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Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Authorities Shut Down Local Methamphetamine Operation
THURSDAY, JANUARY 23, 2014 SERVING TILTON, NORTHFIELD, BELMONT & SANBORNTON, N.H. FREE Tilton selectmen consider banning controversial incense products BY DONNA RHODES spread unlabelled abuse of easy for law enforcement, [email protected] the products an “epidem- though. ic,” and in 2012 placed an Cormier said the state TILTON — Det. Nate emergency ban on their laboratory is so backed Buffington and Chief Rob- sale. up that they don’t readily ert Cormier of the Tilton Since then, manufac- have time to test the newer Police Department ap- turers have changed their products to see if they are peared before selectmen formulas from the pre- of the same chemical com- last Thursday evening to vious formula that was pound already banned by propose a town ordinance banned, and it is back on the DEA. COURTESY that would ban the sale of the shelves at many stores. “Spice,” the pair ex- synthetic marijuana, oth- Buffington said the plained to the board, is Forrester salutes new LRBRA president erwise known as “Spice,” newer products are sold also being packaged in Sen. Jeanie Forrester installs Ray Boelig as the 2014 President of Lakes Region Builders & in the town of Tilton. as incense and labeled ways that make it attrac- Remodelers Association at their January meeting. Boelig is the owner of Hampshire Hardwoods. “Spice” comes in pack- that they are not for hu- tive with names such as ets, and is marketed as an man consumption, but law “Scooby Snax,” “Atomic,” incense. Rather than burn- enforcement has seen an and “Klimax” that are tar- ing it as incense, though, increase in problems as geting teens. -
>>> I ',1!.'. ; a Ince Paramore's 2005 Debut Recording ,11/ We Know Is
,>>> ince Paramore's 2005 debut recording ,11/ We Know Is Falling,the i a wli \ Nashville-based, rock outfitt popularity has grown substantially, garnering ',1!.'. ; lr th.* multiple Grammy nominations as well as plum song placements in soundtracks for motion picture blockbusters like Tutilight, platinum sales and a consistently growing, global audience. They've also developed a reputation for high-energy live shows, fueled as much by their musical chops as by a finely honed sense ofwhat they and their audience need to hear in order for both band and crowd to leave it all on the stage and on the arena floor, respectively, every night. The band is currently touring in support of its fourth release - simply entitled Paramore - representing the first fullJength album and tour they've undertaken since the departure ofguitaristJosh Farro and his brother, drummer ZacFarro. "It hasn't been an easy break," says tavis Bing, Paramore's monitor engineer since 2009. That said, both he and front of house engineer Eddie Mapp had noth- ing but good things to say about the atmosphere on the road when talking with me from Denver, roughly two weeks into the North American leg of the tour. "The feeling is onwards and upwards. Everyone who's here wants to be here, band and crew, and that makes it fun for everyone, even old,jaded road dogs." 16 Live Sound lnternational June 2013 www.ProSoundWeb.com all driven by four d&b D12 amplifiers, per side as fiIls. The Vsubs were a last minute addition, based on a demo at the band's audio supplier, Nashville- based Spectrum Sound, Prior to the tour. -
Emotions That Facilitate Language Learning: the Positive-Broadening Power of the Imagination1
Studies in Second Language Learning and Teaching Department of English Studies, Faculty of Pedagogy and Fine Arts, Adam Mickiewicz University, Kalisz SSLLT 2 (2). 193-213 http://www.ssllt.amu.edu.pl Emotions that facilitate language learning: The positive-broadening power 1 of the imagination Peter MacIntyre Cape Breton University, Sydney, Nova Scotia, Canada [email protected] Tammy Gregersen University of Northern Iowa, Cedar Falls, USA [email protected] Abstract The imagination is powerful, in part, because of the emotions that can be activated by imagining future states. Imagined future states are a key fea- ture of the L2 self-system proposed by Dƅrnyei, and emotion may be the key to the motivational quality of the imagined future self. In particular, this pa- per focuses on positive anticipated and anticipatory emotions related to language learning. It is argued that, in general, positive emotion has a dif- ferent function from negative emotion; they are not opposite ends of the same spectrum. Based on the work of Fredrickson, we argue that positive emotion facilitates the building of resources because positive emotion tends to broaden a person’s perspective, opening the individual to absorb the lan- guage. In contrast, negative emotion produces the opposite tendency, a nar- rowing of focus and a restriction of the range of potential language input. This article draws a framework for finding a balance between the positive- broadening and negative-narrowing emotions in the language classroom, 1 Authors’ note: This research was facilitated by a grant from Cape Breton University. We would like to thank Jillian Burns for comments on an earlier draft of the manuscript. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (Guest Post)*
“September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (guest post)* “Do you remember, the 21st night of September…?” those were the opening lyrics to one of the biggest hits of 1978, and still one of the most entertaining pop songs over the decades. It is a song about memory, memories that have happened, and memories yet to come. A contagious joy emanates from the song, with lyrics that tease with importance, yet captivate with a repeating “ba-de-ya” refrain that is as memorable as any lyrical phrase. The song is a staple of movie soundtracks (such as “Ted 2,” “Barbershop--The Next Cut,” and “Night at the Museum”), commercial jingles, and family gatherings everywhere. With music providing tickles of percussion, soaring yet comforting horn lines, and the breathtaking harmonies, “September” is one of Earth Wind & Fires’ most catchy sing- along favorites. The lyrics spoke of dancing under the stars, and of celebrating moments in our lives. The words captured ideas that seemed so meaningful, yet really were not. The 21st night of September? What date was that? Was it someone’s birthday? How could a song tug at one’s memories, and yet refer to so little? Co-writer Allee Willis has said the date was used simply because it “sounded right when sung.” The irony was that Earth Wind & Fire had had a run of some of the most thought- provoking and inspiring messages in their catalogue of hit songs, from “Keep Your Head To the Sky” to “Shining Star” and “That’s the Way of the World,” there was an expectation of something deeper underpinning the uplifting experience. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Visualizing the Novel Clinton Mullins Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Computer Science Honors Papers Computer Science Department 2013 Visualizing the Novel Clinton Mullins Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/comscihp Part of the Computer Sciences Commons Recommended Citation Mullins, Clinton, "Visualizing the Novel" (2013). Computer Science Honors Papers. 4. http://digitalcommons.conncoll.edu/comscihp/4 This Honors Paper is brought to you for free and open access by the Computer Science Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Computer Science Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Visualizing Novelthe kiss me please Thesis and code written by Clint Mullins with Professor Bridget Baird as the project's faculty advisor. 1. Data Visualization Discussion of data visualization. 2. Visualizing the Novel Introduction to our problem and execution overview. 3. Related Works Technologies and libraries used for the project. .1 Semantic Meaning .2 Parsing Text .3 Topic Modeling .4 Other Visualizations 4. Methods Specific algorithms and execution details. .1 Gunning FOG Index .2 Character Extraction .3 Character Shaping .4 Gender Detection .5 Related Word Extraction .6 Moments / Emotion Spectrum / DISCO 5. The Visual Our visual model from conception to completion. .1 Concept Process .2 Current Visual Model .3 Java2D .4 Generalizing the Visual Model 6. Results Judging output on known texts. .1 Text One – Eternally .2 Text Two – Love is Better the Second Time Around .3 How Successful is This? 7. -
Three Levels of Product Emotion P.M.A
KEER2010, PARIS | MARCH 2-4 2010 INTERNATIONAL CONFERENCE ON KANSEI ENGINEERING AND EMOTION RESEARCH 2010 THREE LEVELS OF PRODUCT EMOTION P.M.A. Desmet Delft University of Technology, Faculty of Industrial Design Engineering Landbergstraat 15, 2628 CE Delft, The Netherlands. [email protected] ABSTRACT This paper introduces an approach to emotion driven design that was based on the process that underlies emotional responses to consumer products. Three levels, and nine associated classes of product-evoked emotions are discussed, which are each the outcome of a unique pattern of eliciting conditions. The approach is based on two main propositions. The first is that all emotional reactions result from an appraisal process in which the individual appraises the product as (potentially) harming or favoring his or her wellbeing. This appraisal is a non- rational sense-evaluation of the product’s relational meaning. In this perspective, the appraisal is considered a key-parameter that determines if a product evokes an emotion, and if so, what emotion is evoked. Three main appraisal types are identified: an usefulness appraisal, a pleasantness appraisal, and a rightfulness appraisal. The second proposition is that products can generate at least three classes of emotional stimuli: stimuli with a product-focus (i.e. the qualities and properties of the product); with an activity-focus (i.e. when using the product), and with a self-focus (i.e. consequences of using the product). The three appraisals and three levels of person-product relationships combine to a framework of nine sources of product emotions. The framework is used as the basis for an approach to design that aims for three levels of emotional product appeal. -
Various Music from the Wattstax Festival & Film
Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The -
Tabla Base De Datos
Gaspar Garcia Juan Carlos Grupo:309 FECHA 16/11/2010 Base de datos de los gustos musicales del grupo 307 Equipo Integrantes Genero Musical Interprete Canción Año de Lanzamiento Núm. Discografia Biografia Foto Slipknot es una banda norteamericana de metal alternativo formada en 1995 en Des Moines, Iowa. Desde el año 1999, mantiene su formación después de diversos cambios en la misma. Sus integrantes son Chris Fehn, Corey Taylor, Craig Jones, James Root, Joey Jordison, Mick Thomson, Shawn Crahan, Sid Wilson y Paul Gray, hasta el fallecimiento de éste último el 24 de mayo de 2010. Slipknot es Samantha Punk-Funk-Gotic Slipknot Spit 2010 4 conocida por las máscaras características de cada uno de sus miembros. 1 A mediados de la década del sesenta unos jóvenes se reúnen para formar un grupo que represente sus gustos musicales. El nombre de la banda nace en honor a un pueblo del Estado de Sinaloa, ubicado a 80 kilómetros del norte de Mazatlán, de ahí el nombre de La Arrolladora Banda El Limón. Claudia Banda - Pop Arrolladora Niña de mi Corazon 2010 13 La Sonora Dinamita es una agrupación colombiana de música cumbia, formada en el año de 1960, creada por el propietario de Discos Fuentes como un proyecto cuyo líder de la agrupación fue el fallecido cantante Lucho Argaín, nombre artístico que le impone Antonio Fuentes por el homónimo de un cantante mexicano llamado Luís Pérez Meza. Wendolyne Banda - Cumbia Sonora Dinamita Mil Horas 2000 14 2 Selena Marie Gomez (Grand Prairie, TX, Estados Unidos, 22 de julio de 1992) es una actriz y cantante estadounidense mejor conocida por su papel de Alex Russo en la serie original de Disney Channel ganadora del Emmy[1] , Wizards of Waverly Place. -
Hayley Williams & APOTHEKE CO Collaborate on Bringing
apothekeco.com APOTHEKE CO collaborates with musical artist Hayley Williams in a Limited Edition Candle Hayley Williams & APOTHEKE CO collaborate on bringing "Sanctuary" to everyone 2020-10-30 Grammy Award Winning Artist Hayley Williams releases her first Limited Edition Candle In the midst of a global pandemic and a halt to the normalcy that we once knew, Hayley Williams and APOTHEKE partnered together to create a Limited Edition fragrance that brings the feeling of safety and calm to everyone. The two were introduced and it just felt right. It is incredibly timely to be focusing on such a personal project and it truly was created in a vulnerable state between both collaborators. Hayley wrote a personal note to her fans and explains the heart behind the project beautifully, "Thanks to APOTHEKE, I get to share what I'm learning here at home with you...For me, home is sacred ground to learn my lesson, sip my tea, sing songs... I decide what is and isn't worth letting in. This is a whole new way of sanctuary for me. It's an unusual offering but I'm certain it will keep you good company. Let it remind you that anywhere you are is a sacred place." Crafted at the company's factory in Red Hook, Brooklyn, "Sanctuary" is a blend of black peppercorn and lemon zest. Nuances of cannabis are complemented with hemp seed and birch to calm. Undertones of guiacawood, crushed basil, and dark patchouli round out the scent for the perfect aroma. About APOTHEKE Co: APOTHEKE is founded by Chrissy Fichtl and Sebastian Picasso, a wife/husband duo that compliment each other perfectly in the industry.