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Lps Free to a Good Home
List of my LPs available to eBay customers at £1 (for each LP) + Postage (These are LPs that failed to sell on eBay). All LPs are enclosed in the original cover If I was sold any extra material (such as booklets, inserts, pictorial inner sleeves) with the LP, then I will have mentioned it on the details page for the LP. The date quoted for the LP is that printed on the Record and/or Cover. I have no idea when this particular copy was pressed or issued. The pictures in this listing are scans of the covers of the actual LP records available. NOTE 1 - The bottom of each cover picture is missing as my scanner is just too small to scan the full height, but all the width is shown as I have scanned the left and right sides and stitched the pictures together. NOTE 2 - If there is a vertical dark stripe down the middle of the picture, then it is caused by the way I stitch 2 scans together, and doesn't exist on the cover itself. The list of LPs available (each LP also has a full page of details with large PICTURE) is :- Cilla Black 1978 LP Modern Priscilla (LP Never on CD Max Boyce 1977 LP The Road and the Miles...(SONGS No CD Billy Connolly 1981 LP The Pick of Billy Connolly Deanna Durbin 1982 LP Can't Help Singing (MFP 16 Tracks The Everly Brothers 1984 LP The Everly Brothers. Elton John 1974 LP Greatest Hits (Photo Inner 10 Trk Tom Jones 1982 LP It's Not Unusual (Pickwick 17 Tracks Scott Joplin 1981 LP Rag Time (12 Tracks Jazz Bette Midler 1990 LP Some People's Lives (Inner Anne Murray 1981 LP The Very Best of Anne Murray Bob Newhart 1965? LP -
Execution's Doorstep: True Stories of the Innocent and Near Damned
Execution’s Doorstep Execution’s Doorstep True Stories of the Innocent and Near Damned LESLIE LYTLE Northeastern University Press Boston published by university press of new england hanover and london Northeastern University Press Published by University Press of New England, One Court Street, Lebanon, NH 03766 www.upne.com © 2008 by Northeastern University Press Printed in the United States of America 54321 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including storage and retrieval systems, without permission in writ- ing from the publisher, except by a reviewer, who may quote brief passages in a review. Members of educational institutions and organizations wishing to photocopy any of the work for classroom use, or authors and publishers who would like to obtain permission for any of the material in the work, should contact Permissions, University Press of New Eng- land, One Court Street, Lebanon, NH 03766. The statistical information and circumstances recounted in Execution’s Doorstep reflect infor- mation available prior to January 1, 2008. Song lyrics on page 233 COURTESY OF RANDAL PADGETT Library of Congress Cataloging-in-Publication Data Lytle, Leslie. Execution's doorstep : true stories of the innocent and near damned / Leslie Lytle. p. cm. Includes bibliographical references and index. isbn 978–1–55553–678–7 (cloth : alk. paper) 1. Trials (Murder)—United States. 2. Judicial error—United States. 3. Compensation for judicial error—United States. 4. Death row inmates—United States—Biography. I. Title. kf221.m8l98 2008 345.73′02523—dc22 2008024996 University Press of New England is a member of the Green Press Initiative. -
Gaslightpdffinal.Pdf
Credits. Book Layout and Design: Miah Jeffra Cover Artwork: Pseudodocumentation: Broken Glass by David DiMichele, Courtesy of Robert Koch Gallery, San Francisco ISBN: 978-0-692-33821-6 The Writers Retreat for Emerging LGBTQ Voices is made possible, in part, by a generous contribution by Amazon.com Gaslight Vol. 1 No. 1 2014 Gaslight is published once yearly in Los Angeles, California Gaslight is exclusively a publication of recipients of the Lambda Literary Foundation's Emerging Voices Fellowship. All correspondence may be addressed to 5482 Wilshire Boulevard #1595 Los Angeles, CA 90036 Details at www.lambdaliterary.org. Contents Director's Note . 9 Editor's Note . 11 Lisa Galloway / Epitaph ..................................13 / Hives ....................................16 Jane Blunschi / Snapdragon ................................18 Miah Jeffra / Coffee Spilled ................................31 Victor Vazquez / Keiki ....................................35 Christina Quintana / A Slip of Moon ........................36 Morgan M Page / Cruelty .................................51 Wayne Johns / Where Your Children Are ......................53 Wo Chan / Our Majesties at Michael's Craft Shop ..............66 / [and I, thirty thousand feet in the air, pop] ...........67 / Sonnet by Lamplight ............................68 Yana Calou / Mortars ....................................69 Hope Thompson/ Sharp in the Dark .........................74 Yuska Lutfi Tuanakotta / Mother and Son Go Shopping ..........82 Megan McHugh / I Don't Need to Talk -
The Porcelain Tower, Or, Nine Stories of China
%is<ii^>^ 3 1735 060 217 449 UNIVERSITY OF PITTSBURGH Dar. PR5349 S286 Darlington Atemorial Litrary T-'ki'/d. 5^.^ .:^x^ ,,W^^j^ //^c^%o////iS'^/^/2^ ^.^ . ; LIFE IN CHINA. PORCELAIN TOWER OR, NINE STORIES OP CHINA. COMPILED FROM ORIGINAL SOURCES. By " T. T. T." To raise a tower your arts apply, And build it thrice three stories high; Make every story rich and fair With blocks of wood, in carvinga rare ; With such its ruder form conceal. And make it strong with plates of steel. From the Song of the Pagoda, Jy—SheLorh. EMBELLISHED BY J. LEECH. PHILADELPHIA: LEA AND BLANCHARD. 1842. ^ 5 ^' TO HIS FRIENDS IN GENERAL, AND TO THE PUBLIC IN PARTICULAR, THE ACCOMPANYING SPECIMENS OF REAL CHINA ARE RESPECTFULLY PRESENTED, BY THEIR MOST OBSEQUIOUS SERVANT THE MANUFACTURER, WHO TAKES THIS OPPORTUNITY OF INFORMING ALL PARTIES, (and PARTICULARLY SMALL TEA-PARTIES,) THAT HIS "services" ARE ALWAYS AT THEIR COMMAND. LIST OF ILLUSTRATIONS. Fum-Fum and Fee-Fee before the Em- peror, Frontispiece. Ho-Fi caught in his own trap, - page 8'2 Din-Din suspended in his office, - 57 ^ Hyson flailed by his father, ) - 112 Si-Long's arrival at the Philosopher's, 124 Faw-Faw and Fee-Fee united, ') - 233 - Fum-Fum smoking his own tail, ) 260 " Hey-Ho discovers Fun, " ' ) ^^^ Fun lowered from the window, ) - 2S5 1^ CONTENTS. Page Invocation, , . , . viii Preface, ..... x THE FIRST STORY. Ho-Fi of the Yellow Girdle, . 13 THE SECOND STORY. Kublai Khan ; or The Siege of Kinsai, . 60 THE THIRD STORY. Fashions in Feet; or the Tale of the Beautiful To-To 86 THE FOURTH STORY. -
Architectural Structures in the Victorian Novel
“ALL MEN ARE BUILDERS”: ARCHITECTURAL STRUCTURES IN THE VICTORIAN NOVEL ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ In Partial Fulfilment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by Joann D. Griffith May 2015 Examining Committee Members: Dr. Peter Logan, Advisory Chair, English Dr. Talissa Ford, English Dr. Therese Dolan, Art History Dr. Kate Thomas, English, Bryn Mawr Dr. Jill Rappoport, External Member, English, University of Kentucky ABSTRACT Nineteenth-century Britain experienced a confluence of a rapidly urbanizing physical environment, radical changes in the hierarchical relationships in society as well as in the natural sciences, and a nostalgic fascination with antiquities, especially gothic architecture. The realist novels of this period reflect this tension between dramatic social restructuring and a conservative impulse to remember and maintain the world as it has been. This dissertation focuses on the word structure to unpack the implications of these opposing forces, both for our understanding of the social structures that novels reflect, and the narrative structures that novels create. To address these issues, I examine the architectural structures described in Victorian realist novels, drawing parallels with their social and narrative structures. In Charles Dickens’s Little -
Dashew Art & Writing Collective
THE DASHEW ART & WRITING COLLECTIVE PRESENTS en ve lo pe SPRING 2019 ‘EGO’ editors note LE KANG ‘SUBMISSION’ HANNAH NAHM ‘TAMARENSSET TWO’ Dear readers, table of KHALED SAHOUR ‘SUNSET ONE’ It is our pleasure to present to you the first edition of Dashew Center’s new art and writing magazine, ALEXEY STAROSELETS Envelope. Just like the name suggests, carefully enclosed within Envelope is a special selection of artwork, contents ‘NOCTILUQUE’ ISABELLE LIN digital media and literature. It is a platform for the international students of UCLA to have a voice and express ‘TAMARNSSET THREE’ their past and present experiences with the extended UCLA community. Through the process of creation, KHALED SAHOUR Envelope hopes to enrich and enlighten the international community in UCLA. ‘CYCLING IN LA’ LIUTAURAS RUSAITIS ‘BEST OF BOTH WORLDS’ Each work is hence a unique representation of the identities of our talented group of artists. The diverse SALONI KOTHARI ‘JUST WHAT I NEEDED’ RHEA PLAWAT variety of backgrounds and experiences possessed by our international student body became immediately ‘CALIFORNIA DREAMIN’ apparent as we sifted through the submissions. It was a delight compiling such a rich body of work and finally NOVIA ELVINA ‘BEAUTY IN THORNS’ seeing it come together as one. ‘REFUGEES’ NOVIA ELVINA RHEA PLAWAT ‘DAMIEN RICE’ ‘PHYSALIS’ Envelope’s collection consists of a wide global range of masterpieces. We have poems and portraiture MARIA PAVLIDOU ISABELLE LIN exploring themes of conflicts of self-identity, such as Saloni Kothari’s painting titled “An Honest Self Portrait” ‘COSMOLOGIES’ ‘PROGRESS’ and Ainhoa Santos Goicoechea’s “Cerveza San Miguel.” We also have an amazing collection of Chinese ISABELLE LIN ORODE NANNA calligraphy that range from ones that espouse traditional values of harmony to ones that express the ‘GO BEFORE RAIN’ LIQI ZHAO ‘CYCLING IN LA’ beauty of nature. -
USBCNC Manual
EDINGCNC Manual User Manual EdingCNC Software Document Release 4.02 14 June 2017 Release 4.02 1 EDINGCNC Manual Title: Eding CNC user Manual Software Author: Bert Eding Date: Wednesday, 14 June 2017 Document History Version Date Author Comment 1 2006-03-10 Bert Eding Initial version 4.02.00 19-12-2014 Bert Eding Updated for V4.02 Start with new history for V4.02 4.02.00 19-12-2014 3D printing finalized. Including support for Linear Delta systems. 4.02.00 19-12-2014 zWear and xWear (turning) added 4.02.00 19-12-2014 Chip load calculator added 4.02.00 19-12-2014 iCNC600 CPU support added 4.02.00 19-12-2014 G0 acceleration and velocity factor added. 4.02.00 19-12-2014 User macro.cnc added, there are now 2 macro files. 4.02.00 19-12-2014 M48, M49, M50, M51, M52 feed and speed override control added 4.02.00 19-12-2014 User definable M-Functions and re- definable M functions added, you can me your own M3 with this. 4.02.00 19-12-2014 Exec interpreter function allows to start external programs from the interpreter. 4.02.00 19-12-2015 G64 P.. R.. Q.. F.. The new PATH CONTROL functions here allow very FAST and constant speed foam milling. 4.02.00 19-12-2015 Firmware changes are latched ESTOP signals and use MACHINE ON virtual output that starts the watchdog signal, system-ready for iCNC600 board. 4.02.01 09-01-2015 Added shortcuts ctrl+alt+s and ctrl+alt+f, see shortcut table. -
Hannibal Lecter," Enters It and Waits
H A N N I B A L Screenplay by Steven Zaillian Based on the Novel by Thomas Harris Revision February 9, 2000 INT. PANEL VAN - DAY Clarice Starling is dead, laid out in fatigues across a bench in the back of a ratty, rattling undercover van. Three other agents sit perched on the opposite bench, staring at her lifeless body. BURKE How can she sleep at a time like this? BRIGHAM She's on a jump-out squad all night; she's saving her strength. INT. UNDERGROUND GARAGE - DAY Gray cement walls blur past as the panel van descends a circular ramp to a lower level. As it straightens out, the view through the windshield reveals a gathering of men and vehicles - marked and unmarked DC police cars - and two black SWAT vans. The panel van - with Marcell's Crab House painted on its sides - pulls to a stop. The back doors open from the inside and Starling is the first one out - well-rested and alert - hoisting down her equipment bag. One of the DC policemen, the one whose girth and manner say he's in charge, watches the woman by the van slip into a Kevlar vest, drop a Colt .45 into a shoulder holster, and a .38 into an ankle holster. She straightens up, approaches the men and lays a street plan across the hood of one of their cars. STARLING All right, everyone, pay attention. Here's the layout - BOLTON Excuse me, I'm Officer Bolton, DC Police. STARLING Yes, I can see that from your uniform and badge, how do you do? BOLTON I'm in charge here. -
(Pilot Program). Teachers Guide and Index. Indiana State Office O
DOCUMENT RESUME ED 050 261 VT 012 915 TITLE VIEW for the Handicapped (pilot Program). Teachers Guide and Index. INSTITUTION Indiana State Office of the State Superintendent of Public Instruction, Indianapolis. PUB DATE Mar 71 NOTE 102p. EDRS PRICE EDRS Price MF-$0.65 HC-$6.58 DESCRIPTORS *Educable Mentally Handicapped, Job Skills, Job Training, Junior High Schools, Occupational Information, *Prevocational Education, Senior High Schools, *Special Education, *Teaching Guides IDENTIFIERS VIEW, Vocational Information for Education and Work ABSTRACT Compiled by special education teachers, this guide and accompanying index is for teacher use in providing a program of prevocational orientation, cross-occupational skill training, and job-specific information to educable mentally handicapped (EMH) students in junior and senior high school special education programs. Part I, Prevocational Orientation, contains purposes, concepts, and learning activities for 10 sections covering general job information such as wages and working conditions. Part II provides (1)task analysis of cleaning, moving, and proper use of tools and equipment, with activities directed toward specific task training, and (2) a skill profile for stocking, sorting, packaging, tying, care of tools and equipment, serving, driving and operating, tending, and assembling and collating, with activities directed toward development of each skill. The guide is designed to be used with a deck of Vocational Information for Education and Work (VIEW) scripts describing 5C job titles which are appropriate for EMH and generally available in Indiana. An alphabetical listing and vocabulary lists for the VIEW scripts along with "Dictionary of Occupational Titles" numbers are appended. The accompanying index describes the 50 job titles. -
Wendell Berry and the Politics of Homecoming: Place, Memory and Time in Jayber Crow
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2009 Wendell Berry and the politics of homecoming: place, memory and time in Jayber Crow Drew Kennedy Thompson Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Political Science Commons Recommended Citation Thompson, Drew Kennedy, "Wendell Berry and the politics of homecoming: place, memory and time in Jayber Crow" (2009). LSU Master's Theses. 3862. https://digitalcommons.lsu.edu/gradschool_theses/3862 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. WENDELL BERRY AND THE POLITICS OF HOMECOMING: PLACE, MEMORY AND TIME IN JAYBER CROW A Thesis Submitted to The Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the requirements for the degree of Master of Arts in The Department of Political Science by Drew Kennedy Thompson B.A., Murray State University, 2004 August 2009 DEDICATION This work is dedicated to my grandparents; in memory of Keith and Jean Smith Kennedy, and in honor of David and Ann White Thompson, and also to the memory of Elwood and Lula Grogan White, my great-grandparents. All of them were born into the agrarian way of life, and it is through their stories that I am able to envision Port William so clearly. -
SOTT Catalogue Corporate DOWNLOAD
Well, here you go, it ’s ready : The fifth edition of SOTT’s Tool catalog ! Once again, we’ve put a lot of work in to create an even better catalog for you. Over 100 new tools have been added, each with a clear explanation of how , when and why to use it. Isn’t it good to know that I have held each item in my hands to judge whether it is worthy to be included in the SO TT catalogue ? I can genuinely say that this fifth edition is better than ever ! We have updated the categories and added new ones. Also, we’ve also created a special selection of “tools for interior decoration films”. But in case of any remaining questions about a product… Y ou‘ve come to know us : we are always ready to help ! And so this is the perfect moment for the next happy announcement : SOTT has partnered with Solar Screen to improve service, logistics and development. Starting today, SOTT Tools and Liquids are part of Solar Screen, who with their incredible service, experience and outstanding logistic power will be able to speedily serve any customer anywhere in Europe. W e believe that this partnership will bring even more benefits to all SO TT customers. Our commitment to you remains unchanged as you will now experience it through the Solar Screens delivery program. For those who just got a scare and think that SO TT must have folded: not so fast ! I myself will continue to be personally involved in developing SO TT tools with SolarScreen. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.