KARLENE GRIFFITHS SEKOU: All Right. Well, Good Afternoon, Everyone
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Tradução De Termos Culturalmente Marcados Em Algumas Obras De Jorge Amado Para a Língua Inglesa
A tradução de termos culturalmente marcados em algumas obras de Jorge Amado para a língua inglesa Laura de Almeida Universidade Estadual de Santa Cruz (UESC), Ilhéus, Bahia, Brasil [email protected] Ivanir Azevedo Delvizio Universidade Estadual Paulista “Júlio de Mesquita Filho” (UNESP) Rosana, São Paulo, Brasil [email protected] DOI: http://dx.doi.org/10.21165/el.v45i2.698 Resumo Apresentamos uma análise dos termos culturalmente marcados na tradução de três obras de Jorge Amado para a língua inglesa. Baseamo-nos em estudos da tradução cultural assim como nos estudos culturais. Abordamos a questão da intraduzibilidade e da impossibilidade da tradução por Mounin (1975) e Ronái (1989), além da tradução cultural por Aubert (1995, 1998). Apoiamo-nos também nos estudos culturais de Fanon (1979), Hall (2002) e Bhabha (2007). Classificamos os termos coletados com base nos procedimentos técnicos da tradução categorizados por Vinay e Darbelnet (1960 apud CAMPOS, 1987). Constatamos que muitos dos termos selecionados se classificam como empréstimo e adaptação, o que ressalta uma relativa lacuna entre idiomas diferentes, que nem sempre têm o mesmo termo ao traduzirmos uma cultura por outra. Palavras-chave: língua e cultura; identidade; tradução cultural. The Translation of Culturally Marked Terms in Jorge Amado’s books into English Language Abstract An analysis of culturally marked terms in the translation of three books by Jorge Amado into English language is presented. It is based on cultural translations studies and general cultural studies. Issues concerning untraduzibility and the impossibility of translation (according to Mounin (1975) and Ronái (1989), as well as those concerning cultural translation (according to Aubert (1995, 1998)) were approached. -
Comparativ Heft 2-Neu2018.Indd
Jorge Amado’s Salvador da Bahia: Transcultural Place-Making and the Search for “Brazilianness” Martina Kopf ABSTRACTS Der Beitrag untersucht den Entwurf eines transkulturellen Orts und die damit verknüpfte Su- che nach brasilianischer Identität in Jorge Amados (1912–2001) Werk. Amados bevorzugter Schauplatz ist der brasilianische Bundesstaat Bahia, der für seine kulturellen Verbindungen zu Afrika und seine afrobrasilianische Bevölkerung bekannt ist. In Amados Roman Tenda dos mi- lagres (Werkstatt der Wunder) (1968) wird Bahias Hauptstadt Salvador zu einem Ort, an dem kulturelle Einfüsse afrikanischer, brasilianischer und europäischer Herkunft aufeinandertrefen. Mittelpunkt des Romans ist das historische Zentrum von Salvador da Bahia, auch bekannt als Pelourinho, den Amado mit einer Art afrobrasilianischer „Universität“ vergleicht. Der Pelourinho wird so zu einem Ort, an dem brasilianische Kultur als transkulturelle Kultur entsteht, praktiziert und erfahrbar wird. Indem Amado Salvador da Bahia als „Wiege brasilianischer Kultur“ be- und damit brasilianischer Kultur einen konkreten Ort zu-schreibt, leistet er einen Beitrag zur Defniti- on brasilianischer Identität sowohl in einem nationalen als auch einem kulturellen Rahmen. Die Suche nach einer brasilianischen Identität bedeutet nicht zuletzt, die ehemalige Kolonie neu zu bewerten und zu emanzipieren. Amado weist Brasilien in seinem Roman eine Pionieraufgabe zu: Salvador da Bahia wird als „Nabel der Welt“ stilisiert und der mestiço als Ergebnis der inter- kulturellen Begegnungen wird zu einem „Menschen der Zukunft“ deklariert. Im Mittelpunkt des Beitrags steht also die Frage, wie ein Ort durch transkulturelle Prozesse gestaltet wird. Der Bei- trag knüpft damit an Paul Gilroys Aussage an, dass transkulturelle Konzepte nicht nur Dynamik und Unruhe betonen, sondern vor allem auch die mit transkulturellen Prozessen verbundene Kreativität. -
Water-Spirits and World-Ecology in Jorge Amado's Mar Morto And
humanities Article The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s Mar Morto and Pepetela’s O Desejo de Kianda Thomas Waller Department of Modern Languages and Cultures, University of Nottingham, Nottingham NG7 2RD, UK; [email protected] Received: 6 January 2020; Accepted: 29 July 2020; Published: 3 August 2020 Abstract: Putting Blue Humanities scholarship in critical dialogue with recent research on the ‘cultural fix’ and ‘fixed-labour-power’, this article offers a comparative reading of two Portuguese-language novels in which the figure of the female water-spirit features as an index for two contrasting modes of knowing the ocean. In Jorge Amado’s Mar Morto (1936), the water-spirit is registered as a passive and incomprehensible extra-human entity that looms over the poverty of the text’s working-class community of dockworkers with an ominous and mysterious edge. By contrast, the water-spirit in Pepetela’s novel O Desejo de Kianda (1995) is angry, active and only too immediate, seeking revenge for the extractivist violence carried out in the name of neoliberalism. Activating a broadly hydro-materialist framework, I argue that these differing conceptions of the water-spirit carry with them very different socio-ecological implications, and directly intersect with contemporary debates over hydrological crisis, the privatisation of the oceans and the enclosure of the water commons. Keywords: world literature; world-ecology; blue humanities; cultural fix; Jorge Amado; Pepetela 1. Introduction This article takes its point of departure from recent developments in world-literary studies that propose to read world literature under the sign of the capitalist world-ecology. -
Avon Bard Latin American Literature Titles
Avon Bard Latin American Literature Aguilera-Malta, Demetrio. Seven Serpents & Seven Moons. New York. 1981. Avon/Bard. Translated from the Spanish by Gregory Rabassa. 305 pages. June 1981. paperback. 0380547678. Original title: Siete lunas y siete serpientes, 1970 - Fondo de Cultura Economica, Mexico City. ‘A PRODIGAL TALE OF SURREALISTIC INTRIGUE’ - Chicago Tribune Book World . In the coastal village of Santorontón, the battle between good and evil veers naturally into the unreal. Serving the power of good is Father Cándido, whose wooden Jesus is alive and ready to help. Evil is personified by the Colonel, a compulsive rapist, plunderer and murderer, who enacts his vilest deeds in the guise of a crocodile. Bedevilled by the lust of a woman unfortunately dead, he turns for salvation to the witch doctor’s daughter. Another seductress of Santorontón entices and castrates in the cause of womankind. And, adding to the villainy afoot, a despotic don has traded his soul for control of the water supply. Within this deftly devised entertainment of myth and fantasy, poetic metaphor and comic parody, there is the outraged social consciousness of a celebrated Ecuadorian ‘who deserves a rank;’ says the Houston Chronicle, ‘with the best of the older generation of South American writers’. ‘Aguilera-Malta is an important writer. Some of the hallucinatory scenes in SEVEN SERPENTS AND SEVEN MOONS haunt us as powerfully as those in Cortazar and Garcia Márquez!’ - Times (London) Literary Supplement. DEMETRIO AGUILERA-MALTA, born in turn-of-the- century Ecuador, is a poet, playwright, essayist and novelist. Now recognized as one of the major literary influences in Latin America. -
The Inventory Ofthe Gregory Rabassa Collection #759
The Inventory ofthe Gregory Rabassa Collection #759 Howard Gotlieb Archival Research Center Rabassa, Gregory 4/02/79, 3/19/81, 3/24/82, 4/08/82, 5/13/83, 5/27/83, 6/01/83, 6/06/83, 6/23/83, 6/27/83, 9/02/83, 9/16/83, 9/26/83, 10/12/83, 7/03/84, 7/13/84, 7/16/84, 9/19/84, 6/28/85, 1/21/86, 2/21/89, 3/27/89, 3/28/89 4/19/89, 2/20/89, 4/25/89, 7/10/89, 9/05/89, 6/06/90, 10/09/90, 10/15/90, 9/27/93, 7/15/94, 7/24/95, 9/4/98 #759 Preliminary Listing I. Manuscripts. Box 1 A. Translations by GR, TS unless otherwise noted; all drafts include holograph con-ections, revisions. 1. 62: A MODEL KIT,by Julio Cortazar, draft, 284 p. [F. 1] 2. AN APPLE IN THE DARK, (Alt. title AN APPLE IN THE DARKNESS), Clarice Lispector. a. Draft, 435 p. [F. 2-3] b. Draft, 502 p. [F. 4-5] 3. ALEXANDRINO FADO (Alt. title FADO ALEXANDRINO), by Antonio Lobo Antunes, draft, 827 p; includes holograph draft pages. [F. 6-9] 4. AVALOY ARA, by Osman Lins. a. Draft, 505 p. [F. 10-11] b. Finished draft fragments, 319 p. [F. 12] c. First draft, 474 p. [F. 13-14] 5. BOMARZO, Manuel Muijca-Lainez. Box2 a. Draft, 844 p. [F. 1-4] b. Draft fragments, approximately 250 p. [F. 5-6] 6. CAPTAINS OF THE SANDS, by Jorge Amado, draft fragments, approximately 450 p; includes printed material. -
Patrick John O Sullivan Universidade Católica De Goiás [email protected]
Translation: treason, serendipity... 75 TRANSLATION: TREASON, SERENDIPITY OR ACQUIRED INSTINCT? Patrick John O Sullivan Universidade Católica de Goiás [email protected] Abstract: This article reviews Gregory Rabassa’s memoirs called “If this be treason”. It pays tribute to a brilliant translator and literary critic, who is one of the unsung heroes of Spanish and Portuguese Literature. His mem- oirs, enriched by years of experience and theoretical reflection, provide a profound and wonderfully readable meditation on the art of translation, without ever becoming pedantic. They are divided into three sections: a) the translator, b) the translated and, finally, c) his verdict on the treason in- volved in the translation process. In this article, Aubert’s (1997) translation modalities are used to analyze Rabassa’s strategies when dealing with cul- ture-specific items. Keywords: Gregory Rabassa, Brazilian Literature, Latin American Litera- ture, translation, translator. Introduction “Publish or Perish” is how McLuhan, media guru e social critic of the 60s, characterized the fervour of certain university profes- sors in 1951 in a letter to Ezra Pound (Molinaro et al., 1987, p. 226). If he were writing today he would probably say Publish IN ENGLISH or Perish! The situation in international publishing is almost totally dominated by English language publications. Lepape (2004) reports that less than 3% of the 14,000 books published in UK every year are translations and of US publications only 2.8% 76 Patrick John O Sullivan are translations. French publishers only translate from English, with only two exceptions - Paulo Coelho and Umberto Eco. With a few exceptions, Americans publishing houses say they simply have no room on their shelves for “slow-sellers and foreign books”(Lepape, 2004, p.15). -
Geographies of Power: Black Women Mobilizing Intersectionality in Brazil
*HRJUDSKLHVRI3RZHU%ODFN:RPHQ0RELOL]LQJ,QWHUVHFWLRQDOLW\LQ%UD]LO .HLVKD.KDQ<3HUU\ 0HULGLDQVIHPLQLVPUDFHWUDQVQDWLRQDOLVP9ROXPH1XPEHU SS $UWLFOH 3XEOLVKHGE\,QGLDQD8QLYHUVLW\3UHVV )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by Brown University (5 Dec 2016 21:19 GMT) Keisha-Khan Y. Perry Geographies of Power: Black Women Mobilizing Intersectionality in Brazil Abstract In Brazil and throughout the African diaspora, rarely are black women, especially poor black women, considered leaders of social movements, much less political theorists. While Afro-Brazilian women are at the very heart of the struggle for urban housing and land rights in Salvador, the prevailing image of black women, particularly those who live in poor neighborhoods, is that they lack the knowledge and political sophistication needed to organize mass social movements. This article seeks to undermine this image by exploring how black women have come to radicalize local communities. It also explores why they are the main political actors interpreting the racial, gender, and class dynamics of urban develop- ment policies and fi ghting to reform projects of socio-spatial inclusion in cities. Bridging the scholarly gap between black feminist theorization and the grassroots practice of intersection- ality, I argue that black women who organize as blacks, women, and poor people provide key insights into how intersectionality is mobilized for social and poltical change. Furthemore, the ethnographic focus on black women’s activism illustrates the ways in which grassroots politics have advanced our understanding of intersectional identity formation in relationship to the material interests of the marginalized communities in Brazil. Meridians: feminism, race, transnationalism 14, no. 1 (2016): 94–120. Copyright © 2016 Smith College. doi:10.2979/meridians.14.1.08 94 Introduction: Rethinking the Legibility of Black Women’s Politics The neighborhood association and the struggle taught us a lot. -
Ifá, the Fantastic, and Women in Literature of the African
CONTAINERS FOR CREATION: IFÁ, THE FANTASTIC, AND WOMEN IN LITERATURE OF THE AFRICAN DIASPORA by LAURA E. EDMUNDS (Under the Direction of Karim Traoré) ABSTRACT This dissertation examines the role of Yoruba cosmology, found primarily in the Ifá corpus and its practice in Nigeria and throughout the Yoruba diaspora, in narrative strategies among select women writers in the African Diaspora. Theories of the fantastic genre by Tzvetan Todorov and of female power in literature by Theresa Washington are used to reveal the rhetorical strategies that Nalo Hopkinson, Edwidge Danticat, and Esmeralda Ribeiro have in common, and argues that their works are best understood in a dynamic, global context. This study also makes significant use of Henry Louis Gates’ theory of African-American literary criticism by attempting to extend it into literatures from Canada, Haiti, and Brazil. This study finds that the writers under study here transform the Fantastic mode by favoring the use of culture over the social science of psychology, and engage in partial signifyin(g) relationships through rhetorical strategies and figurations borrowed from Ifa. Examples of these are the family structure as organizing principle, and the deities as metaphors. INDEX WORDS: African Diaspora Literature, African Literature, African Diaspora Criticism, Caribbean Literature in English, Fantastic, Subjectivity, Identity, Ifá corpus, Ifá as rhetorical strategy, Narrative, Yoruba cosmology, Nalo Hopkinson, Edwidge Danticat, Esmeralda Ribeiro CONTAINERS FOR CREATION: IFÁ, THE FANTASTIC, AND WOMEN IN LITERATURE OF THE AFRICAN DIASPORA by LAURA E. EDMUNDS B.A., York College of Pennsylvania, 1994 M.A., Fairleigh Dickinson University, 2002 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2014 © 2014 Laura E. -
Mapping Brazilian Literature Translated Into English
Mapping Brazilian Literature Translated into English Cimara Valim de Melo Translation demands some form of transculturation, requiring that one artifact be transported from one culture to another Albert Braz (17) 1. Introduction In the article ‘Brazilian Literature Goes Global’, Kristal Bivona stresses the increasing availability of Brazilian literature in translation owing to govern- mental and private-sector investments to promote Brazilian literature abroad. However, this view has not been unanimously supported as the subject ‘Brazilian literature in translation’ has provoked contrasting views. According to Ángel Gurría-Quintana, despite the common complaint that not enough Brazilian literature is published in English, this is an auspicious moment for new Brazilian writing in translation. Furthermore, there are global issues which prevent ‘peripheral’ literature from being known worldwide. As evidence of this, according to the University of Rochester (Three Percent), only about three percent of all books published in the USA are works in transla- tion, and in terms of literary fiction and poetry the number is lower than one percent.1 In order to examine the reception of Brazilian literature in the anglophone world and also to show how the Brazilian literary system has developed from the viewpoint of the historiography of translation, this study aims to produce an overview of Brazilian literature in the English language by mapping the most representative works, authors, translators and publishing houses from 1 Launched in 2007, Three Percent is an online resource for international literature at the University of Rochester, with the ‘goal of becoming a destination for readers, editors, and translators interested in finding out about modern and contemporary international literature’. -
Rediasporizing Bahia: the Lived Experiences of Blackness and the Cultural Politics of Bahian Hip-Hop
REDIASPORIZING BAHIA: THE LIVED EXPERIENCES OF BLACKNESS AND THE CULTURAL POLITICS OF BAHIAN HIP-HOP BY BRYCE M. HENSON DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications & Media with a minor in Latin American & Caribbean Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Cameron McCarthy, Chair Associate Professor Isabel Molina-Guzmán Associate Professor Junaid Rana Professor Norman Denzin ABSTRACT This dissertation analyzes how Blacks in Salvador da Bahia are disrupting dominant representations of Afro-diasporic cultures and race in Brazil’s most “African” locale. Cultural representations, tourism groups, and government agencies commonly portray Salvador as brimming with exotic and premodern Africanisms through the retention of African roots, traditions, and origins. This uses essentialist tropes that Blacks in the African Diaspora are connected together by a common ancestry and culture. This has in turn been used to reify popular Brazilian mythologies of racial harmony, a mestiço racial identity, and an African- derived ethnicity. These cultural representations of the African Diaspora in Salvador have been used to argue that race relations in Brazil are far superior to the United States and that racism is not a problem. However, this obscures the social stigma of Blackness, as a queer subaltern figure and sociocultural threat to civilization, and how antiblack racism structures everyday life in Salvador. Drawing on Black feminism, African Diaspora studies, media studies, and race relations studies, this dissertation is a study that links the social realties of race and Afro-diasporic expressions by examining the local hip-hop movement, its Afro-diasporic reception and production of hip-hop media cultures. -
06 Tradterm 17.Pmd
101 PATRONO DA AMIZADE: AS TRADUÇÕES DE OBRAS BRASILEIRAS DA ALFRED A. KNOPF EM MEADOS DO SÉCULO XX Marly D’Amaro Blasques Tooge* RESUMO: As décadas de 1940 e 1960 foram muito impor- tantes para a história da literatura brasileira traduzida para o inglês. O número de traduções de obras brasileiras para o idioma inglês cresceu com o incentivo à atividade. No primeiro período, o mundo testemunhou as trágicas consequências da Segunda Guerra. Ocorreram então di- versas negociações comerciais entre o Brasil e os Estados Unidos, mas Vargas só declarou seu apoio aos Estados Unidos em 1942. Projetos diplomáticos criados na época incluíam programas de tradução que, indiretamente, aju- daram a divulgar as ideias de “democracia racial” de Gil- berto Freyre. Na década de 1960, a visibilidade trazida pela Revolução Cubana levou à criação de novos progra- mas de tradução para a América Latina, que desta vez transformaram Jorge Amado em um bestseller america- no. Este artigo apresenta o papel desempenhado pelo edi- tor Alfred A. Knopf que agiu como um “embaixador informal” no processo acima descrito. UNITERMOS: Tradução, política; diplomacia; Pan- americanismo; democracia racial. ABSTRACT: The 1940s and 1960s were important years for the history of Brazilian literature translated into English. The number of translations from Portuguese into English * Doutoranda da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo (USP) e Tradutora Pública e Intérprete Co- mercial do Estado de São Paulo. marlytooge@terra. com.br TRADTERM, 17, 2010, p. 101-126 102 grew, and interest in translations from Brazil also increased. In the 1940s, the world witnessed the tragic consequences of the Second War.