I. B. Tauris Summer 2017
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Oxford Book Fair List 2014
BERNARD QUARITCH LTD OXFORD BOOK FAIR LIST including NEW ACQUISITIONS ● APRIL 2014 Main Hall, Oxford Brookes University (Headington Hill Campus) Gipsy Lane, Oxford OX3 0BP Stand 87 Saturday 26th April 12 noon – 6pm - & - Sunday 27th April 10am – 4pm A MEMOIR OF JOHN ADAM, PRESENTED TO THE FORMER PRIME MINISTER LORD GRENVILLE BY WILLIAM ADAM 1. [ADAM, William (editor).] Description and Representation of the Mural Monument, Erected in the Cathedral of Calcutta, by General Subscription, to the Memory of John Adam, Designed and Executed by Richard Westmacott, R.A. [?Edinburgh, ?William Adam, circa 1830]. 4to (262 x 203mm), pp. [4 (blank ll.)], [1]-2 (‘Address of the British Inhabitants of Calcutta, to John Adam, on his Embarking for England in March 1825’), [2 (contents, verso blank)], [2 (blank l.)], [2 (title, verso blank)], [1]-2 (‘Description of the Monument’), [2 (‘Inscription on the Base of the Tomb’, verso blank)], [2 (‘Translation of Claudian’)], [1 (‘Extract of a Letter from … Reginald Heber … to … Charles Williams Wynn’)], [2 (‘Extract from a Sermon of Bishop Heber, Preached at Calcutta on Christmas Day, 1825’)], [1 (blank)]; mounted engraved plate on india by J. Horsburgh after Westmacott, retaining tissue guard; some light spotting, a little heavier on plate; contemporary straight-grained [?Scottish] black morocco [?for Adam for presentation], endpapers watermarked 1829, boards with broad borders of palmette and flower-and-thistle rolls, upper board lettered in blind ‘Monument to John Adam Erected at Calcutta 1827’, turn-ins roll-tooled in blind, mustard-yellow endpapers, all edges gilt; slightly rubbed and scuffed, otherwise very good; provenance: William Wyndham Grenville, Baron Grenville, 3 March 1830 (1759-1834, autograph presentation inscription from William Adam on preliminary blank and tipped-in autograph letter signed from Adam to Grenville, Edinburgh, 6 March 1830, 3pp on a bifolium, addressed on final page). -
11 February 1992.Pdf
* TODAY: SWAPO CC MEE"FS THIS WEEKEND * FARMERS WARNED TO, BE AlERT * SUPER SPORT * c • Bringing Africa South Vol.2 No.500 R1.00 (GST Inc.) Tuesday February 111992 AIl ti -apartheid REGULAR patrols are to be instituted on the road between Tsumeb and Oshivelo after a petrol bomb was thrown at a minibus early on Saturday morning. , Accor ding to a radio report, nobody was injured sanctions still in the incident which took place at around 02hOO. Apparently two motor cyclists and a car, driven by a white man, overtook the minibus. The report also quoted a police spokesperson as saying that a motor cyclist had been arrested on Sunday for being under the influence of liquor. The radio report said further that leaflets warning against the rightwing A WB had been distributed in hitting Namibia the Tsumeb area over the weekend. These included the states of ~--------~================-, === STAFF REPORTER Maine, Oregon and West Vir - SOME of the USA's biggest cities and most ginia, as well as the cities of Denver, Colorado and Palo Alto, important states have still not lifted anti-apart California. heid sanctions against Namibia, the Ministry The Ministry noted'that af of Foreign Affairs revealed yesterday. ter "constructive" discussions with the Maryland authorities Included in the Ministry's and its illegal occupation of in January this year, the pass list of city and state govern Namibia. ing of a bill removing all sanc ments in the US that have kept The Ministry said one of the tions against Namibia is ex up sanctions are the cities of objectives of the Ministry of ' pected in "the very near fu New York, Miami, Atlanta, Foreign Affairs is to point out ture". -
Engineering Men: Masculinity, the Royal Navy, and The
ENGINEERING MEN: MASCULINITY, THE ROYAL NAVY, AND THE SELBORNE SCHEME by © Edward Dodd A Thesis submitted to the School of Graduate Studies In partial fulfillment of the requirements for the degree of Master of Arts Department of History Memorial University of Newfoundland October 2015 St. John’s Newfoundland and Labrador ABSTRACT This thesis uses R.W. Connell’s hegemonic masculinity to critically examine the “Selborne Scheme” of 1902, specifically the changes made to naval engineers in relation to the executive officers of the late-Victorian and Edwardian Royal Navy. Unlike the few historians who have studied the scheme, my research attends to the role of masculinity, and the closely-related social structures of class and race, in the decisions made by Lord Selborne and Admiral John Fisher. I suggest that the reform scheme was heavily influenced by a “cultural imaginary of British masculinity” created in novels, newspapers, and Parliamentary discourse, especially by discontented naval engineers who wanted greater authority and respect within the Royal Navy. The goal of the scheme was to ensure that men commanding the navy were considered to have legitimate authority first and foremost because they were the “best” of British manhood. This goal required the navy to come to terms with rapidly changing naval technology, a renewed emphasis on the importance of the role of the navy in Britain’s empire, and the increasing numbers of non-white seamen in the British merchant marine. Key Words: Masculinity, Royal Navy, Edwardian, Victorian, Naval Engineers, Selborne Scheme, cultural imaginary, British Empire. ii ACKNOWLEDGEMENTS Thank you to the staff at the National Archives in London who were extremely friendly and helpful, especially Janet Dempsey for showing me around on my first visit. -
University of California Santa Cruz Romance
UNIVERSITY OF CALIFORNIA SANTA CRUZ ROMANCE: THE EMULATION OF EMPIRE A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Martha E. Bonilla December 2016 The Dissertation of Martha E. Bonilla is approved: __________________________________ Professor Susan Gillman, chair __________________________________ Professor Kirsten Silva Gruesz __________________________________ Professor Catherine A. John _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Martha E. Bonilla 2016 TABLE OF CONTENTS Table of Contents………………………………………………………………..iii Abstract………………………………………………………..…………..……..iv Acknowledgement………………………………………………………………..vi Chapter 1 Romance as the Desire for Empire: An Introduction…………………….………..1 Chapter 2 The Tempest, a Romance for a New World of Empire…………………….…..…58 Chapter 3 Remembering to Forget: Desire, Emulation, and Romance in J.F. Cooper’s The Pioneers……………………..…………………….………….113 Chapter 4 Benito Cereno’s Black Letter Text: The Unread Story of Empire……..…..……159 . Chapter 5 The Happy Resolution and the Solace of Amnesia……………..……………..….204 Epilogue The Don of a Pervious Age…….……..………………………………..…………227 Bibliography………………………………………………………….………..….251 iii ABSTRACT Martha E. Bonilla Romance: The Emulation of Empire This dissertation offers a symptomatic reading of romance and explores the ideological force of the genre’s chiastic structure. The trajectory of this project follows the temporal and spatial migration of romance from the colonial context of early seventeenth England, beginning with William Shakespeare’s The Tempest, then enters the American post-revolutionary context of the early and late nineteenth century with James Fennimore Cooper’s The Pioneers, Herman Melville’s “Benito Cereno,” and ends with Maria Amparo Ruiz de Burton’s The Squatter and the Don. This study examines the contradictory narrative desires within romance. -
From Escapism to Propaganda: Hungarian Cinema in the Age of Growing Anti-Semitism, Nationalism, and World War II
Tőke, Lilla. “From Escapism to Propaganda: Hungarian Cinema in the Age of Growing Anti-Semitism, Nationalism, and World War II. Review Article of Frey, David. 2018. Jews, Nazis and the Cinema of Hungary: The Tragedy of Success, 1929-44 London, New York: I.B. Tauris. 462 pp. illus. and Gergely, Gábor. 2018. Hungarian Film 1929-1947: National Identity, Anti-Semitism, and Popular Cinema. Amsterdam: Amsterdam University Press. 329 pp. illus.” Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association, Volume 12 (2019) DOI: 10.5195/ahea.2019.356 From Escapism to Propaganda: Hungarian Cinema in the Age of Growing Anti-Semitism, Nationalism, and World War II. Review Article of Frey, David. 2018. Jews, Nazis and the Cinema of Hungary: The Tragedy of Success, 1929-44 London, New York: I.B. Tauris. 462 pp. illus. and Gergely, Gábor. 2018. Hungarian Film 1929-1947: National Identity, Anti-Semitism, and Popular Cinema. Amsterdam: Amsterdam University Press. 329 pp. illus. Lilla Tőke Abstract: The article reviews recent scholarship on Hungarian cinema in the age of rising nationalism, anti-Semitism and World War II. It looks at two books specifically as they examine issues such as the film industry’s transition from silent to sound film, the nationalization of the film industry system, the impact of anti-Jewish legislation on film making, and political censorship. The article also considers how the books address genre and the birth of star system in Hungarian film. Keywords: Hungarian cinema, film politics, World War II, anti-Semitism, national cinema Biography: Lilla Tőke is an Associate Professor of English at CUNY, LaGuardia Community College. -
Napoleon Andrew Roberts Reviewed by Robert Schmidt
Napoleon Andrew Roberts Reviewed by Robert Schmidt About the Author Andrew Roberts is a British author who graduated with honors from Gonville & Caius College, Cambridge and is presently a visiting professor in the War Studies Department at Kings College, London. He has written or edited 19 books which have been translated in 22 languages and appears on radio and television around the world. About the Book There have been many books about Napoleon, but Andrew Roberts’ single-volume biography is the first to make full use of the ongoing French publication of Napoleon’s 33,000 letters. Seemingly leaving no stone unturned, Roberts begins in Corsica in 1769, pointing to Napoleon’s roots on that island—and a resulting fascination with the Roman Empire—as an early indicator of what history might hold for the boy. Napoleon’s upbringing—from his roots, to his penchant for holing up and reading about classic wars, to his education in France, all seemed to point in one direction—and by the time he was 24, he was a French general. Though he would be dead by fifty one, it was only the beginning of what he would accomplish. Although Napoleon: A Life is 800 pages long, it is both enjoyable and illuminating. Napoleon comes across as whip smart, well-studied, ambitious to a fault, a little awkward, and perhaps most importantly, a man who could turn on the charm when he needed to. Through his portrait, Roberts seems to be arguing two things: that Napoleon was far more than just a complex soldier, and that his contributions to the world greatly surpassed those of the evil dictators that some compare him to. -
Hey, Whatever Happened to That De Grasse Fellow Anyway? the Fate of America's Favorite French Admiral After the Battle of the Virginia Capes by Hunt Lewis
alj Volume 5, Issue 1 November-December 1998 I A Newsletter for the Supporters of the Hampton Roads Naval Museum Hey, Whatever Happened to That De Grasse Fellow Anyway? The Fate of America's Favorite French Admiral After the Battle of the Virginia Capes by Hunt Lewis ur Admiral is six feet tall on finally recognized American and to the King (King Louis XVI that ordinary days, and six feet six independence. is), everyone got to matters of on battle days," said one of his During the five days following the De Grasse continued on page 6 sailors. This six foot-two admiral, Battle of the Capes on Sept. 5, Franyois-Joseph Paul, Comte de 178 I, the British and French Grasse, Marquis de Grasse-Tilly, was fleets continued to jockey for increasingly known as the leader of the the weather gauge off the French fleet that repulsed the British Virginia Capes, but the British in the Battle of the Capes. This victory avoid action. De Grasse's fleet blocked reinforcements being sent to reentered Lynnhaven Bay on Gen. Cornwallis' s army at Yorktown; the II"'· The British under Adm. thus setting the stage for the Franco Graves, withdrew towards New American victory there a month later. York the following day, having In most U.S. histories and U.S. realized "the impracticability of Naval histories, the Comte de Grasse giving any effectual succor to disappears after the Battle of the Capes. Gen. Earl Cornwallis." After all, in our often myopic view he On Sept. 17, Gens. is French, therefore, after he ceased to Washington, Rochambeau, be of help to us, what happened to him Henry Knox, the Marquis de La is not our concern. -
Florida Historical Quarterly, Vol 57, Number 4
Florida Historical Quarterly Volume 57 Number 4 Florida Historical Quarterly, Volume Article 1 57, Number 4 1978 Florida Historical Quarterly, Vol 57, Number 4 Florida Historical Society [email protected] Find similar works at: https://stars.library.ucf.edu/fhq University of Central Florida Libraries http://library.ucf.edu This Full Issue is brought to you for free and open access by STARS. It has been accepted for inclusion in Florida Historical Quarterly by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Society, Florida Historical (1978) "Florida Historical Quarterly, Vol 57, Number 4," Florida Historical Quarterly: Vol. 57 : No. 4 , Article 1. Available at: https://stars.library.ucf.edu/fhq/vol57/iss4/1 Society: Florida Historical Quarterly, Vol 57, Number 4 Published by STARS, 1978 1 Florida Historical Quarterly, Vol. 57 [1978], No. 4, Art. 1 COVER Davis Island, looking toward the Tampa skyline, as it appeared in a photograph of 1929. The island, originally two small marshes, was developed during the mid-1920s by David P. Davis, who had made his fortune selling Miami real estate. By 1929, after Davis’s death and the collapse of the Florida land boom, most construction on the island had ceased, not to resume until the late 1930s. It is now a large and fashionable residential area. Photograph from the collection of Hampton Dunn of Tampa. https://stars.library.ucf.edu/fhq/vol57/iss4/1 2 Society: Florida Historical Quarterly, Vol 57, Number 4 The THE FLORIDA HISTORICAL SOCIETY Volume LVII, Number 4 April 1979 (ISSN 0015-4113) COPYRIGHT 1979 by the Florida Historical Society, Tampa, Florida. -
Selected English-Language Bibliography of Interest for Hungarian Cultural Studies: 2017- 2018.” Hungarian Cultural Studies
Varga, Zsuzsanna. “Selected English-Language Bibliography of Interest for Hungarian Cultural Studies: 2017- 2018.” Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association, Volume 11 (2018) DOI: 10.5195/ahea.2018.328 Selected English-Language Bibliography of Interest for Hungarian Cultural Studies: 2017-2018 Zsuzsanna Varga Abstract: As the above title indicates, because of the publication schedule of Hungarian Cultural Studies this bibliography straddles 2017-2018, covering the period since the publication in Fall of 2017 of last year’s bibliography in this journal. Each year’s bibliography may also be supplemented by earlier items, which were retrieved only recently. Although this bibliography series can only concentrate on English-language items, occasional items of particular interest in other languages may be included. For a more extensive bibliography of Hungarian Studies from about 2000 to 2010, for which this is a continuing update, see Louise O. Vasvári, Steven Tötösy de Zepetnek, and Carlo Salzani. “Bibliography for Work in Hungarian Studies as Comparative Central European Studies.” CLCWeb: Comparative Literature and Culture (Library) (2011): http://docs.lib.purdue.edu/clcweblibrary/hungarianstudiesbibliography. Keywords: In nec, urna turpis, varius tempor, sed et est Biography: Zsuzsanna Varga studied English, Hungarian and Portuguese language and literature at Eötvös Loránd University, Budapest. She received her PhD in nineteenth-century English literature at Edinburgh University. She has taught and researched at different British universities, including the University of Essex, UCL and De Montfort University. She has taught Hungarian Studies at Glasgow University since 2008, and she is also in charge of the Hungarian library collection at the University of Oxford. -
Cinema at the End of Empire: a Politics of Transition
cinema at the end of empire CINEMA AT duke university press * Durham and London * 2006 priya jaikumar THE END OF EMPIRE A Politics of Transition in Britain and India © 2006 Duke University Press * All rights reserved Printed in the United States of America on acid-free paper Designed by Amy Ruth Buchanan Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data and permissions information appear on the last printed page of this book. For my parents malati and jaikumar * * As we look back at the cultural archive, we begin to reread it not univocally but contrapuntally, with a simultaneous awareness both of the metropolitan history that is narrated and of those other histories against which (and together with which) the dominating discourse acts. —Edward Said, Culture and Imperialism CONTENTS List of Illustrations xi Acknowledgments xiii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 part one * imperial governmentality 2. Acts of Transition: The British Cinematograph Films Acts of 1927 and 1938 41 3. Empire and Embarrassment: Colonial Forms of Knowledge about Cinema 65 part two * imperial redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 part three * colonial autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313 ILLUSTRATIONS 1. Reproduction of ‘‘Following the E.M.B.’s Lead,’’ The Bioscope Service Supplement (11 August 1927) 24 2. ‘‘Of cource [sic] it is unjust, but what can we do before the authority.’’ Intertitles from Ghulami nu Patan (Agarwal, 1931) 32 3. -
Conflict Types in Hungarian Film History Balázs Varga Eötvös Loránd University (Budapest, Hungary) E-Mail: [email protected]
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 18 (2020) 133–171 DOI: 10.2478/ausfm-2020-0007 Conflict Types in Hungarian Film History Balázs Varga Eötvös Loránd University (Budapest, Hungary) E-mail: [email protected] Abstract. The article introduces the collective research project entitled The Social History of Hungarian Cinema, 1931–2015, executed by the staff of Film Studies Department Eötvös Loránd University. This data-driven research aims to examine how and why Hungarian films have changed over time. Using the case study of conflict types in the plots of Hungarian films this study discusses the methodological problems of longitudinal explanations of change in Hungarian film history (periodization and dividing film between genre-based film and auteur films/art cinema). Based on the analysis of statistics and trends, the study presents the most important types of conflict in Hungarian film history. With respect to the political turning points and the periodization of Hungarian film history, the article states that each of the three broad periods (1931–1944, 1945–1989, 1990–2015) is characterized by its own distinctive set of prominent conflict types. The pre-1945 era is characterized by a massive number of love conflicts, the socialist period by the highest rate of political conflicts (and the lowest rates of love and crime conflicts), and the post-socialist period by a high rate of crime and generational conflicts. Furthermore, by analysing the connections between conflict types and genres, the study reveals recurring patterns and trends of shorter periods: it shows how the range of conflicts narrowed considerably over the 1970s and discusses the extent to which this is related to the dominance of auteur films in the era.1 Keywords: Hungarian cinema, conflict types, statistical analysis, genre films and auteur films, periodization. -
INDIGÈNES DP ANG.Indd
DOWNLOAD PHOTOS AT WWW.FILMSDISTRIBUTION.COM/DOWNLOAD/DAYSOFGLORY WWW.FILMSDISTRIBUTION.COM/DOWNLOAD/DAYSOFGLORY AT PHOTOS DOWNLOAD DAYS OF GLORY PHOTOS : ROGER ARPAJOU - CREDITS NOT CONTRACTUAL FOR LE CERCLE NOIR FILMS DISTRIBUTION PRESENTS A TESSALIT PRODUCTIONS INTERNATIONAL SALES : FILMS DISTRIBUTION In Cannes: Riviera (Booth K5/L8) 06400 Cannes Phone numbers: 04 92 99 32 45/46/47 JAMEL SAMY ROSCHDY SAMI BERNARD Fax number: 04 92 99 32 48 DEBBOUZE NACERI ZEM BOUAJILA BLANCAN François Yon: +33 6 03 49 65 00 Didar Domehri: +33 6 82 25 27 83 info@filmsdistribution.com www.filmsdistribution.com In Paris: DAYS OF GLORY 20, rue Saint Augustin 75002 PARIS - FRANCE Tel: +33 1 53 10 33 99 (INDIGÈNES) Fax: +33 1 53 10 33 98 www.filmsdistribution.com A film directed by INTERNATIONAL PRESS: INITIAL EVENT RACHID BOUCHAREB In Cannes: Sophie Bataille assisted by Vanessa Kirsch Résidence Villa Maupassant 2, rue de la Marne - 06400 Cannes Cell phone Sophie Bataille: + 33(0)6 60 67 94 38 Cell phone Vanessa Kirsch: + 33(0)6 11 73 42 06 E-mail: [email protected] TH [email protected] FRENCH RELEASE DATE: SEPTEMBER 27 , 2006 Running time: 128mn Synopsis 1943. They had never stepped foot on French soil but because France was at war, Saïd, Abdelkader, Messaoud and Yassir enlisted in the French Army, along with 130,000 other “indigenous soldiers,” to liberate the “fatherland” from the Nazi enemy. These heroes that history forgot won battles in Italy, Provence and the Vosges before finding themselves alone to defend an Alsatian village against a German battalion.