Sylvia Lynd's Collaborative Reading and Reviewing - the Collaborative Work of an Interwar Middlewoman
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Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
Summer 2007 Large, Amiable Englishman Who Amused the World by DAVID MCDONOUGH
The quarterly journal of The Wodehouse Society Volume 28 Number 2 Summer 2007 Large, Amiable Englishman Who Amused the World BY DAVID MCDONOUGH ecently I read that doing crossword puzzles helps to was “sires,” and the answer was “begets.” In Right Ho, R ward off dementia. It’s probably too late for me (I Jeeves (aka Brinkley Manor, 1934), Gussie Fink-Nottle started writing this on my calculator), but I’ve been giving interrogates G. G. Simmons, the prizewinner for Scripture it a shot. Armed with several good erasers, a thesaurus, knowledge at the Market Snodsbury Grammar School and my wife no more than a phone call away, I’ve been presentations. Gussie, fortified by a liberal dose of liquor- doing okay. laced orange juice, is suspicious of Master Simmons’s bona I’ve discovered that some of Wodehouse’s observations fides. on the genre are still in vogue. Although the Egyptian sun god (Ra) rarely rears its sunny head, the flightless “. and how are we to know that this has Australian bird (emu) is still a staple of the old downs and all been open and above board? Let me test you, acrosses. In fact, if you know a few internet terms and G. G. Simmons. Who was What’s-His-Name—the the names of one hockey player (Orr) and one baseball chap who begat Thingummy? Can you answer me player (Ott), you are in pretty good shape to get started. that, Simmons?” I still haven’t come across George Mulliner’s favorite clue, “Sir, no, sir.” though: “a hyphenated word of nine letters, ending in k Gussie turned to the bearded bloke. -
In Commemoration of Hector Munro, 'Saki' Transcript
The grinning shadow that sat at the feast: In commemoration of Hector Munro, 'Saki' Transcript Date: Tuesday, 14 November 2006 - 12:00AM The Grinning Shadow that sat at the Feast: an appreciation of the life and work of Hector Munro 'Saki' Professor Tim Connell Hector Munro was a man of many parts, and although he died relatively young, he lived through a time of considerable change, had a number of quite separate careers and a very broad range of interests. He was also a competent linguist who spoke Russian, German and French. Today is the 90th anniversary of his death in action on the Somme, and I would like to review his importance not only as a writer but also as a figure in his own time. Early years to c.1902 Like so many Victorians, he was born into a family with a long record of colonial service, and it is quite confusing to see how many Hector Munros there are with a military or colonial background. Our Hector’s most famous ancestor is commemorated in a well-known piece at the Victoria and Albert Museum. Tippoo's Tiger shows a man being eaten by a mechanical tiger and the machine emits both roaring and groaning sounds. 1 Hector's grandfather was an Admiral, and his father was in the Burma Police. The family was hit by tragedy when Hector's mother was killed in a bizarre accident involving a runaway cow. It is curious that strange events involving animals should form such a common feature of Hector's writing 2 but this may also derive from his upbringing in the Devonshire countryside and a home that was dominated by the two strangest creatures of all - Aunt Augusta and Aunt Tom. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
The Art of Fiction and the Art of War: Henry James, H. G. Wells, and Ford Madox Ford
<http://nbn-resolving.de/urn:nbn:de:bsz:21-opus-49437> | <https://doi.org/10.25623/conn001.1-wiesenfarth-1> Connotations Vol. l.1 (1991) The Art of Fiction and the Art of War: Henry James, H. G. Wells, and Ford Madox Ford JOSEPH WIESENFARTI-1 The house of fiction has . a number of possible windaws. At each of them stands a figure ... with a field-glass, which [insures] to the person making use of it an impression distinct from every other. -Henry James Almost a year after the war broke out between the Allied Forces and the Central Powers in August 1914, a battle was fought between Henry James and H. G. Wells on the literary front. These two instances of hostility, although vastly different in their significance, are nevertheless not unrelated. France, for instance, was the object of attack in both the military and literary campaigns. For Kaiser Wilhelm II, France was the cultural capital of Europe which, in its pride, looked down upon Germany; for H. G. Wells, France threatened England because Henry James-American scion of Balzac, Flaubert, and de Maupas- sant-sought to disseminate a foreign aesthetic in preference to the indigenous one espoused by Wells himself. So just as the German emperor sought to conquer and humiliate France, the British novelist sought to conquer and humiliate Henry James, who, along with Joseph Conrad, a Pole; Stephen Crane, an American; and Ford Madox Ford, an Anglo-German, formed for Wells "a ring of foreign conspirators" (Seymour 14) who were plotting to overthrow the English novel. -
John Buchan's Amicable Anti-Modernism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Nottingham 1 John Buchan’s Amicable Anti-Modernism [published in The Journal of Modern Literature , 35.2 (Winter, 2012): 64-82] Nathan Waddell University of Birmingham, UK This article considers the novelist John Buchan’s changing responses to literary modernism in the inter- war period. It argues that although Buchan has generally been taken as a straightforward opponent of modernist writing, careful study of his oeuvre discloses a more complex scenario in which an antagonism to certain modernist “excesses” is mixed with a qualified attraction to particular modernist innovations. The article’s central assumption is that a key part of Buchan’s worth to the New Modernist Studies lies in his querying—in novelistic as well as in essayistic forms—of the vocabularies now used to elaborate such literary-historical oppositions as high vs. low, for instance, or old vs. new. The article breaks new ground by moving beyond familiar Buchan texts—e.g. The Thirty-Nine Steps (1915)—into the less appreciated territory of his novel Huntingtower (1922), his literary criticism and his cultural commentaries. Keywords: John Buchan / modernism / middlebrow / inter-war / Huntingtower The study of inter-war writing has in recent years produced a number of reinterpretations of previously marginalized figures. Margery Allingham, Elizabeth Bowen, Warwick Deeping, Stella Gibbons, Walter Greenwood, Rosamund Lehmann, Rose Macaulay, Somerset Maugham, Nancy Mitford, J. B. Priestley, Dodie Smith, Gordon Stowell, Elizabeth Taylor, Angela Thirkell, Sylvia Townsend Warner, Dornford Yates—all these and more have been given attention by critics (e.g., Ardis, Grover, Humble) looking to salvage the historical and cultural validity of such writers in the face of the predominance bestowed upon high and late modernism by the mid-twentieth-century New Criticism. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/52260 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FRA1IK SYIBIlERTOIT: THE LIFE AHD WORKSOF A BOOKMA A thesis submitted for the degree of Doctor of Philosophy by IRSSB CAMPBELL N. A., dip. lib., ALA UNIVERSITY OF VARVICK September 1992 ., 2, VII44 SUMARY Frank Swinnerton worked as a clerk for JA Dent & Co. between 1901 and 1907 and as a publisher's reader for Chatto & Windus from 1907 until 1926, during which time he began his career as a writer of fiction, became influential as a reviewer and commentator on literary fashions, and began close friendships with Arnold Bennett, HG Wells and Hugh Walpole. In 1926 he left London to live in Cranleigh, Surrey, as a full-time writer of novels, short stories, critical works, book and theatre reviews, and miscellaneous articles for newspapers and periodicals. He died at the age of ninety-eight in 1982. This is the first biography of Frank Swinnerton to be undertaken in Great Britain. An analysis has been made of each of his works, both novels and non-fiction. His influence in literary circles has been assessed, and his contribution to the book world is placed within the background of literary output and trends in the twentieth century. -
The Annotated Waste Land with Eliot's Contemporary Prose
the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T. -
Read Doc # Hugh Walpole
G6YZY9NWEUZG eBook # Hugh Walpole - The Wooden Horse: In all science, error precedes the... Hugh W alpole - Th e W ooden Horse: In all science, error precedes th e truth , and it is better it sh ould go first th an last. Filesize: 9.4 MB Reviews Absolutely essential study book. It is loaded with wisdom and knowledge I found out this ebook from my i and dad suggested this ebook to understand. (Dr. Lera Spencer) DISCLAIMER | DMCA RVNS0U3P5A4C \ PDF \\ Hugh Walpole - The Wooden Horse: In all science, error precedes the... HUGH WALPOLE - THE WOODEN HORSE: IN ALL SCIENCE, ERROR PRECEDES THE TRUTH, AND IT IS BETTER IT SHOULD GO FIRST THAN LAST. Horse's Mouth. Paperback. Condition: New. 162 pages. Dimensions: 9.0in. x 6.0in. x 0.4in.Sir Hugh Seymour Walpole, CBE was born in Auckland, New Zealand, on March 13th, 1884. His parents had moved to New Zealand in 1877, but his mother, Mildred, unable to settle there, eventually persuaded her husband, Somerset, an Anglican clergyman, to accept another post, this time in New York in 1889. Walpoles early years involved being educated by a Governess until, in 1893, his parents decided he needed an English education and the young Walpole was sent to England. He first attended a preparatory school in Truro. He naturally missed his family but was reasonably happy. A move to Sir William Borlases Grammar School in Marlow in 1895, found him bullied, frightened and miserable. The following year, 1897, the Walpoles returned to England and Walpole was moved to be a day boy at Durham School. -
Catalog Four
USE BOOKS AS BEESUSE FLOWERS NO. 4 HONEYANDWAXBOOKS.COM 1 2 HONEYANDWAXBOOKS.COM 3 So, what kind of books are you looking for? Here at Honey & Wax, we get a lot of unsolicited book offers, some exciting, most less so, a few frankly deranged. I wish I could sum up the typical Honey & Wax book in one word: we buy and sell cookbooks, or atlases, or photography, full stop. Even modern first editions would simplify matters. But in truth, the qualities of a Honey & Wax book are harder to define. As Justice Stewart remarked of pornography, “I know it when I see it.” And I know how I feel when I spot a Honey & Wax book: startled, arrested, curious. Awake. Mostly we deal in literature, but sometimes history and philosophy and art and music. Mostly books, but sometimes games and broadsides and manuscripts and maps. Mostly in English, but sometimes in other languages, ancient and modern. Almost always in excellent condition — and that requirement narrows the field — but our books have so much more going for them than their looks. Each one has something special to recommend it: imaginative writing, historical influence, an intriguing provenance or presentation, striking design. I know it when I see it, and when I see it, I want to share it. In this, our fourth catalog, we feature fifty-nine new acquisitions, from canonical landmarks to unexpected survivals. We hope that every reader — the most jaded collector, the world-weariest librarian — will be genuinely surprised and delighted by at least one book in these pages. -
PG Wodehouse Archive
British Library: Western Manuscripts P.G. Wodehouse Archive (1894-2016) (Loan MS 129) Table of Contents P.G. Wodehouse Archive (1894–2016) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 2 Related Resources.............................................................................................................................. 2 Loan MS 129/1 P.G. Wodehouse Archive: Manuscript Material (1900–2004)........................................... 2 Loan MS 129/2 P.G. Wodehouse Archive: Wartime Material (1939–2015)............................................... 86 Loan MS 129/3 P.G. Wodehouse Archive: Theatrical and Cinematic Work (1905–2008)........................... 97 Loan MS 129/4 P.G. Wodehouse Archive: Correspondence (1899–2010)................................................ 111 Loan MS 129/5 P.G. Wodehouse Archive: Published Material (1899–2003)............................................. 187 Loan MS 129/6 P.G. Wodehouse Archive: Biographical Material (1894–2001)......................................... 210 Loan MS 129/7 P.G. Wodehouse Archive: Posthumous Material (1929–2016)......................................... 218 Loan MS 129/8 P.G. Wodehouse -
BMH.WS1769.Pdf
ROINN COSANTA. BUREAU OF MILITARY HISTORY, 1913-21 STATEMENT BY WITNESS. 1769 DOCUMENT NO. W.S. Witness Patrick J. Little, "Clonlea", Sandyford, Co. Dublin. Identity. Editor, 'New Ireland', 'Eire', 'Sinn Féin' and 'An Pobhlacht', 1916-1926; Irish Representative; South Africa and Argentine, 1920-1921; Parliamentary Secretary and Minister, Dái1 Éireann, 1933-48. Subject. National Activities, 1904-1922. Conditions, if any, Stipulated by Witness. Nil. File No S.96. FormB.S.M.2 STATEMENT BY MR. P.J. LITTLE. Clonlea, Sandyford, Co. Dublin. Background Of Subsequent Developments. My first adventures in national affairs were associated with my fellow students at University College. In l9O4 or 1905, at the conferring of degrees at the Royal University, we made up our minds that we would not have the usual unmeaning rowdy students' rag. We kept very quiet during the proceedings in Earlsfort Terrace. We all came down from the gallery to a subterranean, or side passage, and appeared suddenly on the platform between the organ and the organist, and stopped him playing, "God, Save The King". Those who took part were Cruise O'Brien, Tom Madden (later a doctor in Mayo), John Kennedy (a brother of Hugh Kennedy), Dr. Kerrigan - then a student - and several others. I am not quite sure whether Skeffington was with us that day. I know that he and Seamus O'Kelly took part in subsequent demonstrations, and Tom Kettle, and in other demonstrations later on, in connection with the same event. The Unionists went out of office in January, 1906. They had a big meeting in what was then the Rink in Earlsfort Terrace, and the Unionists had Walter Long as a candidate.