADIO Only Theatrical Newspaper on the Pacific Coast MUSIC NSIDE ACTS ESTABLISHED 1924 EDITED BY JACK JOSEPHS Entered as Second Class Matter, April 29, 1927, at Post- Published Every Saturday at 800-801 Warner Bros. Down- Vol. XII office, Los Angeles, Calif., under Saturday, 1 Act of March 3, 1879. October 25, 930 town Building, 401 West Seventh St., Los Angeles, Calif. No. 17 HOLLYWOOD lAUGHLIN’S BAD CHECK UNITS STAY CASE LOST AT DOLLAR; BY REALTOR ‘BIZ’ LEAPS Agua Caliente, with enough Jack Eaughlin will continue bad checks to stuff a mattress, producing stage units at Mil- won a test cast in Judge Elias lion Dollar. Now working on Rosenkranz’ court here this a percentage basis. This infor- ,—week against a Hollywood mation upset previous reports realtor to the tune of one that vaude was to be restored grand. at the Dollar, due to heavy Point on which Charles Katz, overhead of the Eaughlin pres- attorney, won the case was that entations. the realtor cashed his phony at the gambling houses's wicket, Biz has been considerably on the increase since and got U. S. coin, not faro these stage shows counters, in return. went in. Week before Laughlin opened his first pre- Realtor who had stopped pay- sentation, gross was $9000. ment on the bouncer, made defense First week of Laughlin was that he spent the jack on Agua $10,000. Second week, last Caliente tables, after which, all he week, with word-of-mouth ad- had was a hole in his pocket. vertising pulling for the inno- Test case is seen by the gambling vation got $14,000. -
The Maine Genealogist
The Maine Genealogist February 2013 Volume 35, Number 1 The Maine Genealogical Society P.O. Box 221, Farmington ME 04938 http://maineroots.org/ ELECTED OFFICERS FOR THE YEAR 2013 President Helen A. Shaw, CG Rockport, Maine Vice President Brian Bouchard Brunswick, Maine Treasurer Richard E. Spinney Ellsworth, Maine Membership Secretary Celeste Hyer Otisfield, Maine Newsletter Editor Marlene A. Groves Rockland, Maine Program Chair Marlene A. Groves Rockland, Maine Recording Secretary Cheryl Willis Patten Smithfield, Maine Research/Inquiries Secretary Deborah Roberge Waterville, Maine Webmaster Brian Bouchard Brunswick, Maine Publications Sales Manager Roland Rhoades Gorham, Maine DIRECTORS Term Expiring in Margaret Viens Waterville, Maine December 2013 Emily A. Schroeder South China, Maine Term Expiring in Flossie E. Dere East Wilton, Maine December 2014 Will Haskell Raymond, Maine Term Expiring in Jane Macomber Blanchard Twp., Maine December 2015 Roxanne Moore Saucier Bangor, Maine The Maine Genealogist Editor Joseph C. Anderson II, FASG Dallas, Texas Contributing Editors Michael F. Dwyer Pittsford, Vt. Priscilla Eaton, CG Rochester, N.Y. Patricia Law Hatcher, FASG, FGSP Dallas, Texas Leslie D. Sanders Marblehead, Mass. The Maine Genealogist (ISSN: 1064-6086) is published in February, May, August, and November. It is printed by Penmor Lithographers, Lewiston, Maine. See back page for membership rates and submission guidelines. For back issues, contact MGS’s Sales Manager at <[email protected]>. The Maine Genealogist Journal of the Maine Genealogical Society February 2013 Vol. 35, No. 1 CONTENTS PAGE ANNOUNCING MGS SPECIAL PUBLICATION Nos. 69 & 70 2 THE TWO FAMILIES OF STEPHEN CARLISLE OF YORK, MAINE Helen H. Butt 3 THREE SONS DEAD IN THE CIVIL WAR: THE FAMILY OF JOHN WILSON OF BELFAST, MAINE Rick Davis 19 FAMILY RECORD OF ICHABOD WARREN OF DENMARK, MAINE Submitted by Will Steere 28 NINETEENTH-CENTURY RECORDS OF THE FIRST AND SECOND CONGREGATIONAL CHURCHES OF WELLS, MAINE Submitted by Priscilla Eaton 29 LURENA BURSLEY LEAVES THE FARM J.