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JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
IDW Continued BATWOMAN ELEKTRA DOCTOR WHO INVADER
DARK HORSE IDW Continued MARVEL Continued ! ABE SAPIEN ! MY LITTLE PONY ! MOON GIRL / DEVIL DINOSAUR ! ANGEL & FAITH ! STAR TREK ! MOON KNIGHT ! BPRD ! TMNT ONGOING ! MOSAIC ! BUFFY ! TMNT- Other - Be specific please ! MS MARVEL ! CONAN ! TRANSFORMERS - Be specific please ! NOVA ! HARROW COUNTY ! X-FILES ! OCCUPY AVENGERS ! HELLBOY IMAGE ! OLD MAN LOGAN ! TOMB RAIDER ! BEAUTY ! PATSY WALKER HELLCAT ! USAGI YOJIMBO ! BIRTHRIGHT ! POWER MAN & IRON FIST DC / VERTIGO COMICS ! BLACK SCIENCE ! PROWLER ! ACTION COMICS ! DEADLY CLASS ! PUNISHER ! ALL-STAR BATMAN ! DESCENDER ! ROCKET RACCOON ! AMERICAN VAMPIRE ! EAST OF WEST ! SCARLET WITCH ! AQUAMAN ! FIX ! SILK ! ASTRO CITY ! GOD COUNTRY ! SILVER SURFER ! BATGIRL ! I HATE FAIRYLAND ! SPIDER-GWEN ! BATGIRL & BIRDS OF PREY ! INVINCIBLE ! SPIDER-MAN ! BATMAN ! KILL OR BE KILLED ! SPIDER-MAN / DEADPOOL ! BATMAN 66 ! LOW ! SPIDER-MAN 2099 ! BATMAN BEYOND ! MONSTRESS ! SPIDER-WOMAN ! BATWOMAN ! NAILBITER ! SQUADRON SUPREME ! BLUE BEETLE ! OUTCAST ! STAR WARS ! CATWOMAN ! PAPER GIRLS ! STAR WARS POE DAMERON ! CAVE CARSON Has a Cybernetic Eye ! REVIVAL ! STAR WARS: DARTH MAUL ! CYBORG ! ROM ! STAR WARS: DOCTOR APHRA ! DC COMICS: BOMBSHELLS ! SAGA ! STAR-LORD ! DEATHSTROKE ! SEVEN TO ETERNITY ! THANOS ! DETECTIVE COMICS ! SOUTHERN BASTARDS ! THUNDERBOLTS ! DOCTOR FATE ! SPAWN ! TOTALLY AWESOME HULK ! DOOM PATROL ! THE FEW ! U.S. AVENGERS ! EARTH 2 SOCIETY ! WALKING DEAD ! ULTIMATES 2 ! FALL & RISE OF CAPTAIN ATOM ! WAYWARD ! UNBEATABLE SQUIRREL GIRL ! FLASH ! WICKED & THE DIVINE ! UNCANNY AVENGERS ! -
Another Look at Cain: from a Narrative Perspective
신학논단 제102집 (2020. 12. 31): 241-263 https://doi.org/10.17301/tf.2020.12.102.241 Another Look at Cain: From a Narrative Perspective Wm. J McKinstry IV, MATS Adjunct Faculty, Department of General Education Presbyterian University and Theological Seminary In the Hebrew primeval histories names often carry significant weight. Much etymological rigour has been exercised in determining many of the names within the Bible. Some of the meaning of these names appear to have a consensus among scholars; among others there is less consensus and more contention. Numerous proposals have come forward with varying degrees of convincing (or unconvincing as the case may be) philological arguments, analysis of wordplays, possi- ble textual emendations, undiscovered etymologies from cognates in other languages, or onomastic studies detailing newly discovered names of similarity found in other ancient Semitic languages. Through these robust studies, when applicable, we can ascertain the meanings of names that may help to unveil certain themes or actions of a character within a narrative. For most of the names within the primeval histories of Genesis, the 242 신학논단 제102집(2020) meaning of a name is only one feature. For some names there is an en- compassing feature set: wordplay, character trait and/or character role, and foreshadowing. Three of the four members in the first family in Genesis, Adam, Eve, and Abel, have names that readily feature all the elements listed above. Cain, however, has rather been an exception in this area, further adding to Genesis 4’s enigmaticness in the Hebrew Bible’s primeval history. While three characters (Adam, Eve, and Abel) have names that (1) sound like other Hebrew words, that are (2) sug- gestive of their character or actions and (3) foreshadow or suggest fu- ture events about those characters, the meaning of Cain’s name does not render itself so explicitly to his character or his role in the narrative, at least not to the same degree of immediate conspicuousness. -
“I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
“I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon. -
LIKE FATHER, LIKE SON GENESIS 4:1–2 Why Did Cain Kill His Brother Abel?
CHAPTER ONE LIKE FATHER, LIKE SON GENESIS 4:1–2 You two are book-men: can you tell me by your wit; What was a month old at Cain’s birth, that’s not five weeks old as yet? (Shakespeare—Love’s Labor’s Lost 4.2.40) Why did Cain kill his brother Abel? It is usually assumed by modern commentators that God’s rejection of Cain’s offering led him to kill his brother in a fit of jealousy.1 Such a conclusion is logical in light of the way the action in the story is arranged. But the fact is we are never told the specific reason for the murder. Ancient exegetes, as we will see later, also speculated over Cain’s motive and sometimes provided the same conclusion as modern interpreters. But some suggested that there was something more sinister behind the killing, that there was something inborn about Cain that led him to earn the title of first murderer. These interpreters pushed back past the actual murder to look, as would a good biographer, at what it was about Cain’s birth and childhood that led him to his moment of infamy. Correspond- ingly, they asked similar questions about Abel. The result was a devel- opment of traditions that became associated with the brothers’ births, names and occupations. Who was Cain’s father? As we noted in the introduction, Cain and Abel is a story of firsts. In Gen 4:1 we find the first ever account of sexual relations between humans with the end result being the first pregnancy. -
Representation of Identities in Neil Gaiman's the Sandman
SOMEWHERE OVER THE RAINBOW: REPRESENTATION OF IDENTITIES IN NEIL GAIMAN’S THE SANDMAN Andrés Romero Jódar Universidad de Zaragoza ABSTRACT Neil Gaiman’s The Sandman is a graphic novel that explores the complexities of reality and identity. The main asset of this work is its presentation of a plurality of narratives that, together, create not only a completely new world vision according to comic-book stand- ards, but also a novel conception of cultural identity. This essay aims to analyze how The Sandman deals with identity construction as fashioned by two different but related no- tions: on the one hand, identity as the outcome of the confrontation between old concep- tions of the world and new roles, duties and values; on the other hand, identity as a change of situation, as the individual wilfully escaping from old masks that imprison the self inside predetermined patterns of behaviour. KEY WORDS: Comic-book, graphic novel, Neil Gaiman, The Sandman, identity. RESUMEN The Sandman de Neil Gaiman es una novela gráfica que explora las complejidades de la 149 realidad y de la identidad. El principal valor de esta obra es la presentación de una plurali- dad de narrativas que, en conjunto, crean tanto una visión del mundo completamente nueva respecto a los cánones del cómic, así como una concepción novel de la identidad cultural. El objetivo de este ensayo es analizar cómo The Sandman trata la construcción de la identidad como resultado de dos conceptos diferentes pero relacionados: por un lado, identidad como el resultado de la confrontación entre viejas concepciones del mundo y nuevos roles, deberes y valores; por otro lado, identidad como un cambio de situación, en el que el individuo escapa voluntariamente de viejas máscaras que aprisionan al sujeto dentro de modelos de comportamiento predeterminados. -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of -
Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher
Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher Uploaded 30 June 2000 7165 words Abstract The true hero, the true subject, the center of the Iliad is force. Force employed by man, force that enslaves man, force before which man's flesh shrinks away. In this work, at all times, the human spirit is shown as modified by its relations with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to.... To define force-it is that x that turns anybody who is subjected to it into a thing....It makes a corpse out of him. Somebody was here, and the next minute there is nobody here at all...From [force's] first property (the ability to turn a human being into a thing by the simple method of killing him) flows another..., the ability to turn a human being into a thing while he is still alive. He is alive; he has a soul; and yet-he is a thing....And as for the soul, what an extraordinary house it finds itself in! Who can say what it costs it, moment by moment, to accommodate itself to this residence, how much writhing and bending, folding and pleating are required of it? It was not made to live inside a thing; if it does so, under pressure of necessity, there is not a single element of its nature to which violence is not done.... Perhaps all men, by the very act of being born, are destined to suffer violence; yet this is a truth to which circumstance shuts men's eyes....They have in common a refusal to believe that they both belong to the same species: the weak see no relation between themselves and the strong, and vice versa... -
Development of an Effective Shade Model for Water Quality Management in Oregon
Portland State University PDXScholar Master of Environmental Management Project Reports Environmental Science and Management 2018 Development of an Effective Shade Model for Water Quality Management in Oregon Erin Costello Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/mem_gradprojects Part of the Water Resource Management Commons Let us know how access to this document benefits ou.y Recommended Citation Costello, Erin, "Development of an Effective Shade Model for Water Quality Management in Oregon" (2018). Master of Environmental Management Project Reports. 39. https://pdxscholar.library.pdx.edu/mem_gradprojects/39 https://doi.org/10.15760/mem.42 This Project is brought to you for free and open access. It has been accepted for inclusion in Master of Environmental Management Project Reports by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Development of an effective shade model for water quality management in Oregon by Erin Costello A report submitted in partial fulfillment of the requirements for the degree of Masters of Environmental Management Committee: Dr. Eugene Foster Dr. Yangdong Pan Dr. Daniel Sobota Ryan Michie The Department of Environmental Science and Management Portland State University 2018 i Abstract Warming stream temperatures degrade water quality by stressing cold-water species, promoting harmful algal blooms, lowering dissolved oxygen, and increasing the toxicity of some compounds. The influence of stream temperature on the survival of native salmon is of particular concern in the Pacific Northwest. Effective shade, the fraction of solar radiation blocked from reaching a stream, is directly related to in-stream temperature and can be manipulated by riparian management actions. -
House Secrets Free
FREE HOUSE SECRETS PDF Mike Lawson | 541 pages | 06 Aug 2010 | Grove Press / Atlantic Monthly Press | 9780802144805 | English | New York, United States The House of Secrets () - IMDb The House of Secrets is the name of several mysteryfantasyand horror House Secrets anthologies published by DC Comics. It is notable for being the title that introduced the House Secrets the Swamp Thing. It had a companion series titled House of Mystery. The series was revived three years later House Secrets a definite article as House Secrets House of Secretsbeginning with issue 81 Aug. Now its horror and suspense tales were introduced by a host named Abel[11] who would also host the satirical comic Plop! His House Secrets Cain hosted The House of Mystery. Canceled as a result of the DC Implosionit was then "merged" into The Unexpected with issue[16] through issue The series was 68 ad-free pages, allowing House Secrets three portions to be full-length issues. The House of Secrets also came to be the name of the actual edifice in which Abel lives. Writer Mike Friedrich and artist Jerry Grandenetti introduced the house and explained House Secrets origins. Later, Sanderson's wife went insane in the upper floors, leading the Senator to sell the house. The next four owners, none of them pure Kentuckians, found themselves driven away for various reasons. House Secrets following owner attempted to move the home from its House Secrets location, but the house tore itself free from its trailer, ran its owner over a cliff to his death, and settled less than yards from the Kentucky state line in a graveyard. -
{Download PDF} Justice League of America: the Silver Age Vol. 3 1St
JUSTICE LEAGUE OF AMERICA: THE SILVER AGE VOL. 3 1ST EDITION PDF, EPUB, EBOOK none | 9781401268626 | | | | | Justice League of America: The Silver Age Vol. 3 1st edition PDF Book Fawcett Publications, Inc. For those unfamiliar with the concept, Earth-Two was a parallel dimension where the superheroes who debuted in the Golden Age of Comics resided, while Earth-One was where the superheroes who debuted in the Silver Age resided. Len Wein became the regular writer with , and for three issues, we get 33 heroes: the JLA, the Justice Society of Earth-2, the long-forgotten Seven Soldiers of Victory, and a few honorary members like Metamorpho and Zatanna. Even a Marvel Zombie like myself couldn't resist these classic covers. Comics Buyer's Guide Black Hand Nekron. Archived from the original on April 26, Entertainment Weekly. The beginning is harder to figure out. Mike W. It solidified once and for all the importance of superhero groups, and in the process provided a playground where DC's characters could attract new fans while entertaining established admirers. Lionel Luthor Chloe Sullivan. Martian Manhunter. Vixen would take over the team, with Plastic Man rejoining the group. Len Wein wrote a three-part fill-in story for Justice League of America [66] that ran from 35 to Rarely featured in most of the stories, Superman and Batman did not even appear on the cover most of the time. Justice League characters. A follow-up limited series, entitled I Can't Believe It's Not the Justice League , soon was prepared, although it was delayed due to the events shown in the Identity Crisis limited series, but was eventually released as the second arc in JLA: Classified. -
The Antedilusian Patriarche. by A
352 case must therefore have been due to another conclusion to Mark~ Gospel, whether Aristion or cause, and that was, in fact, the opposition of St. some other, had also no definite conception of the Paul. speaking with tongues, and, as we have seen, Nowhere in Paul’s later Epistles do we find any Irenpeus had just as little. Tertullian, on the mention of speaking with tongues; and the same other hand, knew of the phenomenon in its mon- is the case in the post-Pauline writings. We read, tanistic form, which we can now say resembled it is true, once more in Eph 51s, Be not drunken that of the early Christians. It was, perhaps, with wine, but be filled with the Spirit,’ but this even superior to the latter, in that the montanistic has reference more particularly to the prophets. oracles, although spoken in ecstasy, and in parts After a short time the nature of speaking with needing explanation, yet as far as the individual tongues was so little remembered, that though it words were concerned, appear to have been intel- was indeed not confounded with speaking in ligible. That could not always have been the case foreign languages, yet both could be associated as with the speaking with tongues. Nevertheless, the if they were similar in kind. Thus arose that Church has rejected this reaction, and rightly, conception of the miracle at Pentecost which now for this rejection is but the application of Paul’s lies before us in Ac 2, and which has really a asiom : ‘ God is not a God of confusion, but of deep and true meaning.