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81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST of the MONTH © 2018 WARNER BROS
80 FILM REVIEWS 81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST OF THE MONTH © 2018 WARNER BROS. PICTURES. ALL RIGHTS RESERVED. AQUAMAN May 2019_GPE.indd 79 18/04/2019 12:44 PM FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE MOVIES. with his politics, but his movies are invariably a directing and acting masterclass. goingplacesmagazine.com THE MULE THE NAMESAKE Clint Eastwood has acted in 72 movies and One of the great things about flying is that TV shows since 1955 and directed 40 movies it gives one a chance to catch up on classic (Quentin Tarantino has only directed nine), movies. Indian-American director Mira Nair including Unforgiven and Million Dollar Baby, GLASS does not make enough movies, but she both of which won Oscars for Best Picture Director M. Night Shyamalan is a rarity because has a unique quality because of her Indian and Best Director. The Mule might be his last since his remarkable 1999 debut The Sixth Sense heritage and interests and because she | as an actor (he hasn’t decided yet; it depends (“I see dead people”), he has created his own is a rare female director. Her movies have 80 if there is a good script for an 89-year-old). genre. His movies have elements of horror and shown a great interest in the Indian diasporic | May 2019 Beginning his long career in Sergio Leone’s thrillers, but they are also unsettling, sinister experience and generational change. -
This Research Is Based on the Philosophy of Interpretivism
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 9 : 4 April 2009 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. K. Karunakaran, Ph.D. Jennifer Marie Bayer, Ph.D. A Study of English Loan Words in Selected Bahasa Melayu Newspaper Articles Shamimah Binti Haja Mohideen, M.HSc. (TESL) Language in India www.languageinindia.com 9 : 4 April 2009 Shamimah Binti Haja Mohideen, M.HSc. (TESL) A Study of English Loan Words in Selected Bahasa Melayu Newpaper Articles 14 A Study of English Loan Words in Selected Bahasa Melayu Newspaper Articles Shamimah Binti Haja Mohideen, M.HSc. (TESL) International Islamic University Malaysia 2006 Language in India www.languageinindia.com 9 : 4 April 2009 Shamimah Binti Haja Mohideen, M.HSc. (TESL) A Study of English Loan Words in Selected Bahasa Melayu Newpaper Articles 15 CHAPTER 1 INTRODUCTION 1.1 BACKGROUND OF STUDY At present there are around 6000 languages spoken in the world and every language has its own distinct vocabulary containing thousands of words. Speakers of each of these languages are in contact with others who speak different languages. It has been found that when languages come into contact, there is transfer of linguistic items from one language to another due to the borrowing of words (Ansre, 1971; Hock, 1986; Bokamba, 1988; B. Kachru, 1989; Y. Kachru, 1982; Mkude, 1986; Pandharipande, 1982; Thomason and Kaufman, 1988; Viereck and Bald, 1986, Weinreich, 1953.) Expansion in vocabulary where new words enter a language is a natural consequence of language contact situations (Bloomfield, 1933; Hock, 1976; Aitchison, 1985; B. -
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CONTENT CONTENT RAISING THE BAR of Asian content with compelling vernacular originals that capture customers’ hearts INTEGRATED ANNUAL REPORT 2019 101 CONTENT 2018 was a huge year for our movies as our films collectively grossed over RM100 million in local cinemas We continue to captivate viewers’ imagination through our Box office champion comprehensive and eclectic content spread underpinned by our Our movies led the way in FY19, grossing over RM100 million in key differentiator – our own signature vernacular IPs. We produced local cinemas. With 9% share of overall Malaysia GBO collection and commissioned over 12,600 hours of content serving our (comprising international and local releases) and over 60% share of demographically diverse customers across varied ethnic groups who local movies’ GBO collection, this represents our best performance speak various languages and dialects. to date. The simplicity of the narratives yet profound subject matters resonated well among with diverse audiences while uniting Overall viewership has increased in FY19 through the combination Malaysians at the cinemas. of linear, OD and OTT. Linear viewership, measured as TV viewership share remained resilient at 75%, supplemented by growing OD Our highest grossing movie ever, satirical horror movie Hantu Kak consumption as video downloads more than doubled to 54 million Limah was miles ahead of most major Hollywood franchise titles and OTT registered users increased 32% to 2.2 million. released in Malaysia in 2018, raking in RM38 million. Our top performing action flick, Paskal reignited the sense of patriotism Our movies have done exceptionally well in FY19 by setting new among Malaysians and collected RM30 million in ticket sales. -
J Retribusi' Ditayangkan Di Pawagam BRUNEI J2:Jretribusi9ditayangkan Di Pawagam Brunei
Utusan Borneo-Sarawak Section: Entertainment Ad Value: RM 11,470 27-Jun-2021 Size : 992cm2 PR Value: RM 34,410 J2: J Retribusi' ditayangkan di pawagam BRUNEI J2:JRetribusi9ditayangkan di pawagam Brunei SEJARAH buatfilem aksi pertama Malaysia tahun ini, 'J2: J Retribusi' apabila berjaya menembusi pasaran Brunei. Filem yang telah ditayangkan di platform penstriman Disney+ Hotstar ini mulai menemui peminat di pawagam Brunei pada 24 Jun. Menurut Dato Khairul Anwar Salleh, Ketua Pegawai Eksekutif, Rangkaian Televisyen Media Prima Berhad & Primeworks Studios, "Industri filem dan pawagam kini bertiadapan dengan cabaran paling getir di kala pandemik COVID-19 masih berleluasa. la penting untuk kami menyusun strategi dan mencari LAKONAN TERAKHIR ASHRAF: HkmUZd Retribusi' tnerupakan gandingan pertama b«gi Zul Ariffin dan peluang untuk terns Allahyarham Ashraf Sinclair, masing-masing memegang watak utama d«n antagonis. Komitmcn dan lakonan bertiubung dengan nuntap Alhhyarham da lam filem tcrakhimya pasti tidak mengccewakan peminat penonton kami, sama ada di dalam mahu pun luar Amelia Henderson, selamat. filem-filem blockbuster sebagai koreografer negara. layangan 'J2: Allahyartiam Ashraf Penggambaran 'J2: J Malaysia. pertarungan dari negara J Retribusi' dimulakan Sinclair, Datuk Rosyam Retribusi' telah dijalankan Antaranya adalah 'J2: Hong Kong. menerusi pelantar Nor, Ain in Batrisya dan pada tahun 2019 di J Retribusi', 'Sangkaf, Beliau terkenal dengan penstriman Disney+ Chen YiMing, seorang Johor Bahru, Johor. Ini 'Polis Evo 1 & 2', 'Bikers kerjaXerja koreografi Hotstar Malaysia pada 1 pelakon dari China. merupakan gandingan Kental 2' dan Tombiruo'. yang sangat tajam dan Jun lalu dan di Indonesia Sudah pasti gandingan pertama bagi Zul Ariffin Nazim Shah penerima 'camera work' yang sangat pada 2 Julai." mantap ini bakal mencipta dan Allahyartiam Ashraf Anugerah Penyunting mengagumkan. -
Hakcipta © Tesis Ini Adalah Milik Pengarang Dan/Atau Pemilik Hakcipta Lain
Hakcipta © tesis ini adalah milik pengarang dan/atau pemilik hakcipta lain. Salinan boleh dimuat turun untuk kegunaan penyelidikan bukan komersil ataupun pembelajaran individu tanpa kebenaran terlebih dahulu ataupun caj. Tesis ini tidak boleh dihasilkan semula ataupun dipetik secara menyeluruh tanpa memperolehi kebenaran bertulis daripada pemilik hakcipta. Kandungannya tidak boleh diubah dalam format lain tanpa kebenaran rasmi pemilik hakcipta. PEMBANGUNAN MODAL INSAN DAN MOTIVASI KERJA DALAM INDUSTRI PERFILEMAN DI MALAYSIA: SATU KAJIAN KE ATAS INDUSTRI FILEM CEREKA ABDUL RAZAK MOHAIDEEN (93539) Tesis ini dikemukakan ke Ghazali Shafie Graduate School of Government, bagi memenuhi syarat untuk Penganugerahan Ijazah Doktor Pengurusan Universiti Utara Malaysia PEMBANGUNAN MODAL INSAN DAN MOTIVASI KERJA DALAM INDUSTRI PERFILEMAN DI MALAYSIA: SATU KAJIAN KE ATAS INDUSTRI FILEM CEREKA ABDUL RAZAK MOHAIDEEN DOKTOR PENGURUSAN UNIVERSITI UTARA MALAYSIA 2016 KEBENARAN MENGGUNA Dalam membentangkan tesis ini, bagi memenuhi syarat sepenuhnya untuk ijazah Doktor Falsafah (Ph.D) Universiti Utara Malaysia, saya bersetuju bahawa Perpustakaan Universiti boleh secara bebas membenarkan sesiapa sahaja untuk memeriksa. Saya juga bersetuju bahawa penyelia saya atau jika ketiadaannya, Dekan Ghazali Shafie Graduate School of Government (GSGSG) diberi kebenaran untuk rnembuat salinan tesis ini dalam sebarang bentuk, sama ada secara keseluruhannya atau sebahagiannya, bagi tujuan kesarjanaan. Adalah dimaklumkan bahawa sebarang penyalinan atau penerbitan atau kegunaan -
Dewan Rakyat
Naskhah belum disemak DEWAN RAKYAT PARLIMEN KETIGA BELAS PENGGAL KEEMPAT MESYUARAT KEDUA Bil. 28 Khamis 26 Mei 2015 K A N D U N G A N JAWAPAN-JAWAPAN LISAN BAGI PERTANYAAN-PERTANYAAN (Halaman 1) RANG UNDANG-UNDANG: Rang Undang-undang Hak milik Strata (Pindaan) 2016 (Halaman 27) Rang Undang-undang Pertahanan Awam (Pindaan) 2016 (Halaman 67) Rang Undang-undang Pengangkutan Jalan (Pindaan) 2016 (Halaman 129) USUL-USUL: Meminda Susunan Aturan Urusan Mesyuarat Di Bawah P.M. 14(2) (Halaman 53) Rang Undang-undang Persendirian Ahli Bukan Kerajaan Di Bawah P.M. 49(1) – Rang Undang-undang Mahkamah Syariah (Bidang Kuasa Jenayah)(Pindaan) 2016 (Halaman 65) Waktu Mesyuarat dan Urusan Dibebaskan Daripada Peraturan Mesyuarat (Halaman 66) USUL MENTERI KEWANGAN: Akta Cukai Barang dan Perkhidmatan 2014 (Halaman 168) DR.26.5.2016 1 MALAYSIA DEWAN RAKYAT PARLIMEN KETIGA BELAS PENGGAL KEEMPAT MESYUARAT KEDUA Khamis, 26 Mei 2016 Mesyuarat dimulakan pada pukul 10.00 pagi DOA [Timbalan Yang di-Pertua (Datuk Haji Ismail bin Haji Mohamed Said)] mempengerusikan Mesyuarat] Menteri di Jabatan Perdana Menteri [Puan Hajah Nancy binti Shukri]: Terima kasih Tuan Yang di-Pertua, Bismillahi Rahmani Rahim, assalamualaikum warahmatullahi wabarakatuh. Tuan Yang di-Pertua, sebelum saya mengemukakan usul saya, izinkan saya bersama membawa rakan-rakan dalam Dewan ini untuk mengucapkan kepada warga Sabah selamat menyambut Tadau Keamatan dan kepada warga kita dari Sarawak pula Selamat Hari Gawai [Berucap dalam bahasa Sarawak] dan kepada kaum Muslim dan Muslimat puasa kita tidak lama lagi akan datang dan tiba bulan Ramadan. Selamat menyambut bulan Ramadan dan selamat berpuasa. Timbalan Yang di-Pertua [Datuk Haji Ismail bin Haji Mohamed Said]: Ya, terima kasih. -
Nilai Dimensi Budaya : Suatu Kajian Analisis Kandungan Ke Atas Filem Pecah Panggung Malaysia
JURNAL WACANA SARJANA Jilid 2(1) Mac 2018: 1- 11 Nilai Dimensi Budaya : Suatu Kajian Analisis Kandungan Ke Atas Filem Pecah Panggung Malaysia Dimensions Of Culture: An Analysis Of Research On Box Office Film In Malaysia Tizi Zabirah Mohd Suharta Abdul Latiff Bin Ahmad Media dan Komunikasi Fakulti Sains Sosial dan Kemanusiaan Universiti Kebangsaan Malaysia Correspondence : Tizi Zabirah Mohd Suharta ([email protected]) ABSTRAK Kajian ini melihat sama ada filem Malaysia memaparkan “wajah” Malaysia berdasarkan kepada nilai dimensi budaya. Objektif kajian ini dijalankan adalah untuk mengkaji nilai dimensi budaya yang terdapat di dalam filem Malaysia melalui elemen-elemen model Hofstede serta mengkaji persamaan dan perkaitan kriteria filem mengikut nilai dimensi. Kajian ini menggunakan enam dimensi budaya teori Hofstede iaitu individualisme-kolektivisme, maskuliniti-feminin, jurang kuasa ABSTRACTtinggi-rendah, pengelakan ketidakpastian tinggi - rendah, orientasi jangka panjang - pendek dan kepuasan dan pengawalan. Kaedah kajian yang digunakan ialah kaedah analisis kandungan dan analisis tekstual di dalam mengenalpasti nilai-nilai dimensi yang ada di dalam setiap filem menerusi petikan-petikan dialog yang dipaparkan melalui gambar di dalam lima buah filem yang dikaji, iaitu Munafik, Polis Evo, The Journey, Ola Bola dan KL Gangster. Kajian mendapati kelima-lima filem mempunyai kesemua enam nilai dimensi budaya, dan persamaan yang terdapat menerusi watak utama bagi kelima-lima filem ialah, mereka mengamalkan nilai dimensi budaya pengelakan -
ELEMEN BEAT DALAM BABAK DUA: ANALISIS FILEM POLIS EVO (2015) BEAT ELEMENT in 2Nd EPISODE of POLIS EVO (2015)
ELEMEN BEAT DALAM BABAK DUA: ANALISIS FILEM POLIS EVO (2015) BEAT ELEMENT IN 2nd EPISODE OF POLIS EVO (2015) Rosli Sareya Zairul Anuar Md Dawam D. Maryama Ag. Daud Fakulti Kemanusiaan, Seni dan Warisan, Universiti Malaysia Sabah [email protected], [email protected], [email protected] Tarikh dihantar: 13 Ogos 2018 / Tarikh diterima: 28 September 2018 ABSTRAK Kajian ini merungkai kepentingan elemen beat dalam babak dua iaitu konfrontasi dalam filem aksi "Polis Evo" (2015). Penggunaan elemen beat bertujuan meningkatkan tahap intensiti adegan-adegan yang boleh menarik perhatian audiens untuk menonton sesebuah filem aksi. Intensiti yang tinggi dalam adegan aksi contohnya akan menimbulkan emosi keterujaan dan cemas pada audiens. Analisis beat yang mempengaruhi tahap intensiti babak dua filem aksi ini dan menggunakan pendekatan Blake Snyder’s (2005) yang memperkenalkan elemen beat sheet. Elemen beat tersebut terdiri daripada opening image, theme stated, set up, catalyst, debate, break into two, b-story, fun & games, mid point, bad guys close in, all is lost, dark night of the soul, break into three, finale dan final image. Elemen beat Blake Snyder ini bertujuan menjadikan aliran penceritaan sesebuah filem aksi itu lebih menarik dan tidak membosankan. Selain itu, artikel ini akan membincangkan elemen stail atau bahasa filem yang digunakan oleh pengarah untuk memvisualisasikan adegan tersebut. Stail seperti penggunaan audio, syot, teknik penyuntingan dan aspek mis-en-scene juga akan menjadikan intensiti penceritaan sesebuah filem aksi lebih tinggi dan menjadikan struktur penceritaan sesebuah filem aksi hebat dan menarik perhatian audiens untuk menonton. Kata kunci: Struktur naratif, intensiti, elemen naratif, elemen beat, bahasa filem. ABSTRACT This study reveals the importance of beat elements in the second half of the confrontation in the action movie, "Polis Evo" (2015). -
Rurouni Kenshin 2012 Full Movie Free Download Rurouni Kenshin 2012 Full Movie Free Download
rurouni kenshin 2012 full movie free download Rurouni kenshin 2012 full movie free download. Collection of the live-action adaptation of the Rurouni Kenshin comic series. Число фильмов: 5 Сборы: $95,157,923. В главных ролях. Kenshin Himura (as Satô Takeru), Kenshin Himura (as Takeru Satô), Kenshin Himura. Постановщики. 5 фильмов. Сортировать Популярность. Бродяга Кэнсин. Бывший легендарный убийца Кэнсин Химура стал скитальцем самураем, предлагающим помощь и защиту нуждающимся, чтобы искупить свои прошлые поступки. Во время своих скитаний Кэнсин столкнется с Каору Камией. Ее отец открыл школу кэндо в Токио и Каору работает там инструктором. Отношения Кэнсина и Каору начинают развиваться, но Кэнсина по-прежнему преследует его ужасное прошлое. Бродяга Кэнсин: Великий киотский пожар. Продолжение истории о похождениях Кэнсина Химуры, некогда легендарного убийцы, вступившего на путь искупления. На этот раз Кэнсин вступает в противостояние с самим Шишио Макото, злодеем, вознамерившимся свергнуть правительство Мэйдзи и подчинить себе всю Японию. Судьба страны висит на волоске, и скиталец-самурай Химура вновь берет в руки меч, к которому он поклялся никогда не прикасаться снова. Бродяга Кэнсин: Последняя легенда. Фильм повествует о наемном убийце, который решил стать на праведный путь и искупить свои грехи, учиненные в прошлом. Он дал себе обещание, что больше никогда не убьет человека, а меч будет применять только в благородных целях — для защиты нуждающихся. Но жизнь складывается таким образом, что Кэнсина Химуру снова должен обнажить свой меч. В Киото появляется жестокий и расчетливый убийца по имени Шишио Макато, который приехал для того, чтобы свергнуть действующую власть и прибрать ее в свои руки. Никто, кроме нашего героя, не сможет защитить правительство Японии, которое сейчас так сильно нуждается в помощи. -
1 Cicakman: a Study on Glocalization in Malaysian Superhero Movie Genre
CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE FOO MEI LEE CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2017 1 CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE FOO MEI LEE DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF VISUAL ARTS CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2017 2 CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE ABSTRACT The numbers of superhero films growing since we have approached the new millennium. A superhero film is a film that is focused on the actions of one or more individuals who usually possess superhuman abilities and are dedicated to protecting the public from super villain or rival with bad intentions. These films usually feature action, fantasy or science fiction elements, which also include the origin of their special powers. The superhero film have performed relatively well in the box office. This prompts a new phenomenon, producing sequel. Dietz, J. (2011) found that sequels also performed well in box office. Malaysia renowned filmmaker in KRU Studio also jumps on to the bandwagon by producing Malaysia first superhero movie Cicakman (Feature Film, n.d.). The Cicakman film made history, breaking the opening-day record by grossing RM350, 000 on its first day of release (“8 Malaysian-Made Films,”n.d.). This film had 2 more sequels following to the huge success. -
SEARCCT-Selection-Of-Articles-2020
SEARCCT’S SELECTION OF ARTICLES 2020 Editor-in-Chief CHUAH TEONG BAN Managing Editor KHAIRI BIN OMAR Editorial Committee ZURINA AHMAD TEJUDDIN JASMINE JAWHAR SITI FATIMAH NURAIN MOHAMAD PUBLISHER Southeast Asia Regional Centre for Counter-Terrorism (SEARCCT), Ministry of Foreign Affairs, No 516, Persiaran Tuanku Ja’afar, Bukit Persekutuan, 50480 Kuala Lumpur, Malaysia. Tel: (603) 22802800 Fax: (603) 22742734 E-mail: [email protected] First published in 2020. ISBN: 978-967-15656-2-9 SEARCCT is dedicated to advocating the understanding of issues pertaining to terrorism and counter-terrorism and contributing ideas for counter-terrorism policy. The Centre accomplishes this mainly by conducting capacity building, research, counter- messaging and public outreach. All rights reserved. No part of this publication may be reproduced, stored, transmitted or disseminated in any form or by any means without the prior written permission of the publisher. All statements of facts, opinions and expressions contained in this work are the sole responsibility of the author and do not necessarily reflect those of the Government of Malaysia. The Government of Malaysia assumes no responsibility for any statements of facts or opinions expressed in this work. Articles in this publication were commissioned in November 2019, and may not reflect Malaysia’s current political environment. 2 CONTENTS 1 ISLAMIST VIOLENCE IN MALAYSIA: REFLECTIONS 05 - 24 FROM THE PRE-GWOT ERA WITH SPECIAL REFERENCE TO THE MEMALI AND AL-MAU’NAH CASES Ahmad Fauzi Abdul Hamid 2 APPLYING -
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WELCOME TO A WORLD THAT WHOLLY EMBRACES WHAT COMES NEXT. Dedicating ourselves to next-level multitainment, e-commerce, eSports and animation via all your favourite devices. Where local and global cultures, diverse perspectives, languages and the latest trends thrive and flourish, offering infinite possibilities. Here, knowledge meets entertainment, art embraces science, sport fuses with technology, all coming together as one. Ultimately, creating content not by human hunch, but driven by rich data. The goal? To bring the next big thing to our customers, to make their every experience bigger, bolder, better. In this connected world, the dynamics have converged, allowing us to play, explore, discover and turn visions into ventures. Delivering record-breaking blockbusters and signature vernacular Asian originals that are most-wanted, most-watched. So our customers can immerse themselves in an ever-expanding ecosystem of game-changing multitainment. IT’S THE FUTURE. AND IT COMES FROM WHAT WE IMAGINE NEXT. QUICK FACTS FY19 Financials Dividend per share Revenue (RM) PATAMI (RM) Free Cash Flow (RM) (sen) 5.5b 463m 1.3b 9.0 Households Share of TV On Demand Penetration ARPU (RM) viewership downloads 77% 75% 54m 99.9 Individuals Average monthly Radio Average monthly OTT Weekly unique visitors on digital streaming registered users listenership digital brands sessions 2.4m 8.3m 16.2m 14.8m Adex Share of digital adex Total adex (RM) Share of TV adex Share of radex (“digidex”) 687m 44% 76% 5% Content Commerce Share of all local Hours of content movies’ GBO Registered customers Revenue (RM) produced collection 12.6k 60% 1.8m 374m Sustainability highlights Greenhouse gas Water & electricity Training hours Volunteer hours emissions consumption 52k 16k 11% 7% 2 ASTRO MALAYSIA HOLDINGS BERHAD Astro Malaysia Holdings Berhad (“Astro”) is Malaysia’s leading content and consumer company in the TV, over-the-top (“OTT”), Astro Malaysia radio, digital and commerce space.