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Imperiale Konzert- Und Opernreisen
IMPERIALE KONZERT- UND OPERNREISEN September bis Dezember 2017 SEPTEMBER - HÖHEPUNKTE In der Staatsoper kann neben Aufführungen wie „Die Hochzeit des Figaro“, „Der Barbier von Sevilla“, „La Bohème“ u. a., sicherlich „Der Troubadour“ mit Anna Netrebko als Höhepunkt im September gesehen werden. Zusätzlich wird noch Mussorgski‘s „Chowanschtschina“ mit Ferruccio Furlanetto in der Titelrolle gegeben: „Eine zeitlose Parabel auf den ewigen Kreislauf von Machterwerb,- u. Verlust Einzelner auf Kosten des einfachen Volkes.“ Die Wiener Symphoniker treten sowohl im Musikverein, als auch im Konzerthaus auf mit Werken von Strauss und Dvorak. Die Wiener Philharmoniker geben ein Konzert im Musikverein mit Stardirigent Zubin Mehta. REISE 1: 4. bis 7. September 2017 EZ € 2.085,- | DZ € 1.580,- p. P. Montag, den 4.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Dienstag, den 5.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova Mittwoch, den 6.9. In der Staatsoper: Der Barbier von Sevilla v. G. Rossini Mit Ioan Hotea, Paolo Rumetz, Rachel Frankel, Marco Caria, Sorin Coliban REISE 2: 7. bis 10. September 2017 EZ € 2.065,- | DZ € 1.560,- p. P. Donnerstag, den 7.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Freitag, den 8.9. In der Staatsoper: Chowanschtschina v. M. Mussorgski Mit Ferruccio Furlanetto, Christopher Ventris, Herbert Lippert, Andrzej Dobber, Ain Anger, Elena Maximova Samstag, den 9.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova REISE 3: 8. -
The Exhibition FEBRUARY 2015 Der Meister Tön' Und Weisen... Heinz Zednik – 50 Jahre Staatsoper
Der Meister Tön’ und Weisen... Heinz Zednik – 50 Jahre Staatsoper 12.2.–21.9.2015 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 FEBRUARY 2015 The Exhibition In 2015 the music world honours the occasion of two anniversaries of the well-known and popular Austrian tenor Heinz Zednik: he celebrates both his seventy-fifth birthday and five decades as member of the ensemble of the “Haus am Ring”, the Vienna State Opera. On November 5, 1964 the young singer from the Graz Opera gave his first guest performance in Vienna, singing the role of Augustin Moser in Wagner’s Die Meistersinger von Nürnberg; on September 3, 1965 he appeared for the first time as a full member of the ensemble at the Vienna State Opera – as Count Lerma in Verdi’s Don Carlo. In order to showcase Zednik’s impressive repertory the exhibition focuses both on Zednik’s opera performances in Vienna and beyond – in Milan, Bayreuth and New York – and his work outside the field of opera, which comprises operetta, oratories, lieder and Viennese songs. Markus Vorzellner curated the exhibition; Elisabeth Truxa designed the layout. Der Meister Tön’ und Weisen... Heinz Zednik – 50 Jahre Staatsoper 12.2.–21.9.2015 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 Events RECITAL HEINZ ZEDNIK Piano: Konrad Leitner Wednesday, April 22, 7.30 p.m. Tickets € 22, Verein Freunde der Wiener Staatsoper and Ö1 Club € 19, students € 12 Reservations T +43 1 525 24 3460 „A MUSI, A MUSI“ A viennese evening with Heinz Zednik, Peter Hawlicek (contra guitar) und Roland Sulzer (accordeon) Moderation: Markus Vorzellner Wednesday, September 9, 7.30 p.m Tickets € 22, Verein Freunde der Wiener Staatsoper and Ö1 Club € 19, students € 12 Reservations T +43 1 525 24 3460 „…DASS SICH DIE WELT IN EINEM TAG HERUMDREHT“ After a guided tour through the exhibition by curator Markus Vorzellner you are invited to enjoy his anecdotes of personal encounters with Heinz Zednik, complemented by selected audio-clips. -
About the Exhibition Tenorissimo! Plácido Domingo in Vienna
Tenorissimo! Plácido Domingo in Vienna May 17th, 2017 - January 8th, 2018 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 About the exhibition An unmistakable dark timbre, highly dramatic expressiveness, an impressive, vast repertoire – all this enraptures the fans of the Spanish crowd-pleaser with waves of enthusiasm. The Theatermuseum celebrates Plácido Domingo on the anniversary of his stage debut: He has been singing at the Vienna State Opera for 50 years. When the Tenor, then still considered as insider tip, made his debut at the State Opera in the title role of Verdi‘s Don Carlo, not only he took stage and cast in storm, but also the hearts of the Viennese audience – a true love relationship, unbroken till today. This performance contributed to an unparalleled career, taking him to the world‘s leading opera houses. Vienna has always been a very special “home port“ for the opera star. Here he performed 30 different roles in 300 shows and was awarded the title Austrian Kammersänger. The exhibition at the Theatermuseum documents the most important appearances of the “Tenorissimo“ in Vienna with original costumes and props, photographs and memorabilia, video and audio samples. The presentation portrays him also as baritone, the role fach on which he concentrated almost exclusively in the past 10 years, and refers to his activities as conductor, taking him regularly to the orchestra pit of the Vienna State Opera since the end of the 1970s. Without hesitation Plácido Domingo can be described as one of the most versatile, curious and longest serving representative of his musical genre. -
POLAND Culture Andart
POLAND Culture and Art ISBN 978-83-8010-013-8 www.poland.travel EN Culture and Art 3 Culture and Art Culture and Art 5 Culture: Our national heritage and the testimony of romantic reflections Polish culture is woven from the memories of past greatness and the dreams of a better future, and its national character is deeply rooted in Romanticism. In every branch of contemporary art, our rich Polish folklore becomes a source of inspiration for artists. nown for being very musical, Poles love dance and music. Folk melodies Kcan be heard in Chopin’s works, while Krzysztof Penderecki and Witold Lutosławski set new standards in the world of avant-garde music. Poland attracts a lot of attention, thanks to its talented jazz musicians and young artists excelling in the domain of alternative music. The poetry of Wisława Szymborska, recognised with a Nobel Prize, is appreciated in many corners of the world. Like Szymborska’s poems, many others’ works have been translated into foreign languages: the literary reportages of Ryszard Kapuściński, the futuristic prose of Stanisław Lem or the dramas of Sławomir Mrożek. Igor Mitoraj and Magdalena Abakanowicz are consid- ered ambassadors of Polish sculpture, with their monumental works arousing worldwide admi- ration. Roman Opałka’s and Wilhelm Sasnal’s paintings are highly sought after by art collec- tors. ▶ ▶ Poland has been home to many illustrious personalities, whose work changed the face of the world. Some were scientists, like Nicolaus Coperni- cus or Marie Skłodowska-Curie. Others shaped our reality in different ways, for example, the founders of Hollywood, Samuel Goldwyn and the Warner brothers. -
Berlin and Beyond Berlin, Dresden & Leipzig
BERLIN AND BEYOND BERLIN, DRESDEN & LEIPZIG MAY 2-15, 2019 TOUR LEADER: CHRISTOPHER MENZ BERLIN AND BEYOND Overview BERLIN, DRESDEN & LEIPZIG Berlin is one of the most interesting and diverse of all the great capitals of Europe, and is currently enjoying a major cultural renaissance. First Tour dates: May 2-15, 2019 documented in the 13th century, the city has been the capital of the Prussian Empire, the German Empire, the Weimar Republic and the Third Tour leader: Christopher Menz Reich. Since 1989 the city has relished its role as the capital of a unified and re-energised Germany. Tour Price: $7,250 per person, twin share Berlin is home to some internationally renowned cultural institutions – Single Supplement: $1,750 for sole use of such as museums of antiquities and fine arts – and has ongoing double room significance as a centre of contemporary art and design. Berlin is also famous for its musical heritage, with outstanding ensembles such as the Booking deposit: $500 per person Berlin Philharmonic and three major opera houses adding great lustre to the city’s cultural landscape. Recommended airline: Qatar Airways or Singapore Airlines/Lufthansa This 14-day tour allows you to take an in-depth look at Berlin, and the nearby cities of Potsdam, Leipzig and Dresden. Daily walking tours, Maximum places: 20 background talks and guided visits trace the history and development of Berlin from its earliest days through the glory days of the Prussian and Itinerary: Berlin (5 nights), Leipzig (2 nights), German Empires to the darker days of the early 20th century and its Dresden (2 nights), Berlin (4 nights) rebirth after 1989. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Uniting Commedia Dell'arte Traditions with the Spieltenor Repertoire
UNITING COMMEDIA DELL’ARTE TRADITIONS WITH THE SPIELTENOR REPERTOIRE Corey Trahan, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: Stephen Austin, Major Professor Paula Homer, Committee Member Lynn Eustis, Committee Member and Director of Graduate Studies in the College of Music James Scott, Dean of the School of Music James R. Meernik, Acting Dean of the Toulouse Graduate School Trahan, Corey, Uniting Commedia dell’Arte Traditions with the Spieltenor repertoire. Doctor of Musical Arts (Performance), May 2012, 85 pp., 6 tables, 35 illustrations, references, 84 titles. Sixteenth century commedia dell’arte actors relied on gaudy costumes, physical humor and improvisation to entertain audiences. The spieltenor in the modern operatic repertoire has a similar comedic role. Would today’s spieltenor benefit from consulting the commedia dell’arte’s traditions? To answer this question, I examine the commedia dell’arte’s history, stock characters and performance traditions of early troupes. The spieltenor is discussed in terms of vocal pedagogy and the fach system. I reference critical studies of the commedia dell’arte, sources on improvisatory acting, articles on theatrical masks and costuming, the commedia dell’arte as depicted by visual artists, commedia dell’arte techniques of movement, stances and postures. In addition, I cite vocal pedagogy articles, operatic repertoire and sources on the fach system. My findings suggest that a valid relationship exists between the commedia dell’arte stock characters and the spieltenor roles in the operatic repertoire. I present five case studies, pairing five stock characters with five spieltenor roles. -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
Spring 2015 CUES Internet at the Speed of Whoa
OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message. -
CD-Liste Cda1209 11.11.12
1982 1973 mp3- mp3- CD 2 DVD CD CD 3 CD CD CD CD 2 CD CD CD CD CD CD 1973,01 5311,01 1975,01 1982,01 11.11.12 Rene Jacobs, Rachel Yakar, James Bowman, Ulrik Cold, Rita Dams, Jill Max vanGomez, Egmond, , Stiefermann,Chung,Kay Locky Johanna Stojkjovic, Siri Karoline Thornhill, Ann ,Hallenberg, , , Antonietta Cesare Stella, Valletti, Giuseppe Taddei, Barbieri, Fedora Renato Capecchi, , Rina Corsi, Giuseppe Modesti, Dilcheva,Kremena Johnny Maldonado, MariaDoerthe Sandmann, Allen, Tom Egbert Junghanns, Johnny Maldonado, Matthias , Vieweg, Sir White,Willard Measha Blue, ,Brueggergosman, Angel Haskin,Howard , Rodney Clarke, John Fulton, , , , , , , , , , , , , , , , , Anna Caterina Antonacci, Eva Maria Fabio Westbroek, Bryan Hymel, Capitanucci, Hanna Hipp, Barbara Senator, Brindley Sherratt, Ashley Holland, Michael , , Volle, , , , , , Soyer, ChristianeSoyer, Eda Robert Pierre, Robert Massard,Lloyd, , Jane Berbie, Dietrich Henschel, Pasichnyk,Olga Attila Jun, Dusseljee, Kor-Jan Tonbandstimme, Bonita Hyman, Christiane Mirka Oertel, Wagner, Marjana EmilLipovsek, Ivanov, Philippe Rouillon, Raimondi, Ildiko Jacob Wojciech Will, Drabowicz, Migliorini,Thierry Hans Peter Kammerer, Dobber,Andrzej Veronika Dzhieova, Rafal Siwek, Cristina Damian, Tigran Martirossian, , Nurgeldiyev, Dovlet Sergiu Saplacan, Kinga Dobay, Rebecca Rasmussen, MarkusThomas Volle, Pettersson, Christian Oldenburg, Ludvig Lindström, Nyqvist, Peter Christina Nicolai Gedda, Jules Bastin, Roger -- -- -- -- -- -- -- Nilsson, -- -- -- -- -- -- -- cda1209 Antonio Pappano Marc Soustrot -
Bárbara Barradas Soprano
Date of birth: 08/July/1985 Voice – type: Lyric - Coloratura Soprano Email: [email protected] Website: www.barbarabarradas.com Instagram: bbsopranocoloratura Contacts: +351916302988 Future engagements: •Tour of Concerts in Portugal • Musetta - La Bohème - Puccini - Teatro Nacional de São Carlos Roles: •Lucia – Lucia di Lammermoor – Donizetti – Oper im Berg Festival – Salzburg •Lucia – Lucia di Lammermoor – Donizetti – De Nederlandse Opera (ENOA workshop) - Amsterdam •Bruna - Premier of the new opera “Canção do Bandido” - Nuno Côrte-Real - TNSC/Teatro da Trindade - Lisbon • Le Feu and Le Roussignol - L’enfant et les Sortilége - Ravel - Teatro Nacional de São Carlos - Lisbon • Ines di Castro - Inês de Castro - Giuseppe Giordani - Festival de música de Alcobaça (Portugal) • Gilda - Rigoletto - Verdi, Óbidos Opera Festival (Portugal) • Gilda – Victor Hugo Project – Flandres Operastudio – director Vicent Van den Elshout. • Queen of the Night - Mozart Project – Flandres Operastudio – director Helen Suyderhoud • Nice 1 - Peter Grimes - B. Britten - Teatro Nacional de São Carlos - Lisbon • Performance and recording of the role Ines di Castro - Ines di Castro by Giuseppe Giordani at Festival de música de Alcobaça (Portugal) with the Portuguese Symphonic Orchestra (OSP) and the conductor João Paulo Santos • La Fèe - Cendrillon - Pauline Viardot - Teatro Nacional de São Carlos - Lisbon • Amore - Serenata “L’Endimione” - N. Jommelli - Massimo Mazzeo (conductor) - Divino Sospiro Orchestra • Susanna - Le Nozze di Figaro – Mozart - Calouste -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.