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The Musical Heritage of the Lutheran Church Volume I
The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945). -
Bach Festival the First Collegiate Bach Festival in the Nation
Bach Festival The First Collegiate Bach Festival in the Nation ANNOTATED PROGRAM APRIL 1921, 2013 THE 2013 BACH FESTIVAL IS MADE POSSIBLE BY: e Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia & Elias Fadil DEDICATION ELINORE LOUISE BARBER 1919-2013 e Eighty-rst Annual Bach Festival is respectfully dedicated to Elinore Barber, Director of the Riemenschneider Bach Institute from 1969-1998 and Editor of the journal BACH—both of which she helped to found. She served from 1969-1984 as Professor of Music History and Literature at what was then called Baldwin-Wallace College and as head of that department from 1980-1984. Before coming to Baldwin Wallace she was from 1944-1969 a Professor of Music at Hastings College, Coordinator of the Hastings College-wide Honors Program, and Curator of the Rinderspacher Rare Score and Instrument Collection located at that institution. Dr. Barber held a Ph.D. degree in Musicology from the University of Michigan. She also completed a Master’s degree at the Eastman School of Music and received a Bachelor’s degree with High Honors in Music and English Literature from Kansas Wesleyan University in 1941. In the fall of 1951 and again during the summer of 1954, she studied Bach’s works as a guest in the home of Dr. Albert Schweitzer. Since 1978, her Schweitzer research brought Dr. Barber to the Schweitzer House archives (Gunsbach, France) many times. In 1953 the collection of Dr. Albert Riemenschneider was donated to the University by his wife, Selma. Sixteen years later, Dr. Warren Scharf, then director of the Conservatory, and Dr. -
1947 Bach Festival Program
Lhe J3ach Socieb; of J(afamazoo THE BACH SOCIETY is dedicated to the high purpose of promoting an annual Bach Festival, so Presents its First A nnual that local music-lovers may have the opportunity of hearing and performing the BACH FESTIVAL immortal masterpieces of ] ohann Sebastian Bach. SIX DAYS-FEBRUARY 27TH THROUGH MARCH 5TH, 1947 THE EXECUTIVE COMMITTEE Dr. Paul Thompson, Honorary Chairman A COMMUNITY PROJECT Mrs. James B. Fleugel, General Chairman SPONSORED BY KALAMAZOO COLLEGE Mr. Harold B. Allen Mr. Irving Gilmore Mrs. William Race Mr. Willis B. Burdick Mr. Everett R. Hames Mr. Louis P. Simon PRESENTED IN STETSON CHAPEL Miss Francis Clark Mrs. Stuart Irvine Dr. Harold T. Smith, Treas. Mrs. A. B. Conn able, Jr. Mrs. M. Lee Johnson Mrs. Harry M. Snow HENRY OVERLEY, Director Mrs. Cameron Davis, Secy. Mrs. W. 0. Jones Mrs. Fred G. Stanley Mr. Harold DeWeerd Mrs. James Kirkpatrick Mr. L. W. Sutherland Dr. Willis F. Dunbar Mr. Henry Overley Mrs. A. J. Todd Dr. M. H. Dunsmore Mr. Frank K. Owen Mrs. Stanley K. Wood Mr. Ralph A. Patton CALENDAR OF EVENTS ORGAN RECITAL PATRON MEMBERS ARTHUR B. JENNINGS (We ~·egret that this list is incomplete. It contains all names received up to the date of the p1·inter's dead-line). assisted by th e Allen, G. H. Fowkes, Dr. and Mrs. A. Gordon Overley, Mr. and Mrs. Henry CENTRAL HIGH SCHOOL A CAPPELLA CHOIR Appeldoorn, Mrs. John Friedman, Martin Pitkin, Mrs. J. A. Barr, E. Lawrence Gilmore, Irving Pratt, Mrs. Arthur ESTHER NELSON , Director Barrett, Wilson Grinnell Bros. -
74Th Baldwin-Wallace College Bach Festival
The 74th Annual BALDWIN-WALLACE Bach Festival Annotated Program April 21-22, 2006 Save the date! 2007 75th B-W BACH FESTIVAL Friday, Saturday, and Sunday April 20–22, 2007 Including a combined concert with the Bethlehem Bach Choir, celebrating its 100th Festival, in Severance Hall. The Mass in B Minor will be featured. Check our Web site for details www.bw.edu/bachfest Featured Soloists presented with support from the E. Nakamichi Foundation and The Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia & Elias Fadil BALDWIN-WALLACE COLLEGE SEVENTY-FOURTH ANNUAL BACH FESTIVAL THE OLDEST COLLEGIATE BACH FESTIVAL IN THE NATION ANNOTATED PROGRAM APRIL 21–22, 2006 DEDICATION THE SEVENTY-FOURTH ANNUAL BACH FESTIVAL IS RESPECTFULLY DEDICATED TO RUTH PICKERING (1918–2005), WHO SO LOVED MUSIC, THE BALDWIN-WALLACE COLLEGE BACH FESTIVAL AND CONSERVATORY CONCERTS, THAT SHE AND HER LATE HUSBAND, DON, HAD THEIR NAMES ENGRAVED ON BRASS PLAQUES AND AFFIXED TO THEIR FAVORITE SEATS, DD 24 AND DD 25, IN THE BALCONY OF GAMBLE HALL, KULAS MUSICAL ARTS BUILDING. SHE WILL BE REMEMBERED WITH MUCH LOVE BY MANY FROM THIS COMMUNITY, IN WHICH SHE WAS SO ACTIVE. Third Sunday Chapel Series at Baldwin-Wallace College Lindsay-Crossman A concert series under the direction of Warren Scharf, Margaret Scharf, and Nicole Keller 2006-2007 Concert Schedule Third Sundays at 7:45 p.m. Our Sixth Season October 15, 2006 March 18, 2007 November 19, 2006 April 15, 2007 December 17, 2006 The public is warmly invited to attend these free concerts. The Chapel is handicapped accessible. -
Considerations for Choosing and Combining Instruments
CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH Item Type text; Electronic Dissertation Authors Park, Chungwon Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 04:28:57 Link to Item http://hdl.handle.net/10150/194278 CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH by Chungwon Park ___________________________ Copyright © Chungwon Park 2010 A Document Submitted to the Faculty of the School of Music In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College The UNIVERSITY OF ARIZONA 2010 2 UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Chungwon Park entitled Considerations for Choosing and Combining Instruments in Basso Continuo Group and Obbligato Instrumental Forces for Performance of Selected Sacred Cantatas of Johann Sebastian Bach and recommended that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts _______________________________________________________Date: 5/15/2010 Bruce Chamberlain _______________________________________________________Date: 5/15/2010 Elizabeth Schauer _______________________________________________________Date: 5/15/2010 Thomas Cockrell Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. -
Deutsche Nationalbibliografie 2012 T 04
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 04 Stand: 18. April 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT04_2012-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
The Neumeister Collection of Chorale Preludes of the Bach Circle: an Examination of the Chorale Preludes of J
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 "The eumeiN ster collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works Sara Ann Jones Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Jones, Sara Ann, ""The eN umeister collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works" (2002). LSU Doctoral Dissertations. 77. https://digitalcommons.lsu.edu/gradschool_dissertations/77 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NEUMEISTER COLLECTION OF CHORALE PRELUDES OF THE BACH CIRCLE: AN EXAMINATION OF THE CHORALE PRELUDES OF J. S. BACH AND THEIR USAGE AS SERVICE MUSIC AND PEDAGOGICAL WORKS A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts Sara Ann Jones B. A., McNeese State University -
FALL 2018 Don Schroder Ryan Hulvat
VOLUME XLIII, NUMBER 2, FALL 2018 Don Schroder Don Ryan Hulvat CHRISTMAS CONCERT – Bach & Respighi by David Ruhf FOR THIS YEAR’S CHRISTMAS CONCERTS, Greg Funfgeld has created a program of a numerical palindrome, Cantatas BWV 36 and 63. Bridging these two gems of Bach’s repertory is a rarely-heard bonbon by the late-Romantic (some might even say impressionist) Italian composer, Ottorino Respighi, performed by The Bach Choir for the first time in these concerts. We set out on a grand Christmas journey, from the joyful, almost whimsical expectation of Advent in Cantata No. 36, to a stunningly lyrical and opulently rendered pastiche of medieval musical allusions and the pastoral sounds of double reeds in the Respighi, to an exegetical celebration of the Nativity story, etched in metal and marble, with some of Bach’s most celebratory and most cosmic writing in Cantata No. 63. We begin with a cantata that had many earlier lives as secular works of tribute to various patrons and dignitaries in Bach’s pre-Leipzig existence, and which was finally codified into the form we will perform, well into his tenure as the Thomaskantor, which was given its first performance in 1731. Perhaps because the first Sunday in Advent was the only one on which there was any concerted music in Leipzig (the remaining three Sundays prior to Christmas were considered tempus clausum, or quiet time), Bach pulls out all the stops in this ebullient work. Beginning with an opening chorus featuring vivid text painting of praise soaring joyfully aloft, featuring as interpolations the chorales Savior of the Nations, Come and How Brightly Shines the Morning Star, including a time-stopping soprano aria accompanied by muted violin, and concluding with a doxological hymn of praise, this cantata demonstrates Bach’s total mastery as a reviser of his own work, recontextualizing the earlier material into a piece that seems tailor-made for Advent. -
77Th Baldwin-Wallace College Bach Festival
Baldwin-Wallace College Bach Festival Celebrating 77 years of exceptional music The Oldest Collegiate Bach Festival in the Nation Annotated Program April 17–19, 2009 OUR SPONSORS The Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia & Elias Fadil neighborhoods and are vital to our children’s success. To learn more, visit www.cacgrants.org. On the cover: The Kulas Musical Arts Building in the 1940s. SEVENTY -SEVENTH ANNU A L BACH FESTIVAL THE OLDEST CO LLEGIATE BACH FESTIVAL IN THE NATI O N Annotated Program APRIL 17–19, 2009 #BMEXJO8BMMBDF$PMMFHF Baldwin-Wallace College, founded in 1845, was among the first colleges to admit students without regard to race or gender. That spirit of inclusiveness and innovation has flourished and evolved into a personalize approach to education: one that stresses individual growth as students learn to learn, respond to new ideas, adapt to new situations and prepare for the certainty of change. An independent, coeducational college affiliated with the United Methodist Church, B-W enrolls 3,000 undergraduate students as well as 600 part- time evening/weekend and 800 graduate students. The average undergraduate class size is 19. %JTUJODUJWFMZ#8 Baldwin-Wallace is one of the few liberal arts colleges in the nation l The College regularly appears 2VJDLUP*OOPWBUF with an internationally respected among “America’s Best Colleges” l Conservatory of Music. It also (in the category of Regional B-W was one of the first colleges is recognized as one of the early Universities) and “Best Values” in in the country to endow a chair leaders of adult education, having the annual survey of U.S. -
1. Die Musikerfamilie Bach Kat. 1: "Ursprung Der Musicalisch-Bachischen Familie", Sog. Genealogie, Wahrscheinlich
Jens Ph. Wilhelm, "Dieß wunderbarste Räthsel aller Zeiten" (R. Wagner): Johann Sebastian Bach 1 Johann Sebastian Bachs Herkunft, Leben, Werk und Nachwirken (Katalogteil) - Auszug aus dem Katalog zu der Mannheimer Ausstellung des Bachhauses Eisenach (25.2.-26.3.2000) - 1. Die Musikerfamilie Bach Kat. 1: "Ursprung der musicalisch-Bachischen Familie", sog. Genealogie, wahrscheinlich von Johann Sebastian Bach Ende 1735 verfaßt, hier in der Abschrift Anna Carolina Philippina Bachs mit Zusätzen Carl Philipp Emanuel Bachs (sog. Quelle A) [Faksimile (Staatsbibliothek zu Berlin. Preußischer Kulturbesitz. Musikabteilung mit Mendelssohn- Archiv, Mus. ms. theor. 1215) - Bachhaus Eisenach; Bachdok. I/184] S.u. Dok. 1 mit einem Auszug hieraus. - Die von Bach verfaßte Genealogie ist in drei Abschriften überliefert. Sie umfaßt über einen Zeitraum von mehr als 150 Jahren biographische Angaben zu 53 Mitgliedern der Familie Bach, fast ausnahmslos Musiker. Zusammen mit dem von Bach verwahrten "Alt-Bachischen Archiv" mit Kompositionen seiner Vorfahren und Verwandten (Kat. 5) ist sie Ausdruck seines ausgeprägten Familiensinns. (Die fragmentarische Quelle C der Genealogie befindet sich übrigens im Bachhaus Eisenach [Inv. 3.1.3.5 = R 11 aF].) Kat. 2: Stammbaum der Familie Bach, nach einer Vorlage - wohl aus dem Besitz Carl Philipp Emanuel Bachs - im 18. Jahrhundert angefertigt [Faksimile (Bibliothèque Royale Bruxelles, Sammlung Johann Jacob Heinrich Westphal) - Bachhaus Eisenach] Die Genealogie (Kat. 1) und der nach ihr angefertigte Stammbaum dienten neben dem sog. Nekrolog (Kat. 63) dem ersten Bachbiographen Johann Nikolaus Forkel als Quellen für seine Schrift "Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke" (Kat. 89). Kat. 2a: Stammbaum der Familie Bach, hrsg. vom Böhnerverein zu Gotha [Faksimile Eisenach 1999 (Bachhaus Eisenach) - Privatbesitz] Kat. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 Bach Festival of Winter Park The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Virtual BACH FESTIVAL OREGON BACH FESTIVAL 2021
LISTENING GUIDE June 25- July 11, 2021 OREGONVirtual BACH FESTIVAL OREGON BACH FESTIVAL 2021 Welcome to the 2021 Oregon Bach Festival In times of uncertainty, music is a constant in our lives. Music offers catharsis. It keeps us entertained, conjures memories, and expresses our deepest emotions.Music is everywhere. And during this divisive and tumultuous moment, we’re grateful that music is a powerful and relentless force that universally connects us. As we continue to fight a world-wide pandemic together, OBF invites you to join the global community of music lovers who will listen and watch the 2021 virtual Festival from the comfort and safety of their own spaces.All events are presented free and on-demand. A new concert is posted every day at noon and, unless otherwise noted, will remain available throughout the Festival. Whether you’re watching at home alone or you’re gathered with a socially distanced group of friends for a watch party, we hope you enjoy the 2021 slate of brilliant works. We’ll see you for a return to live music in 2022! June 25 Bach Listening Room with Matt Haimovitz June 25 Dunedin Consort: Bach’s Brandenburg Concertos 5 & 6 June 26 Paul Jacobs: Handel & Bach Recital June 27 To the Distant Beloved with Tyler Duncan June 28 Visions of the Future Part 1: Miguel Harth-Bedoya (48 hours only) June 29 Dunedin Consort: Lagrime Mie June 30 Visions of the Future Part 2: Eric Jacobsen (48 hours only) July 1 Emerson String Quartet July 2 Visions of the Future Part 3: Julian Wachner (48 hours only) July 3 Lara Downes presents