DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 2011 iT":""" _ » 3i»^T*X' FSSu* ymphoimVorchestr LI A HULY e Berkshires SCHANTZ ALLERJES ntemporary art 3 Elm Street Stockbridge, MA 413.298.3044 BERKSHIRE MONEY MANAGEMENT We?tl ntaJob vt easy to mov&youvportfolio. November 15, 2007 Sample Market Calls (sell) of Berkshire Money Management July 14 2010 (buy) S&P 500 INDEX DAILY DATA 1/02/2001-12/31/2010 March 6, 2009 (buy) © Copyright 201 1 Ned Davis Research, Inc. Further distribution prohibited without prior permission. All Rights Reserved. See NDR Disclaimer at www.ndr.com/copyright.html. For data vendor disclaimers refer to www.ndr.com/vendorinfo/. May 11, 2001 (sell) May 10, 2002 (sell) November 15, 2007 (sell) "Don't get too scientific.just ask yourself; "If [the NASDAQ] pierces the 1600 level "The obvious answer is a temporary position does it feel like a recession? We don't think again, the prudent investor will not hold in cash." it feels as bad as 1990-1991, but it is bad out for another relief rally...the NASDAQ is The stock market fell 48.9% after that sell enough." setting up for a retest of the September signal. [2007] lows of the 1400s." The stock market fell 16.5% until our next buy signal. October 11, 2002 (buy) March 6, 2009 (buy) "Expect a bottom for the S&P 500 at 660 September 28, 2001 (buy) "The VIX broke 50 [on October 10th], and points." that is my buy signal this time." "Equity valuations are better than they have The stock market rose 63.2% from that buy been in years." The stock market rose 80% until our next signal to the end of 2009. sell signal. The stock market rose 10.4% until our next sell signal. April 4, 2010 (sell) January 1, 2002 (sell) "...The bottom line is a correction is coming, but it's not a crash... Signs of a longer-than- "I've had my three months of bullishness, BERKSHIRE typical correction." but now I must adhere, once again, to a more bearish sentiment." MONEY July 14, 2010 (buy) The stock market fell 30% until our next buy signal. MANAGEMENT "...the correction is over...being in cash is a risky proposition." The Knowledge & Experience to Build Your Wealth ISIT US AT WWW.BERKSHIREMM.COM OR 888.232.6072 ie Index S&P 500 (S&P) has been used as a comparative benchmark because the goal of the above strategy was to provide equity-like returns. The S&P is one of the world's most cognized indexes by investors and the investment industry for the equity market. The S&P, however, is not a managed portfolio and is not subject to advisory fees or trading costs, vestors cannot invest directly in the S&P 500 Index. The S&P returns also reflect the reinvestment of dividends. Berkshire Money Management is aware of the benchmark comparison lidelines set forward in the SEC Clover No-Action Letter (1986) and compares clients' performance results to a benchmark or a combination of benchmarks most closely resembling ents' actual portfolio holdings. However, investors should be aware that the referenced benchmark funds may have a different composition, volatility, risk, investment philosophy, holding les. and/or other investment-related factors that may affect the benchmark funds' ultimate performance results. Therefore, an investor's individual results may vary significantly from the nchmark's performance. All indicated stock market calls and associated commentary are that of Allen Harris & Berkshire Money Management and have no relationship to NDR/MDR. mgmH Visit Today (Art of the ^Americas Wing ' <* ' m30 *>* : \ : jny Rinaldo Photography. Museum of Fine Arts Boston mfa.org the new ii James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 130th season, 2010-2011 Trustees of the Boston Symphony Orchestra, Inc. Stephen B. Kay and Robert P. O'Block, Co-Chairmen • Edmund Kelly, Chairman-Elect • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Vincent M. O'Reilly, Treasurer William F. Achtmeyer • George D. Behrakis • Alan Bressler • Jan Brett • Samuel B. Bruskin • Eric D. Collins • Cynthia Curme • Alan J. Dworsky • William R Elfers • Judy Moss Feingold, • • • • ex-officio Nancy J. Fitzpatrick Michael Gordon • Brent L. Henry Charles H. Jenkins, Jr. Joyce G. Linde • John M. Loder • Carmine A. Martignetti • Robert J. Mayer, M.D. • • • Nathan R. Miller • Richard P. Morse • Aaron J. Nurick, ex-officio Susan W. Paine Carol Reich • Edward I. Rudman • Arthur I. Segel • Thomas G. Sternberg • Theresa M. Stone Caroline Taylor • Stephen R Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek Deborah Davis Berman • Peter A. Brooke • Helene R. Cahners • James F Cleary • • John F. Cogan,Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. Nina L. Doggett Mrs. John H. Fitzpatrick • Dean W. Freed • Thelma E. Goldberg Edna S. Kalman • • • • George Krupp Mrs. August R. Meyer Mrs. Robert B. Newman William J. Poorvu Irving W. Rabb • Peter C. Read • Richard A. Smith • Ray Stata John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. May, ChiefFinancial Officer Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Judy Moss Feingold, Chairman • Noubar Afeyan • David Altshuler • Diane M. Austin • Judith W. Barr • Lucille M. Batal • Linda J.L. Becker • Paul Berz • James L. Bildner • Mark G. Borden • Partha Bose • Anne F Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne Burke • Ronald G. Casty • Richard E. Cavanagh • Carol Feinberg Cohen • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Charles L. Cooney • Ranny Cooper • James C. Curvey • Gene D. Dahmen • Jonathan G. Davis • Paul F Deninger • F. • • • • Ronald Dixon Ronald M. Druker Alan Dynner Philip J. Edmundson Ursula Ehret-Dichter • John P. Eustis II • Joseph F Fallon • Thomas E. Faust, Jr. • Steven S. Fischman • John F. Fish • Sanford Fisher • Robert Gallery • Robert P. Gittens • Carol Henderson • Stuart Hirshfield • Susan Hockfield • Roger Hunt • William W. Hunt • Valerie • • • • Hyman Ernest Jacquet Everett L. Jassy Stephen J. Jerome Darlene Luccio Jordan, Esq. • PaulL.Joskow • Stephen R. Karp • Douglas A. Kingsley • Robert Kleinberg • John L. Klinck, Jr. • Farla H. Krentzman • Peter E. Lacaillade • Charles • • • Larkin Robert J. Lepofsky Nancy K\ Lubin • Jay Marks • Jeffrey E. Marshall C. Ann Merrifield • Dr. Martin C. Mihm, Jr. • Maureen Miskovic • Robert Mnookin • Paul M. Montrone • • • • Sandra O. Moose Robert J. Morrissey J. Keith Motley, Ph.D. Cecile Higginson Murphy • Peter Palandjian • Vincent Panetta, Jr. • Joseph Patton • Programs copyright ©201 1 Boston Symphony Orchestra Cover photo by Kevin Toler Ann M. Philbin • Wendy Philbrick • May H. Pierce • Claudio Pincus • Lina S. Plantilla, M.D. • Joyce L. Plotkin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • William F. Pounds • Claire Pryor • John Reed • Dr. Carmichael Roberts • Susan Rothenberg • Alan Rottenberg • Joseph D. Roxe • Kenan Sahin • Donald L. Shapiro • Gilda Slifka • Christopher Smallhorn • Michael B. Sporn, M.D. • Margery Steinberg • Patricia L. Tambone • Jean Tempel • Douglas Thomas • Mark D. Thompson • Albert Togut • Diana Osgood Tottenham • Joseph M. Tucci • Robert A. Vogt • David C. Weinstein • Dr. Christoph Westphal • James Westra • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug Overseers Emeriti Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • George W. Berry • William T Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Mrs. James C. Collias • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Mrs. Miguel de Braganca • Betsy P. Demirjian • JoAnne Walton Dickinson • Phyllis Dohanian • • • Harriett Eckstein • George Elvin • Pamela D. Everhart J. Richard Fennell • Lawrence K. Fish Myrna H. Freedman • Peter H.B. Frelinghuysent • Mrs. Thomas Galligan, Jr. • Mrs. James Garivaltis • Dr. Arthur Gelb • Jordan Golding • Mark R. Goldweitz • Michael Halperson • John Hamill • Deborah M. Hauser • Mrs. Richard D. Hill • Marilyn Brachman Hoffman • Lolajaffe • Michael Joyce • Martin S. Kaplan • Mrs. S. Charles Kasdon • Mrs. Gordon F. Kingsley • David I. Kosowsky • Robert K. Kraft • Benjamin H. Lacy • Mrs. William D. Larkin • Edwin N. London • Frederick H. Lovejoy, Jr. • Diane H. Lupean • Mrs. Charles P. Lyman • Mrs. Harry L. Marks • Joseph B. Martin, M.D. • Joseph C. McNay • Albert Merck • John A. Perkins • Dr. Tina Young Poussaint • • • • Daphne Brooks Prout Patrick J. Purcell Robert E. Remis • John Ex Rodgers Roger A. Saunders • Lynda Anne Schubert • Mrs. Carl Shapiro • L. Scott Singleton • Samuel Thorne • Paul M. Verrochi • Robert A. Wells • Mrs. Joan D. Wheeler • • t • Margaret Williams-DeCelles Mrs. John J. Wilson Richard Wurtman, M.D. f Deceased Established 1974 Berkshire Record Outlet Classical CD Deletions & Overruns: j Top quality CDs, videos, musical scores, books, cassettes and LPs. Prices starting s at l.99. Over 13,000 classical music titles at a fraction of their original retail cost. We also offer dozens of photographic reproductions of BSO tour posters and historic musicians at work and play, all of which are on display at our store. A sample is shown to the left. Our retail store/warehouse is 3.8 miles east of Stockbridge on Route 102 in Lee (please see map). Summer hours (6/27-8/29): Monday - Saturday, 10-5:30 Exit 2 Li Mass StockbridqeyW> Lee Pike Arturo Toscanini, Vladimir Main St. -7 Horowitz and Bruno Walter Red L Lion BERKSHIRE (Archivally mounted in acid-free 18" x 21" while mat Inn RECORD OUTLET ROUTE 102, LEE • 413-243-4080 • WWW.BERKSHIRERECORDOUTLET.COM Administration Mark Volpe, Managing Director, Eunice andJulian Cohen Managing Directorship, fully funded in perpetuity Anthony Fogg, Artistic Administrator Marion Gardner-Saxe, Director of Human Resources Ellen Highstein, Director of Tanglewood Music Center, Tanglewood Music Center Directorship endowed in honor ofEdward H.
Load more

Recommended publications
  • Ear and There Monday, February 8, 2010
    Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create.
    [Show full text]
  • Late Fall 2020 Classics & Jazz
    Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases.
    [Show full text]
  • THOMAS! Dausgaard Conducts R
    THOMAS DAUSGAARD, MUSIC DIRECTOR SEPTEMBER 2019 WELCOME THOMAS! Dausgaard conducts R. Strauss’ Also sprach Zarathustra Rachmaninov’s Fourth Piano Concerto with pianist Daniil Trifonov Mahler’s Symphony No. 1 Brahms’ Second Piano Concerto with pianist Yefim Bronfman My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM CONTENTS SEPTEMBER 2019 4 / Calendar 6 / The Orchestra 53 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / Thomas Dausgaard on the Season Ahead 54 / The Lis(z)t CONCERTS 14 / September 11 & 12 My legacy. My partner. Distant Worlds: music from Final Fantasy® with the Seattle Symphony 16 / September 14 You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave Opening Night Concert & Gala behind.
    [Show full text]
  • Marco Polo – the Label of Discovery
    Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father.
    [Show full text]
  • Battles Around New Music in New York in the Seventies
    Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2009, Tanglewood
    SUMMER 2009 BOSTON SYM ON Y ORCH E RA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY r ^ m I &£ V + i HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstenpalleries.com i photo: Icrcsa Nouri I O l \ e Broun and Coral Pink Persian Set They're Not Only Preparing ^ / for a Changing World They're Preparing to Change the World y M 1 what girls have in mind 'J'NZib-iS 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] V Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " 'Hot is the WOrdfor this show. —The New York T Museum of Fine Arts, Boston March 15- August 16, 2009 Tickets: 800-440-6975 or www.mfa.org BOSTON The exhibition is organized by the Museum The exhibition is PIONEER of Fine Arts, Boston and the Mus6e du fcUniCredit Group sponsored by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937. 1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 *f=^y Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M.
    [Show full text]
  • Seattle Symphony Named Orchestra of the Year at the 2018 Gramophone Classical Music Awards
    IMMEDIATE RELEASE SEPTEMBER 13, 2018 Shiva Shafii Public Relations Manager 206.215.4758 | [email protected] Rosalie Contreras Vice President of Communications 206.215.4782 | [email protected] SEATTLE SYMPHONY NAMED ORCHESTRA OF THE YEAR AT THE 2018 GRAMOPHONE CLASSICAL MUSIC AWARDS Pictured L to R: Seattle Symphony Music Director Ludovic Morlot, Seattle Symphony and Seattle Symphony Music Director Designate Thomas Dausgaard. Photography by Brandon Patoc. NOMINATION FOR THE AWARD WAS BASED ON THE ORCHESTRA’S “EXCEPTIONAL CONTRIBUTION” (GRAMOPHONE) TO RECORDED MUSIC IN PAST YEAR SEATTLE, WA – Today, Gramophone announced the Seattle Symphony has won the Orchestra of the Year Award, an award that recognizes the artistic excellence of an ensemble. The winner of the Orchestra of the Year Award was announced at the 2018 Gramophone Classical Music Awards ceremony in the Grand Connaught Rooms in London. The Seattle Symphony was among seven other international ensembles nominated for the award, and the only nominee outside of Europe. Selected by Gramophone’s editors and critics, finalists were chosen from recordings made from June 2017 through May 2018 and the winner was voted on by the general public. The Gramophone Classical Music Awards celebrate the most outstanding recordings of the past year, and this new award gave listeners the opportunity to vote for an orchestra they believe has made an exceptional contribution to recorded music. “The Seattle Symphony has a long and highly distinguished tradition of making recordings, and that tradition has continued under the musical directorship of Ludovic Morlot and his successor Thomas Dausgaard. The orchestra’s dynamic work in concert and the resulting recordings have clearly captured the public’s imagination who delivered an astounding 47 percent of votes to make the Seattle Symphony our inaugural Orchestra of the Year, an Award sponsored for the first time by Apple Music,” commented James Jolly, Editor in Chief for Gramophone.
    [Show full text]
  • Thomas Dausgaard and the Seattle Symphony Release Revelatory Performances of Rued Langgaard’S Prelude to Antichrist and Richard Strauss’ an Alpine Symphony
    PRESS ROOM press.seattlesymphony.org Dinah Lu Publicist 206.215.4719 | [email protected] Shiva Shafii Director of Communications 206.215.4758 | [email protected] THOMAS DAUSGAARD AND THE SEATTLE SYMPHONY RELEASE REVELATORY PERFORMANCES OF RUED LANGGAARD’S PRELUDE TO ANTICHRIST AND RICHARD STRAUSS’ AN ALPINE SYMPHONY SEATTLE SYMPHONY SHINES WITH DAUSGAARD AT THE HELM IN CONDUCTOR’S FIRST ALBUM AS NEW MUSIC DIRECTOR ALBUM FEATURES PREMIERE ORIGINAL VERSION RECORDING OF LANGGAARD’S PRELUDE TO ANTICHRIST AVAILABLE NOW ON APPLE MUSIC AND AMAZON SEATTLE, WA – Incoming Music Director Thomas Dausgaard and the Seattle Symphony release live recordings of Rued Langgaard’s Prelude to Antichrist and Richard Strauss’ An Alpine Symphony on September 13, 2019. Dausgaard’s inaugural album with the Seattle Symphony as its Music Director features powerful performances of works that pair for an intriguing exploration of the composers’ fascination with the Antichrist. Langgaard’s opera Antichrist – first staged in 2002 in a performance conducted by Thomas Dausgaard – is an apocalyptic vision of the world before Judgement Day, the time when Antichrist reigns and the time Langgaard felt he was living in. Prelude depicts the moments before the Last Judgement and the calamity that pervades humanity. While Langgaard, one of the most prominent composers from Daugaard’s native country of Denmark, has had works played by many major orchestras across the country, Seattle Symphony’s performance in April 2019 marked the US premiere of the original version of Thomas Dausgaard and the Seattle Symphony bring Strauss’ An Prelude to Antichrist. Where Langgaard paints a picture Alpine Symphony to audiences at Benaroya Hall in June 2017.
    [Show full text]
  • Beta Collide
    pets, and participation in various composers’ birthday celebrations: Elliott Carter’s 100th in Turin, Italy and New York; Oliver Knussen’s 50th in London; Sir Peter Maxwell Davies’ 70th in Turin, Italy; James Primosch’s 50th in Philadelphia; George Perle’s 90th and Milton Babbitt’s 90th in Princeton and New York. Seven newCD’s have been released with works by Elliott Carter, Alberto Ginastera, Anne Le Baron, Virko Baley, Louis Karchin, Chinary Ung and Charles Wuorinen. Her extensive discography is on the Deutsche Gram- mophon, Koch International, Naxos, Nonesuch, NMC, Bridge, Albany and Innova labels. Her performance with the Enso String Quartet of Ginastera SCHOOL OF MUSIC AND DANCE was nominated for ‘Best Classical Chamber Music Recording” of 2010. Beall Concert Hall, 8 p.m. Tuesday, April 13, 2010 A native of California, Shelton’s primary mentor was Jan De Gaetani. She has taught at the Third Street Settlement School in Manhattan, Eastman White Stag Building, 7:30 p.m. Friday April 16, 2010 School, New England Conservatory, Cleveland Institute and the Britten-Pears School. She joined the resident artist faculty of the Tanglewood Music Cen- ter in 1996. In the fall of 2007 she joined the Manhattan School of Music’s Contemporary Performance Program faculty. THE FACULTY & GUEST ARTIST SERIES Recent projects for Justine F. Chen include youth opera Three, Two, One-BANG!, a modern teenage American adaptation of Shakespeare’s Macbeth, a song cycle/ presents monodrama for soprano Jennifer Zetlan Philomel, taken from Ovid’s Metamor- phoses, and her second opera Jeanne, a fractured account of the life of Joan of Arc.
    [Show full text]
  • ISCM 2010 Concert Season LEAGUE of COMPOSERS 609 WARREN ST, BROOKLYN NY 11217
    League of Chamber Concert Sunday, February 28 8 pm Music of Bartók + Crumb Tuesday, March 23 8 pm Composers/ Contemporary Music for Violin, Percussion + Piano Wednesday, May 26 8 pm Orchestra of the League of Composers Monday, June 7 8 pm ISCM 2010 Concert Season LEAGUE OF COMPOSERS 609 WARREN ST, BROOKLYN NY 11217 www.leagueofcomposers.org Chamber Players of the League/ISCM Sunday, February 28, 8 pm TENRI CULTURAL INSTITUTE 43A WEST 13TH STREET, NYC $10 gen. adm., $5 for students + seniors Samuel Barber’s Sonata for Violoncello and Piano (premiered by League in 1933), Mark Berger’s String Trio #2 (2009 League competition co-winner), Ben Johnston’s Amazing Grace, and Eric Moe’s Strange Exclaiming Music. Music of Bartók + Crumb Tuesday, March 23, 8 pm MERKIN HALL, KAUFMAN CENTER, GOODMAN HOUSE 129 W. 67TH STREET, NYC $20 gen. adm., $10 for students + seniors www.merkinconcerthall.org Eliza Garth and Brian Ganz present Béla Bartók’s ferocious and transcendent Sonata for 2 Pianos and Percussion (premiered by the ISCM in Basel, Switzerland in 1938) and George Crumb’s luminous Music for a Summer Evening. Contemporary Music for Violin, Percussion + Piano Wednesday, May 26, 8 pm ROULETTE, 20 GREEN STREET, NYC $10 gen. adm., available at the door Esther Noh, Alex Lipowski and Jacob Rhodebeck present established works alongside premieres by composers Sebastian Armoza, Lou Harrison, Dary John Mizelle, David Schober, John Zorn, and John Arrigo-Nelson. Orchestra of the League of Composers Monday, June 7, 8 pm MILLER THEATRE, COLUMBIA UNIVERSITY 2960 BROADWAY (116TH STREET), NYC $20 gen.
    [Show full text]
  • Missa Solemnis
    Sunday, November 12, 2017, at 3:00 pm Pre-concert lecture by Andrew Shenton at 1:45 pm in the Stanley H. Kaplan Penthouse Missa Solemnis Swedish Chamber Orchestra Thomas Dausgaard , Conductor Malin Christensson , Soprano Kristina Hammarström , Mezzo-Soprano Michael Weinius , Tenor Josef Wagner , Bass Swedish Radio Choir Peter Dijkstra , Choral Director BEETHOVEN Mass in D major, Op. 123 (“Missa solemnis”) (1819–23) Kyrie Gloria Credo Sanctus Agnus Dei This program is approximately 80 minutes long and will be performed without intermission. This performance is also part of Great Performers. This program is supported by the Leon Levy Fund for Symphonic Masters. Symphonic Masters is made possible in part by endowment support from UBS. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. David Geffen Hall Please make certain all your electronic devices are switched off. WhiteLightFestival.org Support for Great Performers is provided by Rita E. UPCOMING WHITE LIGHT FESTIVAL EVENTS: and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Tuesday, November 14 at 7:30 pm at Church of St. Council, and Friends of Lincoln Center. Mary the Virgin Swedish Radio Choir Public support is provided by the New York State Peter Dijkstra , conductor Council on the Arts with the support of Governor MAIJA EINFELDE: Lux aeterna Andrew M. Cuomo and the New York State SVEN-DAVID SANDSTRÖM: En ny himmel och en Legislature. ny jord Endowment support for Symphonic Masters is ANDERS HILLBORG: Mouyayoum provided by the Leon Levy Fund. SCHNITTKE: Concerto for Choir Endowment support is also provided by UBS.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2009
    SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D.
    [Show full text]