James Paul MCCARTNEY Dossier 17 Nov 2020
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For a Happier, Healthier
DM1ST DM1ST 26 DAILY MIRROR MONDAY 28.05.2018 mirror.co.uk MONDAY 28.05.2018 DAILY MIRROR 31 For a happier, 32 DR MIRIAM STOPPARD healthier Get in touch! YOUR LIFE 34 DEAR COLEEN you! [email protected] BY EMILY RETTER giving them vegetables and the kids still HEATHER Mills chuckles at wanted to eat a burger” she says. “It’s the irony as she describes a time funny, Jamie Oliver and when a ham sandwich was her Gordon Ramsay used to wildest dream. laugh at all our vegan We used to stuff but now Jamie is Picturing herself with her brother and be really sister in the school playground, she says: starting to jump on the Everyone laughed envious bandwagon, too.” “We used to be really envious when people had a ham sandwich – oh my when people Not much dents Heather’s God, how lucky were they?” had a ham optimism. Of course, the reason for the family’s sandwich at Post Paul, and a more than lack of meat wasn’t funny at all. school. Meat £16million divorce settle- Heather, 50, who grew up near was a luxury ment, she could have with- Newcastle, explains her mum left the at us 25 years ago, ered under public backlash. family when she was nine, and her dad But not so. She went on to later went to prison, meaning they had donate millions to charity including her little money and food was scarce. 2007 fee for America’s Strictly, Dancing She says she even went to bed hungry With The Stars. -
Nus » Indiqué Sur La Pochette, Sont Dis- En Résumé, Je Vous Recommande For- Ponibles En Cliquant Ou Sélectionnant Tement Ce DVD
BEATLES QUÉBEC MAGAZINE PAGE 9 nus » indiqué sur la pochette, sont dis- En résumé, je vous recommande for- ponibles en cliquant ou sélectionnant tement ce DVD. La qualité sonore et au menu, dans les « lobby cards » un visuelle de ce produit est sans égale, des personnages, soit sur John, Paul, compte tenue du produit qui date déjà George ou Ringo ou autre pour qu'ils de plus 42 ans. puissent virer au rouge. De là vous sélectionnez Play et le tour est joué: PROMOTION POUR vous avez les fameux spots de radio. Il LE FILM HELP! y en a 6 en tout répartis sur les 2 DVD. Ces hiddens in menus, appelés en Apple Records a conçu un mini site web pour le film. Vous retrouverez Page d’accueil du site Internet Scène coupée avec Wendy Richard language informatique « easter eggs », sont disponibles dans les deux formats DVD du film HELP!. toutes les informations pertinentes du film ainsi qu’une boutique de marchan- dises « Help! ». www.beatles.com/help UN DRAPEAU HELP! Avec la participation de Ringo Starr, eBay et Capitol Records (USA), un drapeau, mesurant 12 pieds par 18 pieds, à l’effigie du film HELP! , a été Scène coupée avec Wendy Richard offert en encan sur le site eBay. Les Beatles et Apple Records ne ces- Un ensemble d’items accompagnaient seront jamais de nous émerveiller. le fameux drapeau. Le gagnant de l’en- Même après toutes ces années, ils ont can s’est mérité un certificat d’authen- encore le don de nous fasciner. ticité signé par Ringo, un voyage de 5 jours/4 nuits à Londres, une visite au Studio Abbey Road, l’édition deluxe DVD du film Help! , un ensemble de 8 reproductions des « Lobby Cards » de 1965 du film Help! et un CD promo- tionnel (édition limitée). -
Derogatory Discourses of Veganism and the Reproduction of Speciesism in UK 1 National Newspapers Bjos 1348 134..152
The British Journal of Sociology 2011 Volume 62 Issue 1 Vegaphobia: derogatory discourses of veganism and the reproduction of speciesism in UK 1 national newspapers bjos_1348 134..152 Matthew Cole and Karen Morgan Abstract This paper critically examines discourses of veganism in UK national newspapers in 2007. In setting parameters for what can and cannot easily be discussed, domi- nant discourses also help frame understanding. Discourses relating to veganism are therefore presented as contravening commonsense, because they fall outside readily understood meat-eating discourses. Newspapers tend to discredit veganism through ridicule, or as being difficult or impossible to maintain in practice. Vegans are variously stereotyped as ascetics, faddists, sentimentalists, or in some cases, hostile extremists. The overall effect is of a derogatory portrayal of vegans and veganism that we interpret as ‘vegaphobia’. We interpret derogatory discourses of veganism in UK national newspapers as evidence of the cultural reproduction of speciesism, through which veganism is dissociated from its connection with debates concerning nonhuman animals’ rights or liberation. This is problematic in three, interrelated, respects. First, it empirically misrepresents the experience of veganism, and thereby marginalizes vegans. Second, it perpetuates a moral injury to omnivorous readers who are not presented with the opportunity to understand veganism and the challenge to speciesism that it contains. Third, and most seri- ously, it obscures and thereby reproduces -
A Many-Storied Place
A Many-storied Place Historic Resource Study Arkansas Post National Memorial, Arkansas Theodore Catton Principal Investigator Midwest Region National Park Service Omaha, Nebraska 2017 A Many-Storied Place Historic Resource Study Arkansas Post National Memorial, Arkansas Theodore Catton Principal Investigator 2017 Recommended: {){ Superintendent, Arkansas Post AihV'j Concurred: Associate Regional Director, Cultural Resources, Midwest Region Date Approved: Date Remove not the ancient landmark which thy fathers have set. Proverbs 22:28 Words spoken by Regional Director Elbert Cox Arkansas Post National Memorial dedication June 23, 1964 Table of Contents List of Figures vii Introduction 1 1 – Geography and the River 4 2 – The Site in Antiquity and Quapaw Ethnogenesis 38 3 – A French and Spanish Outpost in Colonial America 72 4 – Osotouy and the Changing Native World 115 5 – Arkansas Post from the Louisiana Purchase to the Trail of Tears 141 6 – The River Port from Arkansas Statehood to the Civil War 179 7 – The Village and Environs from Reconstruction to Recent Times 209 Conclusion 237 Appendices 241 1 – Cultural Resource Base Map: Eight exhibits from the Memorial Unit CLR (a) Pre-1673 / Pre-Contact Period Contributing Features (b) 1673-1803 / Colonial and Revolutionary Period Contributing Features (c) 1804-1855 / Settlement and Early Statehood Period Contributing Features (d) 1856-1865 / Civil War Period Contributing Features (e) 1866-1928 / Late 19th and Early 20th Century Period Contributing Features (f) 1929-1963 / Early 20th Century Period -
Rak on the Road Rstart
MIRROR, FEBRUARY r, d REFORD & POPSWOP Suzi's first headline tour Lindisfarne bow out stood to have made h LINDISFARNEat plans, which leaves ARE splitting up three others, R J RAK ON THE ROAD the end of their son, Charlie Hareq UK Tommy Duffy m SUM Quatro The tour dates are: current forming a new sets out feel bar on Apollo. Glasgow (Febru- because they Alan her first head ary 23); City Hall, they Hull's soloNa lining Inn that musically based mi the theme tour of Britain Newcastle (24); Hard the later In have reached BBC -2 play, ill February Rock. Manchester (25): released In and Guildhall, Preston (26); of the road with April a will be sup- end t. single taken from ported Stadium, Liverpool current sjrortly. The by Cozy (March 3); City Hall, the new byes Powell's Hammer Alan Hull be formed, hope to Sheffield (4): Town Hall, a solo an album and Arrows. Birmingham (6); Gate out ao records followed by a most. Ipswich (6); and album Squire which UK lot The tour, known London's Rainbow be the the spring. is likely to It is the second as the Rak Road - Theatre (8). a solo show, Suzi's new single. Your basis for final split of Undid will have all i drum- the first split while ev tickets priced at Mama Won't Like It goes career, - on sale this Friday, and mer Paul Nichols Is Jack the Lad _ sad £1.50, and they will the Arrow's latest My be climaxed by a fare reported to gig in their go on sale at box Last Night With You, is Aerial Bend- natl. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
ESSE 2017 URSULINE ACADEMY of DALLAS a Bout the Covers
ESSE 2017 URSULINE ACADEMY OF DALLAS A bout the Covers The paintings displayed on the covers and title page of Esse this year were selected because of the stories they portray. These three pieces, while reflecting similar motifs, differ in the emotions they represent: a gesture, a connection, and a thought. With the con- ESSE tinuous symbol of the hand, each piece delivers a personal story that allows viewers to create stories for themselves. Literary-Art Magazine Artwork is a form of expressing one’s thoughts and emotions. As these artists share some ideas and memories of their own, Ursuline Academy they draw in an audience to look further into what meanings these creations hold. Perhaps an object holds significant meaning, a con- nection invokes a certain feeling, or a pattern resurfaces an old memory. With every creation in this magazine, viewers are challenged to Volume LI 2016-2017 search for the meanings behind each piece and possibly discover a new meaning for themselves. 4900 Walnut Hill Lane Through the language of art, each artist conveys her unique voice and challenges the audience to look at something in a new way. We each have our own stories and memories, and through art, we share these moments with others. Dallas, TX 75229 469-232-1800 -Miranda Walker ‘17 Art Editor Fax: 469-232-1836 www.ursulinedallas.org Front Cover: |Anna Rehagen ‘18 |Tea Stains |Acrylic on canvas Back Cover: Justine Walker ‘20 Ocean Sounds |Elenor Post ‘19 Acrylic on canvas |We Rise Together |Acrylic on canvas Dedication Letter from the Editor To our Archivist, Sybil Tucker: Ursuline Academy impacts each student in an extraordinary and individual way. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Newsletter 44
Newsletter Hartlepool & District U3A New Year Edition, Issue 44, January 2021 Happy New Year! Happy New Year! Happy New Year! Happy New Year! Comments from the Chair First of all, greetings to you all and I hope you enjoy the festive period Things are definitely looking more optimistic for the new year with more vaccines becoming ready for distribution. I know that some of our members have already had their first jab, so things are definitely going in the right direction. It is important not to get too far ahead of ourselves as it will be a huge undertaking to get everyone vaccinated before we can return to something approaching normal life. With this in mind, the Committee has decided that we need to hold the AGM that has been held over since June. Obviously, we cannot have a face-to-face meeting so we will be holding a 'virtual' AGM on Friday February 5th 2021 at 2 pm. We will be sending out all the relevant documentation required in mid-January by email and by post to give you all plenty of time to scrutinise them. The virtual meeting will be held via Zoom and every member is invited to join. We want to encourage as many members as possible to join and we can offer help if you need it. Phil has kindly offered to help members who are new to Zoom the week before the AGM. Further details will follow. By the time you read this, the latest TAT newsletter will have been sent out and you can also book Introduction to Zoom sessions via a link in this latest edition. -
THE PAINTED BEAUTY from LIVING ART • PARADOX of SUMMER • PARTNER PROFILE: CITIZENS BANK The
THE PAINTED BEAUTY FROM LIVING ART • PARADOX OF SUMMER • PARTNER PROFILE: CITIZENS BANK The Vol. 1 | Issue 3 | Summer-Fall 2009 A newsletter from Bok Tower Gardens www.boktowergardens.org 2 | The Garden Path | Summer-Fall 2009 FROM THE PRESIDENT What a season we have had! The Gardens have never looked better, our attendance is up and we have more member supporters than ever. The azalea and camellia bloom was spectacular with the weather cooperating to give us an extended spring bloom. It has been nice to see so many visitors enjoying the Gardens. The Moonlight Carillon Concert series was well attended, with the March concert drawing an audience of more than 350. With the daylight savings time change coming earlier this year, the concerts started with the setting sun so that guests could enjoy the Gardens in the sweet light of dusk. We started encouraging guests to picnic in the Gardens for these concerts and plan to introduce other changes to enhance the experience in the future. We have been working on a long range plan for the Gardens with several key points identified as goals. Improving customer service and the quality of our presentations are two of these goals. A large part of what we have to offer is the incredible experience our visitors enjoy. All aspects of the Gardens are being evaluated from the décor and food at the café, to the quality of our plant displays. We want the experience for our visitors to be unique, inspirational and enjoyable for everyone, every time. Gardening can truly be a celebration about the diversity of plants as we’ve seen in our monthly plant celebrations.