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This Research Is Based on the Philosophy of Interpretivism
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 9 : 4 April 2009 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. K. Karunakaran, Ph.D. Jennifer Marie Bayer, Ph.D. A Study of English Loan Words in Selected Bahasa Melayu Newspaper Articles Shamimah Binti Haja Mohideen, M.HSc. (TESL) Language in India www.languageinindia.com 9 : 4 April 2009 Shamimah Binti Haja Mohideen, M.HSc. (TESL) A Study of English Loan Words in Selected Bahasa Melayu Newpaper Articles 14 A Study of English Loan Words in Selected Bahasa Melayu Newspaper Articles Shamimah Binti Haja Mohideen, M.HSc. (TESL) International Islamic University Malaysia 2006 Language in India www.languageinindia.com 9 : 4 April 2009 Shamimah Binti Haja Mohideen, M.HSc. (TESL) A Study of English Loan Words in Selected Bahasa Melayu Newpaper Articles 15 CHAPTER 1 INTRODUCTION 1.1 BACKGROUND OF STUDY At present there are around 6000 languages spoken in the world and every language has its own distinct vocabulary containing thousands of words. Speakers of each of these languages are in contact with others who speak different languages. It has been found that when languages come into contact, there is transfer of linguistic items from one language to another due to the borrowing of words (Ansre, 1971; Hock, 1986; Bokamba, 1988; B. Kachru, 1989; Y. Kachru, 1982; Mkude, 1986; Pandharipande, 1982; Thomason and Kaufman, 1988; Viereck and Bald, 1986, Weinreich, 1953.) Expansion in vocabulary where new words enter a language is a natural consequence of language contact situations (Bloomfield, 1933; Hock, 1976; Aitchison, 1985; B. -
Hakcipta © Tesis Ini Adalah Milik Pengarang Dan/Atau Pemilik Hakcipta Lain
Hakcipta © tesis ini adalah milik pengarang dan/atau pemilik hakcipta lain. Salinan boleh dimuat turun untuk kegunaan penyelidikan bukan komersil ataupun pembelajaran individu tanpa kebenaran terlebih dahulu ataupun caj. Tesis ini tidak boleh dihasilkan semula ataupun dipetik secara menyeluruh tanpa memperolehi kebenaran bertulis daripada pemilik hakcipta. Kandungannya tidak boleh diubah dalam format lain tanpa kebenaran rasmi pemilik hakcipta. PEMBANGUNAN MODAL INSAN DAN MOTIVASI KERJA DALAM INDUSTRI PERFILEMAN DI MALAYSIA: SATU KAJIAN KE ATAS INDUSTRI FILEM CEREKA ABDUL RAZAK MOHAIDEEN (93539) Tesis ini dikemukakan ke Ghazali Shafie Graduate School of Government, bagi memenuhi syarat untuk Penganugerahan Ijazah Doktor Pengurusan Universiti Utara Malaysia PEMBANGUNAN MODAL INSAN DAN MOTIVASI KERJA DALAM INDUSTRI PERFILEMAN DI MALAYSIA: SATU KAJIAN KE ATAS INDUSTRI FILEM CEREKA ABDUL RAZAK MOHAIDEEN DOKTOR PENGURUSAN UNIVERSITI UTARA MALAYSIA 2016 KEBENARAN MENGGUNA Dalam membentangkan tesis ini, bagi memenuhi syarat sepenuhnya untuk ijazah Doktor Falsafah (Ph.D) Universiti Utara Malaysia, saya bersetuju bahawa Perpustakaan Universiti boleh secara bebas membenarkan sesiapa sahaja untuk memeriksa. Saya juga bersetuju bahawa penyelia saya atau jika ketiadaannya, Dekan Ghazali Shafie Graduate School of Government (GSGSG) diberi kebenaran untuk rnembuat salinan tesis ini dalam sebarang bentuk, sama ada secara keseluruhannya atau sebahagiannya, bagi tujuan kesarjanaan. Adalah dimaklumkan bahawa sebarang penyalinan atau penerbitan atau kegunaan -
1 Cicakman: a Study on Glocalization in Malaysian Superhero Movie Genre
CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE FOO MEI LEE CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2017 1 CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE FOO MEI LEE DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF VISUAL ARTS CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2017 2 CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE ABSTRACT The numbers of superhero films growing since we have approached the new millennium. A superhero film is a film that is focused on the actions of one or more individuals who usually possess superhuman abilities and are dedicated to protecting the public from super villain or rival with bad intentions. These films usually feature action, fantasy or science fiction elements, which also include the origin of their special powers. The superhero film have performed relatively well in the box office. This prompts a new phenomenon, producing sequel. Dietz, J. (2011) found that sequels also performed well in box office. Malaysia renowned filmmaker in KRU Studio also jumps on to the bandwagon by producing Malaysia first superhero movie Cicakman (Feature Film, n.d.). The Cicakman film made history, breaking the opening-day record by grossing RM350, 000 on its first day of release (“8 Malaysian-Made Films,”n.d.). This film had 2 more sequels following to the huge success. -
Financial Calendar
Financial Year Ended 31 January 2017 Quick Facts Revenue (RM) FCF (RM) PATAMI (RM) FY17 FY17 FY17 1.32b 624m FY16 5.6b 1.28b FY16 FY16 615m 5.5b Monthly Unique Visitors Household Penetration Share of Viewership FY17 FY17 FY17 FY16 FY16 5.8m 4.1m 71% 77% 76% FY16 67% ARPU Share of TV Adex (RM) FY17 FY17 Radio Listeners FY16 100.4 38% 35% FY17 FY16 FY16 99.3 15.6m 12.8m Share of Radex Go Shop Astro GO Revenue (RM) Downloads FY17 FY16 FY17 FY17 FY16 FY16 73% 70% 261m 189m 3.1m 2.1m TABLE OF CONTENTS INTRODUCTION Page SUSTAINABILITY: HOW WE MAKE AN IMPACT Page Our Company 2 Corporate Structure 3 Stakeholder Engagement 89 Organisational Structure 4 Material Matters 91 Chairman’s Statement 5 Risk Factors 95 GCEO’s Statement 9 • OUR BUSINESS CREATING VALUE Content 102 Market Landscape 18 Customer 108 How We Create Value 20 Experience 114 Digitalisation 116 HIGHLIGHTS • OUR INSPIRATION Operational and Financial Highlights 22 Segmental Analysis and Quarterly Financial Performance 24 Talent 120 Simplified Group Statement of Financial Position 25 Community 124 Statement of Value Added 26 Key Milestones 28 • OUR ENVIRONMENT Event Highlights 30 Environment 130 Awards 32 Financial Calendar 35 Investor Relations 36 FINANCIAL STATEMENTS Corporate Information 38 Directors’ Responsibility Statement 132 Directors’ Report 133 LEADERSHIP Independent Auditors’ Report 140 Income Statements 149 Board of Directors 40 Statements of Comprehensive Income 150 Senior Leadership 46 Consolidated and Company Balance Sheet 151 Consolidated and Company Statement of 155 -
Festival Filem Malaysia 1 Tarikh : 13 April 1980 Tempat : Nirwana Ballroom, Hotel Hilton, Kuala Lumpur Tema : - Jumlah Penyertaan: 16 Penyertaan
INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA 1 TARIKH : 13 APRIL 1980 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : - JUMLAH PENYERTAAN: 16 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Heavy Drama Terbaik (Filem Terbaik) Jins Shamsudin Productions Tiada Esok Bagimu 2. Filem Light Drama Terbaik Syed Kechik Film Productions Sumber Ilhamku 3. Pengarah Terbaik Jins Shamsudin Tiada Esok Bagimu 4. Pelakon Lelaki Terbaik Jins Shamsudin Tiada Esok Bagimu 5. Pelakon Wanita Terbaik Azean Irdawaty Esok Masih Ada 6. Pelakon Pembantu Lelaki Terbaik Mahmud June Sumber Ilhamku 7. Pelakon Pembantu Wanita Terbaik Adibah Amin Adik Manja 8. Filem Komedi Terbaik Merdeka Film Productions Adik Manja 9. Penyunting Filem Terbaik Johari Ibrahim Tiada Esok Bagimu 10. Skrip Terbaik Othman Hafsham Adik Manja 11. Jurukamera Terbaik S. Mohan Esok Masih Ada 12. Bintang Harapan Fauziah Ahmad Daud Ceritaku Ceritamu 13. Lagu Tema Asal Terbaik Ahmad Nawab/Lagu: Tangisan Sumber Ilhamku Hati Yang Derita INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA KE 2 TARIKH : 12 APRIL 1981 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : - JUMLAH PENYERTAAN: 11 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 2. Filem Heavy Drama Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 3. Filem Komedi Terbaik Indra Film Production Penyamun Tarbus 4. Filem Light Drama Terbaik Syed Kechik Film Productions Bintang Pujaan 5. Pengarah Terbaik Yassin Salleh Dia Ibuku 6. Pelakon Lelaki Terbaik Rahim Razali Abang 7. Pelakon Wanita Terbaik Sarimah Ahmad Dia Ibuku 8. -
Public Demands Stop to Mat Rempit Menace
NST, 6 June 2007 Public demands stop to Mat Rempit menace KUALA LUMPUR: Enough is enough. This was the sentiment of an outraged public who wants the authorities to put a stop to the Mat Rempit menace once and for all. Reacting to yesterday’s New Straits Times report "I was attacked by Mat Rempit" by journalist Lydia Gomez, many horrified readers called on the authorities to impose whipping on illegal racers as a deterrent. NST’s official blog — the Monster Blog — was flooded with angry responses from readers who demanded that sterner action be taken to put a stop to the menace. Many also related their own terrifying experiences with Mat Rempit and almost all said the current action and punishment were insufficient to deal with the escalating menace. In yesterday’s article, Gomez related how she was nearly robbed by a group of Mat Rempit early Saturday morning. Gomez had stopped at a traffic light junction in Bangsar when the unruly mob rode up next to her car and started to perform stunts. Ignoring them in the hope that they would go away, she was shocked when one of them smashed her car window in an attempt to snatch her handbag which was on the passenger seat. The Mat Rempit also pulled out a dagger. Fearing for her life, Gomez stepped on the accelerator and sped off despite the red light. Many of those who posted their comments on the blog made clear their disgust for the Mat Rempit by likening them to animals and calling them names. -
Filem Dan Revolusi Teknologi: Persepsi Penggunaan Cgi Dari Aspek Estetik & Kreativiti
Jurnal Komunikasi Malaysian Journal of Communication Jilid 30(Special Issue) 2014: 95-106 FILEM DAN REVOLUSI TEKNOLOGI: PERSEPSI PENGGUNAAN CGI DARI ASPEK ESTETIK & KREATIVITI HASRUL HASHIM JAMALUDDIN AZIZ UNIVERSITI KEBANGSAAN MALAYSIA FARIDAH IBRAHIM INFRASTRUCTURE UNIVERSITY KUALA LUMPUR Abstrak Hambatan arus globalisasi dan ledakan teknologi terutamanya dalam aspek penghasilan filem di Malaysia telah menyebabkan berlakunya revolusi makna kreativiti yang sebenar dalam kebanyakan pembikin filem di negara ini. Kemunculan teknologi kesan khas seperti computer generated imagery atau CGI dalam industri perfileman telah mengubah landskap pembikinan filem di serata dunia sekaligus memberikan definisi yang lebih dinamik terhadap makna kualiti dan potensi filem tempatan. Namun, tidak semua pengamal industri perfileman menganggap penggunaan teknologi terutamanya dalam aspek kesan khas visual akan menjamin penghasilan produk filem yang benar-benar berkualiti serta mencabar kreativiti. Oleh yang demikian, kertas ini membincangkan berkenaan dengan pandangan dan pendapat para pengamal industri di Malaysia dan luar negara berkenaan dengan aspek penggunaan teknologi dalam pembikinan filem dan sejauhmanakah aspek ini mampu menjadikan sesebuah filem itu benar-benar berkualiti. Perbezaan sudut pandang terhadap nilai estetik sesebuah filem sebelum dan selepas kemunculan teknologi ini, turut menjadi asas utama terhadap dapatan kajian yang diperoleh. Jurnal Komunikasi Malaysian Journal of Communication Jilid 30(Special Issue) 2014: 95-106 Katakunci : Filem; kreativiti; teknologi filem; estetik filem; Computer Generated Imagery (CGI) FILM AND THE TECHNOLOGY REVOLUTION: PERCEPTIONS ON THE USE OF CGI FROM THE AESTHETIC AND CREATIVE ASPECTS Abstract The opposing currents of globalization and the explosion of technology, especially in the making of films in Malaysia has created a revolution of the true meaning of creativity among most of the filmmakers. -
Festival Filem Malaysia 1 Tarikh : 13 April 1980 Tempat : Nirwana Ballroom, Hotel Hilton, Kuala Lumpur Tema : - Jumlah Penyertaan: 16 Penyertaan
INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA 1 TARIKH : 13 APRIL 1980 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : - JUMLAH PENYERTAAN: 16 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Heavy Drama Terbaik (Filem Terbaik) Jins Shamsudin Productions Tiada Esok Bagimu 2. Filem Light Drama Terbaik Syed Kechik Film Productions Sumber Ilhamku 3. Pengarah Terbaik Jins Shamsudin Tiada Esok Bagimu 4. Pelakon Lelaki Terbaik Jins Shamsudin Tiada Esok Bagimu 5. Pelakon Wanita Terbaik Azean Irdawaty Esok Masih Ada 6. Pelakon Pembantu Lelaki Terbaik Mahmud June Sumber Ilhamku 7. Pelakon Pembantu Wanita Terbaik Adibah Amin Adik Manja 8. Filem Komedi Terbaik Merdeka Film Productions Adik Manja 9. Penyunting Filem Terbaik Johari Ibrahim Tiada Esok Bagimu 10. Skrip Terbaik Othman Hafsham Adik Manja 11. Jurukamera Terbaik S. Mohan Esok Masih Ada 12. Bintang Harapan Fauziah Ahmad Daud Ceritaku Ceritamu 13. Lagu Tema Asal Terbaik Ahmad Nawab/Lagu: Tangisan Sumber Ilhamku Hati Yang Derita INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA KE 2 TARIKH : 12 APRIL 1981 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : - JUMLAH PENYERTAAN: 11 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 2. Filem Heavy Drama Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 3. Filem Komedi Terbaik Indra Film Production Penyamun Tarbus 4. Filem Light Drama Terbaik Syed Kechik Film Productions Bintang Pujaan 5. Pengarah Terbaik Yassin Salleh Dia Ibuku 6. Pelakon Lelaki Terbaik Rahim Razali Abang 7. Pelakon Wanita Terbaik Sarimah Ahmad Dia Ibuku 8.